Artist Walter B. Stephen (Clinton, IA 1875–1961 Asheville, NC) contributed to Western North Carolina’s identity as a flourishing site for pottery production and craftsmanship in the early 20th century. Walter B. Stephen Pottery: Cameo to Crystalline features art pottery and functional vessels from each stage of Stephen’s career, from his origins discovering the medium alongside his mother Nellie C. Randall Stephen in Shelby County, TN from 1901 through 1910 to his multi-decade production just outside of Asheville. This exhibition will be on view in the Asheville Art Museum’s Debra McClinton Gallery July 28, 2021 through January 17, 2022.

In 1926, Stephen founded his third and last pottery studio, Pisgah Forest, in Arden, NC, which he operated until his death in 1961. It was at this studio that the artist perfected the “cameo” decoration technique for which he became best known. His hand-painted images, achieved with layers of white translucent clay, often feature American folk imagery, from covered wagons and livestock to cabins and spinning wheels. A selection of works from the Museum’s Collection showcase his innovation in form and in decorative surface details, including experimentation with crystalline glazing.

UNC Asheville’s Ramsey Library presents EVANESCENT! featuring photography by Leigh Svenson. The collection of black and white photographs feature fleeting images captured during vacations at the Golden Isles of Georgia including images of driftwood cathedrals being taken by the sea and mercurial dune grass etchings and ebb tide carvings.

Viewing during open library hours.

Community Expectations

As members of this community, we care about everyone. Faculty, staff, students, and visitors have a shared commitment to take the necessary precautions to avoid spreading COVID-19 while following all recommended health guidelines. Please see UNC Asheville’s Community Expectations. Masks are required of all students, faculty, staff, and visitors.

Artist Michael Fowler creates evocative abstract landscape paintings by incorporating vibrant colors with subtle, complex details. His semi-large-scale approach invites viewers to step into his work and build a sense of wonder and contemplation surrounding the natural world. Fowler’s artistic response in contemplating nature is to capture something of a landscape’s pleasantness, which is often unexpected harmonies of color and shape. In his latest exhibit, Arbor Huescapes, Fowler highlights the distinctive vegetation – primarily trees – and topography of North and South Carolina’s midlands and piedmont regions.

Fowler received his Bachelor of Arts from Harding University in Searcy, Arkansas with a focus in Advertising Design. He then attended the University of Nebraska where he received a Master’s degree in Fine Arts in Painting and Drawing with a minor in Art History. From there, he attended the University of Memphis where he earned a Doctorate in Higher Education. Based in North Augusta, South Carolina, Fowler is currently an associate professor of design and computer graphics and serves as the Mary Durban Toole Chair of Art at the University of South Carolina in Aiken. His paintings are in a number of public and private collections nationally, and he actively exhibits in regional and national shows.

Please note: Arbor Huescapes has been rescheduled due to the COVID-19 crisis and will now open in fall 2021. The exhibit is on display daily September 18, 2021 – January 9, 2022, from 9 a.m. to 5 p.m. inside the Baker Exhibit Center. All works are available for purchase and a portion of sales will be donated to The North Carolina Arboretum Society.

Jason Probstein will be demonstrating glass blowing in the lobby of the Folk Art Center on the Blue Ridge Parkway. The schedule is subject to change. Call ahead for the latest updates: 828-298-7928.

Rachelle Davis will be demonstrating jewelry making in the lobby of the Folk Art Center from 10am-4pm. Meet the artist, hear their story, and learn about their craft!
The schedule is subject to change. Call ahead for the latest updates: 828-298-7928

The Common Word Community Read, curated by Wiley Cash ’00, brings the UNC Asheville community together to engage in a collective educational experience. Each semester, one book will serve as the focus of numerous virtual and in-person lectures and discussions that will allow participants to delve deeper into the text. Join the Facebook Group to learn more and pick up your copy of the first community read: Caste: The Origins of Our Discontents by Isabel Wilkerson.

Join from 12 – 1 p.m in Highsmith Union 229 or watch the livestream on UNC Asheville’s YouTube channel as Dr. Shawn Mendez presents The Common Word Community Reads third faculty lecture of the semester, “Beyond the Binary: Gender, Sexuality, and Family in the American Caste System.”

This event will be the third and final faculty-led lecture for the Fall 2021 Common Word Community Read series. Additional lectures that took place included a talk from Ellen Holmes Pearson, Interim Chair and Professor of History, on “‘ . . . a degraded caste:’ Color and Legal Status in the Early American Republic” (September 28), and a talk from Fabrice Julien, Assistant Professor of Health and Wellness, on “Race Towards An Early Grave: How the American System of Ranking Human Value Drives {consequential} Health Outcomes” (October 19).

Community Expectations

As members of this community, we care about everyone. Faculty, staff, students, and visitors have a shared commitment to take the necessary precautions to avoid spreading COVID-19 while following all recommended health guidelines. Please see UNC Asheville’s Community Expectations. Masks are required of all students, faculty, staff, and visitors.

UNC Asheville’s Ramsey Library presents EVANESCENT! featuring photography by Leigh Svenson. The collection of black and white photographs feature fleeting images captured during vacations at the Golden Isles of Georgia including images of driftwood cathedrals being taken by the sea and mercurial dune grass etchings and ebb tide carvings.

Viewing during open library hours.

Community Expectations

As members of this community, we care about everyone. Faculty, staff, students, and visitors have a shared commitment to take the necessary precautions to avoid spreading COVID-19 while following all recommended health guidelines. Please see UNC Asheville’s Community Expectations. Masks are required of all students, faculty, staff, and visitors.

Artist Michael Fowler creates evocative abstract landscape paintings by incorporating vibrant colors with subtle, complex details. His semi-large-scale approach invites viewers to step into his work and build a sense of wonder and contemplation surrounding the natural world. Fowler’s artistic response in contemplating nature is to capture something of a landscape’s pleasantness, which is often unexpected harmonies of color and shape. In his latest exhibit, Arbor Huescapes, Fowler highlights the distinctive vegetation – primarily trees – and topography of North and South Carolina’s midlands and piedmont regions.

Fowler received his Bachelor of Arts from Harding University in Searcy, Arkansas with a focus in Advertising Design. He then attended the University of Nebraska where he received a Master’s degree in Fine Arts in Painting and Drawing with a minor in Art History. From there, he attended the University of Memphis where he earned a Doctorate in Higher Education. Based in North Augusta, South Carolina, Fowler is currently an associate professor of design and computer graphics and serves as the Mary Durban Toole Chair of Art at the University of South Carolina in Aiken. His paintings are in a number of public and private collections nationally, and he actively exhibits in regional and national shows.

Please note: Arbor Huescapes has been rescheduled due to the COVID-19 crisis and will now open in fall 2021. The exhibit is on display daily September 18, 2021 – January 9, 2022, from 9 a.m. to 5 p.m. inside the Baker Exhibit Center. All works are available for purchase and a portion of sales will be donated to The North Carolina Arboretum Society.

Watch Peter Werner of Black Mountain, NC make brooms of all shapes, sizes, and colors; as well as old-fashioned pot scrubbers.
10am-4pm in the Folk Art Center lobby. Call ahead for the latest updates, as the schedule is subject to change 828-298-7928

Rachelle Davis will be demonstrating jewelry making in the lobby of the Folk Art Center from 10am-4pm. Meet the artist, hear their story, and learn about their craft!
The schedule is subject to change. Call ahead for the latest updates: 828-298-7928

Nancy Graves, Parable of Nostalgia from the Tango portfolio, 1991, intaglio on cotton rag paper, edition 12/26, publisher: Iris Editions, New York, image: 26 × 17 5/8 inches, sheet: 35 3/4 × 26 inches. Asheville Art Museum. © Nancy Graves Foundation, Inc. / Licensed by VAGA at Artists Rights Society (ARS), NY.

A Dance of Images and Words: The Nancy Graves/Pedro Cuperman Tango Portfolio features a series of eight intaglio prints that depict plants and animals alongside eleven sheets of prose that explore the steps of the Argentinian dance, the tango. Organized by the Asheville Art Museum from the Museum’s Collection and curated by Hilary Schroeder, assistant curator, this exhibition will be on view in The Van Winkle Law Firm Gallery at the Museum from September 29, 2021 through January 10, 2022.

The common idiom “it takes two to tango” is immediately called into question in both the imagery and words of the Tango portfolio. The portfolio is an expression of artist Nancy Graves (Pittsfield, MA 1939–1995 New York, NY) writer Pedro Cuperman’s (1936–2016 Buenos Aires, Argentina) meditations on the dance. Their imagery and words become paired in an illustrated book though their explorations take different formats and directions. Both Graves and Cuperman look towards humankind and nature as a place where beings come together in the experience of living. This exhibition presents Graves’s eight prints alongside the portfolio frontispiece and a page of Cuperman’s text to immerse visitors in the collaborative dance of the tango.

Artist Walter B. Stephen (Clinton, IA 1875–1961 Asheville, NC) contributed to Western North Carolina’s identity as a flourishing site for pottery production and craftsmanship in the early 20th century. Walter B. Stephen Pottery: Cameo to Crystalline features art pottery and functional vessels from each stage of Stephen’s career, from his origins discovering the medium alongside his mother Nellie C. Randall Stephen in Shelby County, TN from 1901 through 1910 to his multi-decade production just outside of Asheville. This exhibition will be on view in the Asheville Art Museum’s Debra McClinton Gallery July 28, 2021 through January 17, 2022.

In 1926, Stephen founded his third and last pottery studio, Pisgah Forest, in Arden, NC, which he operated until his death in 1961. It was at this studio that the artist perfected the “cameo” decoration technique for which he became best known. His hand-painted images, achieved with layers of white translucent clay, often feature American folk imagery, from covered wagons and livestock to cabins and spinning wheels. A selection of works from the Museum’s Collection showcase his innovation in form and in decorative surface details, including experimentation with crystalline glazing.

Hazel Larsen Archer, Minimum House, Black Mountain College, circa 1948, gelatin silver print on paper, 7 × 9 5/8 inches. Black Mountain College Collection, gift of Albert Lanier, 2009.18.18.91. © Estate of Hazel Larsen Archer.