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Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.
The Big Crafty is a hand-to-heart celebration of creative exuberance at the heart of Asheville, NC. We believe in supporting creative venturers by crafting warm communities of creative practice.
We extend warm welcome to the rich pageant of basement and backyard artists, juried prize-winners, and those who delight in them. And we’re so grateful to have been voted Best Arts/Crafts Fair (Thx, Mountain Xpress!) every year since we began in 2008. We’re proud to boost our creative communities in all their go-for-broke, full-of-heart, boundary-pushing, human-scale, all-in, full-tilt glory.
Janiec Opera Company of Brevard Music Center
Brevard Festival Orchestra
Emily Jarrell Urbanek, conductor
Dean Anthony, stage director
Pauline Viardot’s charming chamber opera Cendrillon brings a fresh and intimate take on the classic Cinderella story. Filled with charm, wit, and elegant melodies, this enchanting retelling showcases Viardot’s gift for lyrical beauty and lighthearted humor, making it a perfect opera for audiences of all ages.
Join us Saturday, July 12 from 2-5 PM at Burntshirt Vineyards Tasting Room & Winery for Live Music at the Vineyard with The JackTown Ramblers!
“If there is any group of musicians that deserve the designation of ‘band’ then it’s The JackTown Ramblers. This band is mature and experienced on one hand but still young, fresh and curious on the other. You can hear it in every single track, how they continually amaze and surprise one another, all for the sake of the ensemble’s production. And you certainly can feel the fun that these guys have pouring all their hearts into their show.” -Severin Theinert, Uncut Grass
Come on down to Burntshirt Vineyards Tasting Room and Winery in Hendersonville for an evening of amazing musicianship, fantastic food, and award-winning wines! We can’t wait to see you here!
Gates open at 5:30pm
All Ages
RAIN OR SHINE
CLEAR BAGS ONLY
Bring your instruments, families, friends, lawn chairs and blankets and join us for good times at the Bascom Lamar Lunsford Stage. In 2025 Shindig on the Green, which features a stage show and informal jam sessions around the park, continues at its original location — formerly known as City County Plaza, now transformed into the new Pack Square Park. Locals and visitors alike come together downtown “along about sundown,” or at 7:00pm for those who wear a watch, until 10:00p.m. Concessions are available. Come experience the beautiful music and dance traditions of Southern Appalachia on a summer evening in the mountains.
Two iconic voices. One unforgettable night.
Join us for a rare double bill as Rickie Lee Jones and Patty Griffin — two of America’s most distinctive and celebrated singer-songwriters — take the stage for an evening of music, storytelling, and soul. With timeless songs, GRAMMY-winning legacies, and unmistakable voices, these two legends promise an intimate night that spans genres, generations, and emotional landscapes.
Program:
Grażyna Bacewicz: Suite for Two Violins
Gabriela Lena Frank: Leyendas: An Andean Walkabout for String Quartet
Franz Schubert: String Quintet in C Major, D. 956
The works by Grażyna Bacewicz, Gabriela Lena Frank, and Franz Schubert each represent unique stops along this summer’s rich musical journey. Bacewicz’s Suite for Two Violins energetically showcases virtuosic dialogue between two violins, setting the stage for our thrilling exploration. Gabriela Lena Frank’s Leyendas: An Andean Walkabout for String Quartet transports the listener to the Andean mountains, weaving cultural storytelling into the fabric of the music. Schubert’s String Quintet in C Major takes us to a profound culmination of emotional depth. Together, these pieces start our journey, traversing technical brilliance, cultural landscapes, and deep emotional expression.
THE CONSTELLATIONS (Nashville Indie Rock)
with support from Asheville locals:
EAST RITUAL (glam/rock & roll)
STARSEER (art rock/pysch)
The Constellations is a Nashville-based rock band which was originally formed in Atlanta in 2008. The band quickly experienced wide critical acclaim including film and television placements in Chuck, Royal Pains, Suits, Vampire Diaries, Horrible Bosses, and more. The Constellations’ unique blending of styles and influences creates music that appeals to all different walks of life.
After a years-long hiatus and various different iterations and side projects, front man Elijah Jones found himself revisiting some of the original material in mid-2023. While in the studio working on the latest album under the project Elijah Jones & the CCs, Elijah found that his writing style was gravitating increasingly back to the sound of The Constellations. This Atlanta sound, filtered through the influence of several years spent in Nashville, came out as a sort of Tom Petty meets The Strokes meets Elvis Costello melting pot.
Elijah’s lyrics tell the story of loss, heartbreak, recovery, and the resilience of the human spirit. With this new direction, The Constellations’ sound has matured into something truly special that is both unique and familiar
The Blue Ridge National Heritage Area (BRNHA) is proud to announce its first-ever craft exhibit: Returning to the Ridge: Blue Ridge Craft Trails Exhibition. This landmark event will bring together the exceptional talents of 33 artists featured on the Blue Ridge Craft Trails (BRCT), showcasing the vibrant artistic landscape of Western North Carolina. Mars Landing Galleries, owned by Miryam Rojas and located at 37 Library Street, Mars Hill, NC 28754, will serve as the venue for this celebration of craft from July 2 to September 28, 2025.
Southern Appalachia’s artistic spirit, deeply rooted in its beautiful natural environment, will be on full display. From the intricate details of pottery to the masterful craftsmanship of woodworking, the exhibition will feature 60 pieces spanning a diverse range of traditional mediums, including fiber art, printmaking, metalworking (including jewelry), and basketry. This celebration of local artistry comes at a crucial time, as Hurricane Helene impacted many artists. Artists participating are from the central and western sections of BRNHA’s 25-county footprint, encompassing the NC mountains and the Qualla Boundary.
The gallery’s regular hours are Wednesday through Sunday, 10 am – 5 pm. Adding to the visitor experience, the exhibition coincides with three First Friday events in Downtown Mars Hill – July 4, August 1, and September 5. On these evenings, the downtown area, including Mars Landing Galleries (open 5 pm – 8 pm, with live music), will offer extended hours, inviting the community to explore local shops, restaurants, galleries and enjoy the lively atmosphere.
Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.
Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.
This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.
The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
The Big Crafty is a hand-to-heart celebration of creative exuberance at the heart of Asheville, NC. We believe in supporting creative venturers by crafting warm communities of creative practice.
We extend warm welcome to the rich pageant of basement and backyard artists, juried prize-winners, and those who delight in them. And we’re so grateful to have been voted Best Arts/Crafts Fair (Thx, Mountain Xpress!) every year since we began in 2008. We’re proud to boost our creative communities in all their go-for-broke, full-of-heart, boundary-pushing, human-scale, all-in, full-tilt glory.
Beethoven Piano Concerto No. 2
Brevard Sinfonia
Keith Lockhart, conductor
Norman Krieger, piano
Beethoven’s Piano Concerto No. 2 sparkles with youthful brilliance and elegance, brought to life by renowned BMC piano faculty member Norman Krieger. The afternoon also features Robert Aldridge’s Elmer Gantry Suite a dynamic work by BMC’s own GRAMMY-winning composer, and Hindemith’s powerful symphonic masterpiece Mathis der Maler, a stirring exploration of artistic vision and resilience.
Whittington-Pfohl Auditorium
Beethoven Piano Concerto No. 2
Program:
Grażyna Bacewicz: Suite for Two Violins
Gabriela Lena Frank: Leyendas: An Andean Walkabout for String Quartet
Franz Schubert: String Quintet in C Major, D. 956
The works by Grażyna Bacewicz, Gabriela Lena Frank, and Franz Schubert each represent unique stops along this summer’s rich musical journey. Bacewicz’s Suite for Two Violins energetically showcases virtuosic dialogue between two violins, setting the stage for our thrilling exploration. Gabriela Lena Frank’s Leyendas: An Andean Walkabout for String Quartet transports the listener to the Andean mountains, weaving cultural storytelling into the fabric of the music. Schubert’s String Quintet in C Major takes us to a profound culmination of emotional depth. Together, these pieces start our journey, traversing technical brilliance, cultural landscapes, and deep emotional expression.
On display from June 27 to July 25 (weekdays, 10 am–5 pm), the exhibit features plein air paintings created live in private local gardens during the June 20–21 “Art in Bloom” tour. This free exhibition showcases around a dozen local artists’ finished works—many of which are available for purchase—as a chance to relive the beauty captured outdoors.
Get ready for a summer evening full of music, food, and community spirit—right in the heart of downtown Weaverville!
Music on Main is our one-night, open-air concert event featuring three incredible bands, local food trucks, craft beer, family activities, and Main Street lined with awesome local sponsors. It’s fun, free, and open to everyone.
Bring your lawn chairs, your friends, your kiddos, and your appetite—we’ll bring the good vibes.
Rain or shine, it’s always a good time.
A program of striking contrasts, from the nostalgic and lyrical Bolcom Rags to the beauty of Mozart’s Clarinet Quintet, a masterpiece of elegance, spirited interplay, and boundless charm. The evening features the extraordinary clarinetist Anthony McGill in a captivating showcase of expressive artistry.
Anthony McGill holds the 2025 Thomas C. Bolton Distinguished Artist Chair.
On display from June 27 to July 25 (weekdays, 10 am–5 pm), the exhibit features plein air paintings created live in private local gardens during the June 20–21 “Art in Bloom” tour. This free exhibition showcases around a dozen local artists’ finished works—many of which are available for purchase—as a chance to relive the beauty captured outdoors.
viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.
Golden Folk Sessions (formerly Open Folk AVL) offers an intimate, carefully curated listening experience that celebrates the art of original music. Each event showcases six handpicked artists, performing three-song sets in a quiet, seated environment where the music takes center stage. To add a sense of surprise and discovery, the lineup is revealed only when the show begins.
Running from 7–9 PM, these early shows create the perfect evening for music lovers who value live performances and a good night’s rest.
On display from June 27 to July 25 (weekdays, 10 am–5 pm), the exhibit features plein air paintings created live in private local gardens during the June 20–21 “Art in Bloom” tour. This free exhibition showcases around a dozen local artists’ finished works—many of which are available for purchase—as a chance to relive the beauty captured outdoors.
The Blue Ridge National Heritage Area (BRNHA) is proud to announce its first-ever craft exhibit: Returning to the Ridge: Blue Ridge Craft Trails Exhibition. This landmark event will bring together the exceptional talents of 33 artists featured on the Blue Ridge Craft Trails (BRCT), showcasing the vibrant artistic landscape of Western North Carolina. Mars Landing Galleries, owned by Miryam Rojas and located at 37 Library Street, Mars Hill, NC 28754, will serve as the venue for this celebration of craft from July 2 to September 28, 2025.
Southern Appalachia’s artistic spirit, deeply rooted in its beautiful natural environment, will be on full display. From the intricate details of pottery to the masterful craftsmanship of woodworking, the exhibition will feature 60 pieces spanning a diverse range of traditional mediums, including fiber art, printmaking, metalworking (including jewelry), and basketry. This celebration of local artistry comes at a crucial time, as Hurricane Helene impacted many artists. Artists participating are from the central and western sections of BRNHA’s 25-county footprint, encompassing the NC mountains and the Qualla Boundary.
The gallery’s regular hours are Wednesday through Sunday, 10 am – 5 pm. Adding to the visitor experience, the exhibition coincides with three First Friday events in Downtown Mars Hill – July 4, August 1, and September 5. On these evenings, the downtown area, including Mars Landing Galleries (open 5 pm – 8 pm, with live music), will offer extended hours, inviting the community to explore local shops, restaurants, galleries and enjoy the lively atmosphere.
Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.
Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.
This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.
Gallery hours: Wed-Sat / 11am-5PM
Tracey Morgan Gallery is pleased to present the second part of our third solo exhibition with photographer James Henkel whose exhibition “Cyanosure,” originally installed in the fall of 2024, was disrupted by Helene. We are excited to present this new iteration which includes the addition of a series of new work.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.
