Each year, one week before Thanksgiving, the National Coalition for the Homeless and the National Student Campaign Against Hunger and Homelessness partner together to sponsor National Hunger and Homelessness Awareness Week. Occurring this year during the week of Nov. 11-18 more than 700 colleges, high schools, and community groups across the country will come together to provide education, draw attention to the issues of hunger and homelessness, and recruit volunteers and supporters for local agencies supporting those experiencing food insecurity and homelessness. Our community will also be holding a variety of events to highlight partnerships between agencies working to address these issues, as well as provide education and opportunities to support these organizations and the individuals they serve.

Why is National Hunger and Homelessness Awareness Week important? The National Alliance to End Homelessness (NAEH), analyzed data from the U.S. Department of Housing and Urban Development (HUD) to determine that homelessness has been on the rise since 2017, increasing overall by 6% since then. In 2022, counts of individuals experiencing homelessness reached record highs, with HUD counting around 582,000 Americans experiencing homelessness last year. HUD’s definition of homelessness includes both sheltered and unsheltered individuals. Sheltered homelessness includes people who are living in domestic violence shelters, transitional shelters, safe havens that serve homeless individuals with severe mental illness, or hotels/motels. Unsheltered individuals may be living outdoors, in cars, abandoned buildings, or in other places not meant for human habitation. Concerningly, rates of unsheltered homelessness across the nation are also trending upward, with most racial, ethnic, and gender subgroups disproportionately impacted. Moreover, the U.S. Department of Agriculture reports that an estimated 17 million families, or 1 in 8 U.S. Households, experienced food insecurity at some point in 2022 and here too, data demonstrates that rates of food insecurity are significantly higher for racial, ethnic, and gender subgroups. The American College of Physicians reported in 2022 that food insecurity has become a threat to public health in America.

In our community, the Point-In-Time (PIT) count is conducted annually to get a snapshot count of individuals experiencing sheltered and unsheltered homelessness. Conducted on a single night in January each year, the PIT count is conducted by communities nationwide, and is intended to be an unduplicated count of people experiencing homelessness within the community. Our most recent PIT count was conducted on Jan. 31, 2023, and showed that there are around 402 sheltered and 171 unsheltered individuals experiencing homelessness here.While this is slightly lower than last year’s count, this total of 573 unhoused individuals is still significantly higher than pre-pandemic counts. Additionally, in our area, more than 8 in 10 children experience poverty, and 1 in 4 children in Western North Carolina do not have access to three square meals daily.

National Hunger and Homelessness Awareness Week represents a time when we can come together as a community to share knowledge and identify resources to end hunger and homelessness. It invites us to consider joining efforts to help people in immediate need, and to take part in identifying and supporting long-term solutions. Haywood Street Congregation, a local urban ministry, will be highlighting collaboration between service agencies, faith communities, the County, and the City throughout the week of Nov. 11-18 with a variety of events ranging from the Homelessness Learning Series provided by the City of Asheville, volunteer trainings for Code Purple and ABCCM’s Transformation Village, and tours of the Haywood Street Congregation Campus and Homeward Bound’s Permanent Supportive Housing Project, Compass Point Village.

Other notable events include Lunch at the Crossroads at First Baptist Church of Asheville on Thursday, Nov. 16, and an awareness gathering facilitated by the Buncombe County Homeless Coalition at New Belgium Brewing on Sunday, Nov. 19. To see the full calendar of events, visit Haywood Street Congregation’s Hunger and Homelessness Awareness Week event schedule.

Tuesday, November 14th

Partner: Bounty and Soul

Event Title/Description: Community Market Tour

Time: 11:00-12:30 (with flexibility)

Location: 999 Old US 70 Highway, Black Mountain

Partner: Haywood Street Congregation

Event Title/Description: Campus Tour

Time: 12:00-12:45

Location: 297 Haywood Street. Meet in the Sanctuary.

Partner: Haywood Street Congregation

Event Title/Description: Conversation in front of the Haywood Street Fresco with Fresco model, James Blount; Founding Pastor, Rev. Brian Combs; and Principal artist, Christopher Holt.

Time: 1:00-2:00

Location: 297 Haywood Street, Asheville

Partner: ABCCM Transformation Village

Event Title/Description: Code Purple Volunteer Training

Time: 6:00 pm

Location: 30 Olin Haven Way, Asheville

Wednesday, November 15th

Partner: Haywood Street Congregation Downtown

Event Title/Description:  Downtown Welcome Table Lunch and/or Campus Tour

Time: 10:00-12:00

Location: 297 Haywood Street. For a tour, meet in the Sanctuary.

Partner: Buncombe County Public Health

Event Title/Description: Mobile Clinic offering vaccines and other services

Time: 9:00-2:00

Location: 297 Haywood Street, Asheville

Partner: ABCCM Transformation Village

Event Title/Description:  Volunteer Orientation

Time: 2:00 

Location: 30 Olin Haven Way, Asheville

Thursday, November 16th

Partner: City/Buncombe County

Event Title/Description: NAEH Work and Update Session at Harrah’s Cherokee Center, open to the public.

Time: 9:00-12:00 

Location: 87 Haywood Street, Asheville

Partner: First Baptist Church of Asheville

Event Title/Description: Lunch at the Crossroads

Time: 11:30-1:00

Location: 5 Oak Street, Asheville

Partner: Homeward Bound WNC

Event Title/Description: Tour de Ahope

Time: 1:00

Location: 19 North Ann Street, Asheville

Partner: Homeward Bound WNC

Event Title/Description: Tours of Compass Point Village

Time: 10:00-12:00

Location: 201 Tunnel Road, Asheville

Friday, November 17th

Partner: Bounty and Soul

Event Title/Description: Community Market Tour

Time: 3:00-5:30 (with flexibility)

Location: 999 Old US 70 Highway, Black Mountain

Saturday, November 18th

Partner: Food Connection and Bounty and Soul

Event Title/ Description: Food Connection and Bounty and Soul Collaboration

Time: 11:00-1:00

Location: In the parking lot next to Beacon Animal Hospital at 101 Whitson Ave., Swannanoa

Partner: First Presbyterian Church of Asheville

Event Title/Description: Free hot lunch in a warm and safe space (continues every Saturday through February)

Time: 11:00-2:00

Location: 40 Church Street, Asheville

Sunday, November 19th

Partner: Haywood Street Congregation Downtown

Event Title/Description:  Downtown Welcome Table Breakfast

Time: 10:00-12:00

Location: 297 Haywood Street. For a tour, meet in the Sanctuary.

Partner: Buncombe County Homeless Coalition

Event Title/Description: Awareness Gathering at New Belgium Brewing

Time: 1:00-4:00

Location: 21 Craven Street, Asheville

Monday, November 20th

Partner: Helpmate

Event Title/Description: Training for Service Providers. More information can be found here.

Time: 9:00-5:00

Location: Land of Sky Regional Council-339 New Leicester Highway #140 Asheville

Food Scraps Drop Off

The City of Asheville, in partnership with Buncombe County and the Natural Resources Defense Council, is offering a FREE Food Scrap Drop-Off program in

two locations for all Buncombe County residents.  This organic matter will be collected and turned into good clean compost, keeping it OUT of our landfill and reducing greenhouse gas emissions.

Register for Food Scraps Drop Off

Need a handy kitchen countertop food scrap bin?  Let us know on the registration form! We’ll be having bin giveaways at city and county facilities and would love to give you one.

Locations

West Asheville Library – “Food Scrap Bin Shelters” on the south side of the building

942 Haywood Road, Asheville

Library open hours

Stephens-Lee Recreation Center “Food Scrap Shed” next to the Community Garden on the North side of the parking lot

30 Washington Carver Avenue, Asheville

• • Monday – Friday, 7 a.m. – 6 p.m.
  • Saturday, 8 a.m. – 2 p.m.
  • Sunday, 12 – 4 p.m.

Murphy Oakley Community Center and Library – “Food Scrap Bin Shelters” on the east side of the parking lot

749 Fairview Road, Asheville

• • Dawn – Dusk

Buncombe County Landfill – Convenience Center85 Panther Branch Road, Alexander

• • • • Monday-Friday, 8 a.m. – 4:30 p.m.
      • Saturday, 8 a.m. – 12:30 pm

Learn Asheville’s history, discover hidden gems, and laugh at LaZoom’s quirky sense of adventure.

• Guided comedy tour bus of historical Asheville
• 90-Minutes – tours run daily
• 15-minute break at Green Man Brewing
• $39 per person (ages 13+ only)

Every Wednesday morning, we open up the children’s activity room to give kids time for free play with puppets. Children must be under the supervision or a parent or guardian.

Tyger Tyger Gallery is pleased to present Reckoning: Adornment as Narrative, a group exhibition curated by Asheville-based artist and curator Erika Diamond.

Reckoning: Adornment as Narrative is an exhibition of diverse practices, anchored at three points: methods of reckoning; the function of adornment; and the fusing of personal and cultural narrative. It features acts of glitz, embellishment, and homage by Shae Bishop, David Harper Clemons, Kashif Dennis, Annie Evelyn, Margaret Jacobs, Julia Kwon, Katrina Majkut, Heather Mackenzie, and Luis Sahagun. Through material language, each artist tells the story of their identity. Inherent to these stories are contradictions—between labor and value, feminine and masculine, natural and fabricated.

Bargain Hendo Thrift Store will be permanently closing its doors on December 13th.
• WNCSource operates the small thrift store which is located on the corner of King Street
and 2nd Avenue in Hendersonville.
• Bargain Hendo first opened in December of 2020 and was meant to support the programs
and services WNCSource provides in 4 western North Carolina Counties. Unfortunately,
low sales and competition from other local thrift stores has made the store less than
profitable.
• But don’t worry, starting Thursday, November 2nd, Bargain Hendo will be open
Wednesdays through Fridays 10AM to 4PM and Saturdays from 10AM to 2PM with some
incredible bargains and sales to clear the shelves.
• Bargain Hendo’s last day is December 13th

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

Have you been wanting try a local hike, but don’t know where to begin? Join Buncombe County Parks & Recreation for scenic morning hikes close to home this fall. This Hike Series is a free four-pack of popular treks lead by Parks and Recreation Staff on weekday mornings. Explorers of all skill levels are invited to experience the fun of one hike, all four or somewhere in between. Space is limited to 15 hikers and advanced registration is necessary.

We will begin our hike at Lookout Mountain Trailhead where we will do a quick icebreaker and get prepped for the hike (we will have water and a few snacks available) PLEASE BRING YOUR OWN WATER BOTTLE TO FILL UP.

From a rewarding overlook of the Seven Sisters Ridge and Swannanoa Valley to a beautiful variety of ferns, fungi, and thick canopy coverage, this loop offers a cool and peaceful adventure through the beautiful forest. All participants will get parking instructions emailed to them a week prior to the hike.

Difficulty level: Beginner to intermediate. The Lookout Trail portion consists of steep inclines with mild rock scrambling, but the remainder of the walk consists of a gentle climb.

Elevation gain: 439 feet

Images: Left: Minna Wright Citron, Squid Under Pier, 1948, color etching, soft-ground, and engraving on paper, edition 42/50, 15 x 17 7/8 inches, 2010 Collections Circle purchase, Asheville Art Museum. © Estate of Minna Citron/Licensed by VAGA at ARS, New York. Right: Dorothy Dehner, Woman #2, 1954, watercolor and ink on paper, 22 3/4 x 18”, courtesy of Dolan Maxwell.

The Asheville Art Museum is pleased to announce the upcoming exhibition American Art in the Atomic Age: 1940–1960, which explores the groundbreaking contributions of artists who worked at the experimental printmaking studio Atelier 17 in the wake of World War II. Co-curated by Marilyn Laufer and Tom Butler, American Art in the Atomic Age which draws from the holdings of Dolan/Maxwell, the Asheville Art Museum Collection, and private collections will be on view from November 10, 2023–April 29, 2024.

Atelier 17 operated in New York for fifteen years, between 1940 and 1955. The studio’s founder, Stanley William Hayter (1901–1988) established the workshop in Paris but relocated to New York just as the Nazi occupation of Paris began in 1940. Hayter’s new studio attracted European emigrants like André Masson, Yves Tanguy, and Joan Miró, as well as American artists like Dorothy Dehner, Judith Rothschild, and Karl Schrag, allowing for an exchange of artistic ideas and processes between European and American artists.

The Asheville Art Museum will present over 100 works that exemplify the cross-cultural exchange and profound social and political impact of Atelier 17 on American art. Prints made at Atelier 17—including those by Stanley William Hayter, Louise Nevelson, and Perle Fine—will be in conversation with works by European Surrealists who were working at the studio in the 1940s and 1950s. The exhibition will also feature a selection of domestic mid-century objects that exemplify how the ideas and aesthetics of post-war abstraction became a part of everyday life.

Throughout the history of painting from the mid-19th century forward, artists have used an endless variety of approaches to record their world. Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting continues this thread, offering an opportunity to explore a singular and still forceful aspect of American art. Photorealism shares many of the approaches of historical and modernist realism, with a twist. The use of the camera as a basic tool for organizing visual information in advance of painterly expression is now quite common, but Photorealists embraced the camera as the focal point in their creative process. Beyond the Lens presents key works from the collection of Louis K. and Susan Pear Meisel, bringing together paintings and works on paper dating from the 1970s to the present to focus on this profoundly influential art movement. The exhibition includes work by highly acclaimed formative artists of the movement such as Charles Bell, Robert Bechtle, Tom Blackwell, Richard Estes, Audrey Flack, and Ralph Goings as well as paintings by the successive generations of Photorealist artists Anthony Brunelli, Davis Cone, Bertrand Meniel, Rod Penner, and Raphaella Spence. Featured artworks in the exhibition include diverse subject matters, but the primary focus is on the common and every day: urban scenes, “portraits” of cars, trucks, and motorcycles, still life compositions using toys, food, candy wrappers, and salt and pepper shakers. All provide opportunities for virtuoso studies in how light, reflection, and the camera as intermediary shapes our perception of the material world. This multigenerational survey demonstrates how the 35-mm camera, and later technological advances in digital image-making, informed and impacted the painterly gesture. Taken together, the paintings and works on paper in Beyond the Lens show how simply spellbinding these virtuosic works of art can be. “Beyond the Lens offers a fascinating look into the Photorealism movement and delves into the profound connection between the artists’ observation and creative process,” says Pamela L. Myers, Executive Director of Asheville Art Museum. “We are delighted to present this curated collection of artworks encapsulating the creative vision and technical precision that defines this artistic genre.” Photorealism found its roots in the late 1960s in California and New York, coexisting with an explosion of new ideas in art-making that included Conceptual, Pop, Minimalism, Land and Performance Art. At first, representational realism coexisted with the thematic and conceptual explosion but was eventually relegated to the margins regarding critical and curatorial attention. Often misunderstood and sometimes negatively criticized or lampooned as a betrayal of modernism’s commitment to abstraction, the artists involved in Photorealism remained committed explorers of the trail they had blazed. In the decades of the late twentieth century and early twenty-first century, realistic and symbolic painting experienced a renaissance, as contemporary artists are increasingly drawn to narrative and storytelling. Concurrently, using a camera as a preparatory tool equally legitimate and valuable as pencils and pens has made the rubric of Photorealism increasingly relevant. This exhibition is organized by the Asheville Art Museum and guest curated by Terrie Sultan. This exhibition is sponsored in part by Jim and Julia Calkins Peterson.

Opening Reception for the Artist Nov. 3, 6-8PM.

Tracey Morgan Gallery is pleased to present A Mirror, Not a Window, an exhibition of new and recent work by artist Hannah Cole. This is Cole’s second solo exhibition with the gallery. A reception for the artist will be held Friday, November 3 from 6-8PM.

This collection of paintings and sculptures continues Cole’s interest in creating, completely by hand, reproductions of small details and objects culled from her everyday life, turning the viewer’s attention to often overlooked aspects of our surrounding environment and reframing the very definition of representational art. With nods to pop art, trompe l’oeil, and modern American painters, Cole poses big questions about the nature of the artist’s hand, and the drive to (re)create.

A grouping of wall sculptures of nearly exact replicas of books which are hand-painted on wood blocks are included in the exhibition. These books are all non-fiction, mostly art related, though now un-readable. Instead of looking to books for answers, these objects force the viewer to provide the substance. The most self-referential of the group is Jean Baudrillard’s Simulacra and Simulation in which the French philosopher talks in dense prose about our culture of signs and signals eventually becoming copies without any originals. In Cole’s tongue-in-cheek nod, her faithful replica of Baudriallard’s philosophical work becomes an art object whose meaning has shifted completely from the original. Cole’s painted wood block cannot be read and has no actual utility at all, except as an object to contemplate.

A recurring element in Cole’s paintings is a hand-rendered tape measure running along the edge of her canvases. By including this common, easily recognizable object, Cole calls to question the “truth” of representation. Can we trust these measurements simply because they have identifiable markings? Other paintings on Styrofoam show painted wood grain edges, subverting the viewer’s expectation of where the painting itself is, and what it’s made of. We expect a painting to be on the outward-facing surface, but what if the faithful representation is painted on the sides?

In this contemporary age of Artificial Intelligence flooding us with copies, reproductions, fakes, and deliberate decep-tions, anxieties regarding authenticity and authorship run high. Cole’s work invites contemplation of these deeply philosophical issues with a playful tone, presenting serious questions by way of common objects.

Hannah Cole studied at Yale University and Boston University. Her work has been exhibited at The Turchin Center for Visual Arts, NC; the Drawing Center, NY; the University of Maine Museum of Art; the Sherman Gallery at Boston University, MA; Tiger Strikes Asteroid, Greenville, NC; and the North Carolina Museum of Art, Raleigh, among other national and international institutions. She currently lives and works in Asheville, NC.

Kids Storytime at Barnes and Noble

Romare Bearden (Charlotte, NC 1911–1988 New York, NY), African American writer and artist, is renowned for his collages. He constantly experimented with various techniques to achieve his artistic goals throughout his career. This exhibition highlights works on paper and explores his most frequently used mediums, including screen-printing, lithography, hand-colored etching, collagraph, monotype, relief print, photomontage, and collage.

Bearden’s work reflects his improvisational approach to his practice. He considered his process akin to that of jazz and blues composers. Starting with an open mind, he would let an idea evolve spontaneously.

“Romare Bearden: Ways of Working highlights Bearden’s unique artistic practice and masterful storytelling through art,” says Pamela L. Myers, Executive Director of the Asheville Art Museum. “We are thrilled to collaborate with Jerald Melberg Gallery to present these extraordinary works on paper in conversation with Bearden’s collage Sunset Express, 1984 in the Museum Collection (on view in the Museum’s SECU Collection Hall). This exhibition will also provide a glimpse into the cultural histories and personal interests that influenced his art-making practice, and we hope it encourages introspection and dialogue with our visitors.”

Jerald Melberg states, “Romare Bearden’s groundbreaking artistic practice continues to captivate audiences worldwide. With an unparalleled legacy of creativity and innovation, Bearden’s contributions to art remain deeply influential years beyond his life.” We have enjoyed organizing this exhibition with the Asheville Art Museum to showcase his artistic genius and inspire visitors from the Western North Carolina region and beyond.”

This exhibition is made possible in part by the Judy Appleton Fund. Many thanks to the Jerald Melberg Gallery for the loan of these important artworks and to Mary and Jerald Melberg for their long-standing support of the arts, artists, and the Asheville Art Museum.

Tracey Morgan Gallery is pleased to present an exhibition of paintings by artist Stella Alesi in our project space. This is Alesi’s first exhibition with the gallery and is presented in conjunction with Hannah Cole: A Mirror, Not a Window in our main gallery space. A reception for both artists will be held Friday, November 3 from 6-8PM.

The works on view are from the SQUISHY series, a group of geometric, abstract oil on oil paper paintings. With the use of simple shapes and a limited color palette, these works explore the visceral experience of living at this current moment. Alesi’s colorful, “squishy” shapes bend to the demands placed on them by their seemingly heavy, unforgiving counterparts. With this work, Alesi confronts contemporary issues such as climate change and political turmoil, as well as personal trials, using basic shapes, both hard and malleable to express a state of being. The shapes are gestural, fluid, and animated – sometimes resembling body parts even in their minimalism. The effect is a playful interpretation of heavy topics – a visual play on the deep and multi-layer well of human emotions.

Stella Alesi works across several styles and mediums, including drawing, painting, photography, collage, and large wall works. Their practice is characterized by a willingness to try new approaches in the ongoing investigation into new materials and visual languages, always exploring new ways to represent the visceral nature of the human experience. Born on Long Island, New York in 1963, Alesi was raised in New Jersey. They studied at Parsons School of Design, New York City; University Hampshire, Durham; and University of Massachusetts, Amherst. Their work has been purchased by many private and commercial collections. Career highlights include a recent solo exhibit (spring of 2023) at the Northern-Southern gallery, Austin, TX and a large-scale permanent installation in the lobby of The Foundry, Austin TX. Alesi currently lives and works in both Austin, TX and Asheville, NC.

Here’s a gift that will grow on you or the gardener on your list. Reservations are now open for a mini-terrarium workshop at Bullington Gardens. This class is open to families who would like to create family ornaments to keep or give as gifts.

Set for November 15, 2023, 2:00pm-3:30pm, this hands-on, in-person workshop lets you create hang-able mini-terrariums that double as holiday decoration. Create plant-filled globes that will also feel at home in a window year-round.

What is included: Glass ornament, planting materials, living succulent plants to choose from, décor for your ornament berries, moss, and twine or ribbon to hang your one-of-a-kind ornament. Extra glass globes and materials will be available to purchase.

• Even though it’s getting colder, you can still find fresh, local food at area farmers markets. Nine markets in Buncombe County will offer extended seasons or special holiday dates in November and December. In addition to seasonal produce, meats, cheeses, eggs, and bread, these markets will feature local artists and handmade goods, such as wreaths, pottery, jewelry, and more.
• ASAP’s Double SNAP for Fruits and Vegetables and Farm Fresh Produce Prescription. Both programs offer participants free market tokens that can be spent on fresh fruits and vegetables. That includes in-season fall produce such as root veggies (including carrots, beets, radishes, and turnips), tubers (potatoes and sweet potatoes), brassicas (broccoli, cauliflower, and cabbage), winter squash, greens, and fruits like apples and persimmons.

Join us for our annual AIR Holiday Gift Card Exchange on Wednesday, November 15th, from 4:00 p.m. to 6:00 p.m. at Archetype Brewing + Kitchen on the South Slope. We’ll be serving snacks and pizzas from Archetype, and a cash bar will be available.

Please bring gift cards in $20 denominations to exchange with your fellow restaurateurs. These gift cards can be used as employee gifts, incentives, and tokens of appreciation. This event is always enjoyable and an excellent opportunity to network and connect with fellow AIR members. Be sure to arrive on time to fully participate in the festivities and exchange the most cards.

Join us at Keynote Speechcrafters and

Discover the
Joy of
Public Speaking!

It’s natural to enjoy things you do well,
and you will get good at this.

Our members are committed to meeting each week because

steady progress
requires
steady practice.

Our motto:

When you show up
You speak
Every meeting
Every week

So come join us at the South Buncombe Library on Wednesday evenings and prepare to become a better you.

Please Click here to let us know you are coming.

Guests are always welcome. We look forward to speaking with you!

BULLY

Lucky For You is Bully’s most close-to-the-bone album yet. It’s an album that’s searing and unmistakably marked by its creator’s experiences, while still retaining the massive sound that Alicia Bognanno has become known for over the last decade. Her fourth album draws from personal pain and the universal struggle that is existing, learning, and moving on — and it’s all soundtracked by Bognanno’s rock-solid melodic sensibilities and a widescreen sound that’s impossible to pin down when it comes to the textures explored. These ten songs are simply the most irresistible Bognanno’s put to tape yet, making Lucky For You her greatest triumph to date in a career already packed with them.

Work on Lucky For You began last year, when Bognanno brought some in-progress demos to producer J.T. Daly in his Nashville studio to see if they could strike creative kismet. “Authenticity is always on my mind, without even knowing it,” she explains while discussing their recording process together. “If I’m doing something that doesn’t feel natural or right, I’m quick to shut it down. So it was great with J.T., because I could tell he was a genuine fan who wanted to emphasize what’s actually good about my writing instead of changing it. I could tell how much he cared about the project and it meant alot to me.” The album came together over the course of seven months, the longest gestation process for a Bully record to date: “I was freaking out about it at first, because taking my time was so new for me. But a few months in, I realized how crucial that time ended up being. I got songs out of it that I wouldn’t have had otherwise.”

“With every record, I feel more and more secure in terms of doing what I want,” Bognanno continues. “For this one, I wanted to be as creative as possible with these songs.” She got her wish: A kaleidoscopic rock record spanning punk’s grit, the crunchy bliss of shoegaze, explosive Britpop, and the type of classic anthems Bully has been known for, Lucky For You’s thematic focus also zooms in on grief and loss. The record is largely inspired by Bognanno’s dog Mezzi passing away, at a time when her life already felt as if in metamorphosis.

“Mezzi was my best friend,” she explains. “She made me feel safe and empowered, she showed me that I was worth loving and never judged me or viewed me as a let down. I always felt accepted, understood and so much less alone. Mezzi was living, breathing proof that I was worthy of being loved.” And the oceanic first single “Days Move Slow” was written shortly after Mezzi’s passing, reflecting the persistence of Bognanno’s incisive wit even while facing adversity. “There was nothing else I could do except sit down and write it, and it felt so good.”

“Hard to Love” stomps and lurches with awesome abandon, resembling one of the most sonically left-field tunes Bognanno’s put to tape as Bully; and then there’s the passionate opening track “All I Do,” which kicks in the door Bully-style with huge riffs atop her lyrical reflections on three years of sobriety. “I’ve been living in this house for seven years,” she says while discussing her current Nashville abode. “Once I stopped drinking, I felt like I was still haunted by mistakes and things that had happened when I was drinking, and it’s still taking me a long time to forget about that while existing in this house. How do I shed the skin from a path I’ve moved on from?”

In that vein, Lucky For You is a document of perseverance in the face of the big and the small stuff. “I’m so overly emotional and sensitive, it’s a blessing and a curse” she says with a laugh, but there’s no downside to her expressions of vulnerability on this record; it’s the latest bit of evidence that nothing can hold Bognanno back.

All ages

Fans of legendary folk icons The Kingston Trio can re-discover their timeless music all over again. All three current members, Mike Marvin, Tim Gorelangton and Buddy Woodward have intrinsic links to and experience with the original group: Mike is the adopted son of founding member Nick Reynolds, who was also his musical mentor; Tim, a close friend since boyhood, is one of the few musicians outside theTrio who has recorded with Nick Reynolds; and Buddy, who has performed with longtime Kingston Trio member George Grove. Many of their personal memories recall the iconic trio’s performances and journey as folk music made its extraordinary ascent to the pinnacle of popular culture – and the top of the music charts.

Every Wednesday Trivia Night

Trivia Night at Hickory Tavern