Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Wednesday, November
22, 2023
Reckoning: Adornment as Narrative
Theatre Volunteer Opportunities
WNCSource’s Bargain Hendo Thrift Store closing sale
Worlds Apart: Musical Instruments from Secular to Sacred
American Art in the Atomic Age: 1940-1960
Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting
Hannah Cole: A Mirror, Not a Window
Kids Storytime at Barnes and Noble
Romare Bearden: Ways of Working Exhibition
Stella Alesi: SQUISH
Western North Carolina Glass: Selections from the Collection
Farmers Markets Offer Holiday Shopping
Weaverville Tailgate Market
Read to Puptart!
Discover the Joy of Public Speaking
Discover the
It’s natural to enjoy things you do well,
Carolina Hurricanes vs. Edmonton Oilers
Disney On Ice presents Mickey’s Search Party
LAZOOM Tours: GHOST COMEDY BUS TOUR
Trivia Night
Trivia Night at Hickory Tavern
The Wiz
Robbie Robertson’s Last Waltz
Trivia Night at The Draftsman
Tyger Tyger Gallery is pleased to present Reckoning: Adornment as Narrative, a group exhibition curated by Asheville-based artist and curator Erika Diamond.
Reckoning: Adornment as Narrative is an exhibition of diverse practices, anchored at three points: methods of reckoning; the function of adornment; and the fusing of personal and cultural narrative. It features acts of glitz, embellishment, and homage by Shae Bishop, David Harper Clemons, Kashif Dennis, Annie Evelyn, Margaret Jacobs, Julia Kwon, Katrina Majkut, Heather Mackenzie, and Luis Sahagun. Through material language, each artist tells the story of their identity. Inherent to these stories are contradictions—between labor and value, feminine and masculine, natural and fabricated.
Tuesdays through Saturdays from 10 AM – 5PM
12/19/2023
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Bargain Hendo Thrift Store will be permanently closing its doors on December 13th.
• WNCSource operates the small thrift store which is located on the corner of King Street
and 2nd Avenue in Hendersonville.
• Bargain Hendo first opened in December of 2020 and was meant to support the programs
and services WNCSource provides in 4 western North Carolina Counties. Unfortunately,
low sales and competition from other local thrift stores has made the store less than
profitable.
• But don’t worry, starting Thursday, November 2nd, Bargain Hendo will be open
Wednesdays through Fridays 10AM to 4PM and Saturdays from 10AM to 2PM with some
incredible bargains and sales to clear the shelves.
• Bargain Hendo’s last day is December 13th
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
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| Images: Left: Minna Wright Citron, Squid Under Pier, 1948, color etching, soft-ground, and engraving on paper, edition 42/50, 15 x 17 7/8 inches, 2010 Collections Circle purchase, Asheville Art Museum. © Estate of Minna Citron/Licensed by VAGA at ARS, New York. Right: Dorothy Dehner, Woman #2, 1954, watercolor and ink on paper, 22 3/4 x 18”, courtesy of Dolan Maxwell. |
The Asheville Art Museum is pleased to announce the upcoming exhibition American Art in the Atomic Age: 1940–1960, which explores the groundbreaking contributions of artists who worked at the experimental printmaking studio Atelier 17 in the wake of World War II. Co-curated by Marilyn Laufer and Tom Butler, American Art in the Atomic Age which draws from the holdings of Dolan/Maxwell, the Asheville Art Museum Collection, and private collections will be on view from November 10, 2023–April 29, 2024.
Atelier 17 operated in New York for fifteen years, between 1940 and 1955. The studio’s founder, Stanley William Hayter (1901–1988) established the workshop in Paris but relocated to New York just as the Nazi occupation of Paris began in 1940. Hayter’s new studio attracted European emigrants like André Masson, Yves Tanguy, and Joan Miró, as well as American artists like Dorothy Dehner, Judith Rothschild, and Karl Schrag, allowing for an exchange of artistic ideas and processes between European and American artists.
The Asheville Art Museum will present over 100 works that exemplify the cross-cultural exchange and profound social and political impact of Atelier 17 on American art. Prints made at Atelier 17—including those by Stanley William Hayter, Louise Nevelson, and Perle Fine—will be in conversation with works by European Surrealists who were working at the studio in the 1940s and 1950s. The exhibition will also feature a selection of domestic mid-century objects that exemplify how the ideas and aesthetics of post-war abstraction became a part of everyday life.
Throughout the history of painting from the mid-19th century forward, artists have used an
endless variety of approaches to record their world. Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting continues this thread, offering an opportunity to explore a singular and still forceful aspect of American art. Photorealism shares many of the approaches of historical and modernist realism, with a twist. The use of the camera as a basic tool for organizing visual information in advance of painterly expression is now quite common, but Photorealists embraced the camera as the focal point in their creative process.
Beyond the Lens presents key works from the collection of Louis K. and Susan Pear Meisel,
bringing together paintings and works on paper dating from the 1970s to the present to focus on this profoundly influential art movement. The exhibition includes work by highly acclaimed formative artists of the movement such as Charles Bell, Robert Bechtle, Tom Blackwell, Richard Estes, Audrey Flack, and Ralph Goings as well as paintings by the successive generations of Photorealist artists Anthony Brunelli, Davis Cone, Bertrand Meniel, Rod Penner, and Raphaella Spence. Featured artworks in the exhibition include diverse subject matters, but the primary focus is on the common and every day: urban scenes, “portraits” of cars, trucks, and motorcycles, still life compositions using toys, food, candy wrappers, and salt and pepper shakers. All provide opportunities for virtuoso studies in how light, reflection, and the camera as intermediary shapes our perception of the material world.
This multigenerational survey demonstrates how the 35-mm camera, and later technological
advances in digital image-making, informed and impacted the painterly gesture. Taken together, the paintings and works on paper in Beyond the Lens show how simply spellbinding these virtuosic works of art can be.
“Beyond the Lens offers a fascinating look into the Photorealism movement and delves into the profound connection between the artists’ observation and creative process,” says Pamela L. Myers, Executive Director of Asheville Art Museum. “We are delighted to present this curated collection of artworks encapsulating the creative vision and technical precision that defines this artistic genre.”
Photorealism found its roots in the late 1960s in California and New York, coexisting with an explosion of new ideas in art-making that included Conceptual, Pop, Minimalism, Land and Performance Art. At first, representational realism coexisted with the thematic and conceptual explosion but was eventually relegated to the margins regarding critical and curatorial attention. Often misunderstood and sometimes negatively criticized or lampooned as a betrayal of modernism’s commitment to abstraction, the artists involved in Photorealism remained committed explorers of the trail they had blazed. In the decades of the late twentieth century and early twenty-first century, realistic and symbolic painting experienced a renaissance, as contemporary artists are increasingly drawn to narrative and storytelling. Concurrently, using a camera as a preparatory tool equally legitimate and valuable as pencils and pens has made the rubric of Photorealism increasingly relevant.
This exhibition is organized by the Asheville Art Museum and guest curated by Terrie Sultan.
This exhibition is sponsored in part by Jim and Julia Calkins Peterson.
Opening Reception for the Artist Nov. 3, 6-8PM.
Tracey Morgan Gallery is pleased to present A Mirror, Not a Window, an exhibition of new and recent work by artist Hannah Cole. This is Cole’s second solo exhibition with the gallery. A reception for the artist will be held Friday, November 3 from 6-8PM.
This collection of paintings and sculptures continues Cole’s interest in creating, completely by hand, reproductions of small details and objects culled from her everyday life, turning the viewer’s attention to often overlooked aspects of our surrounding environment and reframing the very definition of representational art. With nods to pop art, trompe l’oeil, and modern American painters, Cole poses big questions about the nature of the artist’s hand, and the drive to (re)create.
A grouping of wall sculptures of nearly exact replicas of books which are hand-painted on wood blocks are included in the exhibition. These books are all non-fiction, mostly art related, though now un-readable. Instead of looking to books for answers, these objects force the viewer to provide the substance. The most self-referential of the group is Jean Baudrillard’s Simulacra and Simulation in which the French philosopher talks in dense prose about our culture of signs and signals eventually becoming copies without any originals. In Cole’s tongue-in-cheek nod, her faithful replica of Baudriallard’s philosophical work becomes an art object whose meaning has shifted completely from the original. Cole’s painted wood block cannot be read and has no actual utility at all, except as an object to contemplate.
A recurring element in Cole’s paintings is a hand-rendered tape measure running along the edge of her canvases. By including this common, easily recognizable object, Cole calls to question the “truth” of representation. Can we trust these measurements simply because they have identifiable markings? Other paintings on Styrofoam show painted wood grain edges, subverting the viewer’s expectation of where the painting itself is, and what it’s made of. We expect a painting to be on the outward-facing surface, but what if the faithful representation is painted on the sides?
In this contemporary age of Artificial Intelligence flooding us with copies, reproductions, fakes, and deliberate decep-tions, anxieties regarding authenticity and authorship run high. Cole’s work invites contemplation of these deeply philosophical issues with a playful tone, presenting serious questions by way of common objects.
Hannah Cole studied at Yale University and Boston University. Her work has been exhibited at The Turchin Center for Visual Arts, NC; the Drawing Center, NY; the University of Maine Museum of Art; the Sherman Gallery at Boston University, MA; Tiger Strikes Asteroid, Greenville, NC; and the North Carolina Museum of Art, Raleigh, among other national and international institutions. She currently lives and works in Asheville, NC.
Kids Storytime at Barnes and Noble
Romare Bearden (Charlotte, NC 1911–1988 New York, NY), African American writer and artist, is renowned for his collages. He constantly experimented with various techniques to achieve his artistic goals throughout his career. This exhibition highlights works on paper and explores his most frequently used mediums, including screen-printing, lithography, hand-colored etching, collagraph, monotype, relief print, photomontage, and collage.
Bearden’s work reflects his improvisational approach to his practice. He considered his process akin to that of jazz and blues composers. Starting with an open mind, he would let an idea evolve spontaneously.
“Romare Bearden: Ways of Working highlights Bearden’s unique artistic practice and masterful storytelling through art,” says Pamela L. Myers, Executive Director of the Asheville Art Museum. “We are thrilled to collaborate with Jerald Melberg Gallery to present these extraordinary works on paper in conversation with Bearden’s collage Sunset Express, 1984 in the Museum Collection (on view in the Museum’s SECU Collection Hall). This exhibition will also provide a glimpse into the cultural histories and personal interests that influenced his art-making practice, and we hope it encourages introspection and dialogue with our visitors.”
Jerald Melberg states, “Romare Bearden’s groundbreaking artistic practice continues to captivate audiences worldwide. With an unparalleled legacy of creativity and innovation, Bearden’s contributions to art remain deeply influential years beyond his life.” We have enjoyed organizing this exhibition with the Asheville Art Museum to showcase his artistic genius and inspire visitors from the Western North Carolina region and beyond.”
This exhibition is made possible in part by the Judy Appleton Fund. Many thanks to the Jerald Melberg Gallery for the loan of these important artworks and to Mary and Jerald Melberg for their long-standing support of the arts, artists, and the Asheville Art Museum.
Tracey Morgan Gallery is pleased to present an exhibition of paintings by artist Stella Alesi in our project space. This is Alesi’s first exhibition with the gallery and is presented in conjunction with Hannah Cole: A Mirror, Not a Window in our main gallery space. A reception for both artists will be held Friday, November 3 from 6-8PM.
The works on view are from the SQUISHY series, a group of geometric, abstract oil on oil paper paintings. With the use of simple shapes and a limited color palette, these works explore the visceral experience of living at this current moment. Alesi’s colorful, “squishy” shapes bend to the demands placed on them by their seemingly heavy, unforgiving counterparts. With this work, Alesi confronts contemporary issues such as climate change and political turmoil, as well as personal trials, using basic shapes, both hard and malleable to express a state of being. The shapes are gestural, fluid, and animated – sometimes resembling body parts even in their minimalism. The effect is a playful interpretation of heavy topics – a visual play on the deep and multi-layer well of human emotions.
Stella Alesi works across several styles and mediums, including drawing, painting, photography, collage, and large wall works. Their practice is characterized by a willingness to try new approaches in the ongoing investigation into new materials and visual languages, always exploring new ways to represent the visceral nature of the human experience. Born on Long Island, New York in 1963, Alesi was raised in New Jersey. They studied at Parsons School of Design, New York City; University Hampshire, Durham; and University of Massachusetts, Amherst. Their work has been purchased by many private and commercial collections. Career highlights include a recent solo exhibit (spring of 2023) at the Northern-Southern gallery, Austin, TX and a large-scale permanent installation in the lobby of The Foundry, Austin TX. Alesi currently lives and works in both Austin, TX and Asheville, NC.
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Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home. Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection. |
- Even though it’s getting colder, you can still find fresh, local food at area farmers markets. Nine markets in Buncombe County will offer extended seasons or special holiday dates in November and December. In addition to seasonal produce, meats, cheeses, eggs, and bread, these markets will feature local artists and handmade goods, such as wreaths, pottery, jewelry, and more.
- ASAP’s Double SNAP for Fruits and Vegetables and Farm Fresh Produce Prescription. Both programs offer participants free market tokens that can be spent on fresh fruits and vegetables. That includes in-season fall produce such as root veggies (including carrots, beets, radishes, and turnips), tubers (potatoes and sweet potatoes), brassicas (broccoli, cauliflower, and cabbage), winter squash, greens, and fruits like apples and persimmons.
Proudly serving the Weaverville community since 2009
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Puptart is a tail wagging robot dog who sits and stays, pants when listening, and responds to someone talking to and petting it. It will not jump up or run away, plus it’s fur free, so no sneezes and runny noses coming your way! Every Wednesday afternoon, Puptart will be available for reading practice in the children’s picture book room. Help establish a joy of reading and develop early literacy skills. Sign up at the front desk, pick a book and practice reading for up to 15 minutes. |
Join us at Keynote Speechcrafters and
Discover the
Joy of
Public Speaking!
It’s natural to enjoy things you do well,
and you will get good at this.
Our members are committed to meeting each week because
steady progress
requires
steady practice.
Our motto:
When you show up
You speak
Every meeting
Every week
So come join us at the South Buncombe Library on Wednesday evenings and prepare to become a better you.
Please Click here to let us know you are coming.
Guests are always welcome. We look forward to speaking with you!
Carolina Hurricanes vs. Edmonton Oilers Hockey
Disney On Ice presents Mickey’s Search Party
Brings the Magic to Fans at Bon Secours Wellness Arena
Through Innovative Technology and Transformative Performances
Disney on Ice Presents Mickey’s Search Party is bringing the magic to guests through dynamic moments that take place on the ice and in the air. This adventure delivers compelling storytelling through multi-leveled production numbers so be prepared to join this magical search and help unlock an epic journey when Disney On Ice presents Mickey’s Search Party delivers an unforgettable experience at the Bon Secours Wellness Arena from November 22-26, 2023.
- Disney On Ice Preferred Customers can purchase advance tickets starting today to get the best seats available before tickets go on-sale to the general public on July 25th. Fans can still sign up to become a Disney On Ice Preferred Customer and get exclusive access to the pre-sale offer code.
Embark on a quest with Mickey Mouse and pals as they follow Captain Hook’s treasure map for clues to find Tinker Bell after he attempts to capture her magic. Journey across the Marigold Bridge with Miguel from Disney Pixar’s Coco into the magnificent and mystical Land of the Dead and discover a vibrantly colorful performance with skeletons atop sway poles dancing over the audience in a beautiful cultural celebration of family. Travel to the wintry world of Arendelle and sing along with Elsa as video projection creates a kaleidoscope of crystals to help build her ice palace. Witness Belle lift into the sky as the enchanted chandelier comes to life high over the ice. Demonstrate the power of teamwork when Buzz Lightyear, Woody and Jessie recruit the Green Army Men for a daring rescue in Andy’s room. Laugh hysterically as the hilarious pirates’ flip, tumble, and twist on tumble tracks, stilts and more to showcase their talents for Captain Hook. Sail away with Moana on her daring voyage across the ocean and bravely encounter the fiery wrath of Te Ka. And make memories with your whole family during Aladdin and The Little Mermaid as the search party becomes an all-out magical celebration
GHOST COMEDY BUS TOUR
Grab a local beer, crucifix and a rubber chicken* —You might survive this hour long hilarious haunted ghost tour of Asheville.
- Guided comedy bus tour of Haunted Asheville
- 60 minutes; tours run nightly after dark
- $33 per person (Ages 17+ only)
- Departs from 76 Biltmore Avenue
*Legal Note: Crucifix not required to board the bus; we do not condone exorcisms, chickens, rubber, or any combination of the three.
Every Wednesday
Trivia Night
Trivia Night at Hickory Tavern
Everybody look around! The Tony Award®-winning Best Musical that took the world by storm is back and coming to Greenville.
An all-new production of the groundbreaking musical The Wiz returns “home” to stages across America on a limited Pre-Broadway tour.
This revolutionary musical, adapted from The Wizard of Oz by L. Frank Baum, changed the face of Broadway—from its iconic score packed with soul, gospel, rock, and 70s funk to its stirring tale of Dorothy’s journey to find her place in a contemporary world. A dynamite infusion of ballet, jazz, and modern pop brings a whole new groove to easing on down the road.
The extraordinary cast features Alan Mingo, Jr. (“Doom Patrol,” Kinky Boots) as The Wiz, award-winning recording artist Deborah Cox as Glinda, Melody Betts as Aunt Em and Evillene, Kyle Ramar Freeman (A Strange Loop) as the Lion, Phillip Johnson Richardson (Sharper, A24) as the Tinman, and Avery Wilson (On Top of the World, Studio Album) as the Scarecrow. Nichelle Lewis(Hairspray National Tour) makes a star-turn Broadway debut as Dorothy.
Oz has been reimagined by a star studded creative team, led by director Schele Williams (Broadway’s upcoming The Notebook, revival of Disney’s Aida), choreographer JaQuel Knight (Beyoncé’s ‘Single Ladies’, Black is King), scenic design by Academy Award ®-winning Hannah Beachler (Black Panther, Beyoncé’s Black is King and Lemonade), costume design by Emmy Award®-winning and two-time Academy Award®-nominated Sharen Davis (Ray, Dreamgirls), lighting design by Barrymore Award-winning Ryan J. O’Gara (Thoughts of a Colored Man), sound design by Jon Weston (Parade), projection design by Daniel Brodie (Motown the Musical), and wig design by Charles LaPointe (MJ the Musical). Amber Ruffin (“The Amber Ruffin Show,” “Late Night with Seth Meyers”) pens additional material for William F. Brown’s trailblazing book. Charlie Smalls’ Tony Award®-winning score features iconic hits “Ease on Down the Road,” “Home,” and Luther Vandross’ “Everybody Rejoice,” with new musical moments from Joseph Joubert (music supervision, orchestrations, & music arrangements), Allen René Louis (vocal arrangements, music arrangements), and an Emerald Ballet composed by Timothy Graphenreed.
The Wiz runs approximately 2 hours and 20 minutes, including intermission.
Doors Open: 7:00 PM
– ALL AGES
– STANDING ROOM ONLY
– STANDING ROOM ONLY
ALL ABOARD RECORDS PRESENTS ROBBIE ROBERTSON’S LAST WALTZ
The Last Waltz is a 1978 concert film by Martin Scorsese that documents The Band’s last concert at Bill Graham’s historical San Francisco concert hall, Winterland. With the BRAND NEW project, “Big Pink” 45 years later, the finest musicians in AVL will pay homage to the legendary concert and the passing of visionaire and band leader Robbie Robertson. Presented by All Aboard Records on Nov. 22nd, 2023, at The Grey Eagle in Asheville, NC.
The film is about the joy of live music. It was the Band’s last concert together and marked the end of their touring life.
@allaboardrecords project Big Pink and Big Benefit Band supergroup will be joined by more than a dozen special guests, including Ed Jurdi (Band of Heathens), Jack Mascari; Members of Velvet Truckstop, Marcus King Band, The Steep Canyon Rangers, JLloyd Mashup, Travers Brothership and Abby Bryant & The Echoes. Also, starring Joe Medwick, a contemporary of Garth Hudson and The Band.
Featuring:
@jack_mascari @abbyandtheechoes @bryansolleveld @velvettruckstop @dorseyparker3 @thewarrenhaynes @marcuskingband @thejustinkjohnson @jlloydavl @kyletravers_official @the_band_official_ @martinscorsese_ @steepcanyonrangers @nickyfiddle @joe_medwick @officialgarthhudson @dorseyparkersbigbenefitband @kevinfuller_ @ashleyheathmusicofficial @melissamckinneymusic @de_bsand @thewolfsjaw @goldrosestories
Put those random facts and obscure obsessions to use at Trivia Night, every Wednesday at The Draftsman! Bring friends and make new ones while you fuel your brain with specials on signature cocktails and bar bites at our laidback basement bar. Bragging rights for the title of Trivia Champion are always up for grabs!
Thursday, November
23, 2023
17th Annual ATHENA Leadership Award Nominations Now Being Accepted
Artsville Collective: Virtual Gallery of Artists (VGA) program
Asheville Art Museum Fall Annual Fund
Buncombe County Special Collections call for proposals
Buncombe County Violence Prevention Task Force Survey
Christmas at Biltmore Daytime and Evening
Donate to Protect Land and Water Forever
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Artsville Collective proudly presents the Virtual Gallery of Artists (VGA) program,
an initiative designed to help elevate the careers of local artists. VGA offers artists a unique
opportunity to gain global exposure, valuable marketing skills, and an array of promotional
resources. The VGA program invites individual artists to apply for three months of marketing
exposure through print, digital, and podcast platforms. Artsville provides guidance on building
relationships with the press and art buyers, empowering artists by coming alongside them and
forming connections. Notably, Artsville does not take any commissions on art sales, ensuring
artists keep their full earnings.
Nine artists introduced in first cohort from Oct- Jan include a carefully curated group
showing diversity in age, mediums, experience and exposure in the art markets so they may also
learn from each other. Meet Amy Massey, Candice Hensley, Elizabeth Walton, Georgia Deal,
Jean McLaughlin, Joseph Pearson, Max Cooper, Selene Plum, and Wendy Newman.
Accessible only online, Artsville’s VGA also provides VGA artists a comprehensive toolkit,
including newsletters, podcasts, discussion groups, and learning programs. Committed artists
who actively participate can earn recognition and further opportunities, such as involvement in
Artsville events, pop-up exhibits, and networking groups. In preparation for the holiday season,
Artsville will also present a curated holiday catalog of handmade gifts, offering a unique
opportunity for VGA participants to showcase their work to a wider audience.
Artsville Collective is dedicated to supporting and empowering the artistic community in
Western North Carolina. For further information about Artsville programs and opportunities,
contact Meredith McBride at [email protected] or 828-216-8050. Images and
Instagram- ArtsvilleUSA
Facebook- ArtsvilleCollective
The Asheville Art Museum is excited to be celebrating its 75th anniversary this year! Over the past seven and a half decades, the Museum has served as the hub for artistic inspiration and education in Western North Carolina, bringing together artists and art enthusiasts from all walks of life.
As we approach the holiday season, we reflect upon the transformative power of art and the indelible impact it has on the young minds that visit the Museum. This year, we are especially grateful for the enriching experiences made possible by the Museum, experiences that extend far beyond the confines of our walls and into the hearts and minds of future generations.
Imagine the excitement of a 10th-grade class stepping through the Museum doors, wide-eyed and curious, ready to embark on a journey of artistic discovery. Your support of the Annual Fund has played a pivotal role in shaping these moments of inspiration, allowing us to provide an immersive and educational environment that fosters creativity.
During their recent visit, students were transported into the vibrant world of art, exploring diverse exhibitions that span decades and cultures. The Museum’s thoughtfully curated exhibitions became a canvas for their imagination. Witnessing the awe in their eyes as they encountered the beauty of creativity was a testament to the lasting impact of your generosity.
The following message was forwarded to the Museum’s Learning and Engagement department by Jennifer Riels, an educator and parent. “Our class of 10th grade students came to the Museum on Monday, October 30. It was wonderful. I can’t remember the name of the man who led our tour, but he did a phenomenal job asking questions and connecting the art to math. We enjoyed our visit and are grateful for the opportunity that the Asheville Art Museum provided our students!”
Your continued support and dedication not only facilitates these eye-opening field trips but makes it possible for the Museum to expand its educational outreach programs. Through your contribution, we can continue to inspire the next generation of artists, thinkers, and visionaries.
In the spirit of gratitude, we invite you to donate to our Fall Annual Fund. Your support ensures that we can continue to provide transformative experiences, empowering students to think critically, express themselves creatively, and develop a lifelong appreciation for the arts.
Your support is not just an investment in the Asheville Art Museum; it is an investment in the cultural enrichment of our community and the development of young minds. Together, we can continue to create moments of inspiration that resonate for a lifetime. Make your gift today by clicking the DONATE NOW button, visiting www.ashevilleart.org/donate or calling 828.253.3227 x114.
Buncombe County Special Collections is excited to announce a call for proposals for the third year of its creative residency program.
This is an annual opportunity for artists in Buncombe County to create new, research-driven creative work using BCSC’s historic resources as source material and/or inspiration, and to present their work in the Carolina Record Shop, a dedicated exhibition space in the BCSC reading room. Artists age 18 and up, based in Buncombe County, working in any creative discipline are invited to apply.
Buncombe County Special Collections is looking for projects that will:
- Offer new, diverse perspectives on our shared history
- Identify and address gaps and/or amplify narratives that are historically underrepresented in the collection
- Educate and inspire non-traditional users of archives and special collections to engage with the collection in new ways.
More information (including the PDF of the call for proposals) is available at here. The 2024 Creative Residency is made possible in part by the Trust Fund for Buncombe County Public Libraries.
You can also visit Buncombe County Special Collections in the lower level of Pack Memorial to view the current exhibition in the Carolina Record Shop, “Belonging & Non-Belonging: The History and Future of Zines in Western North Carolina,” curated by 2023 resident Miles Lamberson.
The Buncombe County Violence Prevention Task Force is a local community-based group which helps provide educational presentations and support to the community. One project the task force has worked on implementing is a community attitudes survey. The survey will ask for your thoughts about different social norms, types of violence and the communities that are affected by violence. Some of the content touches on difficult topics such as domestic violence, sexual assault, and child abuse. Survey responses will help the Family Justice Center and partnering agencies better understand these issues in our community and how to provide support to survivors and prevent violence from occurring. The survey will likely take about 5-10 minutes to complete. You can stop at any time and skip any questions you do not want to answer. Your answers are anonymous and participation is completely voluntary. The survey is available in both Spanish and English, and participants must be 18+ to participate. Please email questions to [email protected].
Please share this information and link to the survey with your networks or anyone you know who lives in Buncombe county as we’re trying to reach as many folks in our community as we can.
Immerse Yourself in the Magic
Experience Christmas at Biltmore, when America’s Largest Home®, Antler Hill Village, and the entire estate are beautifully bedecked for the holidays.
NEW THIS YEAR: all Biltmore House tickets include FREE next-day grounds access. Because more time to explore means more memories made. Select ticket types also include Italian Renaissance Alive.
Antler Hill Village Illumination
Included with admission—Bask in the glow of a glittering cascade of lights illuminating trees, buildings, and the pathways that connect the unique shops, restaurants, and Winery in Antler Hill Village. Experience this must-see part of the Christmas at Biltmore tradition, which includes festive displays adorning Ciao! From Italy and our relaxing Winery, where complimentary tastings await.
Christmas Daytime Celebration
November 3, 2023–January 7, 2024
A daytime visit to Biltmore is a feast for the senses, featuring fragrant wreaths, glittering garland, and the sparkle of thousands of ornaments from Biltmore House to Antler Hill Village! Wrap yourself in the magic of this most beloved of holiday traditions: Christmas at Biltmore.
NEW THIS YEAR:
All Biltmore House tickets include FREE next-day grounds access!
Select ticket options also include Italian Renaissance Alive.
Plan now for Christmas at Biltmore 2024! View Ticket Options.
Candlelight Christmas Evenings
An Unforgettable Holiday Evening
November 3, 2023–January 6, 2024
A majestic Norway spruce and pathway luminaries welcome you to America’s Largest Home®. Inside, thousands of ornaments reflect the soft glow of candles, fireplaces, and twinkle lights. The magic continues in Antler Hill Village, which is festooned with glittering lights, ornaments, and displays.
NEW THIS YEAR:
All Biltmore House tickets include FREE next-day grounds access!
Select ticket options also include Italian Renaissance Alive.
Plan now for Candlelight Christmas Evenings 2024! View Ticket Options.
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