Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
– ALL AGES
– STANDING ROOM ONLY
IDLEWILD SOUTH (Allman Brothers Band)
IDLEWILD SOUTH, The Allman Brothers Band Tribute, was founded by keyboardist and vocalist Don Eason, a veteran musician whose initial influence of The Allman Brothers Band’s live performance goes back to his first concert experience of the band on Easter Weekend of 1970, at The Winter’s End Concert in Bithlo, Florida.
A duo of drummers, Robert Kintner and L.A. Freeman , plus percussionIst Roland J. Beckerman provide the foundation. Slide Guitarist/Vocalist Dave George and Lead Guitarist/ Vocalist Mark Mulholland bring forth the dual guitar harmonies and searing guitar leads Duane Allman and Dickey Betts pioneered in the late 1960’s. Former Dickey Betts Band Bassist Marty Privette holds down vocals and the bottom end for the band. In the tradition of The Allman Brothers Band, IDLEWILD SOUTH’s live shows can exceed a staggering 3 1/2 to 4 hours in length. The set lists are different every night, drawing from The Allman Brothers Bands self-titled debut album, 2nd album Idlewild South, Live At Fillmore East, Eat A Peach, and Brothers and Sisters, all recorded between 1969 and 1974. A few select songs from their albums between 1989 and 2000 are also included. Over the years IDLEWILD SOUTH has had the privilege of having Johnny Neel (Allman Brothers Band), Bruce Katz (Gregg Allman Band), Lamar Williams, Jr. (Son of former ABB Bassist Lamar Williams) and Guitarist Chris Hicks of The Marshall Tucker Band sit in for multiple shows. All of these great musicians will continue to play with IDLEWILD SOUTH as scheduling permits.
DIRTY DEAD (Grateful Dead)
Dirty Dead is a Grateful Dead / Jerry Garcia Band tribute band from Asheville, NC. The group creates fresh, new versions of the classic Dead tunes. Bringing in funk, reggae, hard rock, country, jazz flute and almost anything new and different, DD causes a ruckus with their new sound.
Yet their roots to the music that Jerry and the Dead fostered is palpable. Dirty Dead’s performances strive for the same energy of improvisation to ‘bring out their dead’ vibe.
The band is becoming known for its open, GD family vibe. They frequently welcome awesome talent to the stage to join the band for their epic sets. Since their first performance in September of 2016, the group has built a strong following.
ERIC TRAVERS BAND (The Band)
The “One Singular Sensation,” A Chorus Line, is coming to Flat Rock Playhouse for the first time and we are thrilled to share this award-winning musical with everyone! A Chorus Line is a celebration of those unsung heroes of the American Musical Theatre: the chorus dancers. The show follows 17 would-be dancers in their quest to make the cut for a new Broadway Musical. One by one, the dancers come forward to share the stories of their lives, giving it their all and putting themselves on the line to make the cut. Only eight will remain. Capturing the spirit, tension, and hope of an audition, A Chorus Line is the musical for everyone who’s ever had a dream and put it all out there to make it come true!
A Chorus Line once held the record as the longest running show on Broadway with over 6000 performances, and heralds nine Tony® Awards including Best Musical, Best Director and Best Choreographer, as well as the Pulitzer Prize for Drama. Conceived and Originally Directed and Choreographed by Michael Bennett. Book by James Kirkwood & Nicholas Dante, Music by Marvin Hamlisch, Lyrics by Edward Kleban. Co-Choreographed by Bob Avian. Original Broadway production produced by the New York Shakespeare Festival, Joseph Papp, Producer, in association with Plum Productions, Inc.
Experience cinema’s most iconic music performed by The New York Film Score Orchestra in a candle-lit setting.
An immersive tribute to Hans Zimmer, John Williams, Andrew Lloyd Weber and many more. The most iconic movie music performed by a live chamber orchestra in an enchanting candle-lit setting under a glowing moon.
Venue: First Congregational Church, Asheville NC – The century-old venue houses an elegant sanctuary dominated by stone and red doors. A venue of purpose, history and elegance.
Saturday, July 29th
4:00pm, 6:00pm and 8:00pm
Doors open 1 hour before showtime
Start time 8:00pm
End Time 9:15pm
Please note, the advisory age for this event is 5+ (no children under 3)
Programme:
E.T
Phantom of The Opera
Twilight
Romeo & Juliet
The Wizard of Oz
The Greatest Showman
Les Miserables
Titanic
Pirates of the Caribbean
The Sound of Music
Mary Poppins
Fiddler on The Roof
“The most amazing guy I know on the guitar. He can play anything I know, only better.”
Chet Atkins, CGP (music legend)
“If you like my playing, you should hear Richard Smith! The world champion!”
Tommy Emmanuel, CGP (two-time Grammy nominee)
“He is one of the world’s greatest guitarists.”
Muriel Anderson (All-Star Guitar Night)
Born in 1971 in Beckenham, England, Richard Smith started early and first picked up the guiar at the age of 5 with his father teaching him his first chords and songs.
After some early solo performances and six years of working as a trio with two of his brothers, Rob and Sam in the 90’s, Richard moved to Nashville, TN. in January 2000,
In 2001 he won the national fingerpicking championship and has since forged a career as a solo artist, performing all over the USA, Canada, UK, Europe, Australia and Brazil, releasing solo records, duet and ensemble records.
Constantly touring with a repertoire of fingerpicking classics, originals, fiddle tunes, blues, Joplin rags, jazz standards, classical repertoire and everything from pop to Sousa marches,
Richard has also performed or recorded along the way with Chet Atkins, Les Paul, Tommy Emmanuel, Suzy Bogguss, Steve Wariner, Jimmy Fortune, Earl Klugh, Martin Taylor, Joscho Stephan, Sam Bush, Stuart Duncan, John Schneider, Lee Roy Parnell, Brent Mason, Rory Hoffman and a host of others.
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From Tudor Queens to Pop Icons, the six wives of Henry VIII take the microphone to remix five hundred years of historical heartbreak into a Euphoric Celebration of 21st-century girl power! This new original musical is a global sensation that everyone is losing their head over! Featuring an all-woman cast and all-woman band, SIX has won 23 awards in the 2021/2022 Broadway season, including the Tony Award® for Best Original Score (Music and Lyrics) and the Outer Critics Circle Award for Best Musical. The New York Times says SIX “TOTALLY RULES!” (Critic’s Pick), and The Washington Post hails SIX as “Exactly the kind of energizing, inspirational illumination this town aches for!” The SIX: LIVE ON OPENING NIGHT Broadway album debuted at Number 1 on the Billboard cast album charts and surpassed 6 Million streams in its first month.
Relive the film that started it all. Watch the wand choose the wizard, a troll run amok and magic mirrors in high-definition while a live orchestra performs John Williams’ iconic score. Don’t miss this once-in-a-lifetime event as Harry, Ron, Hermione and all your favorite characters return to the screen and enchant the world all over again.
WIZARDING WORLD and all related trademarks, characters, names, and indicia are © & ™ Warner Bros. Entertainment Inc. Publishing Rights © JKR. (s23)
PERFORMANCE & ARTIST DETAILS
Brevard Sinfonia
Auditorium seating is reserved. Lawn seating is general admission.
The “One Singular Sensation,” A Chorus Line, is coming to Flat Rock Playhouse for the first time and we are thrilled to share this award-winning musical with everyone! A Chorus Line is a celebration of those unsung heroes of the American Musical Theatre: the chorus dancers. The show follows 17 would-be dancers in their quest to make the cut for a new Broadway Musical. One by one, the dancers come forward to share the stories of their lives, giving it their all and putting themselves on the line to make the cut. Only eight will remain. Capturing the spirit, tension, and hope of an audition, A Chorus Line is the musical for everyone who’s ever had a dream and put it all out there to make it come true!
A Chorus Line once held the record as the longest running show on Broadway with over 6000 performances, and heralds nine Tony® Awards including Best Musical, Best Director and Best Choreographer, as well as the Pulitzer Prize for Drama. Conceived and Originally Directed and Choreographed by Michael Bennett. Book by James Kirkwood & Nicholas Dante, Music by Marvin Hamlisch, Lyrics by Edward Kleban. Co-Choreographed by Bob Avian. Original Broadway production produced by the New York Shakespeare Festival, Joseph Papp, Producer, in association with Plum Productions, Inc.
Asheville Junction plays live bluegrass & Americana at The RailYard, on Sunday July 30th 2-5 pm. They’ve got an in-house restaurant, craft & domestic beer, a full bar, and a Coke machine! It’s free to come on over and enjoy the views and the music!

Bat Boy: The Musical
Book by: Keythe Farley and Brian Flemming; Music and Lyrics by: Laurence O’Keefe
A rock musical, Bat Boy: The Musical expands on a June 23, 1992 Weekly World News tabloid story about a bat boy – half-boy, half-bat – found in a cave and forced into society. The musical – at turns both haunting and hilarious – deals with themes of racism and revenge, hypocrisy and forgiveness. This darkly quirky, compelling musical is not to be missed!
Content Warning: Bat Boy: the Musical contains violence, drug use, and sexual references. Viewer discretion is advised.
Accessibility:
All performances: Accessible wheelchair/scooter seating available.
Saturday, Aug 5, 2023: ASL-Interpreted Performance
Join us for some Sunday fun with the Saints and Sinners Band!
Always the not-to-be-missed concert of the season! Celebrate BMC’s mission and the next generation of classical musicians as our most talented young students are showcased. Winners of the prestigious Jan and Beattie Wood Concerto Competition will be featured, as well as the student composition winner from 2022 and a rousing performance of Respighi’s Pines of Rome.
PERFORMANCE & ARTIST DETAILS
Brevard Music Center Orchestra
Ken Lam, conductor
Concerto Competition Winners
Auditorium seating is reserved. Lawn seating is general admission.
Jack of the Wood : Sunday-Irish Session
Sundays
1 till who knows when?
Traditional Irish music is kept alive at Jack of the Wood with our unplugged Sunday session.
Jack of the Wood
95 Patton ave
Asheville, NC 28801
(828) 252.5445
– ALL AGES
– STANDING ROOM ONLY
– RAIN OR SHINE
Join us for Black Mountain’s original Sunday Jam! Hosted by Spiro and Friends, this jam features original jams and favorite covers. Bring your instrument! Sign-ups at the stage starting at 6 PM!
Pisgah Beer, Gluten Free and N/A options available. Family and dog friendly venue.
The taproom is open from 2:00 to 9:00 PM with music beginning at 6:30 PM.
We have another great standup comedy show coming up at Asheville Pizza and Brewing Company on Sunday July 30, 6:30 pm. Show is 18+. An always crazy fun comedy open mic with the area’s best comics (performing comics get free pizza & entry)!! Featuring Hilliary Begley, Chesney Goodson & Jess Cooley!
Hosted by Morgan Bost. Morgan is an Asheville based comic capturing the playful and often painful parallels between adolescence and “almost-adulthood.” Vibrant yet vulnerable; her high-energy storytelling is influenced by her background as an improviser. She co-hosts a weekly comedy open mic called “The Hot Seat,” and writes a monthly humor column, “Best Medicine with Morgan Bost,” for the Mountain Xpress. She’s opened for Rob Delaney, Beth Stelling, and has appeared in several breweries and discount grocery stores across Western North Carolina.
Come get delicious food & drinks while laughing the night away! Contact [email protected] for more information!
Tickets at:
https://www.ashevillebrewing.com/movies/
– ALL AGES
– STANDING ROOM ONLY
Our trials and tribulations toughen us up and, ultimately, inform who we become. Emery proudly wears the wisdom from those scars in their songs. The Seattle quintet—Toby Morrell [vocals, guitar], Devin Shelton [vocals, bass], Josh Head [vocals, keys, synths], Matt Carter [guitar], Dave Powell [drums], and Chris Keene [guitar] —teeter on an axis of unpredictably heavy soundscapes, off-kilter grooves, searing melodies, and fits of harmony. Now, the group open up and bleed like never before on their eighth full-length offering, Rub Some Dirt On It [Tooth & Nail]. “The album is based on personal and difficult real-life situations,” reveals Devin. “We wanted to focus on moments that were hard to navigate, but ultimately character-building experiences in our lives. When we would fall, scrape our knees, or get some other fairly insignificant injury, our dads would always say, ‘Rub some dirt on it’. In other words, you’re tougher than you think. Instead of crying or dwelling on it, get up and keep going. Don’t let the pain define you. Instead, learn from it and become better.
Hypnotic rhythms and spectacular, syncopated drumming combine for a mesmerizing evening of family fun! BMC’s percussion students and faculty don’t miss a beat in this energetic concert for music-lovers of all ages.
All seating is general admission.
Hailed by John Renbourn as ‘the best Celtic guitarist in the world’
Tony McManus has been listed as one of the 50 transcendental guitarists of all time by Guitar Player Magazine.
Conjuring a unique but universal language from that most ubiquitous of instruments, the acoustic guitar, Tony McManus has both extended and transcended the parameters of contemporary Celtic music. Ranked by peers and predecessors alike alongside the guitar world’s all-time greats, his fiendishly dexterous, dazzlingly original playing draws on traditions from the entire Celtic diaspora – Scotland, Ireland, Brittany, Galicia, Asturias, Cape Breton, Quebec – along with still further-ranging flavours, such as jazz and east European music. Long applauded for his uncanny ability to transpose the delicate, complex ornamentation characteristic of traditional bagpipe or fiddle tunes – even the phrasing of a Gaelic song – onto his own six strings, McManus is increasingly being acknowledged also as a pioneering figure in bridging the realms of Celtic music and other guitar genres.
Born in 1965 in Paisley, near Glasgow, his surname the legacy of an Irish grandfather, McManus was introduced to traditional music via the family record collection. Having first tried his hand at the fiddle, whistle and mandolin, he took up the guitar aged ten, although subsequent academic inclinations got him halfway through a PhD in maths before the music won out. After rapidly making his name as an unusually fluent and sensitive accompanist, he took the solo plunge with a triumphant main-stage debut on the final night of Glasgow’s inaugural Celtic Connections festival in 1994, supporting Capercaillie in front of a 2500-strong crowd.
Over the years, Tony has recorded a catalog of dazzling albums, both solo and with friends, delivering a breadth of artistry and performance which conjures up images and themes of the traditional music of the Celts along with more global influences from far and wide. On the shop pages you will find all of Tony’s recordings along with the teaching DVD’s. The video section has a section of performances both studio and live. Check out the dates for when Tony is next performing near you – as the hardest working man in folk, it maybe sooner that you think!
CLICK HERE to visit the Tony McManus website
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Robin Bullock’s virtuosity on guitar, cittern and mandolin blends the ancient melodies of the Celtic lands, their vigorous American descendants, and the masterworks of the Baroque and Renaissance eras into one powerful musical vision. The 17th-century harp tunes of legendary Irish bard Turlough O’Carolan, the spirited jigs and reels of rural Ireland, the haunting ballads of the southern Appalachians and the timeless compositions of Bach, Dowland and Francesco da Milano all find a musical common ground in Robin’s music, where lightning-fast fingerwork one moment is perfectly balanced with tender, quiet intimacy the next. A warm, friendly presence onstage, Robin effortlessly creates a magical world for the audience with his multi-instrumental wizardry, taking them on an unforgettable journey into the deep heart’s core and through the music of the spheres.
CLICK HERE to visit Robin Bullock’s website
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Sergei Prokofiev’s “symphonic fairy tale for children” comes to life in this chamber version narrated by our very own Dean Anthony. Follow Peter as he ventures out into the meadow, accidentally leaving the gate open. We meet the farm animals, Peter’s grandfather, the hunters, and of course, the wolf himself. Enjoy the final triumphal march and be sure to pay close attention at the end…you might just hear a surprise if you listen very carefully.
PERFORMANCE & ARTIST DETAILS
Auditorium seating is reserved.
Since releasing her debut album Don’t Let the Kids Win in 2016, Melbourne’s Julia Jacklin has carved out a fearsome reputation as a direct lyricist, willing to excavate the parameters of intimacy and agency in songs both stark and raw, loose, and playful. If her debut announced those intentions, and the startling 2019 follow-up Crushing drew in listeners uncomfortably close, PRE PLEASURE is the sound of Jacklin gently loosening her grip.
Stirring piano-led opener ‘Lydia Wears A Cross’ channels the underage confusion of being told religion is profound, despite only feeling it during the spectacle of its pageantry. The gentle pulse of ‘Love, Try Not To Let Go’ and dreamy strings of ‘Ignore Tenderness’ betray an interrogation of consent and emotional injury. The stark ‘Less Of A Stranger’ picks at the generational thread of a mother/daughter relationship, while the hymnal ‘Too In Love To Die’ and loose jam of ‘Be Careful With Yourself’ equate true love with the fear of losing it.
Recorded in Montreal with co-producer Marcus Paquin (The Weather Station, The National), PRE PLEASURE finds Jacklin teamed with her Canada-based touring band, bassist Ben Whiteley, guitarist Will Kidman, and drummer Laurie Torres.
PRE PLEASURE presents Jacklin as her most authentic self; an uncompromising and masterful lyricist, always willing to mine the depths of her own life experience, and singular in translating it into deeply personal, timeless songs.
LEAF isn’t just for kids! Join us in the Mezzanine while you wait for your youth to finish their class or just to hang out!
The future stars of tomorrow take the stage in this inspired competition featuring BMC’s gifted high school and college pianists.
The Zimmerli Foundation, Sustaining Sponsor
All seating is reserved.
– ALL AGES
– SEATED SHOW
– LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE
HELLCRAB
HELLCRAB is an acronym, as well as the name of a contemporary jazz collective, composed of the initials of its members’ last names: Dylan Hannan (woodwinds), Joe Enright (drums), Connor Law (bass), Andrew Lawniczak (trumpet), Jason Chrisman (tenor sax and EWI), Johnathan Reilly (alto sax), Steven Alvarez (guitar), and Jacob Bruner (keys).
The group began in Asheville in the summer of 2022 as an informal jam session by 8 like-minded musicians. Playing mostly original compositions and on the spot arrangements of jazz standards, they realized that the resulting musical interplay was too special to not share with a wider audience.
Fronted by a four-piece horn section, and backed by a four-piece rhythm section, HELLCRAB is capable of running the gamut of musical expression and intensity. The group strives to push their own understanding of jazz music and anyone willing to take the journey with them is sure to be entertained.

the topic will be Tom Petty and the Heartbreakers’ GREATEST HITS, released 30 years ago this year. My special guest will be DAMON GOLDMAN, singer-and guitarist with popular Asheville-based tribute group Somewhat Petty. We’ll discuss the album, play key tracks from the record, and Damon will even sing and play a few Tom Petty classics.
ABOUT THE DISCUSSION SERIES
Music to Your Ears is Bill Kopp’s monthly discussion series hosted by Asheville Guitar Bar and co-sponsored by AshevilleFM. On the first Wednesday of each month, music enthusiasts gather to discuss an important album, artist or musical movement. An interactive evening, Music to Your Ears isn’t a lecture; it’s a discussion led by experts and designed to enrich the listening experience. The character of each session is defined by the participants (that’s you). The conversation goes where the attendees take it: the person seated next to you might have attended Woodstock or seen The Beatles in concert. The insights of everyone in the room are what make each and every Music to Your Ears a unique experience.
ABOUT BILL KOPP
With over 500 bylines in Western North Carolina publications (Mountain Xpress, Bold Life, WNC Magazine and more), Asheville-based author and music journalist is an acknowledged expert on popular music. Author of two books – Reinventing Pink Floyd: From Syd Barrett to The Dark Side of the Moon and Disturbing the Peace: 415 Records and the Rise of New Wave – Bill Kopp writes for publications across the country and abroad. A contributing editor at Goldmine Magazine and contributing writer at GRAMMY.com, he has authored more than 30 album liner note essays and conducted more than 1000 interviews. He regularly hosts lecture/discussions on artists and albums of historical importance, and is a frequent guest on music-focused radio programs and podcasts.
“Music to Your Ears” discussion series at Asheville Guitar Bar. Led by Asheville-based author and music journalist Bill Kopp (that’s me), Music to Your Ears explores significant albums, artists,personalities and movements in popular music. The event is held at the Asheville Guitar Bar in the River Arts District on the first Wednesday of each month.
The next installment is Wednesday, August 2, and the topic will be Tom Petty & the Heartbreakers’ GREATEST HITS, released 30 years ago this year. My special guest/co-host will be DAMON GOLDMAN, leader, singer and guitairst in Asheville-based Tom Petty tribute band Somewhat Petty. We’ll discuss the album and play key recordings from it. And Damon has agreed to sing and play a few Tom Petty songs live and in person.
The “One Singular Sensation,” A Chorus Line, is coming to Flat Rock Playhouse for the first time and we are thrilled to share this award-winning musical with everyone! A Chorus Line is a celebration of those unsung heroes of the American Musical Theatre: the chorus dancers. The show follows 17 would-be dancers in their quest to make the cut for a new Broadway Musical. One by one, the dancers come forward to share the stories of their lives, giving it their all and putting themselves on the line to make the cut. Only eight will remain. Capturing the spirit, tension, and hope of an audition, A Chorus Line is the musical for everyone who’s ever had a dream and put it all out there to make it come true!
A Chorus Line once held the record as the longest running show on Broadway with over 6000 performances, and heralds nine Tony® Awards including Best Musical, Best Director and Best Choreographer, as well as the Pulitzer Prize for Drama. Conceived and Originally Directed and Choreographed by Michael Bennett. Book by James Kirkwood & Nicholas Dante, Music by Marvin Hamlisch, Lyrics by Edward Kleban. Co-Choreographed by Bob Avian. Original Broadway production produced by the New York Shakespeare Festival, Joseph Papp, Producer, in association with Plum Productions, Inc.
Franz Schubert’s final chamber work is known as the “Cello Quintet,” as it is scored for two violins, one viola, and two cellos. Completed just two months before the composer’s death, the C major String Quintet did not receive its first performance for over two decades. This sublime work is widely regarded as one of the crowning achievements of chamber music writing. Roberto Díaz, BMC alumnus and President of Philadelphia’s Curtis Institute, joins BMC Artist Faculty in this performance.
PERFORMANCE & ARTIST DETAILS
Auditorium seating is reserved.
So much happened before Dorothy dropped in.
WICKED, the Broadway sensation, looks at what happened in the Land of Oz…but from a different angle. Long before Dorothy arrives, there is another young woman, born with emerald-green skin—smart, fiery, misunderstood, and possessing an extraordinary talent. When she meets a bubbly blonde who is exceptionally popular, their initial rivalry turns into the unlikeliest of friendships…until the world decides to call one “good” and the other one “wicked.”
From the first electrifying note to the final breathtaking moment, WICKED—the untold true story of the Witches of Oz—transfixes audiences with its wildly inventive story that USA Today cheers is “a complete triumph! An original musical that will make you laugh, cry, and think.”
