Organic Growers School is partnering with Food First and Altruvistas to offer their fourth Cuba Agroecology Tour and their first such trip in the summer from June 22 through July 1, 2021, with a focus on the country’s intensive sustainable agriculture practices. The tour, to be comprised of growers, community leaders, educators, and activists who are passionate about sustainable agriculture, will begin in Havana and travel to destinations such as Pinar del Rio, Artemisa, and Matanzas. The trip offers participants on-the-ground exposure to Cuban agriculture and the food sovereignty movement and will highlight their engagement with the global food system. The intention is for participants to acquire the knowledge and strategies to create just, sustainable, local, and healthy food systems in their own communities.

Cuba has had a focus on organic agriculture production methods since the 1970s. The collapse of the Soviet Union in 1989 ended Cuba’s access to agricultural inputs overnight, propelling them into what is now known as the “Special Period”—a crisis of reduced resources and increased hunger. The country embarked on a massive and rapid conversion to agroecology in an attempt to boost food production. The tour will focus on small farmers, sustainable food systems, and national security. There are multiple opportunities in Cuba’s diverse agricultural landscape to learn many lessons and insights for the development of a secure and sustainable food system elsewhere.

“The purpose of this tour is not to romanticize or glorify Cuban agriculture,” says Sera Deva, Director of Programs with Organic Growers School and the trip organizer. “It is instead an opportunity to learn about what a country-wide commitment to sustainable, local agriculture can look like. It will broaden and deepen our region’s wisdom regarding alternative food systems. Our goals are to show our participants the importance of cooperative farming models and sustainable farming techniques, as well as encouraging them to think critically about practical and governmental structures that could support a thriving community of organic growers and consumers.”

Local partners will provide an overview of Cuban history, culture, politics, agriculture, and ecology. Additionally, the group will meet with specialists who will provide background on the country’s transition into agroecological farming practices and the national policies that prioritize organic farming and the remediation of hunger. With a firm commitment to sustainability and justice, this tour will connect participants to farmers, consumers, activists, NGOs, policymakers and experts working to transform the global food system.

Tour highlights will include the following:

• Discuss agroecology with Fernando Funes, co-author of Food First’s book Sustainable Agriculture & Resistance in Cuba.
• Visit community permaculture and agricultural education, and food conservation projects.
• Discuss changes in US-Cuba relations and how they might affect the future of tourism and agriculture in Cuba.
• Meet with the National Association for Small Farmers (ANAP) and the Ministry of Agriculture.
• Meet with a variety of small farmers and farmers’ cooperatives.

For the purposes of this trip, OGS is partnering with Food First, a “people’s think tank” dedicated to ending the injustices that cause hunger and helping communities to take back control of their food systems. Food First has been offering tours to Cuba for more than 20 years with the organizing assistance of Altruvistas, a socially responsible and philanthropic travel company that has facilitated 20,000 travelers to Cuba.

The cost of the trip is $2,950 and will serve, in part, as a fundraiser for Organic Growers School (OGS), a 501c3 non-profit organization. Thanks to a grant from the Christopher Reynolds Foundation, there are a limited number of partial scholarships for farmers and food activists to attend. This tour and all registrants will not be affected by recent political actions to restrict American travel to Cuba. Cuba is considered one of the safest destinations for travel, partially due to their diligent and holistic approaches to healthcare. Due to COVID-19, the traveling climate of the US (as well as tourist restrictions in Cuba) is changing daily. Cuba has implemented many of the same precautionary measures implemented around the world to minimize the spread of COVID-19 including social distancing, limiting travel to the island completely through the summer, and closing schools. In early November 2020, Cuba reopened its borders to travelers.

Potential tour participants can visit the OGS FAQ page which answers questions such as, “Why Cuba?,” “What are the legal considerations when traveling to Cuba?,” “Why ravel with Organic Growers School?,” “What does the tuition cover?,” and “What can I expect to experience?” Traveler testimonials from previous trips, the full itinerary, as well as a photo gallery can also be found on the website.

FABRICated presents an intergenerational look at new boundaries in art and craft through works that merge fiber-based processes with other media, like painting, sculpture, and blacksmithing. Each of the seven artists explores ideas of the body, identity, and their unique, personal stories by using a medium with a rich history of craft. Stitching, in and of itself, is slow and methodical and invites the audience to slow down and look carefully at the physicality of the thread, the textures of the fabric, and the paint and the found objects that are introduced into the mix. The result is an exhibition that questions the nature of what constitutes women’s work, the relationship of fine art and craft, and how these elements can come together to form a new kind of community conversation. FABRICated presents the work of two established artists, Virginia Derryberry (Asheville, NC) and Marcia Goldenstein (Knoxville, TN), along with five emerging artists who are exploring new boundaries in art and craft and, by so doing, open up an exploration between an older and a younger generation.

Plein Air Painting Tips
Don Osterberg has illustrated some of his advice on plein air painting with step-by-step stages of his pastel “Looking Glass Falls in Pisgah Forest.”

The watermedia and mixed media paintings, drawings, and monotype prints of Costanza Knight, also known as Connie Knight, are contemporary expressions that explore and celebrate the human form and the landscape. Poetry and narratives are often her creative touchstone, but she also takes inspiration from the landscapes she loves. Her diverse interests are evident in her varied styles.

Diane Dean talks about the process of painting a commission painting

Acrylic Painter, Diane Dean teaches her technique for creating heavily textured acrylic paintings using heavy gesso for surface texture, fluid and heavy body acrylics, brushes and palette knives.

Mary Alice Braukman presented “Free Up: Collage Surprise,” a workshop that was videotaped for viewing on the League’s YouTube channel. Students: Lisa Casperson, JoAnn Jenson and Sharon Richmond participated.  Lynn Padgett and Diane Dean video recorded this event for publication on the Art League website for all members to view.
Braukman was the Director of the Kanuga Watercolor Workshops for 17 years, held at the Kanuga Conference Center in Hendersonville, North Carolina. She teaches workshops throughout the United States, in experimental water media painting and collage for intermediate and advanced painters, consults on workshops, lectures, serves as juror in national, state and regional water media exhibitions.

Pat has been teaching workshops for over 20 years and has received several local and regional awards and has had solo shows as well as  Kindred Spirit exhibits with her friend and colleague Janet Campbell.  She is a signature member of the North East Watercolor Society,   Audubon Artists, Inc.  and a former elected member of the New Jersey Water Color Society and the Salmagundi Club in NYC.

Diane Dean demonstrates using a palette knife to complete a dogwood painting.
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Acrylic Painter, Diane Dean teaches her technique for creating heavily textured acrylic paintings using heavy gesso for surface texture, fluid and heavy body acrylics, brushes and palette knives.

The Asheville Art Museum is the only museum in North Carolina to be selected as a finalist for this award. Chapel Hill Public Library is the only library to be selected in North Carolina.

The National Medal is the nation’s highest honor given to museums and libraries that demonstrate significant impact in their communities. For more than 25 years, the award has honored institutions that demonstrate excellence in service to their communities.

To celebrate this honor, IMLS is encouraging the Asheville Art Museum’s community members to share stories, memories, pictures, and videos on social media as part of the Share Your Story Campaign, using the #IMLSmedals hashtag, and engage with IMLS on Facebook and Twitter. For more information, please visit the IMLS website. The Asheville Art Museum will be featured on IMLS’s social media accounts on Tuesday, March 30, and we invite all to also share the content with the community.

National Medal winners will be announced in late spring. Representatives from winning institutions will be honored for their extraordinary contributions during a virtual National Medal Ceremony this summer.

To see the full list of finalists and learn more about the National Medal, visit the IMLS website.

Opening the Door to Change presents the history of education in Western North Carolina, with a particular emphasis on Madison County, from the mid-nineteenth century through the late twentieth. Here, learning has taken many forms, from in-home instruction, common, subscription, and religious schools, to colleges of farming and craft. The curriculum of these schools, as well as their very construction, and in some cases closing, was deeply entwined with the changing needs and values of the Western North Carolina Appalachian community.

 The exhibition focuses on the dynamic relationship between community values and education, with a special focus on how students and their families navigated the economic, geographic, and racial challenges to education. Trends and changes in curriculum, assessment, and classroom design will also be explored.

The virtual exhibition will feature didactic panels showcasing a survey of schools within Madison County and highlighting the effect community values had on the curriculum, function, and format of these institutions. Online visitors may also get a sneak-peak at an original film, produced by the Museum, presenting the oral histories of several Madison County residents sharing their personal recollections and memories of past school-days.

Additional films will spotlight the Historic Mars Hill Anderson Rosenwald School and Laurel School, with first-hand accounts from former students and teachers.

This virtual exhibition is sponsored by the Madison County Tourism and Development Authority.

Show Us What the River Means to You!

Every spring we host our Voices of the River: Art & Poetry Contest. We ask kids to use the river as a source of inspiration to showcase their creativity. Each year we are so amazed by the talent of these young artists, poets, and performers. Submissions can include 2D and 3D works in various mediums, poems and creative writings, and video compositions of songs, dances, or skits. Winners are selected by a council of judges made up of local artists, writers, and community leaders. Many generous businesses also donate prizes for winners from each age group and category.

The Western Arts Agencies of North Carolina (WNC Arts) was established in 1980s as a peer support group for arts councils and agencies in WNC. This group is now working to expand their advocacy support for the arts in WNC.