The S&W Market is hosting a weekly Brews & Blues series featuring Mr. Jimmy & Friends. From 1pm-4pm every Sunday, there will be beer and mimosa specials in Highland Brewing’s Downtown taproom and great live blues in the building. Also enjoy delicious brunch specials from all vendors!

Speaker(s): Gary Heisey

Co-Sponsor(s): Henderson County Chamber of Commerce, Brevard/Transylvania Chamber of Commerce

Webinar info will be emailed after registration

A roots balladeer with a rare personal warmth, Alberta’s Scott Cook has distilled the stories collected over a decade touring across Canada, the USA, Europe, Asia, and Australia into straight-talking, keenly observant verse. His fourth DIY release, One More Time Around, was nominated for a Canadian Folk Music Award, and its opening track “Pass It Along” won the Folk and Acoustic category in the 2013 UK Songwriting Contest, with UK magazine Maverick Country naming him “one of Canada’s most inspiring and imaginative storytellers”. In 2015 he assembled a seven-piece honky-tonk band for his fifth studio album, Scott Cook and the Long Weekends Go Long, and in 2017 he released his sixth studio album, Further Down the Line, earning his second Canadian Folk Music Award nomination, for English Songwriter of the Year.

Described as “one of the best acoustic pickers on the scene today,” Cary Morin brings together the great musical traditions of America like no other. With deft fingerstyle guitar and vocals that alternately convey melodic elation and gritty world-weariness, Morin crafts an inimitable style often characterized as roots-infused Native Americana with hints of bluegrass, folk, blues, and rock. He has performed at renowned venues across the globe, including the Kennedy Center and Lincoln Center, and is the recipient of numerous awards and accolades. David Bromberg remarks, “Cary Morin is a unique and brilliant guitar player, songwriter and singer. As a guitar player, I have huge respect for Cary’s style and technique…. If you haven’t heard him yet, you should. Try to remember that it’s only one guitar.” Music critic Bill Hurley writes, “His guitar skill is jaw-dropping, his voice is warm, worn of world experience, and his songwriting allows both of those things to flourish and captivate anyone in the room.”

Reserved Seat Tickets are available with Dinner reservations – You must call the venue at 828-575-2737 to make dinner reservations and secure those tickets.

General Admission Tickets are available for the main stage balcony only. Seating in the balcony is first come, first serve. Dinner service is NOT currently being offered for general admission tickets.; drink service is available at the downstairs bar on the main floor.

Currently, only General Admission tickets are available on line

You must call the venue at 828-575-2737 for Reserve Seat Tickets and to make dinner reservations.

Proof of Vaccination or Negative Covid Test w/i 48 Hours :: Masks Required

Joe Purdy is an internationally acclaimed folk artist who has released 14 albums and a soundtrack to a movie in the last 15 years. Along the way, his songs have turned up on numerous TV shows, film soundtracks and he has co-starred in an acclaimed film.

“American Folk” marked Joe’s first foray into acting. He also contributed to much of the soundtrack. It earned several awards including Best New Film at the Cleveland International Film Festival.

Joe’s last album, “Who Will Be Next?”, is deeply rooted in the tradition of artists such as Pete Seeger, Woody Guthrie, Phil Ochs and Bob Dylan. It is a searing commentary of our turbulent times. Joe’s determination to honor the giants of American folk music while applying his formidable skills as a writer and vocalist reveal him as a compassionate observer and participant in our times.

Joe has just finished a new album which will be released soon and supported by a Worldwide Tour in 2022.

What do we hold on to from our past? What must we let go of to truly move forward?

Waxahatchee’s Katie Crutchfield, a lyricist who has always let her listeners know exactly where she is at a given moment, spent much of 2018 reckoning with these questions and revisiting her roots to look for answers. The result is Saint Cloud, an intimate journey through the places she’s been, filled with the people she’s loved.

Written immediately in the period following her decision to get sober, the album is an unflinching self-examination. From a moment of reckoning in Barcelona to a tourist trap in Tennessee to a painful confrontation on Arkadelphia Road, from a nostalgic jaunt down 7th Street in New York City to the Mississippi Gulf, Crutchfield creates a sense of place for her soul-baring tales, a longtime staple of her storytelling.

This raw, exposed narrative terrain is aided by a shift in sonic arrangements as well. While her last two records featured the kind of big guitars, well-honed noise, and battering sounds that characterized her Philadelphia scene and strongly influenced a burgeoning new class of singer-songwriters, Saint Cloud strips back those layers to create space for Crutchfield’s voice and lyrics. The result is a classic Americana sound with modern touches befitting an artist who has emerged as one of the signature storytellers of her time.

From the origins of her band name—the beloved creek behind her childhood home—to scene-setting classics like “Noccalula” and “Sparks Fly,” listening to Waxahatchee has always felt like being invited along on a journey with a steely-eyed navigator. On Saint Cloud, Crutchfield adds a new sense of perspective to her travels. Reflecting on this, she says, “I think all of my records are turbulent and emotional, but this one feels like it has a little dose of enlightenment. It feels a little more calm and less reckless.”

Many of the narratives on Saint Cloud concern addiction and the havoc it wreaks on ourselves and our loved ones, as Crutchfield comes to a deeper understanding of love not only for those around her but for herself. This coalesces most clearly on “Fire,” which she says was literally written in transit, during a drive over the Mississippi River into West Memphis, and serves as a love song to herself, a paean to moving past shame into a place of unconditional self-acceptance. Coming from a songwriter long accustomed to looking in other directions for love, it’s a stirring moment when Crutchfield sings, “I take it for granted/If I could love you unconditionally/I could iron out the edges of the darkest sky.”

Which is not to say that Saint Cloud lacks Crutchfield’s signature poetry on matters of romantic love. Still, her personal evolution in this area is evident too, as this time around, Crutchfield examines what it really means to be with someone and how it feels to see our own patterns more clearly. On “Hell,” she sings: “I hover above like a deity/But you don’t worship me, you don’t worship me/You strip the illusion, you did it well/I’ll put you through hell.”

Crutchfield also looks at what it’s like to be romantically involved with another artist, someone in search of their own truth, on “The Eye”: “Our feet don’t ever touch the ground/Run ourselves ragged town to town/Chasing uncertainty around, a siren sound” and “We leave love behind without a tear or a long goodbye/as we wait for lightning to strike/We are enthralled by the calling of the eye.”

And of course, even when Crutchfield is taking a more nuanced approach to love, her ease with all-encompassing sentiments is still clear, with lines like “I give it to you all on a dime/I love you till the day I die” which sound culled from a classic torch song.

Over the course of Saint Cloud’s 11 songs, which were recorded in the summer of 2019 at Sonic Ranch in Tornillo, TX, and Long Pond in Stuyvesant, NY, and produced by Brad Cook (Bon Iver, Big Red Machine), Crutchfield peels back the distortion of electric guitars to create a wider sonic palette than on any previous Waxahatchee album. It is a record filled with nods to classic country (like the honky tonk ease of “Can’t Do Much”), folk-inspired tones (heard in the confessional lilt of “St. Cloud”), and distinctly modern touches (like the pulsating minimalism of “Fire”).

To bolster her vision, Crutchfield enlisted Bobby Colombo and Bill Lennox, both of the Detroit-based band Bonny Doon, to serve as her backing band on the record, along with Josh Kaufman (Hiss Golden Messenger, Bonny Light Horseman) on guitar and keyboards and Nick Kinsey (Kevin Morby, Elvis Perkins) on drums and percussion. Bonny Doon will also perform as Crutchfield’s live band during her extensive tours planned for 2020, which include the US and Europe.

Saint Cloud marks the beginning of a journey for Crutchfield, one that sees her leaving behind past vices and the comfortable environs of her Philadelphia scene to head south in search of something new. If on her previous work Crutchfield was out in the storm, she’s now firmly in the eye of it, taking stock of her past with a clear perspective and gathering the strength to carry onward.

waxahatchee.com

Join us every Monday night for Singo (Musical Bingo)!

Singo will run from 7-8:15 pm.

No reservations needed, just get ready for a good time and a chance to win some Down Dog prizes!

$5 Highland pints

$5 Kids taco with chips and salsa Peace Love Tacos
$5 Kids nuggets & fries Buxton Chicken Palace
$5 Grassfed all beef hot dog with chips Farm Dogs
$5 Chicken & rice with veggies Bun Intended

$3.50 for a kiddie scoop or under $5 for a single scoop from The Hop!

One of Asheville’s newest food trucks is coming to Down Dog! Hashi Hana will be joining us every Tuesday from 5-8. The rotating menu includes: scratch-made soba noodles, Okonomiyaki Mochi waffles, and tofu skewers.

Join us every Tuesday night for Trivia!

Trivia will run from 7-8:15 pm. We will be capping the teams at 20 and teams will not be able to join after 7 so make sure to arrive early to secure your spot!

No reservations needed, just grab your thinking caps and get ready for a good time and a chance to win a $10, $20, or $30 gift certificate to Down Dog!

No reservations needed, just get ready for a good time and a chance to win some Down Dog prizes!

Ryan Kaiser, the Mississippi-raised, Nashville-based musician known as Yot Club, didn’t even have TikTok on his phone when his track “YKWIM?” went viral on the app. For Kaiser, who writes, records, mixes, and masters every song he releases independently, TikTok fame and the accompanying streaming boost (“YKWIM?” now counts over 100 million streams on Spotify) came as a shock. Soon, almost every major label in America was making him offers that would gouge Kaiser and steal his work.

Reptaliens are ready to be direct. After exploring surreal realms of high-concept synth-pop across two acclaimed albums, the Portland, Oregon, duo found newfound clarity in a stark, grounded approach. That may seem unexpected for such a colorful act—known for heady lyrics about conspiracy theories and transhumanism—but Cole and Bambi Browning have streamlined to the lean, propulsive essentials on their self-produced new LP, Multiverse.