Calendar of Events

Open 5:00 – 10:00 p.m. Advance Tickets Required. Enjoy the wonder of the park dazzlingly lit for the holidays, with a nighttime train and more.

Candlelight Christmas Evenings*
Saturday, November 3, 2018 – Saturday, January 5, 2019 (Select Dates)

*Check website for availability/dates
*By reservation only.
*Pricing varies by date.

Candlelight, firelight, and live music bring holiday warmth to the extravagant holiday décor of Biltmore House, creating an evening to remember. Evening guests can also take advantage of Antler Hill Village & Winery to enjoy free wine tastings. Advance reservations are required for evening visits.

Learn more about #ChristmasAtBiltmore or plan your visit: biltmore.com/Christmas

https://www.facebook.com/events/1524627331014393/?event_time_id=1524627367681056

Christmas at Biltmore Daytime Celebration*
Saturday, November 3, 2018 – Sunday, January 6, 2019 (daily)

*Included with estate admission.
*Does not include “Candlelight Christmas Evenings”

Experience the holidays wreathed with the wonder of Biltmore. Our celebration presents Christmas on a grand scale with more than 55 trees decorated by our talented staff, accented with miles of ribbon, garlands, and lights. Festive menus in our restaurants and holiday wine tastings make for a memorable visit.

Learn more about #ChristmasAtBiltmore or plan your visit: biltmore.com/Christmas

https://www.facebook.com/events/104655743803303/?event_time_id=104655780469966

The South has always been home to a blend of cultures — from Native Americans here by 14,000 years ago to Europeans 500 years ago, followed by Africans forced to migrate. By 1500, cultures in the South included Creek, Cherokee, Catawba, Choctaw, Chitimacha, and Coushatta, from Europe English, Scottish, Irish, and German, and Africans from Senegal to Congo. Baskets were integral in daily life, as agricultural equipment for gathering, sifting, storing, and serving the finished product or as receptacles for tools, clothes, sacred objects, and even infants.

Initially each culture had its own preferred basket material and method of manufacture — twilled rivercane for Native Americans, plaited oak for Europeans, and coiled grasses for Africans. Interaction between groups spurred adaptations to changing circumstances, such as the use of white oak by the Cherokee in the 1800s, as rivercane stands were decimated by European settlements. Native Americans also adopted the European picnic, flower, egg, and market baskets to sell in the 20th-century art market. Native and European Americans wove honeysuckle into baskets after 1854, when introduced from Japan. By the 17th century African Americans discovered bulrush along the coasts, coiling it into large, round “fanners” to winnow rice. Later bulrush was one medium among sweetgrass, pine needles, and palmetto, giving rise to the name “sweetgrass baskets” along the coast.

Baskets were woven not only for use in the fields and homes or for sale in art galleries but also as a connection to ancestors and spirits, as designs were said to come from inside one’s head, from memories of one’s mother’s motifs, or from the Creator. Indeed, working with one’s hands in nature to gather materials and to form them into a basket was considered spiritually and physically healthy, becoming a part of the practice of occupational therapy around World War I.

Today, basketweavers in the South from all three traditions are teaching the next generation to continue this art. Artists from across the region work with old and new materials in old and new forms, innovating for their legacy, for art’s sake, and for political causes, as embodied in the varied vessels in this gallery and epitomized in the virtuosic miniature examples in the case at right.

As Virginia Woolf said, “one cannot think well, love well, sleep well, if one has not dined well.” Food and water are essential for survival, but mankind’s relationship to food has transformed over time from one of sustenance to one laden with personal and cultural significance.

A Matter of Taste explores depictions of food and drink in art and reveals how images of fruits and vegetables can function as complex metaphors for excess, status, memory, and politics. Drawn from southern museums and private collections, this exhibition showcases over 35 paintings, decorative arts, and works on paper by artists such as Andy Warhol, Wayne Thiebaud, Henri Cartier-Bresson and Claes Oldenburg.

This show spans 400 years and multiple continents, revealing the evolving role of food and drink in various media and cultural contexts. While depictions of fruit and vegetables appeared in ancient times, still life painting as an independent genre dates to 16th-century Holland.

In 19th-century America, still life paintings remained popular but evolved in terms of subject matter, media, and message. Painters such as Thomas Wightman, George Forster, and De Scott Evans embraced Dutch still lifes and used food as commentary on the current political climate and the transient state of the human condition.

Illustrated newspapers led to an increase of cartoons by artists such as Winslow Homer and William Hogarth, who utilized food and drink as social satire. The 20th-century modern art movement further changed the perception of food. The culture of mass production enabled Pop artists to elevate seemingly mundane foodstuffs to high art. Yet, other contemporary artists explored the symbolic and nostalgic role of food seen in works by Tim Tate, Linda Armstrong, and Laquita Thomson.

Visitors will also experience an elaborately set dining table fit for a sumptuous feast. Dining became its own art form over time and communicated one’s social standing and wealth. Each of the table’s six place settings represent a different culture and offer a glimpse into global dining customs. Selective drinkware will accompany this section revealing how tea sets and even punch bowls reflected an owner’s prestige.

Open 5:00 – 10:00 p.m. Advance Tickets Required. Enjoy the wonder of the park dazzlingly lit for the holidays, with a nighttime train and more.

Candlelight Christmas Evenings*
Saturday, November 3, 2018 – Saturday, January 5, 2019 (Select Dates)

*Check website for availability/dates
*By reservation only.
*Pricing varies by date.

Candlelight, firelight, and live music bring holiday warmth to the extravagant holiday décor of Biltmore House, creating an evening to remember. Evening guests can also take advantage of Antler Hill Village & Winery to enjoy free wine tastings. Advance reservations are required for evening visits.

Learn more about #ChristmasAtBiltmore or plan your visit: biltmore.com/Christmas

https://www.facebook.com/events/1524627331014393/?event_time_id=1524627361014390

Christmas at Biltmore Daytime Celebration*
Saturday, November 3, 2018 – Sunday, January 6, 2019 (daily)

*Included with estate admission.
*Does not include “Candlelight Christmas Evenings”

Experience the holidays wreathed with the wonder of Biltmore. Our celebration presents Christmas on a grand scale with more than 55 trees decorated by our talented staff, accented with miles of ribbon, garlands, and lights. Festive menus in our restaurants and holiday wine tastings make for a memorable visit.

Learn more about #ChristmasAtBiltmore or plan your visit: biltmore.com/Christmas

https://www.facebook.com/events/104655743803303/?event_time_id=104655790469965

The South has always been home to a blend of cultures — from Native Americans here by 14,000 years ago to Europeans 500 years ago, followed by Africans forced to migrate. By 1500, cultures in the South included Creek, Cherokee, Catawba, Choctaw, Chitimacha, and Coushatta, from Europe English, Scottish, Irish, and German, and Africans from Senegal to Congo. Baskets were integral in daily life, as agricultural equipment for gathering, sifting, storing, and serving the finished product or as receptacles for tools, clothes, sacred objects, and even infants.

Initially each culture had its own preferred basket material and method of manufacture — twilled rivercane for Native Americans, plaited oak for Europeans, and coiled grasses for Africans. Interaction between groups spurred adaptations to changing circumstances, such as the use of white oak by the Cherokee in the 1800s, as rivercane stands were decimated by European settlements. Native Americans also adopted the European picnic, flower, egg, and market baskets to sell in the 20th-century art market. Native and European Americans wove honeysuckle into baskets after 1854, when introduced from Japan. By the 17th century African Americans discovered bulrush along the coasts, coiling it into large, round “fanners” to winnow rice. Later bulrush was one medium among sweetgrass, pine needles, and palmetto, giving rise to the name “sweetgrass baskets” along the coast.

Baskets were woven not only for use in the fields and homes or for sale in art galleries but also as a connection to ancestors and spirits, as designs were said to come from inside one’s head, from memories of one’s mother’s motifs, or from the Creator. Indeed, working with one’s hands in nature to gather materials and to form them into a basket was considered spiritually and physically healthy, becoming a part of the practice of occupational therapy around World War I.

Today, basketweavers in the South from all three traditions are teaching the next generation to continue this art. Artists from across the region work with old and new materials in old and new forms, innovating for their legacy, for art’s sake, and for political causes, as embodied in the varied vessels in this gallery and epitomized in the virtuosic miniature examples in the case at right.

Thursdays 11am-1:30pm
October 18- December 13
No class November 22

Tile murals can beautifully enhance your kitchen, bathroom, or outside sidewalks and paths. Students will design their own ceramic tiles using the slab roller and press molds, then incorporate ideas and imagery through carving, sgraffito, Mishima, and ceramic decals. Underglazes, glazes, and firing will be covered. Finally, we will learn how to install these finished pieces indoor or outdoor.

Level: All Levels
Tuition: $310 + $50 Lab Fee

As Virginia Woolf said, “one cannot think well, love well, sleep well, if one has not dined well.” Food and water are essential for survival, but mankind’s relationship to food has transformed over time from one of sustenance to one laden with personal and cultural significance.

A Matter of Taste explores depictions of food and drink in art and reveals how images of fruits and vegetables can function as complex metaphors for excess, status, memory, and politics. Drawn from southern museums and private collections, this exhibition showcases over 35 paintings, decorative arts, and works on paper by artists such as Andy Warhol, Wayne Thiebaud, Henri Cartier-Bresson and Claes Oldenburg.

This show spans 400 years and multiple continents, revealing the evolving role of food and drink in various media and cultural contexts. While depictions of fruit and vegetables appeared in ancient times, still life painting as an independent genre dates to 16th-century Holland.

In 19th-century America, still life paintings remained popular but evolved in terms of subject matter, media, and message. Painters such as Thomas Wightman, George Forster, and De Scott Evans embraced Dutch still lifes and used food as commentary on the current political climate and the transient state of the human condition.

Illustrated newspapers led to an increase of cartoons by artists such as Winslow Homer and William Hogarth, who utilized food and drink as social satire. The 20th-century modern art movement further changed the perception of food. The culture of mass production enabled Pop artists to elevate seemingly mundane foodstuffs to high art. Yet, other contemporary artists explored the symbolic and nostalgic role of food seen in works by Tim Tate, Linda Armstrong, and Laquita Thomson.

Visitors will also experience an elaborately set dining table fit for a sumptuous feast. Dining became its own art form over time and communicated one’s social standing and wealth. Each of the table’s six place settings represent a different culture and offer a glimpse into global dining customs. Selective drinkware will accompany this section revealing how tea sets and even punch bowls reflected an owner’s prestige.

Open 5:00 – 10:00 p.m. Advance Tickets Required. Enjoy the wonder of the park dazzlingly lit for the holidays, with a nighttime train and more.

UPDATE: TONIGHT’S SHOW (FRIDAY) IS ALMOST SOLD OUT. WE HAVE A FEW SPOTS AVAILABLE AT 5:30, 7:30, AND 8:00. IF YOU ARE INTERESTED IN COMING PLEASE BE SURE TO CALL THE SITE IN ADVANCE! 828-645-6706.

*We are monitoring the weather for Saturday, as of right now we are still moving forward as planned. We will notify visitors of any changes.

This Christmas season we will again partner with the American Myth Center to present one of the greatest Christmas stories ever told, Charles Dickens’ A Christmas Carol, but with the Vance family and enslaved people smack dab in the middle. Through the theatrical magic of toy and shadow theater, the ghosts of Christmas past, present, and future will explore the life of Venus, an enslaved woman that live on the Vance property. Visitors will go on an extraordinary and illuminating journey through the entire site, from the Birthplace to the 1790s slave cabin.

The American Myth Center is a non-profit organization in Asheville whose mission is to create new American Myths to serve as familiar points of reference in the urgent, yet enduring, investigation of our home. For more information visit www.americanmythcenter.org.

This is a ticketed event. Tours will run every 30 minutes starting at 5:30 pm with the last tour at 8:00 pm. Adults: $5.00, 18-and-under: $2.00, 5-and-under: free. Reservations are strongly encouraged. Call the site at 828-645-6706 (9a-5p, Tues-Sat) to purchase tickets for your group. Please note, that tickets must be picked up *at least 10 minutes prior to the ticketed time or the reservation will be forfeited. Tickets are non-refundable.

Visitors can get in the Christmas spirit with holiday entertainment in our visitor center, or purchase apple cider and make a free take-away craft.

https://www.facebook.com/events/288835915045782/?event_time_id=288835935045780

Candlelight Christmas Evenings*
Saturday, November 3, 2018 – Saturday, January 5, 2019 (Select Dates)

*Check website for availability/dates
*By reservation only.
*Pricing varies by date.

Candlelight, firelight, and live music bring holiday warmth to the extravagant holiday décor of Biltmore House, creating an evening to remember. Evening guests can also take advantage of Antler Hill Village & Winery to enjoy free wine tastings. Advance reservations are required for evening visits.

Learn more about #ChristmasAtBiltmore or plan your visit: biltmore.com/Christmas

https://www.facebook.com/events/1524627331014393/?event_time_id=1524627371014389

Sure, there is the Olympiad and the Dirty Dancing Festival. There’s even the awesome Arts Festival. But everyone knows that THE event of the year is the Chamber Christmas FUNDaiser. So, mark your calendar for Dec. 6th and make plans to join us for this FAB holiday event.

https://www.facebook.com/events/227361981459953/

The Herdmans are the worst kids in the history of the world. They lie, steal, smoke cigars, say things they shouldn’t, and hit little kids. So no one is prepared when this outlaw family invades church one Sunday and decides to take over the annual Christmas pageant. None of the Herdmans has ever heard the Christmas story before. Their interpretation of the tale, the Wise Men are a bunch of dirty spies and Herod needs a good beating–has a lot of people up in arms. But it will make this year’s pageant the most unusual anyone has seen and, just possibly, the best one ever. “The Best Christmas Pageant Ever” is a powerful story of misunderstanding, faith and redemption. Through most of the play, the audience can’t stop laughing, but by the end most will be watching the show through tears. A great, fun holiday experience for any age and sure to become a modern Christmas classic. A one-act production, approximately one hour in length.

Presented by the Overlook Theatre Company

“Recreating the Christmas music and style of a bygone era- some of the most beloved Christmas music was written and performed from the 1940’s thru the 1960’s. That’s what this show recreates.” Tim Shelton

https://www.facebook.com/events/1091119501035150/

The Bethlehem Toy Store is an annual ministry of the Carolina Baptist Association to children of families that are not able to provide Christmas gifts due to financial difficulties.
Families are screened by Interfaith Assistance Ministry.

Bring NEW toys (birth-16yrs) or money to the Carolina Baptist Association Monday- Thursday, 9:00am-4:00pm.
Please have all toys and money in by Monday, December 3, 2018.

Set-up for the toy store will be Monday, December 3-6, 2018.
Distribution: December 7, 2018 from 8:00am-8:00pm.
We need your help with set-up, distribution, and witnessing to families. Please call us to sign up to help!

If you have any questions, please call the Carolina Baptist Association at
828-693-4274.

https://www.facebook.com/events/2155844367968886/

Christmas at Biltmore Daytime Celebration*
Saturday, November 3, 2018 – Sunday, January 6, 2019 (daily)

*Included with estate admission.
*Does not include “Candlelight Christmas Evenings”

Experience the holidays wreathed with the wonder of Biltmore. Our celebration presents Christmas on a grand scale with more than 55 trees decorated by our talented staff, accented with miles of ribbon, garlands, and lights. Festive menus in our restaurants and holiday wine tastings make for a memorable visit.

Learn more about #ChristmasAtBiltmore or plan your visit: biltmore.com/Christmas

https://www.facebook.com/events/104655743803303/?event_time_id=104655787136632