Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
A beautiful full-length production of the classic romantic ballet ‘Giselle’ performed by the celebrated Ballet Conservatory of Asheville’s pre-professional company.
A story of innocent love and betrayal, with the much loved score by Adolphe Adam
This year Ballet Conservatory of Asheville’s alumni have performed with American Ballet Theater, Miami City Ballet, Finnish National Ballet, Oklahoma City Ballet and been award scholarships and placement in every top ballet university program.
This Spring semester we are thrilled to welcome choreographer in residence, Nick Kepley.
GHOST COMEDY BUS TOUR
Grab a local beer, crucifix and a rubber chicken* —You might survive this hour long hilarious haunted ghost tour of Asheville.
- Guided comedy bus tour of Haunted Asheville
- 60 minutes; tours run nightly after dark
- $33 per person (Ages 17+ only)
- Departs from 76 Biltmore Avenue
*Legal Note: Crucifix not required to board the bus; we do not condone exorcisms, chickens, rubber, or any combination of the three.
All Ages – under 12 requires venue approval
THIS EVENT IS RAIN OR SHINE
NO BAGS ALLOWED
The Moppets present six student written and directed short plays June 2 & 3 at Attic Salt Theater.
“Kurt Vonnegut’s ‘2BR02B’ ” – Everything was perfectly swell. Or was it?
“The After School Superhero” – A small town where nothing happened and a hero no one asked for.
“A Holiday Song” – A grumpy businessman is warned to change his ways. Sound familiar? Prepare to be surprised.
“Mary, Mary” – A bloody history explored through the lens of a nursery rhyme.
“Salome” – A humorously re-told act in one tragedy.
“Swords, Lights and Nuts” – This is not your typical Nutcracker story.
RPB is a formidable improv comedy group consisting of Tom Chalmers, Mondy Carter, Karen Stobbe, Kim Richardson and Josh Batenhorst.
This is how it works: RPBs will ask the audience for suggestions and then they make that come to technicolor life. Get ready to be a part of the experience because this show will push the envelope of ridiculous fun.
Tickets are $15. Doors open at 6:30pm and seating is first come first served. Online ticket sales end an hour before the performance time, but there may still be tickets available for purchase at the door. Call BMCA for availability at 828.669.0930.
By Andrew Lippa and John August
On the Steve Lloyd Stage
Directed by Candice Dickinson
What tall tales will we tell to be the hero of our own stories?
When Will finds out his father is dying of cancer, he is on a mission to find the truth behind the tall tales his father has always told him. Audiences will be in awe as they travel back and forth from Will and Edward’s stark reality to the beautiful and larger than life fantasies of Edward Bloom’s past. This charming, warm hug of a musical features Southern-fried music from Andrew Lippa and is based on the 1998 novel by Daniel Wallace that also inspired the 2003 big-screen adaptation directed by Tim Burton. A musical for dreamers, this show has sweeping melodies, gorgeous dance numbers, and celebrates the imagination, culminating in a thrilling theatrical experience. Full of giants, witches, mermaids, and, of course, an exceptionally large fish, Big Fish is about what’s real and what’s fantastic, what’s true and what’s not true, what’s partially true and how, in the end, it’s all true.
Suitable for all audiences.
On Saturday, June 3rd, guitars will be abundant in Brevard as iconic guitarist Bryan Sutton hosts the Second Annual North Carolina Guitar Celebration at Brevard Music Center’s Whittington-Pfohl Auditorium and is the culmination of Sutton’s Blue Ridge Guitar Camp. The concert will feature Bryan Sutton with special guests Darrell Scott, Sierra Hull & Justin Moses, Andrew Marlin (Watchhouse), Jeff Hanna (Nitty Gritty Dirt Band), Dom Flemons, Jon Stickley, Ed Helms (The Office and The Hangover movies), T. Michael Coleman and Jack Lawrence along with the instructors, Chris Eldridge (Punch Brothers), Courtney Hartman, Marcel Ardans, Matt Munistari, Jake Eddy and Woody Platt. This year’s event is also celebrating Doc Watson’s 100th birthday.
Bryan Sutton is the most accomplished and awarded acoustic guitarist of his generation, an innovator who bridges the bluegrass flatpicking traditions of the 20th century with the dynamic roots music scene of the 21st. His rise from buzzed-about young sideman to first-call Nashville session musician to membership in one of history’s greatest bluegrass bands has been grounded in quiet professionalism and ever-expanding musicianship.
Auditorium seating is reserved. Lawn seating is general admission.
DA CLASSROOM AIN’T ENUF
By Charles Payne
Directed by Katie Jones
Da Classroom Ain’t Enuf is an exploration of the intersection of Black and Brown communities, particularly in and around the American educational system. The play features an ensemble of four actors who play teachers, students, and their families, and is a mix of poetry, prose, and music, with original tracks by composer Richard Jones. This choreopoem is inspired by the work of Ntozake Shange.
HAVING OUR SAY: THE DELANEY SISTERS’ FIRST 100 YEARS opens as 103-year-old Sadie Delany and 101-year-old Bessie Delany welcome us into their Mount Vernon, New York, home. As they prepare a celebratory dinner in remembrance of their father’s birthday, they take us on a remarkable journey through the last hundred years of our nation’s history, recounting a fascinating series of events and anecdotes drawn from their rich family history and careers as pioneering African-American professionals. Their story is not simply African-American history or women’s history. It is our history, told through the eyes of two unforgettable women as they look not only into the past, but also ahead into the twenty-first century.
All shows will be at the Hazel Robinson Amphitheater in the Montford District of Asheville, and all will be presented absolutely FREE of charge!
Written and Directed by Skyler Goff
This World Premiere was penned by local playwright Skyler Goff and tells of the continuing adventures of our favorite Lost Boy. A fantastical way to kick off our season!
All shows will run Fridays through Sundays and all will be presented at 7:30pm and prime seats can be reserved.
Montford Park Players has been bringing some of theater’s greatest works to Western North Carolina for over 50 years. Montford Park Players continues its mission of bring free theater to the community. The summer season allows everyone to come spend an evening under the stars, seeing some of the best live performances presented in Asheville.
Montford Park Players allows patrons to bring their favorite food and beverages to their shows and sells beer, wine and concessions at the shows. If you’ve never been to the Hazel Robinson Amphitheatre for a Montford show, there’s no better season than this one. If you have been, you know why you should come back and catch everything we have to offer!
Watch as the Park comes alive under the shadow of darkness on this guided evening excursion with a Park naturalist. Do you know which animals come out along the Hickory Nut Falls trail when the sun goes down? Get ready to learn more about the Park’s rarely-seen residents. NOTE: The Hickory Nut Falls Trail is considered a moderate trail. Attendees must be able to hike the trail 3/4 of a mile each direction.
By: Stephen Marsh
Director: Rowan Duncan
Approximate Run Time: 1 hour, 30 minutes
Rating: PG for mild language
Written by Brevard playwright Stephen Marsh, Where the Heart Is tells the story of Maria Shaughnessy, who runs an unofficial boarding house that’s home to several elders. All goes well until… Presented in a reader’s theater format, actors don’t memorize scripts but read them to the audience while using their voices and upper bodies to convey the roles they are playing. Actors also use vocal and facial expressions, as well as hand and arm movements.
By Lauren Gunderson
Produced by Immediate Theatre Project
Four badass women lose their heads in this irreverent, girl-powered comedy set during the French Revolution’s Reign of Terror. Playwright Olympe de Gouges, assassin Charlotte Corday, former queen (and fan of ribbons) Marie Antoinette, and Haitian rebel Marianne Angelle hang out, murder Marat, and try to beat back the extremist insanity in 1793 Paris. It’s a true story. Or total fiction. Or a play about a play. Or a raucous resurrection…that ends in a song and a scaffold.
From the people who brought you Silent Sky comes this grand and dream-tweaked comedy about violence and legacy, art and activism, feminism and terrorism, compatriots and chosen sisters, and how we actually go about changing the world.
Discretionary Content: Adult themes and badass ladies
Written by Brevard playwright Stephen Marsh, Where the Heart Is tells the story of Maria Shaughnessy, who runs an unofficial boarding house that’s home to several elders. All goes well until… Presented in a reader’s theater format, actors don’t memorize scripts but read them to the audience while using their voices and upper bodies to convey the roles they are playing. Actors also use vocal and facial expressions, as well as hand and arm movements. All Seats: $15 and includes a glass of wine
Where the Heart Is is supported by the North Carolina Arts Council, a division of the Department of Natural and Cultural Resources, the Arts Council of Henderson County, the City of Hendersonville, Exceptional Papers, Inc., A Growing Concern Garden Center and the Carolina Ace Hardware and Garden Center.
Written by Brevard playwright Stephen Marsh, Where the Heart Is tells the story of Maria O’Shaughnessy, who runs an unofficial North Carolina boarding house that’s home to several elders. Presented as a stage reading, actors don’t memorize scripts but read them while incorporating minimal staged movements.
Brevard playwright Stephen Marsh wrote Where the Heart Is over a few months. Born in Bournemouth, England, at age 15, Marsh participated in local theatre productions and was later accepted into drama school in London. Marsh later moved to California and then the East Coast, becoming a production designer in motion pictures, film and television that spanned his 45-year career.
The cast of Where the Heart Is features Natalie Broadway as Maria, Jeb Buffinton as Dan, Chris Hanks as Jim, Lyn Morton as Henry, Lynn Place as Mrs. Carlisle, Joan Rinchisen as Henderson, Don Schwartz as Toad, and Terry Terranova as Ted.
Where the Heart Is’ artistic team includes director Rowan Duncan and stage manager Amanda McLoughlin.
A Greenville, SC native, Duncan was recently seen on stage at HT in The Importance of Being Earnest, Calendar Girls and The 25th Annual Putnam County Spelling Bee. They currently works as HT’s Production Manager, and loves putting their theatre degree to use every day. Duncan studied theatre at North Greenville University and loves to act, direct, and costume design.
The show is rated PG due to mild language. Showtimes are 3 pm and 7:30 pm on Saturday, June 3. Running time is approximately 1 hour and 30 minutes with one 15 minute intermission. Hendersonville Theater has made masks optional for patrons, and no proof of vaccination is required to attend a performance.
Bizarre Sábado
During the course of the exhibition, BMCM+AC will host a series of experiential art events. These “Bizarre Sábado” happenings are inspired by Mexico City’s Bazaar Sábado, the innovative gathering place and crafts market first organized in 1960 by BMC alum Cynthia Sargent and her husband Wendell Riggs. The Bazaar Sábado continues to this day.
Bizarre Sábado 1
Theorem of Apocryphal Manifestos, performative action by David Miranda
Bizarre Sábado 2
Chat with Curator Eric Baden / Charla con curador Eric Baden / ¡Hola! Asheville Festival
Saturday, June 10, 2023 – 2–5pm
@ Black Mountain College Museum + Arts Center {120 College Street, Asheville, NC}
Bizarre Sábado 3: Saturday, June 17, 2023 – 1–5pm
Bizarre Sábado 4: Saturday, July 1, 2023 – 1–5pm
Bizarre Sábado 5: Saturday, July 15, 2023 – 1–5pm
Bizarre Sábado 6: Saturday, July 29, 2023 – 1–5pm
A series of performative and experiential actions featuring local artists @ Black Mountain College Museum + Arts Center Library {120 College Street, Asheville, NC}
Bizarre Sábado 7
Black Night/Noche Negra: Photographs of Mexico—Slideshow with BMC/MX Project Director Eric Baden
Wednesday, August 16, 2023 – 8pm
@ Black Mountain College Museum + Arts Center {120 College Street, Asheville, NC}
Bizarre Sábado 8
Zine Release Celebration and Presentation of selected works from the Abraham Cruzvillegas Call for Art
Saturday, September 2, 2023 – 1–8pm
@ Black Mountain College Museum + Arts Center {120 College Street, Asheville, NC}
and Lamplight AVL {821 Haywood Rd. Asheville, NC}
As part of the BMC/MX project, students and artists have been invited to engage creatively with visual prompts offered by Mexican artist Abraham Cruzvillegas. Images of the resulting artworks will be compiled into a zine (available at BMCM+AC in September 2023), and selected works will be on display at Lamplight AVL on September 2.
Black Mountain College and Mexico (BMC/MX): Exhibition, Publication, and Public Programming
Black Mountain College (1933–1957), a small but remarkably influential liberal arts school in rural North Carolina, had important links to Mexico that until now have been little investigated. A crucible of twentieth-century creativity, BMC galvanized and inspired artists and intellectuals from around the world, while Mexico’s innovations and age-old traditions—in fine and applied arts, architecture, poetry, music, performance, and more—dovetailed with, and indeed drove, global impulses toward modernism and beyond. Among the many key BMC figures whose lives were importantly touched by experiences in Mexico were Anni and Josef Albers, Ruth Asawa, John Cage, Jean Charlot, Elaine de Kooning, Buckminster Fuller, Carlos Mérida, Robert Motherwell, Charles Olson, Clara Porset, M.C. Richards, and Aaron Siskind. In turn, engagements with BMC and its legacy have played a significant role in shaping contemporary approaches to art in Mexico, evident in the works of Jorge Méndez Blake, Iñaki Bonillas, Abraham Cruzvillegas, Jose Dávila, Gerda Gruber, Lake Verea, Gabriel Orozco, and Damián Ortega, among others.
The exhibition BMC/MX features works by these and other prominent contemporary Mexican artists alongside a selection of historic works by BMC artists, highlighting the ways in which ideas and modalities are translated across materials, space, and time.
Related programming, planned in collaboration with Mexican artists, features a series of public events, including a performance by artist (and BMC/MX co-curator) David Miranda to take place at Different Wrld; an exhibition visit (in Spanish and English) with BMC/MX Project Director Eric Baden; and a series of experiential art events in the BMCM+AC library.
The exhibition is accompanied by the book Black Mountain College and Mexico (forthcoming late summer 2023), which investigates the people, ideas, and practices linking BMC and Mexico during the life of the school, as well as resonances between BMC and the work of contemporary Mexican artists. With contributions by BMC/MX’s curators, as well as by artist Abraham Cruzvillegas, design scholar Ana Elena Mallet, and author and activist Margaret Randall, this fully illustrated volume brings new light to this complex and underexplored subject.
BMC/MX is an investigation into modes of communication—the arenas in which new ideas and alliances may come to be—between Black Mountain College and Mexico, between past and present, between form and idea.
About the Curators
BMC/MX’s Project Director Eric Baden is a photographer and from 1994 to 2022 was professor of photography at Warren Wilson College in Swannanoa, North Carolina. He is the founding director of photo+, a multidisciplinary arts event held in Asheville, North Carolina.
Artist and educator David Miranda is curator at the Museo Experimental El Eco (Universidad Nacional Autónoma de México, UNAM), and teaches at the Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda” in Mexico City.
Diana Stoll is an editor, writer and curator who works with institutions such as The Museum of Modern Art and the J. Paul Getty Museum. She has served as an editor at Aperture and Artforum magazines, and contributes writings to prominent arts publications.
“Everything has to be said.” This is the conviction guiding Indigo De Souza’s sophomore album, Any Shape You Take. This dynamic record successfully creates a container for the full spectrum—pushing through and against every emotion: “I wanted this album to give a feeling of shifting with and embracing change. These songs came from a turbulent time when I was coming to self-love through many existential crises and shifts in perspective.”
Faithful to its name, Any Shape You Take changes form to match the tenor of each story it tells. “The album title is a nod to the many shapes I take musically. I don’t feel that I fully embody any particular genre—all of the music just comes from the universe that is my ever-shifting brain/heart/world,” says Indigo. This sonic range is unified by Indigo’s strikingly confessional and effortless approach to songwriting, a signature first introduced in her debut, self-released LP, I Love My Mom. Written in quick succession, Indigo sees these two records as companion pieces, both distinct but in communion with each other: “Many of the songs on these two records came from the same season in my life and a certain version of myself which I feel much further from now.”
Throughout Any Shape You Take, Indigo reflects on her relationships as she reckons with a deeper need to redefine how to fully inhabit spaces of love and connection. “It feels so important for me to see people through change. To accept people for the many shapes they take, whether those shapes fit into your life or not. This album is a reflection of that. I have undergone so much change in my life and I am so deeply grateful to the people who have seen me through it without judgment and without attachment to skins I’m shifting out of.”
Lead single “Kill Me,” written during the climax of a dysfunctional relationship, opens with the lines “Kill me slowly/ Take me with you.” This powerful plea, that begins within the quiet strum of a single electric guitar, is diffused by Indigo’s ironic apathy—a slacker rock nonchalance that refuses to take itself seriously: “I was really tired and fucked up from this relationship and simultaneously so deeply in love with that person in a special way that felt very vast and more real than anything I’d ever experienced.”
Across the table from that irreverence sits the sincerity of the single “Hold U,” a more energized, neo soul-inspired love song that substitutes apathy for a genuine expression of care. “I wrote ‘Hold U’ after I left that heavy season of my life and was learning how to love more simply and functionally. I wanted to write a love song that was painfully simple.”
Growing up in a conservative small town in the mountains of North Carolina, Indigo started playing guitar when she was nine years old. “Music was a natural occurrence in my life. My dad is a bossa nova guitarist and singer from Brazil and so I think I just had it in my blood from birth.” It wasn’t until moving to Asheville, NC that Indigo began to move into her current sound, developing a writing practice that feeds from the currents that surround her: “Sometimes it feels like I am soaking up the energies of people around me and making art from a space that is more a collective body than just my own.”
“Real Pain,” one of the most experimental tracks on the record, is Indigo’s attempt to make that phenomena more intentionally collaborative. Starting soft before dropping down into a cavernous pit of layered screams and cries, “Real Pain” collages the voices of strangers—audio bites Indigo received after posting online asking for “screams, yells and anything else.” “Hearing these voices join together and move with my own was really powerful. The whole record was a release for me. And I hope it can be that for others.”
At the forefront of all De Souza’s projects is her magnetism—her unique quality of spirit that is both buoyant and wise. While her backing band has undergone shifts between releases, her sound has stayed tethered to her vision. Any Shape You Take is the first full-length album that Indigo produced herself. Teaming up with executive producer Brad Cook (Bon Iver, Waxahatchee, The War on Drugs) and engineers/producers Alex Farrar and Adam McDaniel, Indigo recorded the album at Betty’s, Sylvan Esso’s studio in Chapel Hill, NC and finished it with additional production and mixing at Drop of Sun Studios in Asheville. Moving past the limitations of a home studio, Indigo could finally embody the full reach of her sound: “It felt really exciting to lean into my pop tendencies more than I have in the past and to trust my intuition to take the songs where I felt they should go. I had the tools to do it and collaborators who were willing to
go there with me.”
“I feel very much like a shape-shifter with my music, I’m always trying to embody a balance between the existential weight and the overflowing sense of love I feel in the world.” It is exactly this balance that Indigo strikes in her Saddle Creek debut, Any Shape You Take. A listening experience that gives back, as you shed and shape-shift along with her.
Nickel Creek is the platinum-selling, internationally renowned roots trio of mandolinist Chris Thile, violinist Sara Watkins and guitarist Sean Watkins. The Grammy-winning band has revolutionized folk and roots music since first performing together as children at a pizza parlor in San Diego in 1989, signing to acclaimed roots label Sugar Hill Records after wowing the bluegrass circuit for a decade. Nickel Creek quickly broke through in 2000 with their Grammy-nominated, Alison Krauss-produced self-titled LP, which showcased not just their instrumental virtuosity but their burgeoning songwriting prowess. The trio quickly followed that effort with the Krauss-produced This Side, a landmark release that earned Nickel Creek the Grammy Award for Best Contemporary Folk Album and brought their progressive take on acoustic music to a broader audience, greatly influencing the sound and trajectory of roots music in the process. 2005’s Grammy-nominated Why Should the Fire Die? found the trio pushing genre boundaries even further, incorporating elements of alt-rock and indie pop into their singular brand of acoustic music. Nickel Creek’s most recent album, 2014’s critically acclaimed and joyously received A Dotted Line, ended a seven-year recording and touring hiatus for the band, during which members explored other musical and creative avenues.
Each member of Nickel Creek has taken part in many outside projects over the years, too. Thile is a 2012 recipient of a MacArthur Fellowship and served as the host of the American radio variety show Live from Here (formerly A Prairie Home Companion) from 2016 to 2020. Over the course of Nickel Creek’s career, Thile has released collaborative albums alongside world-renowned musicians like Yo-Yo Ma, Edgar Meyer, Brad Mehldau and Stuart Duncan. His Grammy-winning band Punch Brothers has released six studio albums, the most recent being 2022’s Hell on Church Street, a re-imagining of the beloved 1983 Tony Rice album Church Street Blues. Sean Watkins has kept busy outside of Nickel Creek, too, co-founding Watkins Family Hour alongside Sara, releasing three albums with the collective and maintaining the long-running collaborative show in Los Angeles for a decade. Sean has also released a string of solo albums, most recently 2020’s This Is Who We Are with the Bee Eaters. Sara Watkins’ extracurricular projects include the aforementioned Watkins Family Hour band, as well as co-founding the Grammy-winning roots trio I’m With Her alongside Aoife O’Donovan and Sarah Jarosz. Sara has released four studio albums, most recently 2021’s Under the Pepper Tree. She has contributed fiddle to recordings by artists like Phoebe Bridgers, the Killers and John Mayer.
Nickel Creek will release Celebrants, their first new album in nine years, March 24 via Thirty Tigers.
Nickel Creek will be joined by opening act Gaby Moreno.
The art is as diverse as the artists with the tour featuring the work of glassblowers, jewelers, printmakers, potters, fiber artists, ironworkers, painters, sculptors, and woodworkers.
Mark your calendars for the 2023 Toe River Arts Spring Studio Tour, happening June 2 – June 4, 2023.
This driving tour through Mitchell and Yancey Counties will take visitors along the meandering Toe River, across its many bridges, around barns, acres of fields, and miles of forests all while visiting the talented studio artists and galleries participating.
Please have a look at the tour website to begin planning your visit.
Asheville Area Habitat for Humanity is seeking
AmeriCorps members to work as Construction Crew Leaders for New Home
Construction and Home Repair. These year-long service opportunities are perfect for
people who possess a desire to serve others, have a passion for volunteerism and
group facilitation, and have strong team building skills. Members receive a living
allowance, a housing stipend of $700-800/month, and other benefits.
At Asheville Habitat, AmeriCorps members provide leadership on project sites, engage
volunteers to become champions for the mission, and create new tools and systems to
build capacity. They gain insight into a non-profit organization and receive hands-on
experience in leadership, team building, public speaking, and community development.
For some, AmeriCorps is an experiential gap year before college, grad school, or a
career; for others it is a stepping stone towards a job in the non-profit sector.
Asheville tops a lot of lists, and for good reason. The City is also newsworthy for
something else: an affordable housing crisis. The people who make Asheville what it is
are being priced out. Housing costs far outweigh local wages and affordable housing
options are scarce. Residents are forced to move elsewhere or make impossible
choices like paying more than 50% of their income towards rent, or living in
overcrowded, substandard, or unsafe situations. Young people who want to help more
families thrive instead of just survive, learn and hone skills, and grow their confidence
and leadership abilities, are encouraged to visit ashevillehabitat.org/careers to learn
more about AmeriCorps with Asheville Habitat and apply.
About Asheville Area Habitat for Humanity
Founded in 1983, Asheville Area Habitat for Humanity (AAHH) was the first Habitat affiliate in North
Carolina. Now serving Buncombe and Madison Counties, AAHH provides affordable homeownership and
home repair programs to qualified low-income residents seeking to build a better future on the foundation
of stable housing. A decent place to call home and an affordable mortgage enables Habitat homeowners
to save more, invest in education, pursue opportunities, and have greater financial stability. The home
repair program preserves the character, affordability, and diversity of local neighborhoods and enables
long-time residents to stay in their homes. Learn more about Asheville Area Habitat and how you can get
involved at ashevillehabitat.org.
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Celebrate with us by contributing to the future of the arts in Western North Carolina.
Make your 75th Anniversary Spring Annual Fund donation today! |
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! The Diamond Anniversary is a time to honor our rich heritage and—more importantly—envision our future as the premier visual arts organization in this vibrant, creative region.
Founded in 1948 by a group of local artists to showcase the scope and depth of creativity in Western North Carolina (WNC), the Museum brings art of international significance to the region and encourages lively, diverse dialogue.
The Museum’s original home was a modest, unheated, three-room building on Charlotte Street in the former sales office of Dr. E.W. Grove. The building was designed by Richard Sharp Smith and provided to the Museum by the City of Asheville. Exhibitions by local painters and sculptors could only be staged in warmer weather, and Sunday afternoon receptions gave the community an opportunity to view original art and to listen to artists talk about their work. By the 1950s, the Museum had become an invaluable part of Asheville’s cultural life. It also began acquiring artworks for its Collection.
Three quarters of a century later, the Museum has evolved into the preeminent cultural and educational hub for WNC—welcoming tens of thousands of visitors annually, hosting several major exhibitions each year, holding scores of special programs, and housing its Collection of more than 7,500 works in its state-of-the-art Pack Square location. From its humble beginnings on Charlotte Street to its breathtaking permanent home in the heart of downtown Asheville, the Museum has remained dedicated to Its mission to engage, enlighten, and inspire individuals and enrich the community through dynamic experiences in American art of the 20th and 21st centuries.
The Asheville Art Museum was built, cherished, and supported by the community throughout the past 75 years. Our anniversary celebration will give back through community partnerships and special programs, and by creating new reasons to visit or become a Member. We hope you’ll join us at one (or all) of our Diamond Anniversary special events: the 2023 Gala on June 17th, the 75th Anniversary Community Day Celebration in August, and the 75th Anniversary Dance Party in November!
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Raffle: Trip to NYC 2023
Enter to win a fabulous trip for two to New York!
Raffle tickets on sale through Sunday, August 6, 2023!
Tickets are $50 and only 500 will be sold.
Travel package for Thanksgiving 2023, with check-in on Wednesday, November 22, 2023 and check-out on Sunday, November 26, 2023.
Prize includes:
- Two round-trip Business Class tickets to New York from Asheville Regional Airport
- Transfers to and from the airport to your hotel
- Accomodations for four nights in Midtown at The Lotte New York Palace, with a choice of one king bed or two double beds
- VIP Macy’s Parade Day experience, including brunch and complimentary drinks, access to indoor and outdoor VIP viewing areas, and access to the Inflation Celebration of parade balloons on Wednesday afternoon
- Orchestra seating tickets to the Radio City Rockettes Christmas Spectacular
- Tickets to a Broadway show
- Up to $500 to spend on guided tours or additional theatre tickets
- Personal consultation with Foothills Travel to customize your trip
- On-site concierge provided through MyBucketListEvents
The drawing will take place the week of August 7, 2023. Winner will be notified by phone call and email.
Asheville Merchandise Guide
All the wearable merch in Asheville in one place.
We love a souvenir T-shirt
So much so that we were inspired to create this guide, first published in May 2023. We’ll be updating it a few times a year, and we encourage you to check in with the businesses listed in the guide about availability. Often merch sells out quickly or is a limited edition.
While these items aren’t strictly secondhand, we love supporting local businesses and know firsthand how lovely it is to hold on to a memory of a special place you visited on a trip.
If you know of some merch we’re missing or have feedback or questions, fill out the form below to let us know!
Edge, the newest exhibit showing in the airport art gallery, is open to the public now through July 21, 2022. The local art is unique, bold and is sure to capture the imaginations of its viewers.
The local artists’ work featured in this exhibit consist of many different mediums. Diane Bronstein creates complex and mesmerizing pieces with photographs, embroidery floss and other materials. Susan Devitt uses bold colors and vivid details to capture the beauty and possibilities of nature with her acrylic paintings. Jen Pacicci crafts peaceful and majestic collages of landscapes using watercolor and torn paper. Kurt Ross designs clay vessels of varying materials and glazes that are each unique in their thoughtful and clean design. Paul Silverman presents ceramic figures of various tools and vintage items that trick the eye in their realistic appearance and awe with their attention to detail.
“The Edge exhibit welcomes travelers and residents to Asheville with a vibrant and unique display this spring at AVL,” said Alexandra Ingle, Brand and Experience Designer at AVL and curator of the gallery. “We are excited at each gallery opening to bring a fresh taste of our talented WNC art community into the airport.”
Artwork can be purchased from the gallery by emailing [email protected]. Details about the program and how to apply can be found on the airport’s website at flyavl.com.
Since 2018, the Arts Build Community grant supports innovative, arts-based projects that inspire diverse groups of participants to be more active, involved, and civically-engaged by creating together. Grants range from $1,000-2,500.
Arts and culture are a fundamental part of our community. They help us connect with one another and better understand history, people, and new ideas. When people become involved in the design, creation, and upkeep of places, they develop a vested interest in using and maintaining these spaces. When neighbors have a true sense of “ownership” or connection to the places they frequent, the community becomes a better place to live, work, and visit.
Description & Eligibility
Organizations must have been in operation for at least one year and be physically located in Buncombe County. Priority is given to projects based in low-income neighborhoods and communities in need.
The arts must be centered in the proposed project. Funds may be used to cover expenses such as art supplies, professional artists’ fees and travel, space rental, advertising, marketing and publicity, website and electronic media, scripts, costumes, sets, props, music and equipment rental.
Funds are for projects taking place from July 1, 2023- June 30, 2024. This can be a reimbursement for projects occurring during this funding period that have already taken place or for projects that have not yet occurred. Projects must be completed by June 30, 2024.
Support one of the greatest traditions at Flat Rock Playhouse!
2023 Apprentice Benefactors Charlotte and Bob Otto will match your gift 1:1 up to $25,000.
Flat Rock Playhouse’s 2023 Apprentice Program! Don’t miss this chance to DOUBLE YOUR IMPACT!
For over 65 years, a select group of college-age performers participate in an intensive summer at Flat Rock Playhouse that includes on-stage performance and mentoring from FRP professionals. They also perform Rootabaga stories four times a week at the Carl Sandburg Home National Historic Site and take original educational programs out to schools in four area counties. Apprentices come from prestigious theatre schools across the country and are chosen from more than 1000 students who audition.
Apprentice graduates have gone on to major professional engagements on and off-Broadway, on national tours, and in regional theatres. Notable alumni who have played on Broadway include Michael Luwoye (Hamilton in Hamilton, An American Musical), Adam Kaplan (A Bronx Tale), Ginna Claire Mason (Glinda in Wicked), Jared Goldsmith (Dear Evan Hansen) and Ben Hope (Once).
The City is seeking public input on the College Patton Bike Lane Project design through an online survey. Your responses will remain anonymous and will help City staff make updates to the plan that best accommodate all needs on the corridors. Staff will collect survey responses through Tuesday, June 5, 2023, and will share input received from this survey in an update to the City Council Planning and Economic Development Committee and on the City’s project page.
This project proposes to add buffered bike lanes in the core of Downtown on College Street between Spruce Street and Pritchard Park and on Patton Avenue between Pritchard Park and Biltmore Avenue.
Goals for this project include: creating protected east-west bicycle connections downtown that would connect to the larger bicycle network and creating a safer, more inviting multimodal environment downtown for everyone including bicyclists, pedestrians, and motor vehicles (including delivery trucks).
In addition to the proposed bike lanes, this project also includes restriping high-visibility crosswalks and reconfiguring loading zones throughout the project area.
This project is supported by City Councils 2036 Vision of Transportation and Accessibility. This Vision ensures whether you drive a car, take the bus, ride a bike or walk, that getting around Asheville is easy. Public transportation should be widespread, frequent, and reliable. Sidewalks, greenways, and bike facilities can get us where we want to go safely and keep us active and healthy. This Vision ensures it is easy to live in Asheville without a car and still enjoy economic, academic, and social success.
Food Scraps Drop Off
The City of Asheville, in partnership with Buncombe County and the Natural Resources Defense Council, is offering a FREE Food Scrap Drop-Off program in two locations for all Buncombe County residents. This organic matter will be collected and turned into good clean compost, keeping it OUT of our landfill and reducing greenhouse gas emissions.
Register for Food Scraps Drop Off
Need a handy kitchen countertop food scrap bin? Let us know on the registration form! We’ll be having bin giveaways at city and county facilities and would love to give you one.
Locations
Murphy Oakley Community Center and Library – “Food Scrap Bin Shelters” on the east side of the parking lot
749 Fairview Road, Asheville
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- Dawn – Dusk
Stephens-Lee Recreation Center “Food Scrap Shed” next to the Community Garden on the North side of the parking lot
30 Washington Carver Avenue, Asheville
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- Monday – Friday, 7 a.m. – 6 p.m.
- Saturday, 8 a.m. – 2 p.m.
- Sunday, 12 – 4 p.m.
West Asheville Library – “Food Scrap Bin Shelters” on the south side of the building
942 Haywood Road, Asheville
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- Library open hours
- Buncombe County Landfill – Convenience Center
85 Panther Branch Road, Alexander
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- Monday-Friday, 8 a.m. – 4:30 p.m.
- Saturday, 8 a.m. – 12:30 pm
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