Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Historians estimate that skilled Black artisans outnumbered their white counterparts in the antebellum South by a margin of five to one. However, despite their presence and prevalence in all corners of the pre-industrial trade and craft fields, the stories of these skilled workers go largely unacknowledged.
Borrowing its title from a Black culture and politics magazine of the same name, Hammer and Hope celebrates the life and labor of Black chairmakers in early America. Featuring the work of two contemporary furniture makers – Robell Awake and Charlie Ryland – the pieces in this exhibition are based on the artists’ research into ladderback chairs created by the Poynors, a multigenerational family of free and enslaved craftspeople working in central Tennessee between the early nineteenth and early twentieth centuries.
Through the objects featured in Hammer and Hope, Awake and Ryland explore, reinterpret, and reimagine what the field of furniture-making today would look like had the history and legacy of the Poynors – and countless others that have been subject to a similar pattern of erasure – been celebrated rather than hidden. Hammer and Hope represents Awake and Ryland’s attempts, in their own words, “at fighting erasure by making objects that engage with these long-suppressed stories.”
Robell Awake and Charlie Ryland are recipients of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.
Presenter Dr. Daniel Potter, Professor Emeritus, University of Kentucky will discuss
why Monarch butterflies are in peril, why their conservation matters, and the important partnerships between the Horticulture Industry and the gardening public can help to restore this beloved native butterfly to a sustainable status.
The fascinating natural history of the monarch, its spectacular long-distance migrations, and its special relationship with milkweed, as well as the best milkweed species for attracting and sustaining monarchs and native bees in gardens will be discussed in this program. Dr Daniel Potter, Professor Emeritus of Entomology at the University of Kentucky will also discuss research showing the importance of garden design, and plant placement and that cultivars of native milkweeds (“nativars”) have conservation value for gardens. Attend and learn how to prevent a garden from becoming an “ecological trap” for monarchs due to predation by invasive wasps or planting the wrong type of milkweed.
Presentation is free, and registration with Eventbrite is required.
F REE Virtual Event
Presenter: Dr Daniel Potter , Professor Emeritus of Entomology, University of Kentucky
Monarch butterflies are in peril and their conservation matters. The important partnership between the horticulture industry and the gardening public can help restore this beloved native butterfly to a sustainable status.
Dr Daniel Potter, Professor Emeritus of Entomology at the University of Kentucky, will discuss the fascinating natural history of monarchs, their spectacular long-distance migrations and their special relationship with milkweed. Join this program to learn the best milkweed species for attracting and sustaining monarchs, the cultivars of native milkweeds (“nativars”) that have conservation value for gardens and the importance of garden design and plant placement to prevent a garden from becoming an “ecological trap” for monarchs.
Registration: The talk is free but registration is required. Please click on the link below to register. If you encounter problems registering or if you have questions, call 828-255-5522.
Zoom seminar access: After registration, you will receive an email with instructions and a link to join this online live broadcast via Zoom. The ability to access Zoom through a computer, tablet or smartphone with a reliable internet connection is necessary to attend.
Presenter: Dr Daniel Potter , Professor Emeritus of Entomology, University of Kentucky
Monarch butterflies are in peril and their conservation matters. The important partnership between the horticulture industry and the gardening public can help restore this beloved native butterfly to a sustainable status.
Dr Daniel Potter, Professor Emeritus of Entomology at the University of Kentucky, will discuss the fascinating natural history of monarchs, their spectacular long-distance migrations and their special relationship with milkweed. Join this program to learn the best milkweed species for attracting and sustaining monarchs, the cultivars of native milkweeds (“nativars”) that have conservation value for gardens and the importance of garden design and plant placement to prevent a garden from becoming an “ecological trap” for monarchs.
Registration: The talk is free but registration is required. Please click on the link below to register. If you encounter problems registering or if you have questions, call 828-255-5522.
Zoom seminar access: After registration, you will receive an email with instructions and a link to join this online live broadcast via Zoom. The ability to access Zoom through a computer, tablet or smartphone with a reliable internet connection is necessary to attend.
Preservers, Innovators, and Rescuers of Culture in Chiapas features eleven textiles by acclaimed Indigenous artisanas (artists) from Chiapas, Mexico commissioned by US-based fiber artists and activist Aram Han Sifuentes. As part of their 2022 Craft Research Fund Artist Fellowship, Han Sifuentes traveled to Chiapas to understand the function of garments and textiles within the social and cultural context of the area and to learn the traditional practice of backstrap weaving. Through the works on view, combined with a series of interviews Han Sifuentes conducted during her research, visitors learn about the artisanas and their role as preservers, rescuers, and innovators of culture and as protectors of Mayan ancestral knowledge. Together, these works present an approach to connecting and learning about culture through craft practices.
Han Sifuentes is interested in backstrap weaving because it is one of the oldest forms used across cultures. The vibrant hues and elaborate designs of each textile express the artisanas identities and medium to tell their stories. To understand how these values manifested in textiles made in Chiapas, Han Sifuentes invited the artisanas to create whatever weaving they desired over the course of three months. This is unique because most textiles in the area are created to meet tourist-driven and marketplace demands. Incorporating traditional backstrap weaving and natural dye techniques, some artisans created textiles to rescue or reintroduce weaving practices that are almost or completely lost in their communities, while others were created through material and conceptual experimentation. This range of approaches reflects how artistanas are constantly innovating while at the same time honoring and keeping to tradition.
Preservers, Innovators, and Rescuers of Culture in Chiapas is on view from November 17, 2023 to July 13, 2024.
Aram Han Sifuentes is a recipient of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.
The featured artisanas include: Juana Victoria Hernandez Gomez from San Juan Cancuc, Maria Josefina Gómez Sanchez and Maria de Jesus Gómez Sanchez from Oxchujk (Oxchuc), Marcela Gómez Diaz and Cecilia Gómez Diaz from San Andrés Larráinzar, Rosa Margarita Enríquez Bolóm from Huixtán, Cristina García Pérez from Chalchihuitán, Susana Maria Gómez Gonzalez, Maria Gonzalez Guillén, and Anastacia Juana Gómez Gonzalez from Zinacantán, Angelica Leticia Gómez Santiz from Pantelhó, and Susana Guadalupe Méndez Santiz from Aldama
|
Join us for a morning of crafting and conversation. Participants bring their own project and enjoy the company of others. This is not an instructional group, but newcomers are most welcome. Pre-registration is not required. Come ready to meet fun people! |
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
A lively language enrichment story time designed for children ages 4 to 18 months.
Join us for a North Carolina winery tour and celebrate a date night, bachelorette party, retirement, family, or a weekend away while sampling our favorite local beverages along the way. Our standard tour includes visits to three Asheville area vineyards. With safe and reliable transportation provided, you can sit back, relax and just have fun.
Included:
- Round trip transportation*
- Three vineyard visits
- Tastings at two of your three stops. Let’s just say that the pours at the first couple of locations are generous so we like to leave the third-stop beverage choice up to you.
- Time commitment = up to 5 hours
Want to include specific vineyards on your Asheville wine tours? If you have “must-see” wineries in mind or want to craft a full day catered to your group’s interests, we’re always happy to create a custom experience. Reach out any time!
|
Join us for a fun and interactive story time designed for children ages 18 months to 3 years.
The Museum recognizes Western North Carolina youth for their original artworks
Award winners will be featured in a student exhibition in the Museum’s Van Winkle Law Firm Gallery and Multipurpose Space from January 24–March 25, 2024. All regional award recipients will be honored at a closing reception on March 21.
The Asheville Art Museum and the Asheville Area Section of the American Institute of Architects (AIA) are the Western North Carolina (WNC) regional Affiliate Partners of the National Scholastic Art Awards. This ongoing community partnership has supported the creative talents of our region’s youth for 44 years. The WNC regional program is open to students in grades 7–12, ages 13-18, across 24 counties.
“I’m thrilled to witness the incredible talent showcased in the 2024 Western North Carolina Scholastic Art Awards exhibition,” said Susan Hendley, School & Teacher Programs Manager at the Asheville Art Museum. “This is a celebration of original works by students across the WNC region and highlights the profound impact of arts education.”
The regional program is judged in two groups: Group I, grades 7–9 and Group II, grades 10–12. Out of more than 500 total art entries, over 200 works have been recognized by the judges; Gold and Silver Key awards are featured in this exhibition, with select Honorable Mentions displayed digitally. The 2024 regional judges include Victoria Bradbury, Associate Professor and Chair of New Media at UNC Asheville, Andrew Davis, Studio Technician and instructor at Winthrop University, and Jenny Pickens, a native Asheville artist and educator.
Those works receiving Gold Keys have been submitted to compete in the 101st Annual National Scholastic Art Awards Program in New York City. Of the Gold Key Award recipients, five students have also been nominated for American Visions, indicating their work is the Best in Show of the regional awards. One of these American Visions Nominees will receive an American Visions Medal at the 2024 National Scholastic Art Awards.
Visit the Museum’s website for more information about the student exhibition.
Thanks to our sponsors, Jon and Ann Kemske, Russell and Ladene Newton, and Frugal Framer.
Download Student Artworks
 |
| Images: Left: Minna Wright Citron, Squid Under Pier, 1948, color etching, soft-ground, and engraving on paper, edition 42/50, 15 x 17 7/8 inches, 2010 Collections Circle purchase, Asheville Art Museum. © Estate of Minna Citron/Licensed by VAGA at ARS, New York. Right: Dorothy Dehner, Woman #2, 1954, watercolor and ink on paper, 22 3/4 x 18”, courtesy of Dolan Maxwell. |
The Asheville Art Museum is pleased to announce the upcoming exhibition American Art in the Atomic Age: 1940–1960, which explores the groundbreaking contributions of artists who worked at the experimental printmaking studio Atelier 17 in the wake of World War II. Co-curated by Marilyn Laufer and Tom Butler, American Art in the Atomic Age which draws from the holdings of Dolan/Maxwell, the Asheville Art Museum Collection, and private collections will be on view from November 10, 2023–April 29, 2024.
Atelier 17 operated in New York for fifteen years, between 1940 and 1955. The studio’s founder, Stanley William Hayter (1901–1988) established the workshop in Paris but relocated to New York just as the Nazi occupation of Paris began in 1940. Hayter’s new studio attracted European emigrants like André Masson, Yves Tanguy, and Joan Miró, as well as American artists like Dorothy Dehner, Judith Rothschild, and Karl Schrag, allowing for an exchange of artistic ideas and processes between European and American artists.
The Asheville Art Museum will present over 100 works that exemplify the cross-cultural exchange and profound social and political impact of Atelier 17 on American art. Prints made at Atelier 17—including those by Stanley William Hayter, Louise Nevelson, and Perle Fine—will be in conversation with works by European Surrealists who were working at the studio in the 1940s and 1950s. The exhibition will also feature a selection of domestic mid-century objects that exemplify how the ideas and aesthetics of post-war abstraction became a part of everyday life.
11am – 5pm Tuesday through Saturday
Born in Cleveland, Ohio, Joseph Fiore (1925-2008) first enrolled at Black Mountain College for the Summer Session of 1946, the summer that Josef Albers invited Jacob Lawrence to teach painting at BMC. Over the next three years, Fiore also studied with Ilya Bolotowsky, Willem de Kooning, and Jean Varda. In 1949, after Josef and Anni Albers’ departure, Joe was invited to join the faculty, and he taught painting and drawing until 1956 when the college leaders decided to close.
After BMC closed, Joe and his wife Mary, whom he met and married at BMC, moved to New York City. There he became involved with the 10th Street art scene of the late 1950s and 1960s, a group of galleries that exhibited the work of young artists on the rise. Eventually he resumed his teaching career at the Philadelphia College of Art, Maryland Institute College of Art, and the National Academy.
In May of 2001, Joseph Fiore was awarded the Andrew Carnegie Prize at the National Academy of Design in New York. The Carnegie Prize is awarded “for painting” at the National Academy’s Members’ Show.
This exhibition consists of paintings in our collection donated by the artist and by The Falcon Foundation. All of the paintings were made at Black Mountain College and show Fiore’s distinctive use of color and his ability to work comfortably in the spaces between abstraction and representation.
Curated by Alice Sebrell, Director of Preservation
Bender Gallery Artists Featured in
Asheville Art Museum Exhibition
The New Salon: A Contemporary View
The Asheville Art Museum will be opening their exhibit, The New Salon: A Contemporary View, on March 8 and it will run until August 19, 2024. The New Salon offers a modern take on the prestigious tradition of the Parisian Salon with the diversity and innovation of today’s art world. Guest-curated by Gabriel Shaffer, the show will include works from Pop Surrealism, Outsider Art, Street Art, and Graffiti genres.
Bender Gallery has been collaborating with the Asheville Art Museum to loan four paintings from three of our artists. The artists are Laine Bachman, Kukula, and Yui Sakamoto. Be sure to check out this special exhibition in downtown Asheville.
Learn More
Kukula, Impossible Voyage, oil on board, 48 x 24 inches
Kukula (b. 1980, Israel)
Nataly Abramovitch, better known in the art world as, Kukula, paints imagined worlds filled with elaborately dressed women in fanciful settings. The artist does extensive research on the layouts of paintings from the Renaissance and Rococo periods. Kukula subverts these images by depicting women characters in place of traditionally male positions and settings. Her characters are powerful, commanding, and have an air of indifference.
Available Work
Yui Sakamoto, Self Portrait, oil on canvas, 63 x 63 inches
Yui Sakamoto (b. 1981, Japan)
Our surrealist artist, Yui Sakamoto, will have two paintings featured including My Soul and Self Portrait. Self Portrait is still available from his recent solo exhibition at Bender Gallery. Standing in front of Self Portrait, one is immersed in the dual-worlds of Sakamoto’s Japanese and Mexican cultures. There is a sense of calm reflected in the repeating rose pattern, mixed with the uneasy realization that the coral, fungi, and otherworldly forms are what makeup the figure.
Available Work
Laine Bachman, Night Bloomers, acrylic on canvas, 18 x 24 inches
Laine Bachman (b. 1974, USA) Our prolific Magical Realism artist, Laine Bachman, makes a feature in the exhibition with her painting, Night Bloomers. She has been hard at work making 17 new pieces for her solo exhibition at the Canton Art Museum in Canton, Ohio. The Canton show opens on April 28 and continues through to July 28, 2024.
Available Work
Exhibition and Public Programming
Vera B. Williams, an award-winning author and illustrator of children’s books, started making pictures almost as soon as she could walk. She studied at Black Mountain College in a time where summer institutes were held with classes taught by John Cage and Merce Cunningham. Williams studied under the Bauhaus luminary Josef Albers and went on to make art for the rest of her life. At the time of her death, The New York Times wrote: “Her illustrations, known for bold colors and a style reminiscent of folk art, were praised by reviewers for their great tenderness and crackling vitality.” Despite numerous awards and recognition for her children’s books, much of her wider life and work remains unexplored. This retrospective will showcase the complete range of Williams’ life and work. It will highlight her time at Black Mountain College, her political activism, and her establishment, with Paul Williams, of an influential yet little-known artist community, in addition to her work as an author and illustrator.
Author and illustrator of 17 children’s books, including Caldecott medal winner, A Chair for My Mother, Vera B. Williams always had a passion for the arts. Williams grew up in the Bronx, NY, and in 1936, when she was nine years old, one of her paintings, called Yentas, opens a new window, was included in an exhibition at the Museum of Modern Art. While Williams is widely known for her children’s books today, this exhibition’s expansive scope highlights unexplored aspects of her artistic practice and eight decades of life. From groundbreaking, powerful covers for Liberation Magazine, to Peace calendar collaborations with writer activist Grace Paley, to scenic sketches for Julian Beck and Judith Malina’s Living Theater, to hundreds of late life “Aging and Illness” cartoons sketches and doodles, Vera never sat still.
Williams arrived at Black Mountain College in 1945. While there, she embraced all aspects of living, working, and learning in the intensely creative college community. She was at BMC during a particularly fertile period, which allowed her to study with faculty members Buckminster Fuller and Josef Albers, and to participate in the famed summer sessions with John Cage, Merce Cunningham, M.C. Richards, and Robert Rauschenberg. In 1948, she graduated with Josef Albers as her advisor and sculptor Richard Lippold as her outside examiner. Forever one of the College’s shining stars, Vera graduated from BMC with just six semesters of coursework, at only twenty-one years old. She continued to visit BMC for years afterward, staying deeply involved with the artistic community that BMC incubated.
Anticipating the eventual closure of BMC, Williams, alongside her husband Paul Williams and a group of influential former BMC figures, founded The Gate Hill Cooperative Artists community located 30 miles north of NYC on the outskirts of Stony Point, NY. The Gate Hill Cooperative, also known as The Land, became an outcropping of Black Mountain College’s experimental ethos. Students and faculty including John Cage, M.C. Richards, David Tudor, Karen Karnes, David Weinrib, Stan VanDerBeek, and Patsy Lynch Wood shaped Gate Hill as founding members of the community. Vera B. Williams raised her three children at Gate Hill while continuing to make work.
The early Gate Hill era represented an especially creative phase for the BMC group. For Williams, this period saw the creation of 76 covers for Liberation Magazine, a radical, groundbreaking publication. This exhibition will feature some of Williams’ most powerful Liberation covers including a design for the June 1963 edition, which contained the first full publication of MLK’s “Letter from Birmingham Jail.” Williams’ activism work continued throughout her life. As president of PEN’s Children Committee and member of The War Resisters league, she created a wide range of political and educational posters and journal covers. Williams protested the war in Vietnam and nuclear proliferation while supporting women’s causes and racial equality. In 1981, Williams was arrested and spent a month in a federal prison on charges stemming from her political activism.
In her late 40’s, Williams embarked in earnest on her career as a children’s book author and illustrator, a career which garnered the NY Public Library’s recognition of A Chair for My Mother as one of the greatest 100 children’s books of all time. Infinitely curious and always a wanderer at heart, Williams’ personal life was as expansive as her art. In addition to her prolific picture making, Williams started and helped run a Summerhill-based alternative school, canoed the Yukon, and lived alone on a houseboat in Vancouver Harbor. She helped to organize and attended dozens of political demonstrations throughout her adult life.
Her books won many awards including the Caldecott Medal Honor Book for A Chair for My Mother in 1983, the Boston Globe–Horn Book Award– Fiction category– for Scooter in 1994, the Jane Addams Honor for Amber Was Brave, Essie Was Smart in 2002, and the NSK Neustadt Prize for Children’s Literature in 2009. Her books reflected her values, emphasizing love, compassion, kindness, joy, strength, individuality, and courage.
Images:
Cover of Vera B. Williams’ A Chair for My Mother, published in 1982.
Vera B. Williams, Cover for Liberation Magazine, November 1958.
|
Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home. Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection. |
Interested in delving into cultivating fruits but not sure how to start? Berry plants are great examples of fruiting plants that grow well in our area. Henderson County Specialized Extension Agent Craig Mauney will discuss cultivation and horticultural techniques for berry plants.
|
We need your voice and participation! Parks, greenways, trails, and open space greatly impact our communities by offering outdoor spaces and activities where residents can gather, play, and recreate. As our community is growing and becoming even more diverse, our desires for recreation, outdoor activities, trails, and open space are also growing. To meet these evolving needs, Buncombe County Parks & Recreation is beginning the process of creating a Systemwide Plan to define how we will continue to provide high-quality options for our residents. This systemwide plan will result in our first Parks & Recreation Master Plan, an updated Greenways and Trails Master Plan, and an Open Space Plan. But to create these roadmaps, we need YOUR VOICE! These plans will look 20 years ahead by asking residents what they love now, and what they want to see in the future. Community members will be invited to interactive meetings, stakeholder interviews, focus groups, and pop-up events throughout the County. There will also be an online survey as well as a survey which will be mailed to Buncombe County residents. Help us sow the seeds and shape the space by attending these upcoming community input opportunities: Community Meeting 1: The first public community meeting will be taking place on February 1, 2024 at East Asheville Library (3 Avon Road) from 5-7 p.m. Community Meeting 2: The second public community meeting will be taking place on March 21, 2024 at Enka High School in Candler (475 Enka Lake Road) from 5-7 p.m. These community meetings will be interactive, so participants should come prepared to participate in various community parks and recreation, greenways, trails, and open space planning exercises. Language services will be available to Spanish-speaking community members. Additional community workshops will be held to gather public input. To get up-to-date information about these workshops and to learn more about the Systemwide Plan, sign up to receive updates here. Here, we will post dates and locations for community meetings, additional pop-up event information, survey notices, and more. For questions or for more information, please call (828) 250-4260 or email [email protected]. |
Drop into our Studio to experiment freely and collaborate using different materials, tools, and techniques! We encourage attendees to visit a chosen artwork in the galleries for inspiration, then head to the studio to create. All ages and abilities are welcome (children must be accompanied by an adult).
FEATURED MAKERSPACE
In March’s Jewelry Makerspace, visitors will construct charm bracelets. Think matching friendship bracelets or one-of-a-kind wearable pieces! Jewelry will be made utilizing charms, beads, and different types of metal chains. Visitors will also have the option to create their own charms.
MEET THE TEACHING ARTIST
Devyn Vasquez is an artist with a multi-disciplined practice that is centered around jewelry, textiles, and woodworking. They lived at Penland School of Craft for two years as a Core Fellow, completed a month-long residency at Baltimore Jewelry Center last winter, and are looking forward to attending a workshop at Haystack this summer.
THIRD THURSDAYS
Each third Thursday, the Museum and community partners offer fun events for adults to socialize through interactive art-related activities, delicious drinks, and tasty treats. For more information or to add your name to our Third Thursday mailing list, click here to email us or call 828.253.3227 x121.
|
|
|
BLUEGRASS JAM
Hosted by Drew Matulich
Don’t miss your chance to check out some of the best pickers from all over WNC at our amazing Bluegrass Jam curated by the talented Drew Matulich — every Thursday starting at 7:00 pm! A real show-stopping performance only at Jack of the Wood! Open jam starts at 9:30 pm.
Carolina Hurricanes vs. Philadelphia Flyers
Join us for Jazz Jam Thursday every Thursday from 7-10. There is a suggested donation of $10 and local craft beer and wine for sale. Come as you are or bring an instrument! Open jam starts at 8 after a House Band set guaranteed to fill your soul with groove and joy.
Public parking is available at Marjorie Street, across from Packs Tavern.
In this beloved cult classic, chaos erupts in small-town Texas when the elderly family matriarch, an upstanding member of the community, accidentally dies during a clandestine meeting in a seedy motel room with her married lover. The woman’s family must deal with more skeletons coming out of the closet while preparing for what could be an embarrassing funeral. In this ‘coming out’ story, the hilarious, sad, trashy truth about their lives runs amuck.
– GA SEATING IN FIRST COME, FIRST SERVED. THE MOTH resumes their recurring monthly Asheville StorySLAM at The Grey Eagle at 7:30pm! This month’s theme is….
THERE IS ONLY ONE.
HER VOICE IS UNDENIABLE. HER FIRE IS UNSTOPPABLE. HER TRIUMPH IS UNLIKE ANY OTHER.
An uplifting comeback story like no other, TINA – THE TINA TURNER MUSICAL is the inspiring journey of a woman who broke barriers and became the Queen of Rock n’ Roll. Set to the pulse-pounding soundtrack of her most beloved hits, this electrifying sensation will send you soaring to the rafters.
One of the world’s best-selling artists of all time, Tina Turner has won 12 Grammy Awards and her live shows have been seen by millions, with more concert tickets sold than any other solo performer in music history.
Featuring her much loved songs, TINA – THE TINA TURNER MUSICAL is written by Pulitzer Prize-winning playwright Katori Hall and directed by the internationally acclaimed Phyllida Lloyd.
Recommended for ages 14+.
Motown Remixed! From New York City, the epicenter of Soul and R&B, these young men of ‘UPTOWN’ will sing and dance their way into your hearts, and out of your seats in STYLE. With the class of young Temptations, moves like the Jackson 5, vocals like Marvin Gaye and Stevie Wonder, and the contemporary feel of Bruno Mars … “Everybody’s Going UPTOWN!” It’s old school soul for a new generation!
Directed by Angie Flynn-McIver
RIVETING | THOUGHT-PROVOKING | DARK COMEDY
A charming devil arrives in the quiet village of Edmonton to bargain for the souls of its residents in exchange for their darkest wishes. Elizabeth should be his easiest target, having been labeled a “witch” and cast out by the town, but her soul is not so readily bought. As the devil returns –and returns again– to convince her, unexpected passions flare, alliances are formed, and the village is forever changed.
Content advisory: strong language, staged violence
- Bob Dylan’s career has lasted the better part of fifty years now. He has never gotten by on sentimentality or nostalgia. He has never repeated his successes. Dylan has always pushed his work ahead.
- DOORS
- 6:30pm
- SHOW
- 8:00pm