Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Introduction To Modeling The Human Figure with Leonid Siveriver
Thursdays, 6-9pm
August 30- October 4
You’ve asked for it, and this session we are pleased to announce that a live model, figurative sculpture class will be returning to Odyssey ClayWorks! Working from a live model each week, students will hone their understanding of basic anatomy, proportions and the mechanics of movement in 3 dimensions. After first creating multiple fast sketches in clay to work out technique, students will then advance to a longer-term sculpture based on a single pose, with more attention to detail. Please join us for this exciting opportunity to work with decorated sculptor, Leonid Siveriver.
Level: All Levels
Tuition: $255 + $75 Lab and live model fee
Plates and Mugs: Focusing On Surface and Form With Laurie Caffery Harris
Tuesdays, 6:30-9pm
August 28- October 2
These two popular forms offer endless possibilities of expression to the clay artist. In this intermediate level class, we will use the potter’s wheel to create our forms, then focus on creating a unique surface that reflects your individuality. Through demonstrations and practice on our own test tiles, we will cover surface design including mishima (slip inlay), painting, and sgraffito carving. There will also be a heavy emphasis on handle making, as we seek to create forms that are both beautiful, and easy to use.
Level: Intermediate and Advanced
Tuition: $255 + $35 Lab Fee
JOSEPH at The Grey Eagle
There is nothing like the sound of siblings singing together. Whether it’s the Beach Boys or the Everly Brothers—or, more recently, First Aid Kit—absorbing the same breathing rhythms and speech patterns adds an element to vocal harmonies that can be pure magic. With the release of I’m Alone, No You’re Not, the mesmerizing, hypnotic sound of the trio known as Joseph—made up of sisters Allison, Meegan, and Natalie Closner—joins this elite company.
“It’s just second nature, like a fifth limb that’s already on you,” says first-born Natalie. “There’s an ability to anticipate what’s going to happen and blend with it. When Meegan and Allison sing, they know exactly what I’m going to do and when.”
But the Closners didn’t actually start singing together when they were growing up in Oregon, the children of artistic parents (their dad was a jazz singer and drummer, their mom a theater teacher). Natalie was the performer—“the older sister who stood on the edge of the fireplace and told everyone, ‘Watch me!,’“ she says. Twins Meegan and Allison stayed out of her lane, joining in for their mother’s musical theater productions but otherwise avoiding the spotlight.
When Natalie was in college, she began pursuing music more seriously. The summer before her senior year, she went to Nashville to check out the scene and work on her guitar playing and songwriting. She had recorded an EP and done a few rounds of touring when a friend sat her down one day.
“It was kind of dramatic,” she says, “He took me aside and said, ‘I don’t think you really believe in this.’ It stopped me in my tracks.” She thought deeply about the music she was making and had a curious epiphany; she decided to ask her sisters if they would consider singing with her.
Initially, they didn’t really get it. “We thought she was asking us to be background singers, so we didn’t take it that seriously,” says Allison. “It was more commitment than I was expecting—I even tried to leave at one point, but after a while, I was convinced.”
A transformation occurred when the Closners were in the process of recording their first album, Native Dreamer Kin. At the time, they were calling themselves Dearborn, but their producer felt that the name didn’t fit the strength of the music. They went to visit their grandfather Jo, in the eastern Oregon town of Joseph. Allison made a playlist for the trip and called it “Joseph,” which is what influenced the band’s name.
“Once she said it, it just hit us all—that’s what this is and who we are, these are the sounds of the land that we’ve lived on,” says Natalie.
With this new sense of themselves, Meegan and Allison began taking a more active role in the group’s songwriting. Meegan notes that while the process was a “totally new journey” for her, it felt similar to the candor and vulnerability of her long-time journaling—just “pulling out the gold and arranging that into neater lines.”
She and Natalie both point to the song “Honest” as a keystone for the development of I’m Alone, No You’re Not. “We were trying really hard to write a song, but nothing was coming,” recalls Natalie. “One night, Meegan was working on some lyrics and getting frustrated, so she wrote in the margin of the page, ‘I can’t say a true thing. It’s hard to be that honest.’ Immediately after that, her most honest sentence spilled out—‘There’s always two thoughts, one after the other: I’m alone. No, you’re not.’ And she thought, ‘Oh, there’s the song.’ “
Meanwhile, the group was cultivating a devoted fan base in the most traditional ways possible: touring the Western states playing living room shows, backyard parties, and secret house party gigs; reaching an audience directly through such platforms as Noisetrade; selling their self-released CD and building a loyal following step by step. By the time they were approached by ATO Records, Joseph had already built a strong community of fans on its own.
As they moved toward making their second record, the project took an additional turn when the Closners decided to work with some other songwriters in Los Angeles. “We were afraid of it at first because the songs were more pop than we were used to writing,” says Meegan, “but as we internalized them, they started becoming super-important to us.”
They point to “More Alive Than Dead,” co-written with Ethan Gruska, as an example of these contributions. “That song describes an experience with a partner where you have hard things in your combined past,” says Natalie. “You’re haunted by them until you realize that those things are dead, and as long as you dwell on them, you’re missing the real live person in front of you.”
She adds, though, that Gruska was critical in clarifying and sharpening the nuanced emotion of the lyric. “When Ethan sent us back the demo, I lost it, He was able to see the heart of the song and bring it out, cut to the core of what I was trying to say.”
Finally, the women of Joseph recorded the album with acclaimed producer Mike Mogis (Bright Eyes, Jenny Lewis, First Aid Kit) at his studio in Omaha. He was able to open up their expansive, evocative vocal sound with powerful and striking arrangements, adding depth while highlighting their haunting intensity.
“This was our first time doing a recording like this,” says Natalie, “and we learned so much about creativity. Mike is a genius, and he’s just a total maniac as a musician, so he took these bare bones songs and brought them to life with lush, gorgeous textures and sounds.”
The initial reaction to the music on I’m Alone, No You’re Not has been remarkable. Joseph was selected as a #SpotifySpotlight artist, and booked for festivals including Bonnaroo, Pickathon, and Sasquatch even prior to the release of the single “White Flag,” a song inspired by an article predicting a massive earthquake for the Pacific Northwest.
“Reading that created a heaviness that was making us jumpy, scared, and miserable,” says Natalie. “It became clear we had two options: be scared and cowering, backing away from the world into paralysis, or keep moving and live. Defy fear. Wear peace. Find better ways to love the people in our lives instead of huddling together like frightened sheep thinking about earthquakes.”
Most rewarding for the Closner sisters has been feeling the audience response to the new songs, as they tour supporting such artists as James Bay and Amos Lee. “This is really when you learn what’s special about a song, or if it’s special,” says Natalie. “It’s this crazy firecracker thing that happens—‘Am I feeling something? Is anyone? What is this song, what does it do, which parts make the most sense?’
“It really is about connection with people, and we’re so grateful we’ve gotten the chance to do that. This has been a totally wild journey, and we’re constantly blown away with possibility of what could be.”
https://www.facebook.com/events/188070488495632/
Students at the Visual Arts Preschool at Roots + Wings School of Art and Design engage with pre-K education fundamentals through a dynamic, arts based curriculum. Literacy, numeracy, social skills, community building, cultural and environmental studies are approached through an art and design thinking lens, as students explore learning concepts experientially across multiple platforms.
The Roots + Wings Visual Arts Preschool ‘Best of 2018’ collection is a cross section of the diverse pre-K education program and includes investigations into art movements, community and culture, storytelling, and creative play.
The Biltmore Estate has been planning the largest exhibition in its historic gardens for almost a decade. And finally, last week, Chihuly at Biltmore opened with a mega installation of glass sculptures from the famous artist Dale Chihuly. Tens of thousands of glass pieces from all around the world reside in 14 locations around the Estate (which is the very first large-scale N.C. Chihuly installation).
The exhibition is up from now until Oct. 7th, free admission with a Biltmore day pass (and free for annual pass holders). Chihuly at Nightis a special, ongoing event where the glass sculptures are lit up, plus live music in the gardens + a wine bar. Tickets are $37.50 for kids + range from $65 – 75 for adults ($10 discount for pass holders).
Three new works were blown just for Biltmore, and 6 new compositions were put together.
The Asheville Art Museum is excited to present Red Hot in the Blue Ridge, an exhibition being held in conjunction with Western North Carolina’s community-wide Summer of Glass celebration. On view at the Asheville Art Museum On the Slope at 175 Biltmore Avenue May 19 – September 30, 2018, Red Hot in the Blue Ridge celebrates Western North Carolina’s unique place in the history of American Studio Glass. Many other organizations and galleries across WNC are also hosting glass-focused events, programs and exhibitions during the region’s Summer of Glass celebration, which coincides with a new exhibition at Biltmore of multi-media artist Dale Chihuly’s monumental glass sculptures. Visit www.ashevilleart.org for details.
Amazing Glaze with Gabriel Kline
Fridays 10am-12:30pm
August 31- October 5
Do you hate glazing? I mean, do you really HATE glazing? Have you experienced the frustration of making a beautiful piece, then ruining it with a flawed, or perhaps worse, boring glaze? Would you rather spend your time doing just about ANYTHING else, even cleaning your studio? Then this is the class for you! Join Gabriel each Friday as he demystifies the techniques that will help you learn to love the glazing process, achieve more dynamic results, and get your work noticed. Topics will include under and overglaze decoration, glazing large and delicate work, spraying glazes, and multiple firings. We will also examine the basics of formulating, mixing, or altering a glaze.
Level: Seasoned Beginner, Intermediate, and Advanced
Tuition: $255 + $35 Lab Fee
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
Beginner Wheel Throwing with Cayce Kolstad
Tuesdays 3-5:30pm
August 28- October 2
With an emphasis on ceramic tableware, this class is a perfect introduction to throwing on the potter’s wheel. We will explore the fundamental forms of functional pottery and work towards altering them to make cups, mugs, bowls and more. We will also cover the basics of glazing in order to create food safe pots you can use at home.
Level: Beginner and Seasoned Beginner
Tuition: $235 + $35 Lab Fee
Introduction To Modeling The Human Figure with Leonid Siveriver
Thursdays, 6-9pm
August 30- October 4
You’ve asked for it, and this session we are pleased to announce that a live model, figurative sculpture class will be returning to Odyssey ClayWorks! Working from a live model each week, students will hone their understanding of basic anatomy, proportions and the mechanics of movement in 3 dimensions. After first creating multiple fast sketches in clay to work out technique, students will then advance to a longer-term sculpture based on a single pose, with more attention to detail. Please join us for this exciting opportunity to work with decorated sculptor, Leonid Siveriver.
Level: All Levels
Tuition: $255 + $75 Lab and live model fee
Plates and Mugs: Focusing On Surface and Form With Laurie Caffery Harris
Tuesdays, 6:30-9pm
August 28- October 2
These two popular forms offer endless possibilities of expression to the clay artist. In this intermediate level class, we will use the potter’s wheel to create our forms, then focus on creating a unique surface that reflects your individuality. Through demonstrations and practice on our own test tiles, we will cover surface design including mishima (slip inlay), painting, and sgraffito carving. There will also be a heavy emphasis on handle making, as we seek to create forms that are both beautiful, and easy to use.
Level: Intermediate and Advanced
Tuition: $255 + $35 Lab Fee
Students at the Visual Arts Preschool at Roots + Wings School of Art and Design engage with pre-K education fundamentals through a dynamic, arts based curriculum. Literacy, numeracy, social skills, community building, cultural and environmental studies are approached through an art and design thinking lens, as students explore learning concepts experientially across multiple platforms.
The Roots + Wings Visual Arts Preschool ‘Best of 2018’ collection is a cross section of the diverse pre-K education program and includes investigations into art movements, community and culture, storytelling, and creative play.
The Biltmore Estate has been planning the largest exhibition in its historic gardens for almost a decade. And finally, last week, Chihuly at Biltmore opened with a mega installation of glass sculptures from the famous artist Dale Chihuly. Tens of thousands of glass pieces from all around the world reside in 14 locations around the Estate (which is the very first large-scale N.C. Chihuly installation).
The exhibition is up from now until Oct. 7th, free admission with a Biltmore day pass (and free for annual pass holders). Chihuly at Nightis a special, ongoing event where the glass sculptures are lit up, plus live music in the gardens + a wine bar. Tickets are $37.50 for kids + range from $65 – 75 for adults ($10 discount for pass holders).
Three new works were blown just for Biltmore, and 6 new compositions were put together.
The Asheville Art Museum is excited to present Red Hot in the Blue Ridge, an exhibition being held in conjunction with Western North Carolina’s community-wide Summer of Glass celebration. On view at the Asheville Art Museum On the Slope at 175 Biltmore Avenue May 19 – September 30, 2018, Red Hot in the Blue Ridge celebrates Western North Carolina’s unique place in the history of American Studio Glass. Many other organizations and galleries across WNC are also hosting glass-focused events, programs and exhibitions during the region’s Summer of Glass celebration, which coincides with a new exhibition at Biltmore of multi-media artist Dale Chihuly’s monumental glass sculptures. Visit www.ashevilleart.org for details.
Amazing Glaze with Gabriel Kline
Fridays 10am-12:30pm
August 31- October 5
Do you hate glazing? I mean, do you really HATE glazing? Have you experienced the frustration of making a beautiful piece, then ruining it with a flawed, or perhaps worse, boring glaze? Would you rather spend your time doing just about ANYTHING else, even cleaning your studio? Then this is the class for you! Join Gabriel each Friday as he demystifies the techniques that will help you learn to love the glazing process, achieve more dynamic results, and get your work noticed. Topics will include under and overglaze decoration, glazing large and delicate work, spraying glazes, and multiple firings. We will also examine the basics of formulating, mixing, or altering a glaze.
Level: Seasoned Beginner, Intermediate, and Advanced
Tuition: $255 + $35 Lab Fee
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
Beginner Wheel Throwing with Cayce Kolstad
Tuesdays 3-5:30pm
August 28- October 2
With an emphasis on ceramic tableware, this class is a perfect introduction to throwing on the potter’s wheel. We will explore the fundamental forms of functional pottery and work towards altering them to make cups, mugs, bowls and more. We will also cover the basics of glazing in order to create food safe pots you can use at home.
Level: Beginner and Seasoned Beginner
Tuition: $235 + $35 Lab Fee
Introduction To Modeling The Human Figure with Leonid Siveriver
Thursdays, 6-9pm
August 30- October 4
You’ve asked for it, and this session we are pleased to announce that a live model, figurative sculpture class will be returning to Odyssey ClayWorks! Working from a live model each week, students will hone their understanding of basic anatomy, proportions and the mechanics of movement in 3 dimensions. After first creating multiple fast sketches in clay to work out technique, students will then advance to a longer-term sculpture based on a single pose, with more attention to detail. Please join us for this exciting opportunity to work with decorated sculptor, Leonid Siveriver.
Level: All Levels
Tuition: $255 + $75 Lab and live model fee
Plates and Mugs: Focusing On Surface and Form With Laurie Caffery Harris
Tuesdays, 6:30-9pm
August 28- October 2
These two popular forms offer endless possibilities of expression to the clay artist. In this intermediate level class, we will use the potter’s wheel to create our forms, then focus on creating a unique surface that reflects your individuality. Through demonstrations and practice on our own test tiles, we will cover surface design including mishima (slip inlay), painting, and sgraffito carving. There will also be a heavy emphasis on handle making, as we seek to create forms that are both beautiful, and easy to use.
Level: Intermediate and Advanced
Tuition: $255 + $35 Lab Fee
Come and get it, honey! Queen Bee & the Honeylovers will be swinging the block tonight! There will be fabulous music, and great classes for beginners! Stay late for our post dance blues hour! Plus the venue is not only gorgeous, but they have a fabulous bar!
~~~Schedule (short version- see below for details)~~~
7 pm: Level-Up Lindy w/ Deb & Jean
8 pm: Intro to Lindy Hop w/ Deb & Jean
9-11pm: Swing AVL Dance w/ Queen Bee & The Honeylovers
11-12pm: Vintage Blues Hour w/ DJ
~~~~~~~~~~~~
PRICING: Dance/Band is $5 (includes blues hour) and classes are $10/$8 for Swing Asheville members. Vintage Blues Hour is $2 suggested donation for those who didn’t pay for Dance/Band admission.
VOLUNTEERS NEEDED
Interested in free dances or half priced lessons? Want to help prom…http://signup.com/go/qiyRjLG
MUSIC
Queen Bee and the Honeylovers is an upbeat, nostalgic dance band that indulges in an eclectic exploration of jazz, swing and latin music styles. Their unabashedly joyous repertoire includes classic standards as well as the occasional peppering of more obscure latin and jazz tunes. Vocal-driven with an infectious groove, they’re guaranteed to put a grin on your face and a tap in your toes.
BLUES
Band finished and you’re not done dancing? You’re in luck… stick around for our vintage blues hour! Continue dancing to DJ’d music until the bar kicks us out. $2 suggested donation for those coming just for the blues hour.
FOOD: Feeling peckish? The bar has a small selection of vegan goodies to help keep your stamina up! Ask a bartender for more details.
CLASSES
7pm: Continuing Class: Level-Up Lindy w/ TDeb & Jean
For people who can do basic lindyt footwork on demand and feel comfortable doing this footwork within the context of basic social dancing. We will work on practical dance technique, common but interesting social moves / repertoire, styling, and anything else that moves your dancing forward! Remember, the more regularly you show up, the more the whole group can make progress! Come swing out with us, y’all!
“Continuing” classes are for those dancers who have cemented the basics of the dance being featured that specific month. This includes knowing (and being able to execute cleanly and consistently) basic footwork and lead/follow skills for that dance. Some continuing classes may require no advance knowledge of a dance. This will be noted in the the class description.
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8 pm: Core Class w/ TBA
In this class, we’ll focus on rhythm and lead-follow technique while learning a basic “vocabulary” of steps to build your swing dance repertoire. In just a short time, you’ll be able to get out on the dance floor with a partner and have fun dancing! For brand new dancers and those who would like to review and improve their basic steps and technique. No partner or experience necessary.
“Core” lessons stress the fundamentals of swing dancing for beginning dancers. Lessons rotate monthly to focus on a different kind of swing dance (6 Count Lindy, 8 Count Lindy, Charleston, Balboa, etc.). Because good fundamentals are hard to develop in one month, we recommend repeating Core lessons (on the same topic) to help develop the solid foundation you’ll need in continuing classes. Core lessons are also great for intermediate and advanced dancers who want to “get back to basics” or learn a different dancing role (lead vs. follow).
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GIFT CERTIFICATES
Do you want to buy a gift certificate for our classes as a gift, or to pre-pay for a block of classes for yourself? You can purchase gift certificates at the door at our weekly dance! They are $40 for a block of 4, and a great way to dive into the fun world of dance.
UPCOMING SCHEDULE
Sept 18: Big Dawg Slingshots
Sept 25: Low Down Sires
Oct 2: Community Jazz Jam
Oct 9: Sparrow & Her Wingmen
Oct 16: Drayton & The Dreamboats
Oct 23: Gravyhouse Storytellers
Oct 30: House Hoppers Halloween Spooktacular
https://www.facebook.com/events/2062955600382148/
Matt and Kim
plus Michael Christmas
Show: 8pm
Doors: 7pm
$25 – $28
Ages 18+
Language not suitable for all ages.
Tickets & Info: www.theorangepeel.net/event/matt-and-kim/
For many bands, making music is all about the routine of recording an annual album, or being able to tour in progressively bigger venues. Not Matt and Kim. “Our goal is to make music we want to hear,” says Matt Johnson, who co-founded the band with Kim Schifino. “When it comes time to make a new album, I’m just so excited, since I know we have all these ideas and I just want to get them out there.” As for the band’s extra-emphatic live shows, which these days happen in large venues, he explains, “We’ve always just really enjoyed playing music, and things have kept growing.”
Matt and Kim’s enthusiasm comes across loud and clear on the band’s new album, Lightning, its most diverse and developed to date. From the relentless drive of “Now” to the dance-fueled beat of “Let’s Go” to the more contemplative “Ten Dollars I Found,” Lightning is the strongest distillation yet of Matt and Kim’s unique sound: a spunky hybrid of indelible songs, an emphatic beat and almost tangible energy, mixed with the duo’s influence of listening nonstop to Top 40 Hip-Hop and pop-punk.
To make the album, Matt and Kim spent six months working in their home studio in Brooklyn, producing the record themselves. Lightning is a touch more minimal than their earlier work – with layers taken away, instead of added, enabling its intense performances and memorable tunes to really come to the forefront. “What’s made the songs on this album really strong is we’ve been able to pull a lot off – to not have so much going on – and still have a strong song,” Kim explains.
“It’s easier to make a song with a lot going on,” Matt adds. “It feels very safe. It’s like putting on a lot of clothes: you feel all covered up so no one can judge just one aspect of it, but when you try to break it down to be as simple as can be, you’re really baring it all. When you can see clearly what’s going on, those are the times that the songs are easiest to connect to.”
Connecting with their audience is certainly a key focus for Matt and Kim. The indie dance duo’s live shows – which are legendary for constant, in-your-face exuberance – feel more like vibrant, sweaty loft parties than traditional concerts, for both audiences and the band. “I think we’ve managed to continue to make them feel intimate,” says Matt. “When we first started playing venues instead of playing on the floor at parties, we tried hard to keep the vibe of ‘we’re all doing this together and having a wild time’ going. The show is not just the two of us: it’s the 3002 of us, or however big the venue is.” Or, as in the words of Rolling Stone: “Matt and Kim’s reputation as a live act precedes them – and justifiably so. Simply put, they are a two-person dynamo, frantic, tightly wound, and full of good cheer. Their performances are as physical as they are musical. . . . For sheer adrenaline-per-second, no other band comes close.”
The band started in 2004, essentially by accident when Matt and Kim were art students at the prestigious Pratt Institute, where they studied film and illustration, respectively. When Kim wanted to learn to play drums and Matt (who’d been in bands before) was getting his head around a new keyboard, the band was born. Since then, they have earned a Gold Record for the upbeat, stick-in-your-head track “Daylight,” played festivals like Coachella, Lollapalooza, and Bonnaroo, along with international festivals like V (U.K), Pukkelpop (Belgium), Fuji (Japan), Big Day Out (Australia), Primavera (Spain), Oya (Norway), SWU (Brazil), as well as hundreds of shows. They have won 3 MTV awards: a Breakthrough Video Music Award and mtvU Best Video Woodie Award for “Lessons Learned”, as well as a 2011 award for Best Live Band. Lightning is the band’s fourth album, following Sidewalks, Grand, and their self-titled debut.
Matt and Kim have always been inspired by Brooklyn’s general urban din as well as the area’s artists, yet Matt points out, “I don’t think a place can define a person. We simply write songs about us and our life so that’s why where we live comes up.”
Indeed, there’s something universal about a song with a beat that grabs you, with a great melody, played by a band that simply loves to play music. And that, in Williamsburg and way beyond, is the key to the universal appeal of Matt and Kim.
www.mattandkimmusic.com
https://www.youtube.com/watch?v=JyVzPx4ecHA
https://www.facebook.com/events/250605672364492/
Students at the Visual Arts Preschool at Roots + Wings School of Art and Design engage with pre-K education fundamentals through a dynamic, arts based curriculum. Literacy, numeracy, social skills, community building, cultural and environmental studies are approached through an art and design thinking lens, as students explore learning concepts experientially across multiple platforms.
The Roots + Wings Visual Arts Preschool ‘Best of 2018’ collection is a cross section of the diverse pre-K education program and includes investigations into art movements, community and culture, storytelling, and creative play.
The Biltmore Estate has been planning the largest exhibition in its historic gardens for almost a decade. And finally, last week, Chihuly at Biltmore opened with a mega installation of glass sculptures from the famous artist Dale Chihuly. Tens of thousands of glass pieces from all around the world reside in 14 locations around the Estate (which is the very first large-scale N.C. Chihuly installation).
The exhibition is up from now until Oct. 7th, free admission with a Biltmore day pass (and free for annual pass holders). Chihuly at Nightis a special, ongoing event where the glass sculptures are lit up, plus live music in the gardens + a wine bar. Tickets are $37.50 for kids + range from $65 – 75 for adults ($10 discount for pass holders).
Three new works were blown just for Biltmore, and 6 new compositions were put together.
The Asheville Art Museum is excited to present Red Hot in the Blue Ridge, an exhibition being held in conjunction with Western North Carolina’s community-wide Summer of Glass celebration. On view at the Asheville Art Museum On the Slope at 175 Biltmore Avenue May 19 – September 30, 2018, Red Hot in the Blue Ridge celebrates Western North Carolina’s unique place in the history of American Studio Glass. Many other organizations and galleries across WNC are also hosting glass-focused events, programs and exhibitions during the region’s Summer of Glass celebration, which coincides with a new exhibition at Biltmore of multi-media artist Dale Chihuly’s monumental glass sculptures. Visit www.ashevilleart.org for details.
Amazing Glaze with Gabriel Kline
Fridays 10am-12:30pm
August 31- October 5
Do you hate glazing? I mean, do you really HATE glazing? Have you experienced the frustration of making a beautiful piece, then ruining it with a flawed, or perhaps worse, boring glaze? Would you rather spend your time doing just about ANYTHING else, even cleaning your studio? Then this is the class for you! Join Gabriel each Friday as he demystifies the techniques that will help you learn to love the glazing process, achieve more dynamic results, and get your work noticed. Topics will include under and overglaze decoration, glazing large and delicate work, spraying glazes, and multiple firings. We will also examine the basics of formulating, mixing, or altering a glaze.
Level: Seasoned Beginner, Intermediate, and Advanced
Tuition: $255 + $35 Lab Fee
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
Beginner Wheel Throwing with Cayce Kolstad
Tuesdays 3-5:30pm
August 28- October 2
With an emphasis on ceramic tableware, this class is a perfect introduction to throwing on the potter’s wheel. We will explore the fundamental forms of functional pottery and work towards altering them to make cups, mugs, bowls and more. We will also cover the basics of glazing in order to create food safe pots you can use at home.
Level: Beginner and Seasoned Beginner
Tuition: $235 + $35 Lab Fee
Looking for something fun and creative to do after school? In this 5-week class, kids will learn how to center clay on the potter’s wheel, pull up the walls and form a variety of shapes including bowls, cups and plates. A little hand building will be involved as we embellish our pottery with handles and decoration. At the end we will paint and glaze all of our creations making them food safe and durable. Class includes one on one instruction and the room to grow and experiment with clay. Tuition is $225.
Introduction To Modeling The Human Figure with Leonid Siveriver
Thursdays, 6-9pm
August 30- October 4
You’ve asked for it, and this session we are pleased to announce that a live model, figurative sculpture class will be returning to Odyssey ClayWorks! Working from a live model each week, students will hone their understanding of basic anatomy, proportions and the mechanics of movement in 3 dimensions. After first creating multiple fast sketches in clay to work out technique, students will then advance to a longer-term sculpture based on a single pose, with more attention to detail. Please join us for this exciting opportunity to work with decorated sculptor, Leonid Siveriver.
Level: All Levels
Tuition: $255 + $75 Lab and live model fee
Plates and Mugs: Focusing On Surface and Form With Laurie Caffery Harris
Tuesdays, 6:30-9pm
August 28- October 2
These two popular forms offer endless possibilities of expression to the clay artist. In this intermediate level class, we will use the potter’s wheel to create our forms, then focus on creating a unique surface that reflects your individuality. Through demonstrations and practice on our own test tiles, we will cover surface design including mishima (slip inlay), painting, and sgraffito carving. There will also be a heavy emphasis on handle making, as we seek to create forms that are both beautiful, and easy to use.
Level: Intermediate and Advanced
Tuition: $255 + $35 Lab Fee