Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
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The Asheville Art Museum presents Fantastical Forms: Ceramics as Sculpture on view at the Museum November 4, 2020 through April 5, 2021. The 25 works in this exhibition—curated by associate curator Whitney Richardson—highlight the Museum’s Collection of sculptural ceramics from the last two decades of the 20th century to the present. Each work illustrates the artist’s ability to push beyond the utilitarian and transition ceramics into the world of sculpture.
North and South Carolina artists featured include Elma McBride Johnson, Neil Noland, Norm Schulman, Virginia Scotchie, Cynthia Bringle, Jane Palmer, Michael Sherrill, and Akira Satake. Works by American artists Don Reitz, Robert Chapman Turner, Karen Karnes, Toshiko Takaezu, Bill Griffith, and Xavier Toubes are also featured in the exhibition.
Into the Light by Cynthia Wilson; one of the many works in this exhibit.
The Gallery at Flat Rock Offers Virtual and In-Person Exhibit
On January 21, The Gallery at Flat Rock opened their latest exhibit, Transcendence: An Artistic Celebration of the U.N. International Year of Peace and Trust. The in-person and virtual exhibit features, “over two dozen Gallery at Flat Rocks artists, who will each provide one artwork for the show that they believe evokes themes of peace and mutual trust among members of humanity.”
Winter Hours:
Wed – Sat 11am – 4pm
Sun 11am – 3pm
Open by appointment
or by chance
Gregory Crewdson, Untitled, 2001–2002, chromogenic print mounted on aluminum, 47 ⅝ × 59 ½ inches. Whitney Museum of American Art, New York, promised gift of the Fisher Landau Center for Art, P.2010.300. © Gregory Crewdson, image courtesy Whitney Museum of American Art.
Drawing inspiration from Vantage Points, students are challenged to use photography to explore people, places, and storytelling.
Please note:
- Youth Studio is held indoors in the Museum’s Education Center.
- Space is limited to small groups of up to eight students; face coverings and social distancing are required.
Presented in conjunction with Vantage Points: Contemporary Photography from the Whitney Museum of American Art. Generous support for exhibition programming provided by Art Bridges.
YOUTH STUDIO
Youth Studio is the Museum’s new studio program for children and teens! Students experiment and explore a variety of media and techniques through classes and workshops led by visiting artists and Museum educators. Classes meet 2–4 weeks and are designed for a deeper exploration of a specific media; workshops meet 3–5 hours and introduce a new medium or process. All materials are provided by the Museum.
The Museum is committed to making our programs accessible to everyone, regardless of economic means. With support from the Walnut Cove Members Association, we are able to provide a limited amount of financial aid to help students who could not otherwise afford to enroll in our programs. Email Sharon McRorie, education programs manager, or call 828.253.3227 x124 to inquire.
Taught by Tom Chalmers and Kim Mako
This online course is offered as a primer in the craft of scripted performance, exploring the steps to submitting audition tapes, sustaining connected scene work through a screen, and creating three-dimensional characters on a two-dimensional medium. Learn how people see you and what you convey when you are on stage, and now on screen. Armed with that awareness, learn how to best choose and deliver the monologue to land you the parts that are perfect for you. If given material to audition with, learn how to break down the sides, how to discover the beats of the scene, and how to offer varied options. And when you land the part, learn how to attack the script, build the arc of your character, and establish the thoughts behind the lines. This course will culminate with a streamed showcase of the best work created in the class.
A limited number of scholarships are available for this class. CLICK HERE TO APPLY. Please do not purchase registration prior to applying. Applications must be received by 2:00 pm on Monday, January 11, 2021 for consideration. Please contact Amanda at [email protected] with questions.
6 Week Session: January 20 – February 24, 2021
Wednesdays, 6:30-7:45 pm
Since 1977, the North Carolina Arts Council’s Grassroots Arts Program has provided North Carolina citizens access to quality arts experiences. Using a per capita based formula, the program provides funding for the arts in all 100 counties of the state through partnerships with local arts councils.
Funding for the 2020-2021 grant cycle will focus on operating expenses for nonprofit arts organizations. Multicultural organizations will receive priority. To be considered an organization of color, the majority of their board and executive leadership must be people of color. No funding match will be required.
The Grassroots Grant Program is made possible by individual and private contributions to the Asheville Area Arts Council’s—and by the Grassroots Arts Program of North Carolina Arts Council, a division of the Department of Natural & Cultural Resources.
Opening the Door to Change presents the history of education in Western North Carolina, with a particular emphasis on Madison County, from the mid-nineteenth century through the late twentieth. Here, learning has taken many forms, from in-home instruction, common, subscription, and religious schools, to colleges of farming and craft. The curriculum of these schools, as well as their very construction, and in some cases closing, was deeply entwined with the changing needs and values of the Western North Carolina Appalachian community.
The exhibition focuses on the dynamic relationship between community values and education, with a special focus on how students and their families navigated the economic, geographic, and racial challenges to education. Trends and changes in curriculum, assessment, and classroom design will also be explored.
The virtual exhibition will feature didactic panels showcasing a survey of schools within Madison County and highlighting the effect community values had on the curriculum, function, and format of these institutions. Online visitors may also get a sneak-peak at an original film, produced by the Museum, presenting the oral histories of several Madison County residents sharing their personal recollections and memories of past school-days.
Additional films will spotlight the Historic Mars Hill Anderson Rosenwald School and Laurel School, with first-hand accounts from former students and teachers.
This virtual exhibition is sponsored by the Madison County Tourism and Development Authority.
Wake, Mel Chin’s giant animatronic sculpture, installed in New York City’s Times Square last summer, will be on view in Asheville through March 15, 2021, at 44 Collier Avenue. Chin, a WNC based conceptual artist, was named a MacArthur Fellow in September 2019.
Wake was commissioned as part of Mel Chin: All Over the Place, a multi-site survey of his works from across many decades that took place in several New York City locations. A collaborative group, led by UNC Asheville’s STEAM Studio and The Community Foundation of Western North Carolina, formed to plan and raise funds for the sculpture to be seen locally.
Wake – 60 feet long, 34 feet wide and 24 feet high, conceived and designed by the artist – was engineered, sculpted and fabricated by an interdisciplinary team of UNC Asheville students, faculty, staff and community artists led by Chin. The sculpture is interactive and features decks and places to sit and contemplate.
Wake evokes the hull of a shipwreck crossed with the skeletal remains of a marine mammal. The structure is linked with a carved, 21-foot-tall animatronic sculpture, accurately derived from a figurehead of the opera star Jenny Lind that was once mounted on the 19th century clipper ship, USS Nightingale. Jenny Lind moves subtly as she breathes and scans the sky.
Visitors can experience Wake daily from 9 a.m. to 9 p.m. at 44 Collier Avenue. For more details and a schedule of programming, visit ashevillearts.com.
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2021 WNC Regional Scholastic Art Awards
The Museum, with the assistance of its volunteer docents and support from the Asheville Area Section of the American Institute of Architects, is proud to sponsor the WNC Regional Scholastic Art Awards. Students in grades 7–12 from all across our region are invited to submit work for this special juried competition. The Museum works with the Alliance for Young Artists & Writers to facilitate regional judging of student artwork and recognition of our community’s burgeoning artistic talent.
In early spring each year, award winners are featured in an exhibition, and are honored at a ceremony. Regional Gold Key recipients’ work is sent to the National Scholastic Art competition hosted by the Alliance for Young Artists & Writers.
Across the Atlantic
Across the Atlantic
American Impressionism Through the French Lens
This extraordinary exhibition, drawn from the collection of the Reading Public Museum, explores the path to Impressionism through the 19th century in France. The show examines the sometimes complex relationship between French Impressionism of the 1870s and 1880s and the American interpretation of the style in the decades that followed. More than 65 paintings and works on paper help tell the story of the “new style” of painting which developed at the end of the 19th century—one that emphasized light and atmospheric conditions, rapid or loose brushstrokes, and a focus on brightly colored scenes from everyday life, including both urban and rural settings when artists preferred to paint outdoors and capture changing effects of light during different times of day and seasons of the year.
Across the Atlantic: American Impressionism through the French Lens is organized by the Reading Public Museum, Reading, Pennsylvania.
Generous support for this project provided by Art Bridges and The Maurer Family Foundation.
The Asheville Art Museum announces Meeting the Moon, an exhibition featuring prints, photographs, ceramics, sculptures, and more from the Museum’s Collection. This exhibition will be on view in the Asheville Art Museum’s McClinton Gallery February 3 through July 26, 2021.
2021 marks the 60th anniversary of the beginning of the Apollo space program at NASA, but its inception was hardly the beginning of humankind’s fascination with Earth’s only moon. Before space travel existed, the moon—its shape, its mystery, and the face we see in it—inspired countless artists. Once astronauts landed on the moon and we saw our world from a new perspective, a surge of creativity flooded the American art scene, in paintings, prints, sculpture, music, crafts, film, and poetry.
This exhibition, whose title is taken from a 1913 Robert Frost poem, examines artwork in the Asheville Art Museum’s Collection of artists who were inspired by the unknown, then increasingly familiar moon. Meeting the Moon includes works by nationally renowned artists Newcomb Pottery, James Rosenquist, Maltby Sykes, Paul Soldner, John Lewis, Richard Ritter (Bakersville, NC), and Mark Peiser (Penland, NC). Western North Carolina artists include Jane Peiser (Penland, NC), Jak Brewer (Zionville, NC), Dirck Cruser (Asheville, NC), George Peterson (Lake Toxaway, NC), John B. Neff (NC), and Maud Gatewood (Yanceyville, NC).
“Meeting the Moon offers the opportunity to combine science and popular culture with works of art in the Museum’s Collection,” says Whitney Richardson, associate curator. “I think all visitors will find something that draws them into this exhibition, whether it’s the artwork, poetry, music, or science of space travel. It’s such an affirmation of humanity to find these mysteries, like the moon, which enchant us all.”
This exhibition is organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator. Visit ashevilleart.org for more information about this and other exhibitions.
This exhibition features archival objects from the Theodore Dreier Sr. Document Collection presented alongside artworks from the Museum’s Black Mountain College Collection to explore the connections between artworks and ephemera. This exhibition is organized by the Asheville Art Museum and curated by lydia see, fall 2020 curatorial fellow, with support from a Digitizing Hidden Collections grant through the Council on Library and Information Resources.
Desire Paths looks at makers within the discourse of craft and those existing on the periphery of the craftscape who focus on the movement of the body towards something desirable. These desires of the body are in relationship to nature, technology, self, and society. Using architectural theory and queer curatorial strategies, Desire Paths examines the possibilities and futures of bodies, revealing connections between the corporeal and craft.
“Desire paths,” a term taken from urban planning, are lines trodden in the landscape when constructed walkways do not provide a direct or desired route. Through action, repetition, and intentionality, desire paths are crafted modifications to the landscape that allow for a body to move towards a horizon. The format of the works include traditional craft media, performance, video, and interactive web-based work. Through this variety of media and performative tactics the makers in Desire Paths consider how we view, value, and ascribe meaning to a body/the body/the others body. They show us the power and agency held in body and present us with crafted visions of the body that confront and expand expectations
The works in this exhibition reclaim the concept of craft from its historical associations with the decorative, frivolous, feminine, indigenous, and the other. The makers use the medium of craft, and the action of crafting, to produce powerful representations and counter narratives to dominant culture.
Two Ways to View
Virtual Tour
Online visitors can register to attend a virtual tour of this exhibition. This is a free event. A $5-10 donation at time of registration is recommended.
In-Person
The Center is offering free, unguided visits and affordable tours of its exhibitions to the public. Guests can reserve a 30-minute visit to explore the current exhibitions, learn more about the Center’s national impact in their Craft Research Fund Study Collection, and enjoy interactive activities. The Center is open to the public Tuesday-Friday, 11 am -5 pm. Hours of operation may be subject to change.
Center for Craft is monitoring the effects of COVID-19 on the community and following the instruction of federal, state, and local health departments. Our top priority is always the health and safety of our staff, coworkers, and visitors. At this time, the Center can only allow a maximum of five guests in its public space at once and will require the use of masks or face coverings by all visitors, including children. The Center reserves the right to refuse entry to any visitor that will not comply.
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The Asheville Art Museum presents Fantastical Forms: Ceramics as Sculpture on view at the Museum November 4, 2020 through April 5, 2021. The 25 works in this exhibition—curated by associate curator Whitney Richardson—highlight the Museum’s Collection of sculptural ceramics from the last two decades of the 20th century to the present. Each work illustrates the artist’s ability to push beyond the utilitarian and transition ceramics into the world of sculpture.
North and South Carolina artists featured include Elma McBride Johnson, Neil Noland, Norm Schulman, Virginia Scotchie, Cynthia Bringle, Jane Palmer, Michael Sherrill, and Akira Satake. Works by American artists Don Reitz, Robert Chapman Turner, Karen Karnes, Toshiko Takaezu, Bill Griffith, and Xavier Toubes are also featured in the exhibition.
The Goodrum Family, photo by Suzanne Camarata
Thank you Suzanne Camarata of The Gallery at Flat Rock whose Porch Portraits sessions raised $2835 for the Playhouse! Suzanne began this series when the pandemic made traditional photo sessions a challenge and inspired photographers used social distancing to create a new way to capture memories. “Porch Portraits by Suzanne brings the fun of a casual, light-hearted photoshoot right to your home – literally to your front porch or in your front yard. ” Suzanne is continuing her sessions this year, so make sure to visit the link below to get (or gift) a session today.
Into the Light by Cynthia Wilson; one of the many works in this exhibit.
The Gallery at Flat Rock Offers Virtual and In-Person Exhibit
On January 21, The Gallery at Flat Rock opened their latest exhibit, Transcendence: An Artistic Celebration of the U.N. International Year of Peace and Trust. The in-person and virtual exhibit features, “over two dozen Gallery at Flat Rocks artists, who will each provide one artwork for the show that they believe evokes themes of peace and mutual trust among members of humanity.”
Winter Hours:
Wed – Sat 11am – 4pm
Sun 11am – 3pm
Open by appointment
or by chance
Thursdays, 6:30 – 9pm
January 7th – February 25th
Come join Lauren in this beginner sculpting class where we explore all things… UNUSUAL. Using different sculpting and handbuilding techniques we will create animal skulls, body parts, and more, then transform them into functional or sculptural pieces. You are welcome to bring in your own weird and random sculpture ideas or inspirations or see where the class takes you! Nothing is off limits as we learn to build what we see and imagine with clay.
Level: All Levels
Tuition: $315 + $60 Lab Fee
Vantage Points: Contemporary Photography from the Whitney Museum of American Art features a selection of photographic works from the 1970s to the mid-2000s that highlights how photography has been used to represent individuals, places, and narratives. Drawn exclusively from the Whitney’s permanent collection, this presentation includes approximately 20 artists whose works reveal the strength of the photographic image in the late 20th and early 21st century in the United States. For this program, Carrie Springer, the Whitney’s assistant curator and organizing curator of Vantage Points, gives an overview of the exhibition, offers insight into the experience of building the exhibition, and answers questions from the audience. Generous support for this program is provided by Art Bridges. More info and register for this virtual program at ashevilleart.org/events.
Organic Growers School is partnering with Food First and Altruvistas to offer their fourth Cuba Agroecology Tour and their first such trip in the summer from June 22 through July 1, 2021, with a focus on the country’s intensive sustainable agriculture practices. The tour, to be comprised of growers, community leaders, educators, and activists who are passionate about sustainable agriculture, will begin in Havana and travel to destinations such as Pinar del Rio, Artemisa, and Matanzas. The trip offers participants on-the-ground exposure to Cuban agriculture and the food sovereignty movement and will highlight their engagement with the global food system. The intention is for participants to acquire the knowledge and strategies to create just, sustainable, local, and healthy food systems in their own communities.
Cuba has had a focus on organic agriculture production methods since the 1970s. The collapse of the Soviet Union in 1989 ended Cuba’s access to agricultural inputs overnight, propelling them into what is now known as the “Special Period”—a crisis of reduced resources and increased hunger. The country embarked on a massive and rapid conversion to agroecology in an attempt to boost food production. The tour will focus on small farmers, sustainable food systems, and national security. There are multiple opportunities in Cuba’s diverse agricultural landscape to learn many lessons and insights for the development of a secure and sustainable food system elsewhere.
“The purpose of this tour is not to romanticize or glorify Cuban agriculture,” says Sera Deva, Director of Programs with Organic Growers School and the trip organizer. “It is instead an opportunity to learn about what a country-wide commitment to sustainable, local agriculture can look like. It will broaden and deepen our region’s wisdom regarding alternative food systems. Our goals are to show our participants the importance of cooperative farming models and sustainable farming techniques, as well as encouraging them to think critically about practical and governmental structures that could support a thriving community of organic growers and consumers.”
Local partners will provide an overview of Cuban history, culture, politics, agriculture, and ecology. Additionally, the group will meet with specialists who will provide background on the country’s transition into agroecological farming practices and the national policies that prioritize organic farming and the remediation of hunger. With a firm commitment to sustainability and justice, this tour will connect participants to farmers, consumers, activists, NGOs, policymakers and experts working to transform the global food system.
Tour highlights will include the following:
- Discuss agroecology with Fernando Funes, co-author of Food First’s book Sustainable Agriculture & Resistance in Cuba.
- Visit community permaculture and agricultural education, and food conservation projects.
- Discuss changes in US-Cuba relations and how they might affect the future of tourism and agriculture in Cuba.
- Meet with the National Association for Small Farmers (ANAP) and the Ministry of Agriculture.
- Meet with a variety of small farmers and farmers’ cooperatives.
For the purposes of this trip, OGS is partnering with Food First, a “people’s think tank” dedicated to ending the injustices that cause hunger and helping communities to take back control of their food systems. Food First has been offering tours to Cuba for more than 20 years with the organizing assistance of Altruvistas, a socially responsible and philanthropic travel company that has facilitated 20,000 travelers to Cuba.
The cost of the trip is $2,950 and will serve, in part, as a fundraiser for Organic Growers School (OGS), a 501c3 non-profit organization. Thanks to a grant from the Christopher Reynolds Foundation, there are a limited number of partial scholarships for farmers and food activists to attend. This tour and all registrants will not be affected by recent political actions to restrict American travel to Cuba. Cuba is considered one of the safest destinations for travel, partially due to their diligent and holistic approaches to healthcare. Due to COVID-19, the traveling climate of the US (as well as tourist restrictions in Cuba) is changing daily. Cuba has implemented many of the same precautionary measures implemented around the world to minimize the spread of COVID-19 including social distancing, limiting travel to the island completely through the summer, and closing schools. In early November 2020, Cuba reopened its borders to travelers.
Potential tour participants can visit the OGS FAQ page which answers questions such as, “Why Cuba?,” “What are the legal considerations when traveling to Cuba?,” “Why ravel with Organic Growers School?,” “What does the tuition cover?,” and “What can I expect to experience?” Traveler testimonials from previous trips, the full itinerary, as well as a photo gallery can also be found on the website.
Since 1977, the North Carolina Arts Council’s Grassroots Arts Program has provided North Carolina citizens access to quality arts experiences. Using a per capita based formula, the program provides funding for the arts in all 100 counties of the state through partnerships with local arts councils.
Funding for the 2020-2021 grant cycle will focus on operating expenses for nonprofit arts organizations. Multicultural organizations will receive priority. To be considered an organization of color, the majority of their board and executive leadership must be people of color. No funding match will be required.
The Grassroots Grant Program is made possible by individual and private contributions to the Asheville Area Arts Council’s—and by the Grassroots Arts Program of North Carolina Arts Council, a division of the Department of Natural & Cultural Resources.
Opening the Door to Change presents the history of education in Western North Carolina, with a particular emphasis on Madison County, from the mid-nineteenth century through the late twentieth. Here, learning has taken many forms, from in-home instruction, common, subscription, and religious schools, to colleges of farming and craft. The curriculum of these schools, as well as their very construction, and in some cases closing, was deeply entwined with the changing needs and values of the Western North Carolina Appalachian community.
The exhibition focuses on the dynamic relationship between community values and education, with a special focus on how students and their families navigated the economic, geographic, and racial challenges to education. Trends and changes in curriculum, assessment, and classroom design will also be explored.
The virtual exhibition will feature didactic panels showcasing a survey of schools within Madison County and highlighting the effect community values had on the curriculum, function, and format of these institutions. Online visitors may also get a sneak-peak at an original film, produced by the Museum, presenting the oral histories of several Madison County residents sharing their personal recollections and memories of past school-days.
Additional films will spotlight the Historic Mars Hill Anderson Rosenwald School and Laurel School, with first-hand accounts from former students and teachers.
This virtual exhibition is sponsored by the Madison County Tourism and Development Authority.
Wake, Mel Chin’s giant animatronic sculpture, installed in New York City’s Times Square last summer, will be on view in Asheville through March 15, 2021, at 44 Collier Avenue. Chin, a WNC based conceptual artist, was named a MacArthur Fellow in September 2019.
Wake was commissioned as part of Mel Chin: All Over the Place, a multi-site survey of his works from across many decades that took place in several New York City locations. A collaborative group, led by UNC Asheville’s STEAM Studio and The Community Foundation of Western North Carolina, formed to plan and raise funds for the sculpture to be seen locally.
Wake – 60 feet long, 34 feet wide and 24 feet high, conceived and designed by the artist – was engineered, sculpted and fabricated by an interdisciplinary team of UNC Asheville students, faculty, staff and community artists led by Chin. The sculpture is interactive and features decks and places to sit and contemplate.
Wake evokes the hull of a shipwreck crossed with the skeletal remains of a marine mammal. The structure is linked with a carved, 21-foot-tall animatronic sculpture, accurately derived from a figurehead of the opera star Jenny Lind that was once mounted on the 19th century clipper ship, USS Nightingale. Jenny Lind moves subtly as she breathes and scans the sky.
Visitors can experience Wake daily from 9 a.m. to 9 p.m. at 44 Collier Avenue. For more details and a schedule of programming, visit ashevillearts.com.
Fridays, 10am – 12:30pm
January 8th – February 26th
Do you want to increase the scale of your work, but feel intimidated by large pieces of clay? The truth is, you don’t have to be a big, strong person to make big, strong pots! Join Anja and Gabriel as they demystify the techniques used to produce large scale pottery. Demos will include throwing wide diameter bowls, section building skyscraper pots, centering 50-100 lbs. of clay, and creative ways to make voluminous storage jars. These techniques are simple, fun, and easy to learn. You’ll be amazed at the pieces you create! The class will include plenty of studio and one-on-one time with the instructors.
Level: Intermediate and Advanced
Tuition: $315 + $75 Lab Fee*
*Includes 50lbs of clay and firing of large work
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We are OPEN Fridays and Saturdays
for private, pre-booked tours at:
10:30 AM
12:00 PM
1:30 PM
3:00 PM
Enjoy the sights and sounds of the Great Smoky Mountains while traveling along the Tennessee and Nantahala (nan-tuh-HAY-luh) River.The historic trellis bridge Fontana Trestle takes you across Fontana Lake and into the beautiful Nantahala Gorge. Onboard dining is available by selecting our First Class Seating option or pre-purchasing one of our boxed lunches, an amazing unique moving dining experience. Arrive at our layover destination in the heart of the Nantahala Gorge for a one-hour layover where you can relax by the river or enjoy sightseeing!
We are operating under all current COVID-19 safety guidelines and ask that you follow all protocols. Find the information HERE! *Please be aware dining options are currently not available at your layover destination. You are advised to enjoy onboard dining by pre-purchasing a box lunch meal option along with your train tickets.*
Plan on being here by 1 hour before your departure.
2021 WNC Regional Scholastic Art Awards
The Museum, with the assistance of its volunteer docents and support from the Asheville Area Section of the American Institute of Architects, is proud to sponsor the WNC Regional Scholastic Art Awards. Students in grades 7–12 from all across our region are invited to submit work for this special juried competition. The Museum works with the Alliance for Young Artists & Writers to facilitate regional judging of student artwork and recognition of our community’s burgeoning artistic talent.
In early spring each year, award winners are featured in an exhibition, and are honored at a ceremony. Regional Gold Key recipients’ work is sent to the National Scholastic Art competition hosted by the Alliance for Young Artists & Writers.
Across the Atlantic
Across the Atlantic
American Impressionism Through the French Lens
This extraordinary exhibition, drawn from the collection of the Reading Public Museum, explores the path to Impressionism through the 19th century in France. The show examines the sometimes complex relationship between French Impressionism of the 1870s and 1880s and the American interpretation of the style in the decades that followed. More than 65 paintings and works on paper help tell the story of the “new style” of painting which developed at the end of the 19th century—one that emphasized light and atmospheric conditions, rapid or loose brushstrokes, and a focus on brightly colored scenes from everyday life, including both urban and rural settings when artists preferred to paint outdoors and capture changing effects of light during different times of day and seasons of the year.
Across the Atlantic: American Impressionism through the French Lens is organized by the Reading Public Museum, Reading, Pennsylvania.
Generous support for this project provided by Art Bridges and The Maurer Family Foundation.
The Asheville Art Museum announces Meeting the Moon, an exhibition featuring prints, photographs, ceramics, sculptures, and more from the Museum’s Collection. This exhibition will be on view in the Asheville Art Museum’s McClinton Gallery February 3 through July 26, 2021.
2021 marks the 60th anniversary of the beginning of the Apollo space program at NASA, but its inception was hardly the beginning of humankind’s fascination with Earth’s only moon. Before space travel existed, the moon—its shape, its mystery, and the face we see in it—inspired countless artists. Once astronauts landed on the moon and we saw our world from a new perspective, a surge of creativity flooded the American art scene, in paintings, prints, sculpture, music, crafts, film, and poetry.
This exhibition, whose title is taken from a 1913 Robert Frost poem, examines artwork in the Asheville Art Museum’s Collection of artists who were inspired by the unknown, then increasingly familiar moon. Meeting the Moon includes works by nationally renowned artists Newcomb Pottery, James Rosenquist, Maltby Sykes, Paul Soldner, John Lewis, Richard Ritter (Bakersville, NC), and Mark Peiser (Penland, NC). Western North Carolina artists include Jane Peiser (Penland, NC), Jak Brewer (Zionville, NC), Dirck Cruser (Asheville, NC), George Peterson (Lake Toxaway, NC), John B. Neff (NC), and Maud Gatewood (Yanceyville, NC).
“Meeting the Moon offers the opportunity to combine science and popular culture with works of art in the Museum’s Collection,” says Whitney Richardson, associate curator. “I think all visitors will find something that draws them into this exhibition, whether it’s the artwork, poetry, music, or science of space travel. It’s such an affirmation of humanity to find these mysteries, like the moon, which enchant us all.”
This exhibition is organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator. Visit ashevilleart.org for more information about this and other exhibitions.
This exhibition features archival objects from the Theodore Dreier Sr. Document Collection presented alongside artworks from the Museum’s Black Mountain College Collection to explore the connections between artworks and ephemera. This exhibition is organized by the Asheville Art Museum and curated by lydia see, fall 2020 curatorial fellow, with support from a Digitizing Hidden Collections grant through the Council on Library and Information Resources.