The SBA is launching a streamlined application portal to allow borrowers with Paycheck Protection Program (PPP) loans under $150,000 through participating lenders to apply for forgiveness directly through the SBA. “With the new simplified application portal, thousands of Southeastern businesses, and even sole proprietorships that borrowed PPP funds will have these funds forgiven said Janita R. Stewart, Acting Regional Administrator for the Southeastern Region. Most entrepreneurs waiting for forgiveness have loans under $150,000. It was time we made the process more efficient so businesses can get back to sustaining our communities.” This new change will help rush relief to the Southeast’s smallest of small businesses, which has been the Administrator’s priority since day one. The new forgiveness platform will begin accepting applications from borrowers on August 4, 2021. Lenders are required to opt-in to this program through directforgiveness.sba.gov. In addition to the technology platform, the SBA is standing up a PPP customer service team to answer questions and directly assist borrowers with their forgiveness applications. Borrowers that need assistance or have questions should call (877) 552-2692, Monday – Friday, 8 a.m. – 8 p.m. EDT.

The North Carolina Arboretum is going wild for art and nature in 2021 with Wild Art! On view April 1 through September 26, this outdoor sculpture exhibition features works by 17 local and national artists drawing inspiration from the natural environment. Situated throughout the Arboretum’s spacious, open-air gardens, the show offers guests a doorway into the wild world from the comfort and safety of cultivated landscapes transformed by art.

The 18 sculptures on display represent a variety of approaches to the theme of “wild art,” from the literal to the abstract, and are crafted from a diverse array of materials that will delight and inspire. Let your imagination take you on a wild journey into the world of plants and animals near and far with Wild Art at The North Carolina Arboretum.

The exhibit is available to all guests during normal Arboretum hours, and there is no admission cost to view the sculptures beyond our usual parking fee of $16 per personal vehicle.

With the convenience of being open year-round, 7 days a week, the WNC Farmers Market offers a selection of farm-fresh produce at the lowest prices in Western N.C. Our popular retail buildings, providing a selection of non-perishables, fruits, vegetables, crafts and more, are open daily.

Each day, campers will get to experience a different adventure at the Adventure Center of Asheville and Wildwater, Ltd. including:

• Asheville Treetops Adventure Park
• Asheville Zipline Canopy Adventures
• KidZip
• KOLO Bike Park
• Wildwater Ltd. Whitewater Rafting on the Pigeon River
• TreeQuest

In addition, campers enjoy a daily swim at Asheville Racquet Club Pool in the afternoons.

Then the rest of their day is filled with facilitated activities like team building and field games, outdoor education such as forest walks and shelter building, and creative learning led by our talented and trained staff.  And of course, lots of fun!!!!

At the Adventure Center of Asheville our team of professional outdoor leaders take pride and care in providing our Guests with an excellent experience.

2021 Summer Adventure Camp will be under the leadership of our new Camp Director, Lauren Brown, who joined us last year as the co-director of our Adventure Afterschool program.  With a B.S. degree in Environmental Science and 12 years experience working at summer camps, we are excited to share Lauren’s passion for the environment, science and the fun of camp!

Our camp counselor team is made up of certified teachers and young adults whose passion is working with youth and sharing their love for life and adventure. Our Asheville Summer Adventure Camp is staffed by 4 to 5 full-time day camp team members. Campers are regularly divided into smaller, age appropriate groups to manage group size and allow campers to excel in each activity at their personal skill level and comfort zone. Great care is taken to assure campers are comfortable with each activity while encouraging them to stretch their comfort zone further. Counselors provide individual attention and unique experiences that campers will remember for the rest of their lives!

• 8:30 – 4:00 daily, with optional late pick up until 5:00 for $10/day/person
• Multiple Week Discount ($20 off/additional week)

At the Kolo Bike Summer Camp, campers will ride daily on purpose-built mountain bike trails and skill elements designed for all levels of rider to experience flow on a bicycle. Kolo Bike Park is a great way for young riders to build confidence and skill in a controlled environment.

Experienced mountain bike counselors will accompany and coach riders through the week on our:

• Pump tracks
• Jumps
• XC Trails
• Skills Area

Other activities include a warm-up each day and climbing the Treetops Adventure Park and games throughout the week.

The camp is for kids age 8-15 years who can comfortably ride a two-wheel bicycle. Some off-road experience is recommended but not required.

• Multiple Week Discount ($20 off/additional week)

A Life in the Wild  features more than 30 large-format images from award-winning nature photographer Thomas D. Mangelsen, who has devoted decades of his life to documenting wild places across the globe and the remarkable creatures that inhabit them. For this traveling retrospective exhibition of his works, Mangelsen has hand-selected several legacy photographs from his portfolio of more than 40 years, during which time he has captured thousands of breathtaking images of wildlife under natural — and sometimes harsh — conditions. With subjects ranging from black bears in the Great Smoky Mountains to plains zebras in the savannas of East Africa, this collection of photographs serves to remind us all to slow down and take a moment to connect with nature near and far. Named the 2011 Conservation Photographer of the Year by Nature’s Best Photography, among other accolades, Mangelsen has his work featured in the permanent collection at the Smithsonian’s National Museum of Natural History in Washington, D.C..

A Life in the Wild is on display daily, May 15 – September 5, 2021, from 9 a.m. to 5 p.m. inside the Baker Exhibit Center. Face coverings are required for visitors ages 5 years and older.

Exhibit support for A Life in the Wild is provided in part by The North Carolina Arboretum Society, Asheville Citizen-Times, Biltmore Farms Hotels, Gasperson Moving & Storage, RomanticAsheville.com Travel Guide and Smoky Mountain Living Magazine. 

THOMAS D. MANGELSEN – A LIFE IN THE WILD, produced by David J. Wagner, L.L.C., David J. Wagner, Ph.D., Curator/Tour Director.

Fairy Trail 2021

Join us on the magical Fairy Trail where your imagination is the only limit.

Developed by Fairies and dedicated volunteers, Bullington Gardens’ Fairy Trail is a whimsical treat for the young and the young at heart. Featuring playful vignettes and villages, the fairy trail will charm you with its thoughtful design, eye catching displays and secret woodland trail.

Rules of the trail:

Do not move or rearrange fairy displays. The fairies are very fond of their own decorating.

Do not leave trash on the trail. Fairies do not like litter in their town.

Please ensure children and pets are supervised at all times. Dogs and loud noises can scare the fairies into hiding.

Do not disturb wildlife or vegetation. The fairies depend on the vegetation to build their homes.

The trail is one way only. Please stay on the trail at all times.

P.S. the Fairies would like us to remind you that we are a non-profit and donations are greatly appreciated. Help us keep the fairies living in the style with which they’ve become accustomed.

Bullington Gardens and the Fairy Trail are closed on Sundays.

Included with admission

Our fun-for-all-ages botanical model train displays invite you to experience our grounds in an engaging new way. Located in the Conservatory in the Walled Garden, the displays feature replicas of structures connected with Biltmore and its founder George Vanderbilt. Each beautifully executed piece was handcrafted from such natural elements as leaves, bark, and twigs.

In compliance with state and local mandates related to COVID-19, all guests must enter the Conservatory via the ADA entrance in the back and follow a one-way route.

Included with admission

A unique-to-Biltmore, large-scale outdoor sculpture will be crafted and installed in Antler Hill Village this spring by Patrick Dougherty. Over the last three decades, this internationally-acclaimed artist has combined his carpentry skills and love of nature to build over 300 of these wondrous works, captivating the hearts and imaginations of viewers worldwide.

Image: Close Ties (2006) Scottish Basketmakers Circle, Dingwall, Scotland. Photo: Fin Macrae
NOTE: This is an example of Patrick Dougherty’s work; the artist will create Biltmore’s unique structure in Antler Hill Village this spring.

Summer at Biltmore offers an abundance of opportunities to explore our 8,000-acre Blue Ridge Mountain backyard and create the kind of memories that last a lifetime. Wander through historic gardens, along winding trails, and within the spacious halls of America’s Largest Home^®. Enjoy extraordinary experiences and peace of mind in one spectacular setting: only at Biltmore.

Graduate Show 2021: Haywood Community College Professional Crafts Program

Bender Gallery is honored to present One Day I Will Disappear, a solo exhibition of current paintings by Czech American artist Tom Pazderka. His captivating work is deeply personal and is an elegant metaphor for life’s darker side: of landscape, of nature, of memory. The exhibition runs from July 3 through August 31 during regular business hours. There will be an opening reception for Pazderka on Saturday July 3, from 6 to 9 PM by RSVP only.

Pazderka is a painter, an installation artist, an intellectual, and a writer who spent his undergraduate years in the Asheville area. He was born near Prague in 1981 during the waning of the Communist era in Czechoslovakia. He lived in a panelák, a Soviet-style concrete apartment block, until emigrating to the US in 1994 at the age of twelve. Contrary to what we may envision in America, Pazderka has fond memories of his time there. Although life was basic and creativity was not encouraged, his family was never in need and they enjoyed regular visits to their family cottage in the country. However, most of Pazderka’s life has been lived in the US and he also considers himself American. His work and life are deeply influenced by what he describes as the “incompleteness of the immigrant experience”. Pazderka explores humanity’s quest for a universal truth. The work reflects his reverence for history and the failed Soviet promise of utopia of his native land. It is thus a balancing act between this history and his assimilation into the capitalist consumer culture of the United States.

The works shown in One Day I Will Disappear consist of oil, ash, and charcoal paintings on burned panel and paper. They feature clouds, mountains, portraits, ephemera, and remnants of nature. They are conceptually dark, yet haunting and beautiful at the same time. Pazderka uses humble materials such as found plywood panels that he burns with a torch before beginning the painting process. He transforms the painting surface with the destructive, yet creative power of fire. He states, “Materials and process are components of the work that are as important as the image and what the work is about”.

Pazderka chooses to work in a colorless palette reminiscent of aged black and white photographs. He explains, “Photographs interest me because it is a tangible memory, but photographs are really residue of the photographic process.”  They are themselves a memory of a memory. Much of Pazderka’s work is based on old family photographs and photos taken from nature and architecture relaying the past, the present, and the hope of a better future. The work appears otherworldly and fleeting, like ghosts of his memories. In Pazderka’s words, “The present is all there is in the end.”

Pazderka holds a BFA from Western Carolina University and an MFA from U.C. Santa Barbara. He has received many awards and fellowships and has held residencies in the US, France, and the Czech Republic. He lives and works in Ojai, CA.

During the month of August Second Gear has selected RiverLink as their monthly non-profit partner! They will be donating 1% of all the proceed they receive throughout the month. We are so thankful for their generous support of our mission to protect the French Broad River! Both of our organizations share a passion for the environment and helping our community experience it’s beauty. Their support will help us ensure that the French Broad River continues to be an excellent source of outdoor recreation.

Second Gear is a locally owned, independently run store based out of Asheville, North Carolina where they’ve been proudly serving the community since 2004. They buy and sell outdoor gear and help people prepare for their next outdoor adventure. So go get some gear this month and help support clean water!

11am–6pm. Late-night Thursdays until 9pm; closed Tuesdays.

Public Domain: Photography and the Preservation of Public Lands presents works drawn from the Asheville Art Museum’s Collection by artists looking both regionally and nationally at lands that are either state or federally managed or have become so. This exhibition will be on view in the Asheville Art Museum’s Van Winkle Law Firm Gallery May 19 through August 30, 2021. 

“The Asheville Art Museum’s growing collection of photography features a variety of artworks that consider humankind’s impact on our environment and world,” said Hilary Schroeder, assistant curator. “The imagery featured in Public Domain reminds us of the critical role that artists play in environmental activism and preservation, affecting change at a range of levels”. 

Through images capturing the beauty, changes, and even devastation to the American landscape, photographers have played a vital role in advocating for the preservation of nature via the establishment and maintenance of state parks, national parks and monuments, and other federally protected lands. From George Masa and Timothy McCoy’s photographs of Great Smoky Mountains National Park to a selection of works from Robert Glenn Ketchum’s Overlooked in America: The Success and Failure of Federal Land Management series, these artworks provoke contemplation of both nature’s beauty and a calling to protect it. This year marks the 75th anniversary of the Bureau of Land Management whose mission is to sustain the health, diversity, and productivity of the public lands for the use and enjoyment of present and future generations. 

Photographers include Robert Glenn Ketchum, George Masa, Timothy McCoy, Benjamin Porter, Sally Gall, and more. 

This exhibition is organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator. 

Artist Walter B. Stephen (Clinton, IA 1875–1961 Asheville, NC) contributed to Western North Carolina’s identity as a flourishing site for pottery production and craftsmanship in the early 20th century. Walter B. Stephen Pottery: Cameo to Crystalline features art pottery and functional vessels from each stage of Stephen’s career, from his origins discovering the medium alongside his mother Nellie C. Randall Stephen in Shelby County, TN from 1901 through 1910 to his multi-decade production just outside of Asheville. This exhibition will be on view in the Asheville Art Museum’s Debra McClinton Gallery July 28, 2021 through January 17, 2022.

In 1926, Stephen founded his third and last pottery studio, Pisgah Forest, in Arden, NC, which he operated until his death in 1961. It was at this studio that the artist perfected the “cameo” decoration technique for which he became best known. His hand-painted images, achieved with layers of white translucent clay, often feature American folk imagery, from covered wagons and livestock to cabins and spinning wheels. A selection of works from the Museum’s Collection showcase his innovation in form and in decorative surface details, including experimentation with crystalline glazing.