Food Scraps Drop Off

The City of Asheville, in partnership with Buncombe County and the Natural Resources Defense Council, is offering a FREE Food Scrap Drop-Off program in two locations for all Buncombe County residents.  This organic matter will be collected and turned into good clean compost, keeping it OUT of our landfill and reducing greenhouse gas emissions.

Register for Food Scraps Drop Off

Need a handy kitchen countertop food scrap bin?  Let us know on the registration form! We’ll be having bin giveaways at city and county facilities and would love to give you one.

Locations Holidays call for hours

Buncombe County Landfill – Convenience Center

85 Panther Branch Road, Alexander

• • Monday-Friday, 8 a.m. – 4:30 p.m.
  • Saturday, 8 a.m. – 12:30 pm

Murphy Oakley Community Center and Library – “Food Scrap Bin Shelters” on the east side of the parking lot

749 Fairview Road, Asheville

• • Dawn – Dusk

Stephens-Lee Recreation Center “Food Scrap Shed” next to the Community Garden on the North side of the parking lot

30 Washington Carver Avenue, Asheville

• • Monday – Friday, 7 a.m. – 6 p.m.
  • Saturday, 8 a.m. – 2 p.m.
  • Sunday, 12 – 4 p.m.

West Asheville Library – “Food Scrap Bin Shelters” on the south side of the building

942 Haywood Road, Asheville

• • Library open hours

Included with admission

Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.

Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.

Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!

Pots That Pour: Exploring the Pouring Vessel w/ Sarah Wells Rolland

Making Pots that Pour is more complicated than one might think but they are such a joy to make, use and see. These pots require balance, proportion and functionality. In this class we will explore traditional pouring vessels and contemporary. We will make pitchers with different forms, spouts, handles, foundations and rims treatments.

Sarah is known for her unique pouring vessels and has made pouring vessels for over thirty years. She says she still “remains completely enamored with all pots that pour”.

We will be inspired by several daily slide presentations of many different types of pouring vessels created by master potters around the world.

Demonstrations will begin every day at 9 am. Sarah will work with you individually until 3 pm. The studio will be open until 6 pm each day.

Sarah’s teaching always includes skill building techniques. Though this class is not for beginners, seasoned beginners can participate. See skill level description below.

Join Sarah and a group of wonderful potters as we explore Pots that Pour!

Skill Level: Seasoned beginners and intermediate/advanced potters all welcome.

Participants should be able to move 3-4 lbs of clay up into a cylinder. This workshop is not for the novice beginner.

Registered voters who do not have an acceptable identification card for voting in Buncombe County can now go to the Buncombe County Board of Elections office at 59 Woodfin Place to get a free ID.

For more information about the new state law and photo IDs for voting, click here.

Most voters have a North Carolina driver’s license, which is an acceptable form of photo ID for voting. Those voters do not need to obtain a separate ID from their county board. Other common forms of acceptable ID include military or Veterans ID cards issued by the federal government, and college student and public employer ID cards that the State Board approved for use in voting. For a full list of acceptable forms of photo ID for voting, see the State Board’s website at Voter ID.

Registered voters who do not have an acceptable form of identification for voting purposes can now get a free photo ID from their county board of elections office. No special documents are needed. Voters will simply provide their name, date of birth, and the last four digits of their Social Security number, and have their photo taken. You may also register to vote at that time if needed.

Voters will be able to get an ID printed and given to them on the spot. A free voter photo ID will include the voter’s photo, name, and registration number. They will expire 10 years from the date of issuance. ID cards can be issued at any time during regular business hours, except for the period following the last day of early voting through Election Day.

“Any voter who does not have an acceptable ID card for voting can now get a free ID from their county board of elections,” said Karen Brinson Bell, executive director of the State Board of Elections. “State Board staff has worked diligently with the county boards of elections over the past couple of months to get the necessary software and hardware in place for ID printing.”

Voters also can get a free ID from the N.C. Division of Motor Vehicles (NCDMV). Find more information under “No-Fee ID Cards” at State IDs | NCDMV.

Background on the Voter Photo ID Requirement

Voters will be asked to show photo ID when voting in North Carolina, starting with the Town of Weaverville, Town of Woodfin, and Woodfin Water & Sewer District municipal elections this fall.

All voters will be able to vote with or without an ID. If a voter casting a ballot at the voting site does not provide an acceptable ID, the voter may fill out a Photo ID Exception Form and vote a provisional ballot, or vote a provisional ballot and bring an acceptable ID to the county board of elections office by the day before the county canvass (which is typically 10 days after elections in even-numbered years and seven days after elections in odd-numbered years).

Voters who vote by mail will be asked to include a photocopy of an ID with their ballot or complete a Photo ID Exception Form for Absentee Voting. The photocopy will be mailed in a special envelope to protect the voter’s personal information on their ID.

For more information on the photo ID requirement, see Voter ID.

Food Scraps Drop Off

The City of Asheville, in partnership with Buncombe County and the Natural Resources Defense Council, is offering a FREE Food Scrap Drop-Off program in

two locations for all Buncombe County residents.  This organic matter will be collected and turned into good clean compost, keeping it OUT of our landfill and reducing greenhouse gas emissions.

Register for Food Scraps Drop Off

Need a handy kitchen countertop food scrap bin?  Let us know on the registration form! We’ll be having bin giveaways at city and county facilities and would love to give you one.

Locations

West Asheville Library – “Food Scrap Bin Shelters” on the south side of the building

942 Haywood Road, Asheville

Library open hours

Stephens-Lee Recreation Center “Food Scrap Shed” next to the Community Garden on the North side of the parking lot

30 Washington Carver Avenue, Asheville

• • Monday – Friday, 7 a.m. – 6 p.m.
  • Saturday, 8 a.m. – 2 p.m.
  • Sunday, 12 – 4 p.m.

Murphy Oakley Community Center and Library – “Food Scrap Bin Shelters” on the east side of the parking lot

749 Fairview Road, Asheville

• • Dawn – Dusk

Buncombe County Landfill – Convenience Center85 Panther Branch Road, Alexander

• • • • Monday-Friday, 8 a.m. – 4:30 p.m.
      • Saturday, 8 a.m. – 12:30 pm

Black Mountain College and Mexico (BMC/MX): Exhibition, Publication, and Public Programming

Black Mountain College (1933–1957), a small but remarkably influential liberal arts school in rural North Carolina, had important links to Mexico that until now have been little investigated. A crucible of twentieth-century creativity, BMC galvanized and inspired artists and intellectuals from around the world, while Mexico’s innovations and age-old traditions—in fine and applied arts, architecture, poetry, music, performance, and more—dovetailed with, and indeed drove, global impulses toward modernism and beyond. Among the many key BMC figures whose lives were importantly touched by experiences in Mexico were Anni and Josef Albers, Ruth Asawa, John Cage, Jean Charlot, Elaine de Kooning, Buckminster Fuller, Carlos Mérida, Robert Motherwell, Charles Olson, Clara Porset, M.C. Richards, and Aaron Siskind. In turn, engagements with BMC and its legacy have played a significant role in shaping contemporary approaches to art in Mexico, evident in the works of Jorge Méndez Blake, Iñaki Bonillas, Abraham Cruzvillegas, Jose Dávila, Gerda Gruber, Lake Verea, Gabriel Orozco, and Damián Ortega, among others.

The exhibition BMC/MX features works by these and other prominent contemporary Mexican artists alongside a selection of historic works by BMC artists, highlighting the ways in which ideas and modalities are translated across materials, space, and time.

Related programming, planned in collaboration with Mexican artists, features a series of public events, including a performance by artist (and BMC/MX co-curator) David Miranda to take place at Different Wrld; an exhibition visit (in Spanish and English) with BMC/MX Project Director Eric Baden; and a series of experiential art events in the BMCM+AC library.

The exhibition is accompanied by the book Black Mountain College and Mexico (forthcoming late summer 2023), which investigates the people, ideas, and practices linking BMC and Mexico during the life of the school, as well as resonances between BMC and the work of contemporary Mexican artists. With contributions by BMC/MX’s curators, as well as by artist Abraham Cruzvillegas, design scholar Ana Elena Mallet, and author and activist Margaret Randall, this fully illustrated volume brings new light to this complex and underexplored subject.

BMC/MX is an investigation into modes of communication—the arenas in which new ideas and alliances may come to be—between Black Mountain College and Mexico, between past and present, between form and idea.

About the Curators

BMC/MX’s Project Director Eric Baden is a photographer and from 1994 to 2022 was professor of photography at Warren Wilson College in Swannanoa, North Carolina. He is the founding director of photo+, a multidisciplinary arts event held in Asheville, North Carolina.

Artist and educator David Miranda is curator at the Museo Experimental El Eco (Universidad Nacional Autónoma de México, UNAM), and teaches at the Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda” in Mexico City.

Diana Stoll is an editor, writer and curator who works with institutions such as The Museum of Modern Art and the J. Paul Getty Museum. She has served as an editor at Aperture and Artforum magazines, and contributes writings to prominent arts publications.

The new Art Place Studios have opened next door at 2015 Asheville Hwy.  Visitors can see 23 studio artists at work.

Romare Bearden (Charlotte, NC 1911–1988 New York, NY), African American writer and artist, is renowned for his collages. He constantly experimented with various techniques to achieve his artistic goals throughout his career. This exhibition highlights works on paper and explores his most frequently used mediums, including screen-printing, lithography, hand-colored etching, collagraph, monotype, relief print, photomontage, and collage.

Bearden’s work reflects his improvisational approach to his practice. He considered his process akin to that of jazz and blues composers. Starting with an open mind, he would let an idea evolve spontaneously.

“Romare Bearden: Ways of Working highlights Bearden’s unique artistic practice and masterful storytelling through art,” says Pamela L. Myers, Executive Director of the Asheville Art Museum. “We are thrilled to collaborate with Jerald Melberg Gallery to present these extraordinary works on paper in conversation with Bearden’s collage Sunset Express, 1984 in the Museum Collection (on view in the Museum’s SECU Collection Hall). This exhibition will also provide a glimpse into the cultural histories and personal interests that influenced his art-making practice, and we hope it encourages introspection and dialogue with our visitors.”

Jerald Melberg states, “Romare Bearden’s groundbreaking artistic practice continues to captivate audiences worldwide. With an unparalleled legacy of creativity and innovation, Bearden’s contributions to art remain deeply influential years beyond his life.” We have enjoyed organizing this exhibition with the Asheville Art Museum to showcase his artistic genius and inspire visitors from the Western North Carolina region and beyond.”

This exhibition is made possible in part by the Judy Appleton Fund. Many thanks to the Jerald Melberg Gallery for the loan of these important artworks and to Mary and Jerald Melberg for their long-standing support of the arts, artists, and the Asheville Art Museum.

Asheville Come sing, listen to stories, and dance to music performed on the fiddle, banjo, bagpie, and other folk instruments presented by local musician and storyteller Jennifer Armstrong.

The Art of Food features works from important postwar artists, like Robert Rauschenberg, Roy Lichtenstein, John Baldessari, Wayne Thiebaud, Ed Ruscha, Andy Warhol, David Hockney, and Jasper Johns, alongside the work of contemporary artists, like Alison Saar, Lorna Simpson, Enrique Chagoya, Rachel Whiteread, and Jenny Holzer, among others. The Art of Food features more than 100 works in mediums that include drawings, paintings, photographs, prints, sculptures, and ceramics by 37 artists. Each artist has a unique means of depicting food in their work that, when seen alongside others, creates a nuanced representation of the complex place food holds in everyday life. Cross-historical resonances between artists in the exhibition spark novel meditations on food and its discontents, while speaking to a broad range of audiences.

The 2023-24 ArtsAVL Town Hall Series tackles important issues facing the arts community through four quarterly events: Arts Marketing, Arts Data, Arts Access, and Creative Spaces. Topics were selected through a poll conducted in early 2023, and planned in partnership with the Arts Coalition.

Events are at the Center for Craft from 3-4:30 pm. The series is free and open to the public but advanced registration is required for each event.

ARTS MARKETING

Friday, August 11, 2023

Just how is the local arts scene marketed outside of Asheville? And, how can you take advantage of these opportunities? Join us as the marketing team from Explore Asheville talks about their approach to marketing the arts and how to work with them to promote your creative offerings. The session will end with a breakout session to gather participant feedback.

ARTS DATA

Friday, November 10, 2023

It is clear from the data that the arts have a large impact in Buncombe County, but what do these numbers really mean? Join us as Asheville Area Chamber of Commerce Senior Director of Research Heidi Reiber breaks down the local creative economy, and Director of AEP6 Community Engagement & Equity for Americans for the Arts Dr. Genna Styles-Lyas zooms in on the results of the latest Arts & Economic Prosperity Report. The session will conclude with breakout groups to discuss how this data might be used and what data we might be missing.

ARTS ACCESS

Friday, February 9, 2024

Accessibility is giving equitable access to everyone along the continuum of human ability and experience. But, what does this mean for the local arts sector?  During this event we will explore this question from both a disability and an arts equity perspective. Breakout groups will also examine ways we can work together to improve access, what resources are needed, and the larger access barriers that need to be addressed.

CREATIVE SPACES

Friday, May 10, 2024

As the cost of living rises, creatives are getting priced out of Buncombe County. At this event, ArtsAVL will present the results of their Creative Space study. Attendees will also hear from a panel about different creative solutions they are trying to combat space challenges. The event will end with a break session to discuss how we might use/ support some of the ideas discussed, and what else might be done to address local creative space issues.

For our third in-person meetup, we will meet at the Meadow at Highland Brewing Co. The Meadow is the outside area at the far end of the Highland Brewing Co. (see photo); there is a bandstand and there are lots of picnic tables and benches. There are usually food trucks on the Highland Brewing Co. grounds, and, of course, plenty of drinks available.

We will meet at 6:00; the music starts at 7:00. Bring your dancing shoes!

PLEASE WEAR A HAT, A CAP, ANYTHING AT ALL ON YOUR HEAD, SO THAT WE CAN FIND YOU AND YOU CAN FIND US! :)

The Friday Night Music series will present the familiar 50’s and 60’s
classic rock and beach music from a host of different bands. Food vendors like Babbles Ice
Cream, Blue Ridge Hospitality and Eggs Up Grill will provide a some spice. The Carolina
Mountain Car Club will participate as in years past.

Friday Night Concerts
Super 60’s June 9
Gotcha Groove June 16
It’s 5 O’Clock Somewhere June 23
Marsha Morgan June 30
Shades of Gray July 7
Thomas Brown July 14
Emporium July 21
Johnnie Blackwell Band July 28
Rock and Roll Reunion August 4
208 Army Band August 11
Night Moves Band August 18

TOO MUCH SYLVIA has the ability and desire to please and play something that everyone will enjoy. Their onstage antics and personalities will touch all. Whether it’s a low-key dinner setting, an energetic party, or a festival with all ages attending, the band easily adapts. By NOT working from a “setlist”, 2MS has the ability to pace the song selection and provoke audience interaction to reach a peak at the right moment.
For more information, visit: https://www.toomuchsylvia.com/
NO COOLERS
NO OUTSIDE ALCOHOL
SEATING IS AVAILABLE, BUT YOU MAY BRING YOUR OWN CHAIR. SPACE FOR PERSONAL CHAIRS IS FIRST COME FIRST SERVE.
GATES OPEN AT 6:00PM