Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
APPLICATIONS OPEN NOW!
Do you have a boundary-pushing, innovative performance piece, short film or installation that you’re ready to share?
We will open applications for the film portion of the festival in fall 2023. Films must be submitted via FilmFreeway. Our application fee for films is $5.
NOW CONSIDERING WORKS OF ALL KINDS
We accept live performances from 5 to 60 minutes in length, plus installations and films. We’re open to other types of performance as well – let’s talk! Depending on its length, your piece may be grouped with another show, or scheduled as a Random Act of Fringe. RAFs are free and open to the public, and artists receive a stipend for their performance, rather than relying on door sales.
Typically each artist with a ticketed show gets 2 performances. But in 2024, we’re exploring the option of giving a few shows 3 performances, at select venues only. Our venues range from 20-80 person capacity.
1. FRINGE SHOT
A piece that is
5-15 minutes long
May be paired with another performance, or be selected as a free Random Act of Fringe.
2. SHORT FORM
A piece that is
20-40 minutes long
May be paired with another show.
3. FULL-LENGTH
A piece that is
45-60 minutes long
Ticketed theater-style show.
4. INSTALLATION
A piece that is
Site-specific (any length)
May be in an unusual location, or repeated many times. May be seen by as few as one person at a time.
5. FILM
A piece that is
Designed specifically for film.
May be of any genre & length. Could be combined with other films for a showcase or film night.
Submit on Film Freeway Fall 2023
3. THE ASHEVILLE FRINGE ARTS FESTIVAL IS A JURIED FESTIVAL.
We carefully review each and every submission. You’ll know by late October if your piece is selected. Should your piece get selected, there is a $35 participation fee.
Closed | Opening August 7
The North Carolina Arts Council Artist Support Grant is a regional grant program to support individual artists in all phases of their career. The program funds professional and artistic development for emerging or established artists to create work, improve their business operations, or bring their work to new audiences. This grant is intended to support a broad range of talented artists in the genres of visual arts, performing arts, literary arts, music composition, choreography, and interdisciplinary arts. Grants range from $500 to $3,000
The ASG program is funded by the N.C. Arts Council to provide the opportunity for regional consortia of local arts councils to award project grants to artists in their regions. Region 17 is led by Haywood County Arts Council and support artists in Buncombe, Haywood, Henderson, Polk, Rutherford, and Transylvania counties.
The deadline to apply is September 5, 2023 at 11:59 pm.
The local ReStore ReUse Contest is officially open for
submissions. Now through September 30, residents can show off their creativity and talent for
a chance to win in the 12 th annual contest. Fabulous furniture make-overs, remarkable
renovations, or unique yard art…if you recently took on a DIY project using predominantly
reused building materials, the Asheville Habitat ReStore wants to know. There are five
categories this year plus Best in Show, and all entries must be submitted electronically. For
guidelines and entry form, visit ashevillehabitat.org/restore .
The creativity of this community never ceases to amaze. Past projects have included a fence
fashioned from doors, a potting bench built from pallets, a wine bar made from a vintage
console radio, a chair constructed from an oil drum, and so much more. To see photos from
2022, click here.
A panel of five judges will select winners in the following categories: Furniture, Homesteading,
Live/Work Space, Home Décor, Art + Best in Show. Winners will be announced in mid-
October.
Join a local naturalist on this waterfall hiking tour and enjoy the best scenery near Asheville. This intimate group tour offers 2-3 stunning waterfalls, local history, wildlife, and edible plants. Transportation included from Asheville! Call us now to book or make a reservation on our website!
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Free admission but donations accepted to benefit Friends of the Haywood County Animal Shelter. Parking is free.
STATIONARY FUN – Creekside play area has a treehouse and wee slide ➤ The Big Barn has our Sound Silo full of instruments to play on and make noise, trikes on the trike track around a REAL tractor and cornhole boards(ask the staff for bags) ➤ On the grassy slope behind the Big Barn we’ve got our famous and fast culvert tunnel slides for all ages, hammocks on the hill and tetherball!
Availability: All stationary fun is available every day during business hours of 10-5, starting September 2nd, through the rest of the season- tetherball will be back in action starting September 6th!
ANIMALS TO SEE – We will have a brooder house full of chicks in various ages and stages all season, there will typically be mama pigs and piglets in agritourism pens on the hill, more rarely there will be grazing cattle in a nearby field.
FOOD TRUCK SCHEDULE
9/2 Sat 11-4 Fern Leaf CCS Food Truck
9/16 Sat 11-4 Milk & Honey Food Truck – they will be serving HNG beef for their all-American burger!
9/24 Sun 11-4 *Big Barn Market* Root Down Farm Food Truck
9/30 Sat 11-4 Milk & Honey Food Truck
10/7 Sat 11-4 Fern Leaf CCS Food Truck
10/14 Sat 11-4 Milk & Honey Food Truck
10/15 Sun 11-4 El Bodegon Food Truck
10/22 Sun 11-4 El Bodegon Food Truck
10/29 Sun 11-4 *Big Barn Market* Grush’s Cajun Dino Grill Food Truck
11/4 Sat 11-4 Fern Leaf CCS Food Truck
FALL SEASONAL OFFERINGS
APPLES – Our partners in Edneyville, NC, Lyda Farms, bring some of the best in the region. Local and low spray, folks come every year to get the best of fall in NC by the bag to bake, stew, butter, sauce and of course, crunch into while sitting on the farm.
Availability: Apples will be available to buy starting September 9th, they will typically run out Mid to late October.
FRESH PRESSED CIDER – We press fresh apple cider every year, comprised of our historical orchard apples on the Old Sherrill’s Inn property and apples from our partner Lyda Farms. This is a raw, unpasteurized product – delicious and changeable as the season, no added sugar or seasonings.
Availability: 1st pressing September 13th, bottled cider will be in the store for purchase September 14th!
JACKOLANTERN PUMPKINS – We work with several WNC veggie farmers in the area, including Hawkins Farms. We’ll have pumpkins arranged all around the Farm Store to display their beauty AND make sure you get *just the right one*. The seeds are dynamite when roasted, too…
Availability: Coming Mid-September, they will typically run out by end of October so make sure you get yours!
EDIBLE SQUASH & DECORATIVE GOURDS – From Mr. Anthony Cole’s farms, we have some long-lasting festive gourds to decoarate for the season, and a broad variety of edible squashes and pumpkins perfect for pies, soups and pasta.
Availability: Coming Mid-September.
Photo credit:
Sae Honda. Courtesy of the Artist.
NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.
NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.
The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.
Photo credit:
Photograph by Bowery Blue Makers
Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.
A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.
Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.
Take a 90-plus minute stroll along 7th Avenue/Historic Depot District, where the action was when the first steam engine locomotives rolled into town starting in 1879 bringing hundreds of tourists. The district surrounding the historic Railroad Depot was where it was happening in the Gilded Age of Hendersonville from 1879, when the first steam locomotive arrived with hundreds of tourists daily, till the Crash of 1929 … learn about the drays, the hustle, the inns, the summer visitors, the shoot-outs, growth of agriculture, and popular candy stores. These 90-plus minute walks occur rain or shine. Please make a reservation, 828-545-3179.
All tours: $10 per person age 10 and over. Children under 10 yrs. free with paying adult.
Meeting Place: Hendersonville City Hall, front steps (at corner of 5th Ave. E. and King St.)
Schedule a private tour anytime for your group.
Reservations/information: 828-545-3179
Ooh La La Curiosity Market is an artist’s market that takes place in Pritchard Park, located in the center of beautiful downtown Asheville and will showcase the work of more than a dozen local artists. Taking place on Saturdays throughout Summer and every Saturday in October. Ooh La La will feature works by local painters, leather smiths, jewelry makers, potters, up-cycled crafters, and other curious delights, all beneath the colored canopies of large market umbrellas. In addition to the artists, the market will also feature live local music with three musical acts performing each Saturday and will include everything from a solo saxophonist to folk, blues, acoustic and jazz acts.

TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community.
The first weekly Coffee is Saturday, August 20 at 9 am.
No RSVP needed, just drop by!
Free parking available on Melrose Avenue, behind and alongside TFAC.
Black Mountain College and Mexico (BMC/MX): Exhibition, Publication, and Public Programming
Black Mountain College (1933–1957), a small but remarkably influential liberal arts school in rural North Carolina, had important links to Mexico that until now have been little investigated. A crucible of twentieth-century creativity, BMC galvanized and inspired artists and intellectuals from around the world, while Mexico’s innovations and age-old traditions—in fine and applied arts, architecture, poetry, music, performance, and more—dovetailed with, and indeed drove, global impulses toward modernism and beyond. Among the many key BMC figures whose lives were importantly touched by experiences in Mexico were Anni and Josef Albers, Ruth Asawa, John Cage, Jean Charlot, Elaine de Kooning, Buckminster Fuller, Carlos Mérida, Robert Motherwell, Charles Olson, Clara Porset, M.C. Richards, and Aaron Siskind. In turn, engagements with BMC and its legacy have played a significant role in shaping contemporary approaches to art in Mexico, evident in the works of Jorge Méndez Blake, Iñaki Bonillas, Abraham Cruzvillegas, Jose Dávila, Gerda Gruber, Lake Verea, Gabriel Orozco, and Damián Ortega, among others.
The exhibition BMC/MX features works by these and other prominent contemporary Mexican artists alongside a selection of historic works by BMC artists, highlighting the ways in which ideas and modalities are translated across materials, space, and time.
Related programming, planned in collaboration with Mexican artists, features a series of public events, including a performance by artist (and BMC/MX co-curator) David Miranda to take place at Different Wrld; an exhibition visit (in Spanish and English) with BMC/MX Project Director Eric Baden; and a series of experiential art events in the BMCM+AC library.
The exhibition is accompanied by the book Black Mountain College and Mexico (forthcoming late summer 2023), which investigates the people, ideas, and practices linking BMC and Mexico during the life of the school, as well as resonances between BMC and the work of contemporary Mexican artists. With contributions by BMC/MX’s curators, as well as by artist Abraham Cruzvillegas, design scholar Ana Elena Mallet, and author and activist Margaret Randall, this fully illustrated volume brings new light to this complex and underexplored subject.
BMC/MX is an investigation into modes of communication—the arenas in which new ideas and alliances may come to be—between Black Mountain College and Mexico, between past and present, between form and idea.
About the Curators
BMC/MX’s Project Director Eric Baden is a photographer and from 1994 to 2022 was professor of photography at Warren Wilson College in Swannanoa, North Carolina. He is the founding director of photo+, a multidisciplinary arts event held in Asheville, North Carolina.
Artist and educator David Miranda is curator at the Museo Experimental El Eco (Universidad Nacional Autónoma de México, UNAM), and teaches at the Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda” in Mexico City.
Diana Stoll is an editor, writer and curator who works with institutions such as The Museum of Modern Art and the J. Paul Getty Museum. She has served as an editor at Aperture and Artforum magazines, and contributes writings to prominent arts publications.
HAYRIDES – Brought to you by Project HNG our sister nonprofit! Proceeds go to Project HNG. Suitable for all ages, babies in arms are free, 16 people per ride.
Availability: every Saturday & Sunday starting September 2nd through November 11th. 11am-4pm, last ride goes out at 3:30pm. May be cancelled due to tremendous weather conditions.
PONY RIDES – Brought to you by Project HNG our sister nonprofit! Proceeds go to Project HNG. Suitable for young children, supervision and helmets provided. If you’re interested in riding lessons or trail rides please reach out to [email protected]
Availability: every Saturday & Sunday starting September 2nd through November 11th. 11am-3pm. May be cancelled due to tremendous weather conditions
Romare Bearden (Charlotte, NC 1911–1988 New York, NY), African American writer and artist, is renowned for his collages. He constantly experimented with various techniques to achieve his artistic goals throughout his career. This exhibition highlights works on paper and explores his most frequently used mediums, including screen-printing, lithography, hand-colored etching, collagraph, monotype, relief print, photomontage, and collage.
Bearden’s work reflects his improvisational approach to his practice. He considered his process akin to that of jazz and blues composers. Starting with an open mind, he would let an idea evolve spontaneously.
“Romare Bearden: Ways of Working highlights Bearden’s unique artistic practice and masterful storytelling through art,” says Pamela L. Myers, Executive Director of the Asheville Art Museum. “We are thrilled to collaborate with Jerald Melberg Gallery to present these extraordinary works on paper in conversation with Bearden’s collage Sunset Express, 1984 in the Museum Collection (on view in the Museum’s SECU Collection Hall). This exhibition will also provide a glimpse into the cultural histories and personal interests that influenced his art-making practice, and we hope it encourages introspection and dialogue with our visitors.”
Jerald Melberg states, “Romare Bearden’s groundbreaking artistic practice continues to captivate audiences worldwide. With an unparalleled legacy of creativity and innovation, Bearden’s contributions to art remain deeply influential years beyond his life.” We have enjoyed organizing this exhibition with the Asheville Art Museum to showcase his artistic genius and inspire visitors from the Western North Carolina region and beyond.”
This exhibition is made possible in part by the Judy Appleton Fund. Many thanks to the Jerald Melberg Gallery for the loan of these important artworks and to Mary and Jerald Melberg for their long-standing support of the arts, artists, and the Asheville Art Museum.
The Art of Food features works from important postwar artists, like Robert Rauschenberg, Roy Lichtenstein, John Baldessari, Wayne Thiebaud, Ed Ruscha, Andy Warhol, David Hockney, and Jasper Johns, alongside the work of contemporary artists, like Alison Saar, Lorna Simpson, Enrique Chagoya, Rachel Whiteread, and Jenny Holzer, among others.
The Art of Food features more than 100 works in mediums that include drawings, paintings, photographs, prints, sculptures, and ceramics by 37 artists.
Each artist has a unique means of depicting food in their work that, when seen alongside others, creates a nuanced representation of the complex place food holds in everyday life. Cross-historical resonances between artists in the exhibition spark novel meditations on food and its discontents, while speaking to a broad range of audiences.
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Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home. Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection. |
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And Lamplight AVL {821 Haywood Rd. Asheville, NC}
Bizarre Sábado
During the course of the exhibition, BMCM+AC will host a series of experiential art events. These “Bizarre Sábado” happenings are inspired by Mexico City’s Bazaar Sábado, the innovative gathering place and crafts market first organized in 1960 by BMC alum Cynthia Sargent and her husband Wendell Riggs. The Bazaar Sábado continues to this day.
As part of the BMC/MX project, students and artists have been invited to engage creatively with visual prompts offered by Mexican artist Abraham Cruzvillegas. Images of the resulting artworks will be compiled into a zine (available at BMCM+AC in September 2023), and selected works will be on display at Lamplight AVL on September 2.
Black Mountain College and Mexico (BMC/MX): Exhibition, Publication, and Public Programming
Black Mountain College (1933–1957), a small but remarkably influential liberal arts school in rural North Carolina, had important links to Mexico that until now have been little investigated. A crucible of twentieth-century creativity, BMC galvanized and inspired artists and intellectuals from around the world, while Mexico’s innovations and age-old traditions—in fine and applied arts, architecture, poetry, music, performance, and more—dovetailed with, and indeed drove, global impulses toward modernism and beyond. Among the many key BMC figures whose lives were importantly touched by experiences in Mexico were Anni and Josef Albers, Ruth Asawa, John Cage, Jean Charlot, Elaine de Kooning, Buckminster Fuller, Carlos Mérida, Robert Motherwell, Charles Olson, Clara Porset, M.C. Richards, and Aaron Siskind. In turn, engagements with BMC and its legacy have played a significant role in shaping contemporary approaches to art in Mexico, evident in the works of Jorge Méndez Blake, Iñaki Bonillas, Abraham Cruzvillegas, Jose Dávila, Gerda Gruber, Lake Verea, Gabriel Orozco, and Damián Ortega, among others.
The exhibition BMC/MX features works by these and other prominent contemporary Mexican artists alongside a selection of historic works by BMC artists, highlighting the ways in which ideas and modalities are translated across materials, space, and time.
Related programming, planned in collaboration with Mexican artists, features a series of public events, including a performance by artist (and BMC/MX co-curator) David Miranda to take place at Different Wrld; an exhibition visit (in Spanish and English) with BMC/MX Project Director Eric Baden; and a series of experiential art events in the BMCM+AC library.
The exhibition is accompanied by the book Black Mountain College and Mexico (forthcoming late summer 2023), which investigates the people, ideas, and practices linking BMC and Mexico during the life of the school, as well as resonances between BMC and the work of contemporary Mexican artists. With contributions by BMC/MX’s curators, as well as by artist Abraham Cruzvillegas, design scholar Ana Elena Mallet, and author and activist Margaret Randall, this fully illustrated volume brings new light to this complex and underexplored subject.
BMC/MX is an investigation into modes of communication—the arenas in which new ideas and alliances may come to be—between Black Mountain College and Mexico, between past and present, between form and idea.
About the Curators
BMC/MX’s Project Director Eric Baden is a photographer and from 1994 to 2022 was professor of photography at Warren Wilson College in Swannanoa, North Carolina. He is the founding director of photo+, a multidisciplinary arts event held in Asheville, North Carolina.
Artist and educator David Miranda is curator at the Museo Experimental El Eco (Universidad Nacional Autónoma de México, UNAM), and teaches at the Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda” in Mexico City.
Diana Stoll is an editor, writer and curator who works with institutions such as The Museum of Modern Art and the J. Paul Getty Museum. She has served as an editor at Aperture and Artforum magazines, and contributes writings to prominent arts publications.
Join a certified forest therapy guide for a relaxing 2.5-hour stroll through the forest on the peaceful Arboretum grounds. Through a series of invitations, you’ll have the opportunity to be present in the moment, deepening your connection with nature and community, and enjoying the many gifts nature has to offer. Your guide will share mindfulness practices designed to connect you more deeply to your inner landscapes, as well as the world around you. Inspired by Shinrin-Yoku, the Japanese art of immersing oneself in a forest environment, a forest bathing walk invites you to spend time in nature in a way that invites healing for ourselves, our fraught ecosystems, and our community. It is true nature therapy!
- Special, discounted rate of $45/person (includes parking!)
- Occurs on select dates each month
- Max group size is 15 for a more intimate experience
Hit the trails and learn more about The North Carolina Arboretum’s botanically diverse forest with a guided trail walk! April through October, this free hiking program is led by trained volunteer guides who take small groups of participants along woodland trails and through a variety of forest types. Depending on the season and each guide’s area of expertise, topics of discussion may include wildflowers, plant and tree identification, natural history and more.
Guided trail walks are limited to 15 people, including the guide, and are not recommended for guests under 16 years of age. Groups depart from the Baker Visitor Center Lobby on Tuesdays at 1 p.m. and Saturdays at 10 a.m. and 1 p.m..
Walks last 1.5 – 2.5 hours, are approximately one to two miles in length. As this program is held rain or shine, all participants should dress appropriately for the weather.
There is no pre-registration; walks are first-come first served and sign up sheets are located in the Baker Visitors Center.
Walks are FREE; however, donations to The North Carolina Arboretum Society are appreciated. Regular parking fees apply. Arboretum Society Members always park free.
Know Before You Go
- Guided Trail Walks are not recommended for guests under 16 years of age.
- Guided Trail Walks are rain or shine and all participants should be dressed comfortably and for the weather.
- Hikes cover 1-2 miles and last 1.5-2 hours.
- Well-behaved leashed pets are welcome to accompany their owners. In the rare case that a pet is disruptive or negatively impacts the experience, the pet and its owner may be asked to excuse themselves from the guided walk.
- COVID-19 Safety: In order to hear the guide and fully participate in the trail walk, participants will be in close proximity to one another for extended periods of time. While face coverings are not required, participants should use their best judgement to keep themselves and others safe while enjoying the trails. Individuals who are experiencing flu-like symptoms or suspect they may have been exposed to COVID-19 should not participate.
- At this time, no more than 6 spaces may be filled by a single family/group through pre-registration for any one Guided Trail Walk. If additional spaces are available on the day of the Walk, additional members of the family/group may participate. We apologize for any inconvenience and look forward to welcoming larger groups in the future.
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From the local favorites to new regional acts, all live from the river banks of the Nantahala. Raft, dine, then jam with us with Live Music every Friday and Saturday from 5pm-8pm between Memorial Day and Labor Day!
May 27th 5pm-8pm – Mama and the Ruckus
May 28th 5pm-8pm – The Lefties
June 2nd 5pm-8pm – Christina Chandler Trio
June 3rd 5pm-8pm – Laura Thurston
June 9th 5pm-8pm – Eddie Clayton
June 10th 1pm-4pm – Jacobs Well
June 10th 5pm-8pm – Natti Love Joys
June 16th 5pm-8pm – Rae and the Ragdolls
June 17th 5pm-8pm – Beer and Loathing
June 23rd 5pm-8pm – TBA
June 24th 5pm-8pm – Terry Haughton Trio
June 30th 5pm-8pm – Blue
July 1st 5pm-8pm – Brown Mountain Lightning Bugs
July 7th 5pm-8pm – Bayou Diesel
July 8th 5pm-8pm – Pioneer Chicken Stand
July 14th 5pm-8pm – Wyatt Espalin
July 15th 5pm-8pm – Christina Chandler Duo
July 21st 5pm-8pm – Terry Haughton
July 22nd 5pm-8pm – TG and the Stoned Rangers
July 28th 5pm-8pm – Blue
July 29th 5pm-8pm – Somebody’s Child
August 4th 5pm-8pm – Trial by Fire
August 5th 5pm-8pm – Andy Johnson
August 11th 5pm-8pm – Eddie Clayton Solo
August 12th 5pm-8pm – Eddie Clayton Band
August 18th 5pm-8pm – Big Deal Band
August 19th 1pm-4pm – Mckinney
August 19th 5pm-8pm – Funk N’ Around
August 25th 5pm-8pm – Wyatt Espalin
August 26th 5pm-8pm – Somebody’s Child
September 1st 5pm-8pm – TBA
September 2nd 5pm-8pm – Regatta 69
Asheville Tourists vs. Bowling Green Hot Rods

From the regional crafters to local guide artisans, set up on the river banks of the Nantahala. Come and meet these vendors and more on the second Saturday of every month, May – September.
If you are interested in joining us as a vendor, please fill out your information here: https://forms.gle/BgqQQpY4XSGqtH6f6
The Tempest, September 1st to 30th
Written by William Shakespeare
Directed by Dwight Chiles
Magic, monsters and mayhem fill this favorite from The Bard. This one isn’t done with great regularity, so now’sa good time to catch it!
All shows will be at the Hazel Robinson Amphitheater in the Montford District of Asheville, and all will be presented absolutely FREE of charge!
All shows will run Fridays through Sundays and all will be presented at 7:30pm and prime seats can be reserved.
Montford Park Players has been bringing some of theater’s greatest works to Western North Carolina for over 50 years. Montford Park Players continues its mission of bring free theater to the community. The summer season allows everyone to come spend an evening under the stars, seeing some of the best live performances presented in Asheville.
The 77th Annual North Carolina Apple Festival is set for 2023’s Labor Day Holiday, September 1-4. This is a four-day extravaganza that promises to be a delightful blend of entertainment, delicious food, engaging activities, and a celebration of the region’s rich apple and agricultural heritage.
Friday marks the start of the North Carolina Apple Festival, and the opening ceremonies begin at 4:30 pm at the Historic Courthouse. Today is a great day to visit the festival, or grab some festival food during your lunch break. The street fair will run from 10 am – 8 pm while the entertainment, children’s area, and food court will run until 8 pm.
Headlining Friday’s entertainment is Buddy K Big Band playing 6:30 pm. 8:30 pm.
Saturday is a happening and busy day at the North Carolina Apple Festival with the street fair, and the live entertainment beginning at noon, the multiple special events occurring throughout Henderson County and, of course, the fried apple pies! The street fair will run from 10 am – 8 pm while the entertainment, children’s area, and food court will run until 8 pm.
Headlining Saturday’s entertainment is Swinging Medallions playing 5:30 pm. 8:30 pm.
There is ongoing entertainment throughout the day with bands such as Ryan Perry Band, Free Flow Band, Super ‘60s, Carolina Quartet and more!
Another wonderful day to take in the North Carolina Apple Festival is Sunday. Sunday offers the street fair, the Gem & Mineral Spectacular, and so much more! The street fair will run from 10 am – 8 pm while the entertainment, children’s area, and food court will run until 8 pm.
Headlining Sunday’s entertainment is The Mighty Kicks playing 5:30 pm. 8:30 pm.
There is ongoing entertainment throughout the day with bands such as Ryan Perry Band, Free Flow Band, Super ‘60s, Carolina Quartet and more!
The festival will be coming to a close today, but the King Apple Parade is the best way to end the North Carolina Apple Festival. There is only a mini-street fair available today since we have to remove some of the vendors north of the Historic Courthouse to make space for the parade. The mini street fair will run from 10 am until the end of the parade. The King Apple Parade will begin at 2:30 pm rain or shine. Come get your NC apples today!
No Entertainment due to parade.
Children’s Activities
Rides, inflatables, and more will await you and your family in the Family Fun Zone, sponsored by Wells Fargo Bank! There are two locations: Wells Fargo Bank and the Visitor’s Center. Come see what all the fuss is about and here’s a warning – your kids might not want to leave!
Palmetto Amusements will again be providing the children’s rides and inflatables. Tickets are available for purchase onsite.
Ticket prices:
1 ticket = $1
25 tickets = $20
70 tickets = $55
Attractions vary in number of tickets required from 1 ticket per ride to 5 tickets per ride.
Hours of Operation are:
Friday, 12 pm to 8 pm
Saturday & Sunday, 10 am to 8 pm
Monday, 10 am to 4 pm


