Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
– SEATED SHOW
“BRILLIANT, HEARTBREAKING, MIND-BLOWING, INSPIRING! The best 50 minutes of improv comedy that we’ve ever seen. But we wouldn’t want to insult their effusive skills by speaking so simplistically. Also, it’s funny. Drink their Kool-Aid.” – Time Out New York
“TJ Jagodowski and Dave Pasquesi, two of the world’s finest practitioners of the art of long-form improv, create an hour long one-act play. They’re both great actors and have amazing improv chops, but it’s always hard to notice these kinds of things when you’re peeing your pants laughing.” – Time Out Chicago
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
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Live Music at the Library Live Jazz Performance: NYC bassist David Ambrosio has created this project to feature the progressive jazz composers of the late 60’s Blue Note Era, like Bobby Hutcherson, Jackie McLean, Stanley Cowell, Harold Land, Joe Chambers, Duke Pearson and James Spaulding. During a time of important social change and civil unrest, much of this body of work was released decades later and consequently was not heard at the time for when it was written. Exactly fifty years later in America we are seeing significant parallels in social movements to that era which gives this important music, while unfortunately not heard at the time, a new sense of relevancy. Civil Disobedience is: This event/performance is made possible with the support of Jazz Road, a national initiative of South Arts, which is funded by the Doris Duke Charitable Foundation with additional support from The Andrew W. Mellon Foundation. |
ALT ASO
The Asheville Symphony joins forces with “mesmerizing” guitarist, JIJI, for this cross-genre performance that includes everything from classical Spanish guitar to Led Zeppelin to Prince and more.
FULLY SEATED
PHONE RINGS, DOOR CHIMES, IN COMES COMPANY.
Winner of 5 Tony Awards including Best Revival of a Musical, COMPANY “strikes like a lightning bolt. It’s brilliantly conceived and funny as hell” (Variety). Three-time Tony® Award-winning director Marianne Elliott (War Horse, The Curious Incident of the Dog in the Night-Time, Angels in America) helms this revelatory new production of Stephen Sondheim and George Furth’s groundbreaking musical comedy, at once boldly sophisticated, deeply insightful, and downright hilarious.
It’s Bobbie’s 35th birthday party, and all her friends keep asking, Why isn’t she married? Why can’t she find the right man and isn’t it time to settle down and start a family? As Bobbie searches for answers, she discovers why being single, being married, and being alive in the 21st-century could drive a person crazy.
COMPANY features Sondheim’s award-winning songs “You Could Drive a Person Crazy,” “The Ladies Who Lunch,” “Side by Side by Side” and the iconic “Being Alive”. Let’s all drink to that!
“Dazzling! So vibrant, so alive!” – Hollywood Reporter
“GLORIOUSLY TRANSFORMATIVE. A GODSEND.” – The New York Times
“HANDS DOWN THE BEST MUSICAL PRODUCTION OF THE SEASON!” – New York Post
Adult Classes
Wednesdays
2:45-3:45 pm & 6:15-7:15 pm
Afternoon adult classes are for fiddle, beginning guitar, and beginning mandolin. Evening adult classes are for bluegrass jam, and beginning clawhammer banjo.
“If you don’t let things develop, it’s like keeping something in a bag and not letting it out to fly”
— Earl Scruggs
It’s never too late to learn to play and/or enjoy being part of the synergy that is created by adult PacJAMMERs!
Adult classes are $15/session, for a total of $210 for the 14-week session.
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
Sing with our Choir at a progressive church
Come join us! Contact Mark Acker for more information ([email protected]).
Rehearsals on Wednesday’s, 3:30-4:45
Beginning & Intermediate youth music classes on traditional and ol’ time instruments including but not limited to, fiddle, mandolin, banjo and guitar. Students will attend 40 minutes of music enrichment, including multiple flat-footing sessions led by Alice Kexel, story-telling, visits from guest musicians, as well as learn about the heritage of the music and the region. They will have 40 minutes of group music classes, and 40 minutes of singing or JAM rehearsal.
Advanced students will have 40 minutes of group instrument lessons, followed by 30 minutes of advanced singing including harmony and shape-note singing, and finish with 50 minutes of coached, small-ensemble rehearsal.
Classes are $15/session, for a total of $210 for the first student, and a 20% discount of $168 for each additional sibling. Parents may choose to split payments when registering. Inquire with Julie Moore at [email protected] or 864-420-6407 about scholarships.
Youth Classes
Wednesdays, 4-6 pm
Grab some dinner and a pint while enjoying our long-running Old-Time jam! Featuring many talented musicians from the local WNC area, our traditional Appalachian mountain music jam runs from 5-9pm every Wednesday night at Jack of the Wood!
Weekly mountain music JAM with
players in a round, where the session is focused on regional fiddle tunes and songs, You are welcome to come and listen or to
learn and join in. This event supports the Henderson County Junior Appalachian Musician (JAM) Kids Program, Free but
donations are accepted.
Jazz – Civil Disobedience
NYC bassist David Ambrosio has created this project to feature the progressive jazz composers of the late 60’s Blue Note Era, like Bobby Hutcherson, Jackie McLean, Stanley Cowell, Harold Land, Joe Chambers, Duke Pearson, and James Spaulding. During a time of important social change and civil unrest, much of this body of work was released decades later and consequently was not heard at the time when it was written. Exactly fifty years later in America, we are seeing significant parallels in social movements to that era which gives this important music, while unfortunately not heard at the time, a new sense of relevancy.
CIVIL DISOBEDIENCE:
Donny McCaslin – tenor, soprano
Jason Palmer – trumpet
Bruce Barth – piano
David Ambrosio – bass
Victor Lewis – drum
This performance is made possible with the support of Jazz Road, a national initiative of South Arts, which is funded by the Doris Duke Charitable Foundation with additional support from The Andrew W. Mellon Foundation.
PHONE RINGS, DOOR CHIMES, IN COMES COMPANY.
Winner of 5 Tony Awards including Best Revival of a Musical, COMPANY “strikes like a lightning bolt. It’s brilliantly conceived and funny as hell” (Variety). Three-time Tony® Award-winning director Marianne Elliott (War Horse, The Curious Incident of the Dog in the Night-Time, Angels in America) helms this revelatory new production of Stephen Sondheim and George Furth’s groundbreaking musical comedy, at once boldly sophisticated, deeply insightful, and downright hilarious.
It’s Bobbie’s 35th birthday party, and all her friends keep asking, Why isn’t she married? Why can’t she find the right man and isn’t it time to settle down and start a family? As Bobbie searches for answers, she discovers why being single, being married, and being alive in the 21st-century could drive a person crazy.
COMPANY features Sondheim’s award-winning songs “You Could Drive a Person Crazy,” “The Ladies Who Lunch,” “Side by Side by Side” and the iconic “Being Alive”. Let’s all drink to that!
“Dazzling! So vibrant, so alive!” – Hollywood Reporter
“GLORIOUSLY TRANSFORMATIVE. A GODSEND.” – The New York Times
“HANDS DOWN THE BEST MUSICAL PRODUCTION OF THE SEASON!” – New York Post
– STANDING ROOM ONLYSUNNY SWEENEY
Sunny Sweeney, a genre-bending, songwriting spitfire who has spent equal time in the rich musical traditions of Texas and Tennessee, returns with Married Alone, the celebrated singer-songwriter’s fifth studio album and the follow-up to 2017’s critically acclaimed Trophy. Co-produced by beloved Texas musician and larger-than-life personality Paul Cauthen and the Texas Gentlemen’s multi-hyphenate Beau Bedford, Married Alone is Sweeney’s finest work yet, bringing together confessional songwriting, image-rich narratives and no shortage of sonic surprises for a loosely conceptual album about loss and healing.
Married Alone began as most of Sweeney’s projects do: with a visit to her deep vault of unreleased songs. Since debuting with Heartbreaker’s Hall of Fame in 2006, Sweeney has been a prolific writer, writing whatever is on her heart rather than with a particular project in mind. That habit afforded her a rich well of material for Married Alone, some of which is over a decade old.
Cauthen joins Sweeney on “A Song Can’t Fix Everything,” one of the album’s rawer moments. “That song can’t bring my mother back to life,” Sweeney sings at the song’s start, before recounting the many ways that music may be able to transport us to the past but can never fix it. “Want You to Miss Me” is an honest take on the complexities of a difficult breakup, with Sweeney’s nimble vocal wavering between defiance and doubt. “Easy as Hello” is Sweeney’s writing at its finest, channeling the heartache that comes with the end of a treasured relationship, for a track that recalls — vocally and lyrically — the work of Stevie Nicks.
The full potential of the album really revealed itself, though, when a friend sent Sweeney a demo of what would become its title track, “Married Alone.” Though she wasn’t a co-writer on the track, Sweeney felt her own story reflected in its lyrics. The song, which features a particularly emotional guest vocal from living country legend Vince Gill, charts the painful moments sometimes experienced in marriages that have run their course.
“There may be rings on our fingers, but we’re married alone,” she and Gill sing, over weeping pedal steel and reverbed guitar.
“My jaw hit the floor when I heard that song, because I had just gone through my second divorce, which is also cliche of a country singer,” Sweeney says, with a laugh. “I was still pretty raw about my divorce, but also very candid and trying to find levity in the situation. You have to be able to laugh at yourself at some point and not let it just totally get you down.”
A few months after securing the song and mining her own vault for a track list, Sweeney traveled to Dallas, TX, to record — alongside Cauthen and Bedford — what would become Married Alone.
In addition to releasing Married Alone, Sweeney is marking a new chapter in her professional life with a brand-new team by her side, most of whom are women. While it wasn’t a conscious choice, Sweeney says, she feels like she’s surrounded by the right group of people, who just happen to be “badass women.”
Like the narrator of “Someday You’ll Call My Name,” Sweeney is not the kind of artist you come across then forget. With Married Alone, she further cements her status as one of country music’s finest storytellers.
We have three opportunities for you to help Connect Beyond AND see some music! We need volunteers to assist with wristbands for three shows this summer at Harrah’s Cherokee Center – Asheville in Downtown Asheville, N.C. Shifts are roughly (3) hours and all participating volunteers will also receive (1) free ticket to stay after and watch the show. The following dates and shows are available:
- February 16-18: Billy Strings
- May 16: Amon Amarth
- May 20 & 22: Noah Kahan
- August 30: King Gizzard and the Lizard Wizard
🌟 Ignite Your Success: January Jumpstart 🌟
Embark on a transformative journey with us as we kick off the new year with workshops, boundless enthusiasm, and invigorating opportunities for personal and professional growth. The January Jumpstart event is a captivating gathering of exceptional business leaders, visionaries, and industry pioneers, all coming together to ignite your success and empower you to reach new heights in 2024.
WCB MEMBERS ONLY – USE DISCOUNT CODE: MEMBER24 (not a member yet? Click the link below and join us)
https://www.womenconfidencebuilders.com/members-home
📅 Date: January 25th, 2024
🌍 Location: Greenville Convention Center
🚀 Unleash Your Potential:
Prepare to unleash your untapped potential as we embark on an inspiring exploration of fresh starts and unlimited possibilities. January symbolizes new beginnings, and this event will serve as the catalyst to ignite your aspirations and set you on a remarkable trajectory towards success.
🎯 Engaging Sessions:
Engage in thought-provoking sessions led by renowned business leaders who have carved their path to greatness. Drawing from their exceptional experiences, they will share invaluable insights, strategies, and wisdom to guide you towards achieving your goals, no matter how audacious they may be.
🌱 Cultivate Growth:
Discover the secrets to continuous growth and personal development as our esteemed speakers unveil their own tales of triumph and lessons learned. Gain profound knowledge on how to navigate challenges, embrace change, and adapt to an ever-evolving business landscape. Immerse yourself in an environment brimming with inspiration, motivation, and the collective energy of like-minded individuals striving for greatness.
💡 Visionary Networking:
Forge connections with a diverse network of ambitious professionals, entrepreneurs, and industry experts. Exchange ideas, collaborate on innovative projects, and cultivate lasting partnerships that will propel your career and business forward. The power of networking cannot be overstated, and this event provides the perfect platform to establish meaningful connections that can shape your future.
🎟️ Limited Seats Available:
The January Jumpstart event has limited seats available, ensuring an intimate and immersive experience for all attendees. Early registration is highly encouraged to secure your spot and avoid missing out on this extraordinary opportunity. Don’t delay in taking the first step towards a remarkable journey of growth and success.
🌈 Embrace the Future:
January is a time of renewal, a chance to leave behind the past and embrace the future with unwavering determination. Join us at the January Jumpstart event and let the collective wisdom, guidance, and inspiration of exceptional business leaders fuel your passion and propel you towards extraordinary achievements in 2024.
🎉 Are you ready to leap into a world of endless possibilities? Reserve your seat today and unlock the door to a future filled with success, innovation, and personal fulfillment. Let the January Jumpstart event be the catalyst that propels you towards greatness! 🎉
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
The Collider is an event venue with co-working and private office space rentals centered in the middle of Downtown Asheville. Come celebrate The Collider’s Ribbon Cutting with hors d’oeuvres and drinks within a pleasant networking environment. Business After Hours to follow!!
Come join us for Business After Hours at The Collider! The Collider is an event venue with co-working and private office space rentals centered in the middle of Downtown Asheville. Come celebrate with hors d’oeuvres and drinks within a pleasant networking environment. Don’t miss the Ribbon Cutting at 4:30 to kick off the evening!!
Feel free to bring a gift to be raffled off as door prizes towards the end of the evening. Bring your business cards for networking and a chance to win prizes!
Please take a look below at our members who have renewed for another year!
Big Brothers Big Sisiters of WNC
Get Lifted Tire and Alignment, LLC
South Slope Acupuncture and Wellness
This event is offered as a benefit for Chamber membership. We welcome you to come and check us out! Please contact Jessica Kanupp, our Member Development Specialist, at [email protected] if you’re considering a Chamber membership.
BLUEGRASS JAM
Hosted by Drew Matulich
Don’t miss your chance to check out some of the best pickers from all over WNC at our amazing Bluegrass Jam curated by the talented Drew Matulich — every Thursday starting at 7:00 pm! A real show-stopping performance only at Jack of the Wood! Open jam starts at 9:30 pm.
Join us for Jazz Jam Thursday every Thursday from 7-10. There is a suggested donation of $10 and local craft beer and wine for sale. Come as you are or bring an instrument! Open jam starts at 8 after a House Band set guaranteed to fill your soul with groove and joy.
Public parking is available at Marjorie Street, across from Packs Tavern.
PHONE RINGS, DOOR CHIMES, IN COMES COMPANY.
Winner of 5 Tony Awards including Best Revival of a Musical, COMPANY “strikes like a lightning bolt. It’s brilliantly conceived and funny as hell” (Variety). Three-time Tony® Award-winning director Marianne Elliott (War Horse, The Curious Incident of the Dog in the Night-Time, Angels in America) helms this revelatory new production of Stephen Sondheim and George Furth’s groundbreaking musical comedy, at once boldly sophisticated, deeply insightful, and downright hilarious.
It’s Bobbie’s 35th birthday party, and all her friends keep asking, Why isn’t she married? Why can’t she find the right man and isn’t it time to settle down and start a family? As Bobbie searches for answers, she discovers why being single, being married, and being alive in the 21st-century could drive a person crazy.
COMPANY features Sondheim’s award-winning songs “You Could Drive a Person Crazy,” “The Ladies Who Lunch,” “Side by Side by Side” and the iconic “Being Alive”. Let’s all drink to that!
“Dazzling! So vibrant, so alive!” – Hollywood Reporter
“GLORIOUSLY TRANSFORMATIVE. A GODSEND.” – The New York Times
“HANDS DOWN THE BEST MUSICAL PRODUCTION OF THE SEASON!” – New York Post
BoomBox will be performing LIVE on the Indoor Stage at Salvage Station on Thursday, January 25th, 2024, with Tep No opening the show! Doors open @ 7 PM and the music starts @ 8 PM. This is a General Admission show with FREE ON-SITE PARKING!
Root Down will be serving their delicious twist on Southern Soul Food PLUS we will have our FULL bar open for you to enjoy!
ABOUT BOOMBOX:
Electronic rock duo BoomBox, consisting of brothers Zion Rock Godchaux and Kinsman MacKay bring heavy organic grooves and soulful beats that penetrate through the dancefloor, and on to all facets of the human experience.
Founded in Muscle Shoals, AL in 2004 by singer, songwriter, producer, and multi-instrumentalist Zion Rock Godchaux, BoomBox has grown and evolved alongside loyal fans across the globe. At the same time, the San Francisco Bay Area native stays true to the vibrations that have been moving bodies on the dancefloor since the beginning.
BoomBox has a signature type of groove rooted in a back-beat driven style, wrapped around smooth vocals and original lyrics. BoomBox songs also pull from a wide range of genres to cultivate a fusion of music that appeals to a broad audience. “The sound is about pulling from anything that you’d hear coming out of a boombox, and distilling into a distinctive style,” explains Godchaux. It’s this formula that gives BoomBox the unique ability to connect with any crowd regardless of age or origin.
“There’s a special kind of chemistry between two brothers playing music together,” says Godchaux. BoomBox shows are characterized by a mixture of drum machines and live-mixed computer beats laid down by Mackay, which create the foundation for Godchaux’s electric guitar riffs and soulful vocals to layer on top of.
In addition to touring with their live sets, the duo can also be found dropping down and dirty DJ sets at special club and festival appearances. Regardless of which form of BoomBox you may encounter, be prepared to be getting down like there’s no tomorrow.
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
Hailing from the North Carolina countryside, or “The Middle of Nowhere,” as it is lovingly dubbed on their debut album, the 6-headed musical monster known as ‘Big Something’ has steadily become one of the most unique and exciting rock bands to emerge from the Southeast. Huge rhythms paired with soaring guitars, E.W.I (electronic wind instrument), synths, horns and soulful vocals rise to the top of their signature sound taking listeners on a journey through a myriad of musical styles. With a diverse and growing catalog of timeless songs that tell stories, and a high energy live show fusing improvisational alternative rock with funk, reggae, jazz, electronica, heavy metal and more–it’s no secret why their fun-loving grassroots community of fans is so enamored with the band. After over a decade together with 6 full-length studio albums produced by Grammy-nominee John Custer and even their own Summer music festival The Big What?, Big Something have carved out their own niche in the live music community and continue to grow nationally landing marquee appearances at Bonnaroo, Peach Music Festival, Lock’n, Summer Camp and Electric Forest as well as critical acclaim from the likes of Billboard, Guitar World, Glide Magazine and Jambase.
PHONE RINGS, DOOR CHIMES, IN COMES COMPANY.
Winner of 5 Tony Awards including Best Revival of a Musical, COMPANY “strikes like a lightning bolt. It’s brilliantly conceived and funny as hell” (Variety). Three-time Tony® Award-winning director Marianne Elliott (War Horse, The Curious Incident of the Dog in the Night-Time, Angels in America) helms this revelatory new production of Stephen Sondheim and George Furth’s groundbreaking musical comedy, at once boldly sophisticated, deeply insightful, and downright hilarious.
It’s Bobbie’s 35th birthday party, and all her friends keep asking, Why isn’t she married? Why can’t she find the right man and isn’t it time to settle down and start a family? As Bobbie searches for answers, she discovers why being single, being married, and being alive in the 21st-century could drive a person crazy.
COMPANY features Sondheim’s award-winning songs “You Could Drive a Person Crazy,” “The Ladies Who Lunch,” “Side by Side by Side” and the iconic “Being Alive”. Let’s all drink to that!
“Dazzling! So vibrant, so alive!” – Hollywood Reporter
“GLORIOUSLY TRANSFORMATIVE. A GODSEND.” – The New York Times
“HANDS DOWN THE BEST MUSICAL PRODUCTION OF THE SEASON!” – New York Post