Our mission is to bring together, in small, intimate settings, authors, readers of all ages, novice writers, listeners, and learners. We are a festival of readers who appreciate discussing the ideas in literature.

We do not see ourselves as an academic festival, thou

Telling Our Own Story: Cherokee Self-Representation in Contemporary Media

Historically in film, literature, galleries, and textbooks, Native stories have been told by non-Native voices. In this panel, we’ll hear from citizens of the Eastern Band of Cherokee Indians (EBCI), North Carolina’s only federally recognized tribe, who are contributing to the international movement for Indigenous self-representation in media through writing, podcasting, visual art, and cultural perpetuation.

Annette Saunooke Clapsaddle (Eastern Band Cherokee)

Award-winning Author of Even as We Breathe

Annette Saunooke Clapsaddle (Eastern Band Cherokee) lives in Qualla, NC and is the author of Even As We Breathe. She sits on the Board of Directors for the Museum of the Cherokee Indian and is President of the North Carolina Writers Network. She is also an Appalachian Futures Series editor for the University Press of Kentucky.

Shana Bushyhead Condill (Eastern Band of Cherokee Indians)

Museum of the Cherokee Indian Executive Director

Shana Bushyhead Condill (Eastern Band of Cherokee) has worked in the museum and cultural field for over twenty years. As Executive Director of the Museum of the Cherokee Indian, Condill furthers a career-spanning commitment to cultivating Native representation and self-representation in public spaces, advocating for the intentional combining of mainstream best practices with Native best practices in cultural preservation.

Nola Pina (Eastern Band of Cherokee Indians)

Museum of the Cherokee Indian Lead Cultural Specialist

Nola Pina (Eastern Band Cherokee) grew up and still currently resides in the on the Qualla Boundary. As a Lead Cultural Specialist at the Museum of the Cherokee Indian, Nola enjoys demonstrating and teaching finger-weaving (she is a first-generation finger weaver herself), as well as storytelling and leading tours through the permanent exhibit.

Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo)

Visual artist

Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo) employs printmaking, digital design, and basketry techniques in creating her artist’s books, prints, and paper weavings. Both of her Tribal heritages, cultures, and lineages are manifested in her two- and three-dimensional artworks that range in size from a few inches to a few feet.

Sheyahshe Littledave (Eastern Band Cherokee)

Writer/podcaster

Sheyahshe Littledave (Eastern Band Cherokee) is passionate about storytelling and writing to highlight the Indigenous experience. Her work includes publication in National Geographic, NPR, and writing children’s books. In 2021, she became the co-host of “We are Resilient: An MMIW True Crime Podcast,” dedicated to telling the untold stories of Missing & Murdered Indigenous Women.gh we seek to advance authors of literary quality.  Nor are we a book fair in which the primary objective is to sell books.

One of our goals is to raise awareness of works of literary significance from smaller presses.  We do focus on regional writers, though not exclusively.  But overall, our aspiration is to create a little literary community which is in dialog with readers, aspiring writers, and established authors about craft and ideas of sustaining merit.

Another goal is to make sure our authors are having good time.  In the best scenario, authors leave the festival feeling renewed and rededicated to their work.  So frequently when an author writes in isolation, it is hard to believe that his/her work is making an impact on people and society.  But situating authors and readers together in close quarters, as our festival does, it is possible for authors to hear stories of how their work has influenced people.  It’s not just signing a book, it’s making a human connection.

We hope the Carolina Mountains Literary Festival inspires people to read more, write more, and contribute positively to society through the literary arts.

Our Pecularities

No outside vendors have booths at our festival.  In fact, we don’t even sell any litfest paraphernalia. In an attempt to support our quaint downtown, attendees are encouraged to buy souvenirs at the many local shops that host readings. Authors are not tied down to a table all day, but are free to roam the town, attend other sessions, or gab with other authors in more sequestered areas.  Some authors spend a full two days attending others’ readings.  As festival planners, we thoroughly enjoy this contribution.  However, some chose to leave after their sessions, which is equally acceptable.
Our events are spread all over our small town— in galleries, small stores, the Town Center, library, nearby churches, and other various venues.  Only a few used primarily for workshops are not within walking distance.
Events are scheduled simultaneously.  As many as five different events may be occurring at any one time.  (We know that it can be difficult to choose, but we make every attempt to have each author present at least twice during the weekend.) We have a festival bookseller (Malaprop’s) who sells all festival author books – authors do not sell their books on their own.  (Therefore, if book sales are high on your list of priorities or you enjoy pitching your books, you may not find this event to your liking—and vice versa.)
Authors gather for morning and afternoon-session book-signings as a group.  No individual authors will have their own signings. Author presentations are limited to two consecutive years.  Exceptions may be made if an author has a new, significant work.  At the same time, we welcome past participants as attendees, or to assist us as session moderators or introducers if they wish.

FOR WORKSHOPS: 2023 Schedule – cmlitfest.org

Our mission is to bring together, in small, intimate settings, authors, readers of all ages, novice writers, listeners, and learners. We are a festival of readers who appreciate discussing the ideas in literature.

We do not see ourselves as an academic festival, thou

Telling Our Own Story: Cherokee Self-Representation in Contemporary Media

Historically in film, literature, galleries, and textbooks, Native stories have been told by non-Native voices. In this panel, we’ll hear from citizens of the Eastern Band of Cherokee Indians (EBCI), North Carolina’s only federally recognized tribe, who are contributing to the international movement for Indigenous self-representation in media through writing, podcasting, visual art, and cultural perpetuation.

Annette Saunooke Clapsaddle (Eastern Band Cherokee)

Award-winning Author of Even as We Breathe

Annette Saunooke Clapsaddle (Eastern Band Cherokee) lives in Qualla, NC and is the author of Even As We Breathe. She sits on the Board of Directors for the Museum of the Cherokee Indian and is President of the North Carolina Writers Network. She is also an Appalachian Futures Series editor for the University Press of Kentucky.

Shana Bushyhead Condill (Eastern Band of Cherokee Indians)

Museum of the Cherokee Indian Executive Director

Shana Bushyhead Condill (Eastern Band of Cherokee) has worked in the museum and cultural field for over twenty years. As Executive Director of the Museum of the Cherokee Indian, Condill furthers a career-spanning commitment to cultivating Native representation and self-representation in public spaces, advocating for the intentional combining of mainstream best practices with Native best practices in cultural preservation.

Nola Pina (Eastern Band of Cherokee Indians)

Museum of the Cherokee Indian Lead Cultural Specialist

Nola Pina (Eastern Band Cherokee) grew up and still currently resides in the on the Qualla Boundary. As a Lead Cultural Specialist at the Museum of the Cherokee Indian, Nola enjoys demonstrating and teaching finger-weaving (she is a first-generation finger weaver herself), as well as storytelling and leading tours through the permanent exhibit.

Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo)

Visual artist

Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo) employs printmaking, digital design, and basketry techniques in creating her artist’s books, prints, and paper weavings. Both of her Tribal heritages, cultures, and lineages are manifested in her two- and three-dimensional artworks that range in size from a few inches to a few feet.

Sheyahshe Littledave (Eastern Band Cherokee)

Writer/podcaster

Sheyahshe Littledave (Eastern Band Cherokee) is passionate about storytelling and writing to highlight the Indigenous experience. Her work includes publication in National Geographic, NPR, and writing children’s books. In 2021, she became the co-host of “We are Resilient: An MMIW True Crime Podcast,” dedicated to telling the untold stories of Missing & Murdered Indigenous Women.gh we seek to advance authors of literary quality.  Nor are we a book fair in which the primary objective is to sell books.

One of our goals is to raise awareness of works of literary significance from smaller presses.  We do focus on regional writers, though not exclusively.  But overall, our aspiration is to create a little literary community which is in dialog with readers, aspiring writers, and established authors about craft and ideas of sustaining merit.

Another goal is to make sure our authors are having good time.  In the best scenario, authors leave the festival feeling renewed and rededicated to their work.  So frequently when an author writes in isolation, it is hard to believe that his/her work is making an impact on people and society.  But situating authors and readers together in close quarters, as our festival does, it is possible for authors to hear stories of how their work has influenced people.  It’s not just signing a book, it’s making a human connection.

We hope the Carolina Mountains Literary Festival inspires people to read more, write more, and contribute positively to society through the literary arts.

Our Pecularities

No outside vendors have booths at our festival.  In fact, we don’t even sell any litfest paraphernalia. In an attempt to support our quaint downtown, attendees are encouraged to buy souvenirs at the many local shops that host readings. Authors are not tied down to a table all day, but are free to roam the town, attend other sessions, or gab with other authors in more sequestered areas.  Some authors spend a full two days attending others’ readings.  As festival planners, we thoroughly enjoy this contribution.  However, some chose to leave after their sessions, which is equally acceptable.
Our events are spread all over our small town— in galleries, small stores, the Town Center, library, nearby churches, and other various venues.  Only a few used primarily for workshops are not within walking distance.
Events are scheduled simultaneously.  As many as five different events may be occurring at any one time.  (We know that it can be difficult to choose, but we make every attempt to have each author present at least twice during the weekend.) We have a festival bookseller (Malaprop’s) who sells all festival author books – authors do not sell their books on their own.  (Therefore, if book sales are high on your list of priorities or you enjoy pitching your books, you may not find this event to your liking—and vice versa.)
Authors gather for morning and afternoon-session book-signings as a group.  No individual authors will have their own signings. Author presentations are limited to two consecutive years.  Exceptions may be made if an author has a new, significant work.  At the same time, we welcome past participants as attendees, or to assist us as session moderators or introducers if they wish.

FOR WORKSHOPS: 2023 Schedule – cmlitfest.org

Showcases drag performers competing for the trophy. Includes lunch. All ages welcome.

Monica McDaniel’s original play, Riding Hood, is a modern adaptation of the original Grimm’s Tale, Little Red Riding Hood. The play features an all Black cast and utilizes Monica’s hometown of Asheville, NC as a backdrop and supporting character. McDaniel reimagines the classic tale as an exploratory tool of Blackness, young love, familial obligation, and the collective pursuit for greater connection.

The Tempest, September 1st to 30th
Written by William Shakespeare
Directed by Dwight Chiles
Magic, monsters and mayhem fill this favorite from The Bard. This one isn’t done with great regularity, so now’sa good time to catch it!

All shows will be at the Hazel Robinson Amphitheater in the Montford District of Asheville, and all will be presented absolutely FREE of charge!

All shows will run Fridays through Sundays and all will be presented at 7:30pm and prime seats can be reserved.

Montford Park Players has been bringing some of theater’s greatest works to Western North Carolina for over 50 years. Montford Park Players continues its mission of bring free theater to the community. The summer season allows everyone to come spend an evening under the stars, seeing some of the best live performances presented in Asheville.

Our mission is to bring together, in small, intimate settings, authors, readers of all ages, novice writers, listeners, and learners. We are a festival of readers who appreciate discussing the ideas in literature.

We do not see ourselves as an academic festival, thou

Telling Our Own Story: Cherokee Self-Representation in Contemporary Media

Historically in film, literature, galleries, and textbooks, Native stories have been told by non-Native voices. In this panel, we’ll hear from citizens of the Eastern Band of Cherokee Indians (EBCI), North Carolina’s only federally recognized tribe, who are contributing to the international movement for Indigenous self-representation in media through writing, podcasting, visual art, and cultural perpetuation.

Annette Saunooke Clapsaddle (Eastern Band Cherokee)

Award-winning Author of Even as We Breathe

Annette Saunooke Clapsaddle (Eastern Band Cherokee) lives in Qualla, NC and is the author of Even As We Breathe. She sits on the Board of Directors for the Museum of the Cherokee Indian and is President of the North Carolina Writers Network. She is also an Appalachian Futures Series editor for the University Press of Kentucky.

Shana Bushyhead Condill (Eastern Band of Cherokee Indians)

Museum of the Cherokee Indian Executive Director

Shana Bushyhead Condill (Eastern Band of Cherokee) has worked in the museum and cultural field for over twenty years. As Executive Director of the Museum of the Cherokee Indian, Condill furthers a career-spanning commitment to cultivating Native representation and self-representation in public spaces, advocating for the intentional combining of mainstream best practices with Native best practices in cultural preservation.

Nola Pina (Eastern Band of Cherokee Indians)

Museum of the Cherokee Indian Lead Cultural Specialist

Nola Pina (Eastern Band Cherokee) grew up and still currently resides in the on the Qualla Boundary. As a Lead Cultural Specialist at the Museum of the Cherokee Indian, Nola enjoys demonstrating and teaching finger-weaving (she is a first-generation finger weaver herself), as well as storytelling and leading tours through the permanent exhibit.

Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo)

Visual artist

Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo) employs printmaking, digital design, and basketry techniques in creating her artist’s books, prints, and paper weavings. Both of her Tribal heritages, cultures, and lineages are manifested in her two- and three-dimensional artworks that range in size from a few inches to a few feet.

Sheyahshe Littledave (Eastern Band Cherokee)

Writer/podcaster

Sheyahshe Littledave (Eastern Band Cherokee) is passionate about storytelling and writing to highlight the Indigenous experience. Her work includes publication in National Geographic, NPR, and writing children’s books. In 2021, she became the co-host of “We are Resilient: An MMIW True Crime Podcast,” dedicated to telling the untold stories of Missing & Murdered Indigenous Women.gh we seek to advance authors of literary quality.  Nor are we a book fair in which the primary objective is to sell books.

One of our goals is to raise awareness of works of literary significance from smaller presses.  We do focus on regional writers, though not exclusively.  But overall, our aspiration is to create a little literary community which is in dialog with readers, aspiring writers, and established authors about craft and ideas of sustaining merit.

Another goal is to make sure our authors are having good time.  In the best scenario, authors leave the festival feeling renewed and rededicated to their work.  So frequently when an author writes in isolation, it is hard to believe that his/her work is making an impact on people and society.  But situating authors and readers together in close quarters, as our festival does, it is possible for authors to hear stories of how their work has influenced people.  It’s not just signing a book, it’s making a human connection.

We hope the Carolina Mountains Literary Festival inspires people to read more, write more, and contribute positively to society through the literary arts.

Our Pecularities

No outside vendors have booths at our festival.  In fact, we don’t even sell any litfest paraphernalia. In an attempt to support our quaint downtown, attendees are encouraged to buy souvenirs at the many local shops that host readings. Authors are not tied down to a table all day, but are free to roam the town, attend other sessions, or gab with other authors in more sequestered areas.  Some authors spend a full two days attending others’ readings.  As festival planners, we thoroughly enjoy this contribution.  However, some chose to leave after their sessions, which is equally acceptable.
Our events are spread all over our small town— in galleries, small stores, the Town Center, library, nearby churches, and other various venues.  Only a few used primarily for workshops are not within walking distance.
Events are scheduled simultaneously.  As many as five different events may be occurring at any one time.  (We know that it can be difficult to choose, but we make every attempt to have each author present at least twice during the weekend.) We have a festival bookseller (Malaprop’s) who sells all festival author books – authors do not sell their books on their own.  (Therefore, if book sales are high on your list of priorities or you enjoy pitching your books, you may not find this event to your liking—and vice versa.)
Authors gather for morning and afternoon-session book-signings as a group.  No individual authors will have their own signings. Author presentations are limited to two consecutive years.  Exceptions may be made if an author has a new, significant work.  At the same time, we welcome past participants as attendees, or to assist us as session moderators or introducers if they wish.

FOR WORKSHOPS: 2023 Schedule – cmlitfest.org

In this workshop, Katie Jones teaches the basic skills of designing and building a puppet, using The Magnetic Theatre’s upcoming piece The Splatter Play as inspiration. Each student will leave with a puppet that is ready to manipulate!

About the instructor: Katie has worked at regional theatres in Sarasota, Chicago and Denver. She is a member of Directors Lab, New York and Chicago, as well as Wishbone Theatre Collective. As a puppeteer, Katie worked with Von Orthal Puppets’ with traveling puppet shows for young audiences, and with Theatre Zarko as part of the 2011 Steppenwolf Garage Rep Series. Katie has a BA from Clemson University and an MFA in from Naropa University, where she focused on devised theatre and new play development. Locally, she has worked with Asheville Creative Arts, Immediate Theatre Project and the Asheville Fringe Arts Festival. Katie serves as Co-Artistic Director of The Magnetic Theatre, along with Jessica Johnson.

Class cost: $150

Min students: 6

Max students: 12

Class Dates: Saturdays, July 22 – September 9 (8 weeks)

Time: 1 pm to 2 pm

Must be 18+ to attend

The last day to receive a full refund is June 22, 2023. After June 22, 2023, no refund will be issued.

Class Description:
Does tap dancing seem a little daunting? Is it something you always wanted to try but didn’t have the time to commit to months of classes at a time? Whether you are preparing for a show that has tap involved or you are just interested in a new skill for fun, this class is for you. Allison Starling will break down the basics of tap into easy to catch on to moves that build the foundation of any tap number. This 8 week class is a comprehensive basics course that you don’t want to miss!

“Nobody puts Baby in a corner.” Get ready for the time of your life with The Music of Dirty Dancing! This musical tribute to the film shot, in part, at Henderson County’s own Lake Lure is sure to feature all the hip-shaking guilty pleasure the world came to love in the 1987 blockbuster. The sizzling soundtrack comes to life on ‘The Rock’ with vocals and dancing that will dazzle you.  Feel free to sing and dance along to tunes like “Be My Baby,” “Hungry Eyes,” “She’s Like the Wind,”  the Academy Award winning “(I’ve Had) The Time of My Life,” and so many more!

Showcasing the work of area playwrights and performed by local actors, The New Works Series is a FREE public reading of a new play in development. However, donations are welcome to support HT. HT’s New Works Series offers exciting script-in-hand readings of new plays by emerging local playwrights. The readings are followed by a talk back with the playwright and actors to provide feedback to the playwright. A short discussion will follow each reading to provide feedback to the playwright about their script. The reading will be held at Hendersonville Theatre, 229 S. Washington Street, Hendersonville, NC. There is no charge to attend or to participate, however donations are welcome and will be used to support HT. Hendersonville Theatre is committed to exploring and developing new work for American theater, supporting local playwrights with their creative process from concept to production. Sky Eyes by Kiesa Kay will be read on September 9. Sky Eyes is a play with original music written for the play by Brad Hodge. The play is a look at a week in the life of a North Carolina family during the 1950s. Abby, the mother, works on the railroad to support her two daughters and put her husband, Jack, through college.She learns she must be strong in more ways than she imagined. Kiesa Kay, poet and playwright, has written two produced plays. Love Makes a Home: The Story of Rebecca Boone was chosen as a convocation for Berea College in Berea, Kentucky. The play has been presented at a dozen venues, including Cumberland Gap National Historical Park, the Thomas Wolfe Center for Narrative at Lenoir Rhyne University, the Folk Art Center on the Blue Ridge Parkway, White Horse Black Mountain. the Orchard at Altapass and the Chapel of Rest in Lenoir, NC. During the pandemic, it was live streamed by Ouachita Little Theater in Mena, Arkansas. The play has been directed by five different directors and features music from frontier days. Kay’s play Thunder is the Mountain’s Voice was shown at Rocky Mountain National Park, Park Village Playhouse, and as a staff celebration for YMCA of the Rockies, directed by Dr. Virginia Floyd. Kay also has some directing experience, and she directed A Tale of Two Charlies by Jo Carson, presented at the Orchard at Altapass and White Horse Black Mountain. Playwrights who would like to submit work for consideration for the New Works Series can follow the submission guidelines posted at www.HVLtheatre.org/about-us and email questions to [email protected].

Monica McDaniel’s original play, Riding Hood, is a modern adaptation of the original Grimm’s Tale, Little Red Riding Hood. The play features an all- Black cast and utilizes Monica’s hometown of Asheville, NC as a backdrop and supporting character. McDaniel reimagines the classic tale as an exploratory tool of Blackness, young love, familial obligation, and the collective pursuit for greater connection.

The Tempest, September 1st to 30th
Written by William Shakespeare
Directed by Dwight Chiles
Magic, monsters and mayhem fill this favorite from The Bard. This one isn’t done with great regularity, so now’sa good time to catch it!

All shows will be at the Hazel Robinson Amphitheater in the Montford District of Asheville, and all will be presented absolutely FREE of charge!

All shows will run Fridays through Sundays and all will be presented at 7:30pm and prime seats can be reserved.

Montford Park Players has been bringing some of theater’s greatest works to Western North Carolina for over 50 years. Montford Park Players continues its mission of bring free theater to the community. The summer season allows everyone to come spend an evening under the stars, seeing some of the best live performances presented in Asheville.

Let us help you create a meaningful retirement that matches your values and priorities at the Paths to Creative Retirement (Paths) workshop. This highly interactive three-day workshop helps you achieve your desired personal goals in retirement. With guidance and support from facilitators and other participants, you will discover your values, identity and long-deferred dreams. In the process, you will gain valuable insights and inspiration to create tangible next steps.

Dates

• September 8-10, 2023

If you are unable to attend the upcoming offering of Paths but would like to be informed of future workshop dates and details, please complete the Future Paths Interest Form.

About the Paths Workshop

Paths focuses on the non-financial aspects of life’s second half; decision-making exercises and thought-provoking discussions reveal stimulating opportunities. Transform anxieties about your next chapter of life into a reassuring learning process—Paths is truly a unique retirement workshop.

We invite you to consider questions such as:

• When should I retire?
• How will I spend my time after I stop or reduce my work?
• How will I find purpose and meaning after I retire?
• How will my identity change in retirement?
• How will retirement affect my relationships with family and friends?
• How do I investigate work and volunteer opportunities?

“Nobody puts Baby in a corner.” Get ready for the time of your life with The Music of Dirty Dancing! This musical tribute to the film shot, in part, at Henderson County’s own Lake Lure is sure to feature all the hip-shaking guilty pleasure the world came to love in the 1987 blockbuster. The sizzling soundtrack comes to life on ‘The Rock’ with vocals and dancing that will dazzle you.  Feel free to sing and dance along to tunes like “Be My Baby,” “Hungry Eyes,” “She’s Like the Wind,”  the Academy Award winning “(I’ve Had) The Time of My Life,” and so many more!