Well is a funny and touching comedy about mothers and daughters, mind over body, social activism and theatre itself. Lisa, the onstage playwright, attempts a memory play about her force-of-nature mother, Ann, who though constantly ill manages to heal a community. The playwright asks the provocative question: “Do we create our own illness?” The answers she gets are much more complicated than she bargained for as the play spins dangerously out of control into riotously funny and unexpected territory.

“deceptively deep and clever as ever.” – Curtain Up

Discretionary Warning: Adult themes and language

RUMOURS FLEETWOOD MAC TRIBUTE has been rescheduled to perform September
16-20. In fact, we’ve been able to add two performances! Please call the Box Office beginning
10 am on Monday, March 16 to make arrangements.

Well is a funny and touching comedy about mothers and daughters, mind over body, social activism and theatre itself. Lisa, the onstage playwright, attempts a memory play about her force-of-nature mother, Ann, who though constantly ill manages to heal a community. The playwright asks the provocative question: “Do we create our own illness?” The answers she gets are much more complicated than she bargained for as the play spins dangerously out of control into riotously funny and unexpected territory.

“deceptively deep and clever as ever.” – Curtain Up

Discretionary Warning: Adult themes and language

HCT is proud to present, Driving Miss Daisy, the winner of the 1988 Pulitzer Prize and the Outer Critics Circle Award for Best Off-Broadway
Play. A warm-hearted, humorous and affecting study of the unlikely relationship between an aging, crotchety white Southern lady, and a proud, soft-spoken chauffer . A long-run Off-Broadway success and an Academy Award-winning film. —a perfectly poised and shaped miniature on the odd-couple theme.—NY Post

ACT: Closed Through May 1, 2020

I am sure this email is not unexpected, but that doesn’t make it any easier to write.

Asheville Community Theatre will be closed for the foreseeable future. We are unable to know when we will be able to reopen. It is our intention to reschedule any upcoming event; we also understand that this may not be possible.

Here’s what we do know:

• All performances, rehearsals, classes, auditions, volunteer training, and any other activity scheduled to take place in the ACT building from now until May 1, 2020 has been cancelled.
• We will reassess as time moves forward and we have more knowledge about when it will be safe to be in large or small groups together
• We already cannot wait until that next jubilant gathering!

During this time, our staff will be working remotely. You can reach any of us through email – so don’t be a stranger!

If you have tickets to a performance scheduled between now and May 1, 2020, our Box Office staff will contact you directly – either by email or phone – over the next week to ask your preference regarding your purchase.

We ask for your patience as we navigate this process.

With your purchase, you may choose to:

• hold your ticket to exchange until future dates are known (Little Women only)
• donate your ticket purchase to the theatre as a tax-deductible donation OR
• request a refund for your ticket purchase

If you are financially able, we invite you to donate your ticket purchase. As you can imagine, this will be devastating for arts organizations who rely on ticket sales to stay afloat. Your donation will help ACT to weather this unfathomable storm and be ready to reopen when we’re able to be back together again.

Well is a funny and touching comedy about mothers and daughters, mind over body, social activism and theatre itself. Lisa, the onstage playwright, attempts a memory play about her force-of-nature mother, Ann, who though constantly ill manages to heal a community. The playwright asks the provocative question: “Do we create our own illness?” The answers she gets are much more complicated than she bargained for as the play spins dangerously out of control into riotously funny and unexpected territory.

“deceptively deep and clever as ever.” – Curtain Up

Discretionary Warning: Adult themes and language

Friday at 7:30 pm; Saturday at 2:30 pm and 7:30 pm

An evening of caint, ceol agus craic! (stories, music and fun!)  One woman’s autobiographical story of her journey from Ireland to WNC, with many detours along the way.

Who Does She Think She Is? is presented as part of Asheville Community Theatre’s Artistic Horizons program, a program that gives local artists the opportunity to pursue new creative paths in the theatre. In the 2019-20 season, Artistic Horizons will feature four productions created by new, emerging, or established writers who are expanding their craft to include playwriting, or are helmed by first time directors who want to workshop a piece before committing to a full performance run.

HCT is proud to present, Driving Miss Daisy, the winner of the 1988 Pulitzer Prize and the Outer Critics Circle Award for Best Off-Broadway
Play. A warm-hearted, humorous and affecting study of the unlikely relationship between an aging, crotchety white Southern lady, and a proud, soft-spoken chauffer . A long-run Off-Broadway success and an Academy Award-winning film. —a perfectly poised and shaped miniature on the odd-couple theme.—NY Post

Well is a funny and touching comedy about mothers and daughters, mind over body, social activism and theatre itself. Lisa, the onstage playwright, attempts a memory play about her force-of-nature mother, Ann, who though constantly ill manages to heal a community. The playwright asks the provocative question: “Do we create our own illness?” The answers she gets are much more complicated than she bargained for as the play spins dangerously out of control into riotously funny and unexpected territory.

“deceptively deep and clever as ever.” – Curtain Up

Discretionary Warning: Adult themes and language

Friday at 7:30 pm; Saturday at 2:30 pm and 7:30 pm

An evening of caint, ceol agus craic! (stories, music and fun!)  One woman’s autobiographical story of her journey from Ireland to WNC, with many detours along the way.

Who Does She Think She Is? is presented as part of Asheville Community Theatre’s Artistic Horizons program, a program that gives local artists the opportunity to pursue new creative paths in the theatre. In the 2019-20 season, Artistic Horizons will feature four productions created by new, emerging, or established writers who are expanding their craft to include playwriting, or are helmed by first time directors who want to workshop a piece before committing to a full performance run.

HCT is proud to present, Driving Miss Daisy, the winner of the 1988 Pulitzer Prize and the Outer Critics Circle Award for Best Off-Broadway
Play. A warm-hearted, humorous and affecting study of the unlikely relationship between an aging, crotchety white Southern lady, and a proud, soft-spoken chauffer . A long-run Off-Broadway success and an Academy Award-winning film. —a perfectly poised and shaped miniature on the odd-couple theme.—NY Post

ACT: Closed Through May 1, 2020

I am sure this email is not unexpected, but that doesn’t make it any easier to write.

Asheville Community Theatre will be closed for the foreseeable future. We are unable to know when we will be able to reopen. It is our intention to reschedule any upcoming event; we also understand that this may not be possible.

Here’s what we do know:

• All performances, rehearsals, classes, auditions, volunteer training, and any other activity scheduled to take place in the ACT building from now until May 1, 2020 has been cancelled.
• We will reassess as time moves forward and we have more knowledge about when it will be safe to be in large or small groups together
• We already cannot wait until that next jubilant gathering!

During this time, our staff will be working remotely. You can reach any of us through email – so don’t be a stranger!

If you have tickets to a performance scheduled between now and May 1, 2020, our Box Office staff will contact you directly – either by email or phone – over the next week to ask your preference regarding your purchase.

We ask for your patience as we navigate this process.

With your purchase, you may choose to:

• hold your ticket to exchange until future dates are known (Little Women only)
• donate your ticket purchase to the theatre as a tax-deductible donation OR
• request a refund for your ticket purchase

If you are financially able, we invite you to donate your ticket purchase. As you can imagine, this will be devastating for arts organizations who rely on ticket sales to stay afloat. Your donation will help ACT to weather this unfathomable storm and be ready to reopen when we’re able to be back together again.

Well is a funny and touching comedy about mothers and daughters, mind over body, social activism and theatre itself. Lisa, the onstage playwright, attempts a memory play about her force-of-nature mother, Ann, who though constantly ill manages to heal a community. The playwright asks the provocative question: “Do we create our own illness?” The answers she gets are much more complicated than she bargained for as the play spins dangerously out of control into riotously funny and unexpected territory.

“deceptively deep and clever as ever.” – Curtain Up

Discretionary Warning: Adult themes and language

Friday at 7:30 pm; Saturday at 2:30 pm and 7:30 pm

An evening of caint, ceol agus craic! (stories, music and fun!)  One woman’s autobiographical story of her journey from Ireland to WNC, with many detours along the way.

Who Does She Think She Is? is presented as part of Asheville Community Theatre’s Artistic Horizons program, a program that gives local artists the opportunity to pursue new creative paths in the theatre. In the 2019-20 season, Artistic Horizons will feature four productions created by new, emerging, or established writers who are expanding their craft to include playwriting, or are helmed by first time directors who want to workshop a piece before committing to a full performance run.

HCT is proud to present, Driving Miss Daisy, the winner of the 1988 Pulitzer Prize and the Outer Critics Circle Award for Best Off-Broadway
Play. A warm-hearted, humorous and affecting study of the unlikely relationship between an aging, crotchety white Southern lady, and a proud, soft-spoken chauffer . A long-run Off-Broadway success and an Academy Award-winning film. —a perfectly poised and shaped miniature on the odd-couple theme.—NY Post