Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Apply by Jan. 11 | Visual artists, applications are now open for the 2021 Southern Prize & State Fellowships. $80,000 in cash awards and residencies at The Hambidge Center for Creative Arts & Sciences will be awarded to celebrate the highest quality artistic work being created in the South.
The Southern Equality Studios special grant round is dedicated to resourcing and celebrating LGBTQ artists and creatives across the LGBTQ South who are BIPOC (Black, Indigenous, or people of color). Grants of up to $500 will support BIPOC LGBTQ Southern artists working on a wide range of creative projects.
These new grant rounds are part of CSE’s Southern Equality Fund, which has been making grassroots grants across the LGBTQ South since 2015. Since its inception, the Southern Equality Fund has prioritized supporting work led by BIPOC, transgender, and rural organizers.
Have you seen an inspiring BIPOC LGBTQ artists in your community, or are you a creative who could use grant support? If so, we want to hear from you!
We are specifically seeking nominations for artists or creatives efforts who are:
- Based in the South.
- Black, Indigenous, or people of color (BIPOC).
- LGBTQ people.
- Funds can be used to support a wide range of artistic endeavors.
- Nominees are eligible to receive this grant even if they have received a previous Southern Equality Fund grant; however, priority will be given to nominees who have not yet received a grant.
- Anyone is welcome and encouraged to nominate an artist for a grant and artists may also nominate themselves.
- There are no grant reports, budgets or supplemental materials required in this process. However, if selected, applicants will have to fill out and return a W9 form to receive their funding.
Kimpton Hotel Arras and local artists today unveiled, “Ode to Buskers & Asheville Music,” a locally created, life-size stainless steel sculpture located outdoors on the corner of Lexington and Patton at Kimpton Hotel Arras. Inspired by the city’s vibrant street musicians and their lively drum circles, artists Chukk Bruursema and Ash Knight sought to bring the unique rhythms of Asheville to life through this striking, collaborative piece, which was commissioned by the hotel.
“Asheville Music,” the large steel djembe drum sculpted by Chukk Bruursema, has West African roots, where the djembe is traditionally played as part of an ensemble, invoking feelings of community and togetherness. Adorning the drum is “Asheville Music,” Ash Knight’s five musical buskers depicted playing the spoons, the string washtub, jug, washboard, and the fiddle, with a dog observing from the ground below.
“We are pleased to officially introduce the “Ode to Buskers & Asheville Music” sculpture, a defining art piece that truly represents the spirit of our city, to the Asheville community,” said Kimpton Hotel Arras General Manager David McCartney. “This piece is an exciting addition to the hotel and expands our local artwork program, which works to highlight and supporting the work of local artists and purveyors.”
Following the unveiling, tours of the additional local artwork displayed throughout the hotel were offered with the artists in attendance to speak to their pieces, including John Wayne Jackson and Peter Roux. Kimpton Hotel Arras commissioned more than a dozen pieces of local artwork curated by local art consultant Liz Barr of Art Resouces.
Click HERE to view photos of “Ode to Buskers & Asheville Music” from the unveiling.
|
Adonna Khare, Pool Party, 2015, carbon pencil on paper, 6 × 20 feet. Collection of the Artist. © Adonna Khare, image Phil Hatten.
An exhibition highlighting the works of John James Audubon juxtaposed with the work of 21st-century artists who continue his tradition of animal allegories and metaphors is currently on view at the Asheville Art Museum. The exhibition features more than 40 works and will be on display in the Explore Asheville Exhibition Hall through November 30.
|
|
The Asheville Art Museum presents Fantastical Forms: Ceramics as Sculpture on view at the Museum November 4, 2020 through April 5, 2021. The 25 works in this exhibition—curated by associate curator Whitney Richardson—highlight the Museum’s Collection of sculptural ceramics from the last two decades of the 20th century to the present. Each work illustrates the artist’s ability to push beyond the utilitarian and transition ceramics into the world of sculpture.
North and South Carolina artists featured include Elma McBride Johnson, Neil Noland, Norm Schulman, Virginia Scotchie, Cynthia Bringle, Jane Palmer, Michael Sherrill, and Akira Satake. Works by American artists Don Reitz, Robert Chapman Turner, Karen Karnes, Toshiko Takaezu, Bill Griffith, and Xavier Toubes are also featured in the exhibition.
|
Tribute Companies is requesting Artist Qualifications for a permanent art mural(s) for their mixed-use development, The Ironwood, located on Asheland/Coxe Avenue in Downtown Asheville.
This artwork should do the following:
● Create excitement and interest for the area. ● Honor the diversity of Asheville’s Southside community. ● Celebrate the vital role of African American history and culture in Asheville. ● Connect visually to the site through interpretation of historical and cultural aspects. ● Be durable, low maintenance, and appropriate to the location. Integral to creating this artwork(s), is the artists’ willingness to learn about the community and have a dialogue with interested community members to help inspire and guide content creation. A range of materials/applications will be considered, including painted murals and digitally printed murals. If digital, the work must be vector based, printable, and scalable to the site specifications. |
This year the Asheville Area Arts Council is offering $500 micro-grants for arts-based projects specifically focused on community hope and healing. These can be projects that bring joy to our local community, and/or projects that actively engage community members in safe activities following state and local health restrictions.
Arts and culture are a fundamental part of our community. They help us connect with one another and better understand history, people, and new ideas. When people become involved in the design, creation, and upkeep of places, they develop a vested interest in using and maintaining these spaces. When neighbors have a true sense of “ownership” or connection to the places they frequent, the community becomes a better place to live, work, and visit. According to Americans for the Arts (AFTA), “86% of participants who took part in community-based art want to be involved in future projects, and people living where these art projects occurred were more than twice as likely to be civically engaged as those whose neighborhoods did not have projects.”
Things are looking a little different this winter holiday season. Show & Tell has gone virtual, bringing the holiday pop up shop you know and love Home For the Holidays!
∙∙∙
Although we are going to miss decking the halls, we are so excited to reach a wider audience with our online presence and are thrilled to showcase the best in handmade, vintage, fair trade, and packaged bites from Asheville, NC and beyond.
Apply by Jan. 11 | Visual artists, applications are now open for the 2021 Southern Prize & State Fellowships. $80,000 in cash awards and residencies at The Hambidge Center for Creative Arts & Sciences will be awarded to celebrate the highest quality artistic work being created in the South.
The Southern Equality Studios special grant round is dedicated to resourcing and celebrating LGBTQ artists and creatives across the LGBTQ South who are BIPOC (Black, Indigenous, or people of color). Grants of up to $500 will support BIPOC LGBTQ Southern artists working on a wide range of creative projects.
These new grant rounds are part of CSE’s Southern Equality Fund, which has been making grassroots grants across the LGBTQ South since 2015. Since its inception, the Southern Equality Fund has prioritized supporting work led by BIPOC, transgender, and rural organizers.
Have you seen an inspiring BIPOC LGBTQ artists in your community, or are you a creative who could use grant support? If so, we want to hear from you!
We are specifically seeking nominations for artists or creatives efforts who are:
- Based in the South.
- Black, Indigenous, or people of color (BIPOC).
- LGBTQ people.
- Funds can be used to support a wide range of artistic endeavors.
- Nominees are eligible to receive this grant even if they have received a previous Southern Equality Fund grant; however, priority will be given to nominees who have not yet received a grant.
- Anyone is welcome and encouraged to nominate an artist for a grant and artists may also nominate themselves.
- There are no grant reports, budgets or supplemental materials required in this process. However, if selected, applicants will have to fill out and return a W9 form to receive their funding.
Kimpton Hotel Arras and local artists today unveiled, “Ode to Buskers & Asheville Music,” a locally created, life-size stainless steel sculpture located outdoors on the corner of Lexington and Patton at Kimpton Hotel Arras. Inspired by the city’s vibrant street musicians and their lively drum circles, artists Chukk Bruursema and Ash Knight sought to bring the unique rhythms of Asheville to life through this striking, collaborative piece, which was commissioned by the hotel.
“Asheville Music,” the large steel djembe drum sculpted by Chukk Bruursema, has West African roots, where the djembe is traditionally played as part of an ensemble, invoking feelings of community and togetherness. Adorning the drum is “Asheville Music,” Ash Knight’s five musical buskers depicted playing the spoons, the string washtub, jug, washboard, and the fiddle, with a dog observing from the ground below.
“We are pleased to officially introduce the “Ode to Buskers & Asheville Music” sculpture, a defining art piece that truly represents the spirit of our city, to the Asheville community,” said Kimpton Hotel Arras General Manager David McCartney. “This piece is an exciting addition to the hotel and expands our local artwork program, which works to highlight and supporting the work of local artists and purveyors.”
Following the unveiling, tours of the additional local artwork displayed throughout the hotel were offered with the artists in attendance to speak to their pieces, including John Wayne Jackson and Peter Roux. Kimpton Hotel Arras commissioned more than a dozen pieces of local artwork curated by local art consultant Liz Barr of Art Resouces.
Click HERE to view photos of “Ode to Buskers & Asheville Music” from the unveiling.
|
Beginning October 7, the three-hour documentary-styled art installation Question Bridge: Black Males will be on view at the Asheville Art Museum. This innovative transmedia project facilitates a dialogue between Black men from diverse and contending backgrounds, and creates a platform for them to represent and redefine Black male identity in America. The work will be on view during regular public hours from October 7, 2020 through March 15, 2021.
Question Bridge: Black Males is a project that explores critically challenging issues within the African American male community by instigating a transmedia conversation among Black men across geographic, economic, generational, educational, and social strata of American society. Question Bridge provides a safe setting for necessary, honest expression and healing dialogue on themes that divide, unite, and puzzle Black males today in the United States.
|
Tribute Companies is requesting Artist Qualifications for a permanent art mural(s) for their mixed-use development, The Ironwood, located on Asheland/Coxe Avenue in Downtown Asheville.
This artwork should do the following:
● Create excitement and interest for the area. ● Honor the diversity of Asheville’s Southside community. ● Celebrate the vital role of African American history and culture in Asheville. ● Connect visually to the site through interpretation of historical and cultural aspects. ● Be durable, low maintenance, and appropriate to the location. Integral to creating this artwork(s), is the artists’ willingness to learn about the community and have a dialogue with interested community members to help inspire and guide content creation. A range of materials/applications will be considered, including painted murals and digitally printed murals. If digital, the work must be vector based, printable, and scalable to the site specifications. |
This year the Asheville Area Arts Council is offering $500 micro-grants for arts-based projects specifically focused on community hope and healing. These can be projects that bring joy to our local community, and/or projects that actively engage community members in safe activities following state and local health restrictions.
Arts and culture are a fundamental part of our community. They help us connect with one another and better understand history, people, and new ideas. When people become involved in the design, creation, and upkeep of places, they develop a vested interest in using and maintaining these spaces. When neighbors have a true sense of “ownership” or connection to the places they frequent, the community becomes a better place to live, work, and visit. According to Americans for the Arts (AFTA), “86% of participants who took part in community-based art want to be involved in future projects, and people living where these art projects occurred were more than twice as likely to be civically engaged as those whose neighborhoods did not have projects.”
The Museum was closed for nearly six full months as a result of the COVID-19 pandemic, causing severe losses in revenue. Though we are now open, uncertainty still looms, and it will take a dedicated effort to recover to a position of strength and stability. Thanks to a generous grant from a longtime foundation supporter, the Museum has established the Asheville Art Museum COVID-19 Relief Fund and matching challenge to encourage additional operational support during this difficult year. We invite you to participate in the challenge and help secure the Museum’s future as we work to serve our community through engagement with the arts.
Through December 31, 2020, all Annual Fund donations and upgraded memberships will be matched dollar-for-dollar up to $75,000. Give any amount to the Annual Fund, and boost your impact at this critical time with the one-to-one match. You may also join the Masterpiece Society or renew at another upgraded membership level. Any gift in addition to your current renewal will be matched by this fund and will count toward your membership
Things are looking a little different this winter holiday season. Show & Tell has gone virtual, bringing the holiday pop up shop you know and love Home For the Holidays!
∙∙∙
Although we are going to miss decking the halls, we are so excited to reach a wider audience with our online presence and are thrilled to showcase the best in handmade, vintage, fair trade, and packaged bites from Asheville, NC and beyond.
Apply by Jan. 11 | Visual artists, applications are now open for the 2021 Southern Prize & State Fellowships. $80,000 in cash awards and residencies at The Hambidge Center for Creative Arts & Sciences will be awarded to celebrate the highest quality artistic work being created in the South.
The Southern Equality Studios special grant round is dedicated to resourcing and celebrating LGBTQ artists and creatives across the LGBTQ South who are BIPOC (Black, Indigenous, or people of color). Grants of up to $500 will support BIPOC LGBTQ Southern artists working on a wide range of creative projects.
These new grant rounds are part of CSE’s Southern Equality Fund, which has been making grassroots grants across the LGBTQ South since 2015. Since its inception, the Southern Equality Fund has prioritized supporting work led by BIPOC, transgender, and rural organizers.
Have you seen an inspiring BIPOC LGBTQ artists in your community, or are you a creative who could use grant support? If so, we want to hear from you!
We are specifically seeking nominations for artists or creatives efforts who are:
- Based in the South.
- Black, Indigenous, or people of color (BIPOC).
- LGBTQ people.
- Funds can be used to support a wide range of artistic endeavors.
- Nominees are eligible to receive this grant even if they have received a previous Southern Equality Fund grant; however, priority will be given to nominees who have not yet received a grant.
- Anyone is welcome and encouraged to nominate an artist for a grant and artists may also nominate themselves.
- There are no grant reports, budgets or supplemental materials required in this process. However, if selected, applicants will have to fill out and return a W9 form to receive their funding.
Kimpton Hotel Arras and local artists today unveiled, “Ode to Buskers & Asheville Music,” a locally created, life-size stainless steel sculpture located outdoors on the corner of Lexington and Patton at Kimpton Hotel Arras. Inspired by the city’s vibrant street musicians and their lively drum circles, artists Chukk Bruursema and Ash Knight sought to bring the unique rhythms of Asheville to life through this striking, collaborative piece, which was commissioned by the hotel.
“Asheville Music,” the large steel djembe drum sculpted by Chukk Bruursema, has West African roots, where the djembe is traditionally played as part of an ensemble, invoking feelings of community and togetherness. Adorning the drum is “Asheville Music,” Ash Knight’s five musical buskers depicted playing the spoons, the string washtub, jug, washboard, and the fiddle, with a dog observing from the ground below.
“We are pleased to officially introduce the “Ode to Buskers & Asheville Music” sculpture, a defining art piece that truly represents the spirit of our city, to the Asheville community,” said Kimpton Hotel Arras General Manager David McCartney. “This piece is an exciting addition to the hotel and expands our local artwork program, which works to highlight and supporting the work of local artists and purveyors.”
Following the unveiling, tours of the additional local artwork displayed throughout the hotel were offered with the artists in attendance to speak to their pieces, including John Wayne Jackson and Peter Roux. Kimpton Hotel Arras commissioned more than a dozen pieces of local artwork curated by local art consultant Liz Barr of Art Resouces.
Click HERE to view photos of “Ode to Buskers & Asheville Music” from the unveiling.
Grove Arcade is thrilled to announce the return of its annual Winter Wonderland holiday celebration.
The Arcade has transformed into a wreath-bedecked showcase for Asheville’s finest local craftspeople and retailers. Smells of pine and holly will greet visitors as they tour—at a proper social distance!—Asheville’s stunning art deco gem to discover one-of-a-kind, handcrafted local gifts, enjoy holiday-themed beverages and dining specials, and winter-y feels within the warm Grove Arcade halls. Specially curated Christmas standards and the most extravagant holiday decorations in town will transport visitors to a truly unforgettable winter paradise.
We will be hosting a local MANNA Food Bank Drive! Drop-off barrels will be placed around several areas of the Arcade to be collected and distributed by MANNA to help during these uncertain times.
For the enjoyment and safety of everyone, Grove Arcade will be taking appropriate COVID-19 precautions during Winter Wonderland. All visitors and employees will be required to follow the CDC’s health recommendations, including social distancing and mask wearing.
Enjoy a safe and jolly visit to Grove Arcade’s Winter Wonderland! And from all of us at Grove Arcade, Happy Holidays!
|
Wake, Mel Chin’s giant animatronic sculpture, installed in New York City’s Times Square last summer, will be on view in Asheville through March 15, 2021, at 44 Collier Avenue. Chin, a WNC based conceptual artist, was named a MacArthur Fellow in September 2019.
Wake was commissioned as part of Mel Chin: All Over the Place, a multi-site survey of his works from across many decades that took place in several New York City locations. A collaborative group, led by UNC Asheville’s STEAM Studio and The Community Foundation of Western North Carolina, formed to plan and raise funds for the sculpture to be seen locally.
Wake – 60 feet long, 34 feet wide and 24 feet high, conceived and designed by the artist – was engineered, sculpted and fabricated by an interdisciplinary team of UNC Asheville students, faculty, staff and community artists led by Chin. The sculpture is interactive and features decks and places to sit and contemplate.
Wake evokes the hull of a shipwreck crossed with the skeletal remains of a marine mammal. The structure is linked with a carved, 21-foot-tall animatronic sculpture, accurately derived from a figurehead of the opera star Jenny Lind that was once mounted on the 19th century clipper ship, USS Nightingale. Jenny Lind moves subtly as she breathes and scans the sky.
Visitors can experience Wake daily from 9 a.m. to 9 p.m. at 44 Collier Avenue. For more details and a schedule of programming, visit ashevillearts.com.
12:30-1:45
2:00-3:15
Beginning October 7, the three-hour documentary-styled art installation Question Bridge: Black Males will be on view at the Asheville Art Museum. This innovative transmedia project facilitates a dialogue between Black men from diverse and contending backgrounds, and creates a platform for them to represent and redefine Black male identity in America. The work will be on view during regular public hours from October 7, 2020 through March 15, 2021.
Question Bridge: Black Males is a project that explores critically challenging issues within the African American male community by instigating a transmedia conversation among Black men across geographic, economic, generational, educational, and social strata of American society. Question Bridge provides a safe setting for necessary, honest expression and healing dialogue on themes that divide, unite, and puzzle Black males today in the United States.
|
|
The Asheville Art Museum presents Fantastical Forms: Ceramics as Sculpture on view at the Museum November 4, 2020 through April 5, 2021. The 25 works in this exhibition—curated by associate curator Whitney Richardson—highlight the Museum’s Collection of sculptural ceramics from the last two decades of the 20th century to the present. Each work illustrates the artist’s ability to push beyond the utilitarian and transition ceramics into the world of sculpture.
North and South Carolina artists featured include Elma McBride Johnson, Neil Noland, Norm Schulman, Virginia Scotchie, Cynthia Bringle, Jane Palmer, Michael Sherrill, and Akira Satake. Works by American artists Don Reitz, Robert Chapman Turner, Karen Karnes, Toshiko Takaezu, Bill Griffith, and Xavier Toubes are also featured in the exhibition.
Asheville Gallery of Art’s December show, “#ArtSquared,” is amulti-artist show featuring a variety of original square paintings by gallery members. The show runs December 3-29 during gallery hours, 12-5 p.m. Thursday thru Sunday. You can also make arrangements for a private tour by emailing a request to [email protected].