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Biltmore Estate: Ciao! From Italy Sculptural Postcard Display
Jul 15 @ 8:30 am
Biltmore Estate
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Chalk it Up
Jul 15 @ 8:30 am – 11:30 am
Main St. Hendersonville NC
“Chalk It Up!” began with 3 children drawing in front of their mother’s store. It has blossomed into one of the most beloved and endearing events that our town has to offer. It is a unique way to experience beautiful downtown Hendersonville, N.C. Every summer, 150 artists of all ages draw for prizes and fun in this great contest designed to promote Hendersonville as “a city with a heart for art”. Registration begins June 6, 2023 “Chalk It Up!” event date: 7/15 Rain dates 7/22 and 7/29.
Community Yard Sale +; Art Market
Jul 15 @ 9:00 am – 1:00 pm
Flood Gallery Fine Art Center
Set up to sell your own wares, or stop by and support your local vendors!
Shop for Summer needs and goodies, unique art, and great gift finds! Or set up to sell your own! Check out the kids lemonade stand for a refreshment!
Featuring handmade items, artwork, crafts, posters, art supplies, frames, jewelry, candles, sculptures, collectibles, antiques, furniture, plants, tools, electronics, vinyl records, clothing, summer dresses, shoes, household goods, unique gifts, sporting gear, music instruments, toys, books, and various other items by local vendors, artists, and artisans!
Set up your own 10’ x 10’ space for $10!
If setting up, please come by 8:30. Call Carlos to confirm 828-273-3332.
In front of Flood Gallery at 850 Blue Ridge Rd. in Black Mountain, next to Veterans Park.
We may go longer than 1 pm depending on traffic.
Carol Misner Art Trunk Show at Acorns
Jul 15 @ 10:00 am
Acorns
Acorns’ Annual season of trunk shows highlights the talented creators of fine art, designer jewelry, and home goods.
There is no mistaking Carol Misner’s botanical paintings. Each piece is her unique interpretation of the flora, in monochromatic tones, reflecting the simple beauty, gracefulness, and fragility of the botanical it portrays. Ms. Misner so delicately layers her acrylics to achieve a diaphanous, gossamer quality that it has been said her works resemble x-rays in watercolor. The majority of Ms. Misner’s subjects come from the beautiful flora she finds in her community and in her travels.
Eidolon art exhibition
Jul 15 @ 10:00 am – 5:00 pm
Tyger Tyger Gallery
Exhibition dates: June 9 – July 23
Hours: Tuesday-Saturdays from 10-5 pm, Sundays 11-4 pm
Eidolon is an ancient term from Greek -oeidēs “form”. Early meanings included “mental image”, “appearance”, and “reflection” (as in a mirror or pool), and later, “apparition” or “imaginary entity”, among other things. Expanding beyond the definition pointing to a phantasm or specter, eidolon also sounds like some kind of astral or idyllic place in a novel or poem about an imaginary world. Eidolon features the work of Jacqueline Shatz and Margaret Thompson.
Jacqueline Shatz’s small sculptures of ambiguous and hybridized figures float, entwine, swim, commune with animals and collapse into abstract arabesques and gestures, hinting at mythology, in-between states, and the permeable nature of existence. Margaret Thompson’s paintings are inspired by elements of the symbolist movement and magical realism; she channels dreams and the associative powers of the imagination into her practice, painting subjects that live between our physical realm and spaces beyond the categories of known experience: they are unrestrained, undefined, and free.
Exhibition: NEO MINERALIA
Jul 15 @ 10:00 am – 6:00 pm
Center for Craft
Photo credit:
Sae Honda. Courtesy of the Artist.
NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.
NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.
The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.
Exhibition: Something earned, Something left behind
Jul 15 @ 10:00 am – 6:00 pm
Center for Craft
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.
Exhibition: Crafting Denim
Jul 15 @ 10:00 am – 6:00 pm
Center for Craft
Photo credit:
Photograph by Bowery Blue Makers
Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.
A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.
Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.
Italian Renaissance Alive
Jul 15 @ 10:00 am
Biltmore Estate
Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.
PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences
PLUS: FREE next-day access to Biltmore’s Gardens and Grounds
This visit includes access to:
Italian Renaissance Alive at Amherst at Deerpark®
8,000 Acres of Gardens and Grounds for two consecutive days
Antler Hill Village & Winery
Complimentary Wine Tastings at the Winery
Tastings require a Day-of-Visit Reservation, which can be made by:
Scanning the QR Code found in your Estate Guide
Visiting any Guest Services location
Complimentary parking
Art Exhibition: Italian Renaissance Alive
This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history
Tapestry Weaving | Live Demo
Jul 15 @ 10:00 am – 4:00 pm
Folk Art Center
Sandy Adair will be demonstrating how she creates woven landscapes on an upright tapestry loom. She will be in the lobby of the Folk Art Center.
The Photographs of Anne Noggle
Jul 15 @ 10:00 am – 1:00 pm
Tryon Fine Arts Center
On Exhibit
TFAC’s JP Gallery
June 22 – August 18
Anne Noggle’s work consistently challenged the stereotypes and standard mythologies of women. She herself began her artistic career at age forty-three, to complement her already-established
profession as a pilot.
The exhibit is a joint presentation between TFAC, and the Tryon Arts & Crafts School and both locations are curated by Martha Strawn, president of the
Anne Noggle Foundation and art historian Lili Corbus.
Gatherings of Artists + Writers Coffee
Jul 15 @ 10:30 am – 12:00 pm
Tryon Fine Arts Center
TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community.
The first weekly Coffee is Saturday, August 20 at 9 am.
No RSVP needed, just drop by!
Free parking available on Melrose Avenue, behind and alongside TFAC.
Black Mountain College and Mexico (BMC/MX): Exhibition
Jul 15 @ 11:00 am – 5:00 pm
Black Mountain College Museum + Arts Center
Black Mountain College and Mexico (BMC/MX): Exhibition, Publication, and Public Programming
Black Mountain College (1933–1957), a small but remarkably influential liberal arts school in rural North Carolina, had important links to Mexico that until now have been little investigated. A crucible of twentieth-century creativity, BMC galvanized and inspired artists and intellectuals from around the world, while Mexico’s innovations and age-old traditions—in fine and applied arts, architecture, poetry, music, performance, and more—dovetailed with, and indeed drove, global impulses toward modernism and beyond. Among the many key BMC figures whose lives were importantly touched by experiences in Mexico were Anni and Josef Albers, Ruth Asawa, John Cage, Jean Charlot, Elaine de Kooning, Buckminster Fuller, Carlos Mérida, Robert Motherwell, Charles Olson, Clara Porset, M.C. Richards, and Aaron Siskind. In turn, engagements with BMC and its legacy have played a significant role in shaping contemporary approaches to art in Mexico, evident in the works of Jorge Méndez Blake, Iñaki Bonillas, Abraham Cruzvillegas, Jose Dávila, Gerda Gruber, Lake Verea, Gabriel Orozco, and Damián Ortega, among others.
The exhibition BMC/MX features works by these and other prominent contemporary Mexican artists alongside a selection of historic works by BMC artists, highlighting the ways in which ideas and modalities are translated across materials, space, and time.
Related programming, planned in collaboration with Mexican artists, features a series of public events, including a performance by artist (and BMC/MX co-curator) David Miranda to take place at Different Wrld; an exhibition visit (in Spanish and English) with BMC/MX Project Director Eric Baden; and a series of experiential art events in the BMCM+AC library.
The exhibition is accompanied by the book Black Mountain College and Mexico (forthcoming late summer 2023), which investigates the people, ideas, and practices linking BMC and Mexico during the life of the school, as well as resonances between BMC and the work of contemporary Mexican artists. With contributions by BMC/MX’s curators, as well as by artist Abraham Cruzvillegas, design scholar Ana Elena Mallet, and author and activist Margaret Randall, this fully illustrated volume brings new light to this complex and underexplored subject.
BMC/MX is an investigation into modes of communication—the arenas in which new ideas and alliances may come to be—between Black Mountain College and Mexico, between past and present, between form and idea.
About the Curators
BMC/MX’s Project Director Eric Baden is a photographer and from 1994 to 2022 was professor of photography at Warren Wilson College in Swannanoa, North Carolina. He is the founding director of photo+, a multidisciplinary arts event held in Asheville, North Carolina.
Artist and educator David Miranda is curator at the Museo Experimental El Eco (Universidad Nacional Autónoma de México, UNAM), and teaches at the Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda” in Mexico City.
Diana Stoll is an editor, writer and curator who works with institutions such as The Museum of Modern Art and the J. Paul Getty Museum. She has served as an editor at Aperture and Artforum magazines, and contributes writings to prominent arts publications.
On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1
Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.
What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.
Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.
The Art of Food: From the Collections of Jordan D. Schnitzer and His Family Foundation
Jul 15 @ 11:00 am – 6:00 pm
Asheville Art Museum
The Art of Food features works from important postwar artists, like Robert Rauschenberg, Roy Lichtenstein, John Baldessari, Wayne Thiebaud, Ed Ruscha, Andy Warhol, David Hockney, and Jasper Johns, alongside the work of contemporary artists, like Alison Saar, Lorna Simpson, Enrique Chagoya, Rachel Whiteread, and Jenny Holzer, among others.
The Art of Food features more than 100 works in mediums that include drawings, paintings, photographs, prints, sculptures, and ceramics by 37 artists.
Each artist has a unique means of depicting food in their work that, when seen alongside others, creates a nuanced representation of the complex place food holds in everyday life. Cross-historical resonances between artists in the exhibition spark novel meditations on food and its discontents, while speaking to a broad range of audiences.
Western North Carolina Glass: Selections from the Collection
Jul 15 @ 11:00 am – 6:00 pm
Asheville Art Museum
Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home.
Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection.
DEEP LISTENING DAY Featuring Curt Cloninger, Peter Speer + Jon Claude Bieschke
Jul 15 @ 11:30 am
The Center for Connection + Collaboration
11.30am – Gather for Deep Listening Coffee
(Times approximate)
12.30 – Peter – Listening game
1.30 – Jon Claude – Research project
2.30 – Curt – Soundwalk
The remainder of the day will be left open to spontaneous deep listening activities.
Ideas are welcome!
Discussion in between.
Bring interesting sounding snax.
Deep Listening Day is a pay-what-you-can event
Venmo: CCC-AVL
Paypal: [email protected]
Cash: on the door
The Center for Connection + Collaboration
65 Coleman Ave AVL 28801
DETAILS:
Peter Speer
Title:
How Many Things Can You Hear?
Description:
In this talk I will be describing a listening/mindfulness game that has been central to my practice for over 15 years, called simply “How Many Things Can You Hear?” After a brief overview of the game and a practical exercise with it, I will demonstrate how this game has been incorporated into my synthesis work and general artistic practice.
Bio: I am an Asheville-based artist working primarily with paper-based collage and synthesized soundscapes. My work investigates the quiet stillness at the center of loud, fast things and celebrates the endlessly evolving symphony of the everyday.
Jon Claude Bieschke
Title:
Objective Assessment of Music Processing Through Hearing Aids: Predictions in Understanding Lyrical Content.
Description:
This 2022 research project spearheaded as part of the final stages of my graduate program through the Audiology dept at ETSU is a foray into a clever modeling experiment to answer the question: What happens to lyric intelligibility across different genres of music for different configurations of hearing loss?
Short Bio: Jon Claude Bieschke is associated with no.001outof001recording ltd. and LWA (limbswanderedalone) est. 2000AD on Planet Earth. Jon Claude is also a licensed Audiologist and member of ASHA.
Curt Cloninger
Title:
EMFAF (electro-magnetic frequency as f#&k)
Description:
We will walk around with a small device that detects (inaudible) electro-magnetic frequencies and translates them into (audible) audio waves. This device will be hooked up to a small battery-powered amplifier so we can all hear what is happening. We will point the device at different things and listen. A brief introductory talk on analog waveforms and process philosophy will precede the walk.
Bio:
Curt Cloninger is an artist, musician, writer, and Associate Professor of New Media at the University of North Carolina Asheville. His art uses an array of media combinations to undermine language as a system of meaning in order to reveal it as an embodied force in the world. His art work has been featured in the New York Times and at festivals and galleries from Korea to Brazil. Exhibition and performance venues include Centre Georges Pompidou (Paris), Whitney Museum of American Art (New York), Granoff Center for The Creative Arts (Brown University), Ukrainian Institute of Modern Art (Chicago), Black Mountain College Museum + Arts Center (Asheville), and the internet. His fifth and most recent book is entitled, “Some Ways of Making Nothing: Apophatic Apparatuses in Contemporary Art” (Punctum Books, 2021). His art, music, and writing may be accessed at lab404.com, playdamage.org, and deepyoung.org.
DEEP LISTENING DAY is part of the CCC’s SoS!
Summer of Sound
For other SoS events please visit: https://www.ccc-avl.org/whats-on
Black Mountain College and Mexico (BMC/MX): Bizarre Sábado
Jul 15 @ 1:00 pm – 5:00 pm
Black Mountain College Museum + Arts Center
Bizarre Sábado
During the course of the exhibition, BMCM+AC will host a series of experiential art events. These “Bizarre Sábado” happenings are inspired by Mexico City’s Bazaar Sábado, the innovative gathering place and crafts market first organized in 1960 by BMC alum Cynthia Sargent and her husband Wendell Riggs. The Bazaar Sábado continues to this day.
Bizarre Sábado 3: Saturday, June 17, 2023 – 1–5pm
Bizarre Sábado 4: Saturday, July 1, 2023 – 1–5pm
Bizarre Sábado 5: Saturday, July 15, 2023 – 1–5pm
Bizarre Sábado 6: Saturday, July 29, 2023 – 1–5pm
A series of performative and experiential actions featuring local artists @ Black Mountain College Museum + Arts Center Library {120 College Street, Asheville, NC}
Bizarre Sábado 7
Black Night/Noche Negra: Photographs of Mexico—Slideshow with BMC/MX Project Director Eric Baden
Wednesday, August 16, 2023 – 8pm
@ Black Mountain College Museum + Arts Center {120 College Street, Asheville, NC}
Bizarre Sábado 8
Zine Release Celebration and Presentation of selected works from the Abraham Cruzvillegas Call for Art
Saturday, September 2, 2023 – 1–8pm
@ Black Mountain College Museum + Arts Center {120 College Street, Asheville, NC}
and Lamplight AVL {821 Haywood Rd. Asheville, NC}
As part of the BMC/MX project, students and artists have been invited to engage creatively with visual prompts offered by Mexican artist Abraham Cruzvillegas. Images of the resulting artworks will be compiled into a zine (available at BMCM+AC in September 2023), and selected works will be on display at Lamplight AVL on September 2.
Black Mountain College and Mexico (BMC/MX): Exhibition, Publication, and Public Programming
Black Mountain College (1933–1957), a small but remarkably influential liberal arts school in rural North Carolina, had important links to Mexico that until now have been little investigated. A crucible of twentieth-century creativity, BMC galvanized and inspired artists and intellectuals from around the world, while Mexico’s innovations and age-old traditions—in fine and applied arts, architecture, poetry, music, performance, and more—dovetailed with, and indeed drove, global impulses toward modernism and beyond. Among the many key BMC figures whose lives were importantly touched by experiences in Mexico were Anni and Josef Albers, Ruth Asawa, John Cage, Jean Charlot, Elaine de Kooning, Buckminster Fuller, Carlos Mérida, Robert Motherwell, Charles Olson, Clara Porset, M.C. Richards, and Aaron Siskind. In turn, engagements with BMC and its legacy have played a significant role in shaping contemporary approaches to art in Mexico, evident in the works of Jorge Méndez Blake, Iñaki Bonillas, Abraham Cruzvillegas, Jose Dávila, Gerda Gruber, Lake Verea, Gabriel Orozco, and Damián Ortega, among others.
The exhibition BMC/MX features works by these and other prominent contemporary Mexican artists alongside a selection of historic works by BMC artists, highlighting the ways in which ideas and modalities are translated across materials, space, and time.
Related programming, planned in collaboration with Mexican artists, features a series of public events, including a performance by artist (and BMC/MX co-curator) David Miranda to take place at Different Wrld; an exhibition visit (in Spanish and English) with BMC/MX Project Director Eric Baden; and a series of experiential art events in the BMCM+AC library.
The exhibition is accompanied by the book Black Mountain College and Mexico (forthcoming late summer 2023), which investigates the people, ideas, and practices linking BMC and Mexico during the life of the school, as well as resonances between BMC and the work of contemporary Mexican artists. With contributions by BMC/MX’s curators, as well as by artist Abraham Cruzvillegas, design scholar Ana Elena Mallet, and author and activist Margaret Randall, this fully illustrated volume brings new light to this complex and underexplored subject.
BMC/MX is an investigation into modes of communication—the arenas in which new ideas and alliances may come to be—between Black Mountain College and Mexico, between past and present, between form and idea.
About the Curators
BMC/MX’s Project Director Eric Baden is a photographer and from 1994 to 2022 was professor of photography at Warren Wilson College in Swannanoa, North Carolina. He is the founding director of photo+, a multidisciplinary arts event held in Asheville, North Carolina.
Artist and educator David Miranda is curator at the Museo Experimental El Eco (Universidad Nacional Autónoma de México, UNAM), and teaches at the Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda” in Mexico City.
Diana Stoll is an editor, writer and curator who works with institutions such as The Museum of Modern Art and the J. Paul Getty Museum. She has served as an editor at Aperture and Artforum magazines, and contributes writings to prominent arts publications.
The Brother West Band at Point Lookout Vineyards
Jul 15 @ 2:30 pm – 5:30 pm
Point Lookout Vineyards
Come enjoy a Saturday afternoon with the Brother West Band featuring Craig St. John.
Plenty of wine, views, and music!
***Day full of fun including annual craft show!
No cover charge
Applications open: 2024 Asheville Fringe Arts Festival
Jul 16 all-day
online w/ Asheville Fringe Arts
APPLICATIONS OPEN NOW!
Do you have a boundary-pushing, innovative performance piece, short film or installation that you’re ready to share?
We will open applications for the film portion of the festival in fall 2023. Films must be submitted via FilmFreeway. Our application fee for films is $5.
NOW CONSIDERING WORKS OF ALL KINDS
We accept live performances from 5 to 60 minutes in length, plus installations and films. We’re open to other types of performance as well – let’s talk! Depending on its length, your piece may be grouped with another show, or scheduled as a Random Act of Fringe. RAFs are free and open to the public, and artists receive a stipend for their performance, rather than relying on door sales.
Typically each artist with a ticketed show gets 2 performances. But in 2024, we’re exploring the option of giving a few shows 3 performances, at select venues only. Our venues range from 20-80 person capacity.
1. FRINGE SHOT
A piece that is
5-15 minutes long
May be paired with another performance, or be selected as a free Random Act of Fringe.
2. SHORT FORM
A piece that is 20-40 minutes long
May be paired with another show.
3. FULL-LENGTH
A piece that is 45-60 minutes long
Ticketed theater-style show.
4. INSTALLATION
A piece that is Site-specific (any length)
May be in an unusual location, or repeated many times. May be seen by as few as one person at a time.
5. FILM
A piece that is Designed specifically for film.
May be of any genre & length. Could be combined with other films for a showcase or film night.
Submit on Film Freeway Fall 2023
3. THE ASHEVILLE FRINGE ARTS FESTIVAL IS A JURIED FESTIVAL.
We carefully review each and every submission. You’ll know by late October if your piece is selected. Should your piece get selected, there is a $35 participation fee.
Asheville Regional Airport: art exhibit highlighting local artists
Jul 16 all-day
Asheville Regional Airport (AVL)
Edge, the newest exhibit showing in the airport art gallery, is open to the public now through July 21, 2022. The local art is unique, bold and is sure to capture the imaginations of its viewers.
The local artists’ work featured in this exhibit consist of many different mediums. Diane Bronstein creates complex and mesmerizing pieces with photographs, embroidery floss and other materials. Susan Devitt uses bold colors and vivid details to capture the beauty and possibilities of nature with her acrylic paintings. Jen Pacicci crafts peaceful and majestic collages of landscapes using watercolor and torn paper. Kurt Ross designs clay vessels of varying materials and glazes that are each unique in their thoughtful and clean design. Paul Silverman presents ceramic figures of various tools and vintage items that trick the eye in their realistic appearance and awe with their attention to detail.
“The Edge exhibit welcomes travelers and residents to Asheville with a vibrant and unique display this spring at AVL,” said Alexandra Ingle, Brand and Experience Designer at AVL and curator of the gallery. “We are excited at each gallery opening to bring a fresh taste of our talented WNC art community into the airport.”
Artwork can be purchased from the gallery by emailing [email protected]. Details about the program and how to apply can be found on the airport’s website at flyavl.com.
Call for Sculptors – 37th Annual Sculpture Celebration
Jul 16 all-day
online w/ Caldwell Arts Council
The Caldwell Arts Council announces a call for sculptors to participate in its 37th Annual Sculpture Celebration scheduled from 9am-4pm on Saturday, September 9, 2023 at the Broyhill Walking Park in Lenoir, North Carolina.
Sculptors are invited to enter up to 3 works in the competition that will be judged by renowned sculptor Kyle Van Lusk of Brevard, NC and offers $11,000 in cash awards. Sales and commissions are allowed with 100% of proceeds going to the sculptors. All sizes of works in all materials are welcome. In addition, large-scale outdoor works can be entered for a second exhibition and sales opportunity at the Western NC Sculpture Center.
Registration includes FREE help in unloading, installation, and removal of work; admission to the Friday night Sculptor’s Reception & Dinner; and a continental breakfast on Saturday. Local lodging options are available, as well as free camping at the Western NC Sculpture Center.
Held rain or shine, this annual family-friendly event attracts sculptors and buyers from all over the eastern United States, with attendance as high as 4,000 people. It is funded in part by generous sponsors, the North Carolina Arts Council, a division of the Department of Natural and Cultural Resource, and the National Endowment for the Arts.
Early registration discounts are available and special rates are provided for students. For complete details, visit www.caldwellarts.com, or contact the Caldwell Arts Council at 828-754-2486 or [email protected].
Center for Craft and the University of North Carolina Asheville: Regional Art Grant Program
Jul 16 all-day
online w/ Center for Craft
he Center for Craft is excited to announce an innovative partnership with the University ofNorth Carolina Asheville’s UNC Gillings Master of Public Health (MPH) program, to explore the community vitality impacts of engaging with craft. Six awarded artists, artist collectives, or art organizations will be selected for $2,200 grants to use craft to engage with regional communities in Western North Carolina.
Center for Craft Executive Director Stephanie Moore conveys “Craft contributes significantly to the vitality of community by fostering creativity, preserving cultural heritage, and promoting social connections.” Through the practice of traditional and contemporary crafts individuals develop skills, express their artistic abilities, and find a sense of purpose and fulfillment. Craft also plays a crucial role in preserving cultural traditions and strengthening identity, passing down knowledge from one generation to the next. Craft activities bring people together for social interactions and collaboration that create a sense of belonging. This collaboration is an opportunity to better understand the ways in which craft acts as an indicator of and pathway to a healthy, resilient future.
Proposals from artists, collectives, and organizations in Western North Carolina are encouraged to submit a letter of interest to be selected for the pilot program. Proposed projects should take place between September – November 2023, and engage the community with craft in some way. Each selected project will be paired with a UNC Asheville MPH student who will use methods they are learning in their coursework, taught by UNC Asheville faculty member and MPH co-director Dr. Ameena Batada, to explore and measure impacts of each project.
Since 1977, the N.C. Arts Council’s Grassroots Arts Program has provided North Carolina citizens access to quality arts experiences. The program distributes funds for the arts in all 100 counties of the state primarily through partnerships with local arts councils. Grassroots Arts Program funds may be used for expenditures to conduct quality arts programs or operate an arts organization.
Deadline: Saturday, July 29, 2023
Subgrant winners will be notified by mid-September, 2023.
Inqwiry: Outdoor Wire Sculptures by Josh Coté
Jul 16 all-day
Grovewood Village
Grovewood Gallery will present Inqwiry, an outdoor exhibition of wire animal sculptures by Bakersville, NC, artist Josh Coté. This event is open to the public and free to attend. Inqwiry will remain on view through August 13, 2023.
Biltmore Estate: Ciao! From Italy Sculptural Postcard Display
Jul 16 @ 8:30 am
Biltmore Estate
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Basketry | Live Demo
Jul 16 @ 10:00 am – 4:00 pm
Folk Art Center
Susan Taylor will be demonstrating various basket weaving techniques, as well as discussing the role of baskets in society and throughout history
Italian Renaissance Alive
Jul 16 @ 10:00 am
Biltmore Estate
Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.
PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences
PLUS: FREE next-day access to Biltmore’s Gardens and Grounds
This visit includes access to:
Italian Renaissance Alive at Amherst at Deerpark®
8,000 Acres of Gardens and Grounds for two consecutive days
Antler Hill Village & Winery
Complimentary Wine Tastings at the Winery
Tastings require a Day-of-Visit Reservation, which can be made by:
Scanning the QR Code found in your Estate Guide
Visiting any Guest Services location
Complimentary parking
Art Exhibition: Italian Renaissance Alive
This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history
Tapestry Weaving | Live Demo
Jul 16 @ 10:00 am – 4:00 pm
Folk Art Center
Sandy Adair will be demonstrating how she creates woven landscapes on an upright tapestry loom. She will be in the lobby of the Folk Art Center.
Eidolon art exhibition
Jul 16 @ 11:00 am – 4:00 pm
Tyger Tyger Gallery
Exhibition dates: June 9 – July 23
Hours: Tuesday-Saturdays from 10-5 pm, Sundays 11-4 pm
Eidolon is an ancient term from Greek -oeidēs “form”. Early meanings included “mental image”, “appearance”, and “reflection” (as in a mirror or pool), and later, “apparition” or “imaginary entity”, among other things. Expanding beyond the definition pointing to a phantasm or specter, eidolon also sounds like some kind of astral or idyllic place in a novel or poem about an imaginary world. Eidolon features the work of Jacqueline Shatz and Margaret Thompson.
Jacqueline Shatz’s small sculptures of ambiguous and hybridized figures float, entwine, swim, commune with animals and collapse into abstract arabesques and gestures, hinting at mythology, in-between states, and the permeable nature of existence. Margaret Thompson’s paintings are inspired by elements of the symbolist movement and magical realism; she channels dreams and the associative powers of the imagination into her practice, painting subjects that live between our physical realm and spaces beyond the categories of known experience: they are unrestrained, undefined, and free.
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Exhibition: Something earned, Something left behind
Exhibition: Crafting Denim
Italian Renaissance Alive
Tapestry Weaving | Live Demo
The Photographs of Anne Noggle
Gatherings of Artists + Writers Coffee
Black Mountain College and Mexico (BMC/MX): Exhibition
Pulp Potential: Works in Handmade Paper
