Calendar of Events

Asheville-born and Raleigh-Durham-based interdisciplinary artist Sherrill Roland’s socially driven practice draws upon his experience with wrongful incarceration for a crime he did not commit and seeks to open conversations about how we care for our communities and one another with compassion and understanding. Through sculpture, installation, and conceptual art, Roland engages visitors in dialogues around community, social contract, identity, biases, and other deeply human experiences. Comprised of artwork created from 2016 to the present, Sherrill Roland: Sugar, Water, Lemon Squeeze reflects on making something from nothing, lemonade from lemons, the best of a situation. A reference to a simple recipe from the artist’s childhood, the title also speaks to Roland’s employment of materials available to him while incarcerated, such as Kool-Aid and mail from family members. In the face of his personal experiences, he invites viewers to confront their own uncomfortable complicity in perpetuating injustice. Roland’s work humanizes these difficult topics and creates a space for communication and envisioning a better future. This exhibition is organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator, in collaboration with the Artist. This exhibition is funded, in part, by a grant from South Arts in partnership with the National Endowment for the Arts.

Bring your needles or your hooks and join us for some friendly company as you work on your current project.  No registration necessary; just come by the Skyland Library community room with a love of yarn!

Please note this is not a class.

Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.

PLUS: Immersive, multi-sensory Leonardo da Vinci – 500 Years of Genius exhibition created and produced by Grande Experiences

PLUS: FREE next-day access to Biltmore’s Gardens and Grounds

This visit includes access to:

• Leonardo da Vinci – 500 Years of Genius at Amherst at Deerpark®
• 8,000 Acres of Gardens and Grounds for two consecutive days
• Antler Hill Village & Winery
• Complimentary Wine Tastings at the Winery
• Tastings require a Day-of-Visit Reservation, which can be made by:
  • Scanning the QR Code found in your Estate Guide
  • Visiting any Guest Services location
• Complimentary parking

Art Exhibition: Leonardo da Vinci – 500 Years of Genius

Immerse yourself in the world’s most comprehensive and thrilling Da Vinci experience as his brilliance and extraordinary achievements are brought to vivid life!

Natural Collector is organized by the Asheville Art Museum. IMAGE: Christian Burchard, Untitled (nesting bowls), 1998, madrone burl, various from 6 × 6 × 6 to ⅜ × ⅜ × ⅜ inches. Gift of Fleur S. Bresler, 2021.76.01.

Natural Collector | Gifts of Fleur S. Bresler features around 15 artworks from the collection of Fleur S. Bresler, which include important examples of modern and contemporary American craft including wood and fiber art, as well as glass and ceramics. These works that were generously donated by contemporary craft collector Bresler to the Asheville Art Museum over the years reflect her strong interest in wood-based art and themes of nature. According to Associate Curator Whitney Richardson, “This exhibition highlights artworks that consider the natural element from which they were created or replicate known flora and fauna in unexpected materials. The selection of objects displayed illustrates how Bresler’s eye for collecting craft not only draws attention to nature and artists’ interest in it, but also accentuates her role as a natural collector with an intuitive ability to identify themes and ideas that speak to one another.” This exhibition presents work from the Collection representing the first generation of American wood turners like Rude Osolnik and Ed Moulthrop, as well as those that came after and learned from them, such as Philip Moulthrop, John Jordan, and local Western North Carolina (WNC) artist Stoney Lamar. Other WNC-based artists in Natural Collector include Anne Lemanski, whose paper sculpture of a snake captures the viewer’s imagination, and Michael Sherrill’s multimedia work that tricks the eye with its similarity to true-to-life berries. Also represented are beadwork and sculpture by Joyce J. Scott and Jack and Linda Fifield.

Asheville-born and Raleigh-Durham-based interdisciplinary artist Sherrill Roland’s socially driven practice draws upon his experience with wrongful incarceration for a crime he did not commit and seeks to open conversations about how we care for our communities and one another with compassion and understanding. Through sculpture, installation, and conceptual art, Roland engages visitors in dialogues around community, social contract, identity, biases, and other deeply human experiences. Comprised of artwork created from 2016 to the present, Sherrill Roland: Sugar, Water, Lemon Squeeze reflects on making something from nothing, lemonade from lemons, the best of a situation. A reference to a simple recipe from the artist’s childhood, the title also speaks to Roland’s employment of materials available to him while incarcerated, such as Kool-Aid and mail from family members. In the face of his personal experiences, he invites viewers to confront their own uncomfortable complicity in perpetuating injustice. Roland’s work humanizes these difficult topics and creates a space for communication and envisioning a better future. This exhibition is organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator, in collaboration with the Artist. This exhibition is funded, in part, by a grant from South Arts in partnership with the National Endowment for the Arts.

This two-day workshop explores two different types of printmaking techniques: Intaglio and Monotype. Experiment with the combination of these processes and discover exciting new methods to create unique and interesting prints. Instructor Lucinda Shelton has taught visual art for many years and has worked with adults in various studio settings. Although Shelton enjoys working with all kinds of media, she is currently making Monoprints combining various techniques inspired by Intelligent Design. Reserve your spot.

Steve Lapointe’s nine years of classical piano as a youth grounded him in music theory. Jazz studies while in Ithaca, NY, opened his ears to extemporaneous improvisation and the music of Keith Jarrett, Chick Corea, Bill Evans, Michel Petrucciani and the American songbook. Steve served as musical director of the Unitarian Universalist Fellowship of Vero Beach, Florida, and occasionally performed at the UU Asheville congregation.

Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.

PLUS: Immersive, multi-sensory Leonardo da Vinci – 500 Years of Genius exhibition created and produced by Grande Experiences

PLUS: FREE next-day access to Biltmore’s Gardens and Grounds

This visit includes access to:

• Leonardo da Vinci – 500 Years of Genius at Amherst at Deerpark®
• 8,000 Acres of Gardens and Grounds for two consecutive days
• Antler Hill Village & Winery
• Complimentary Wine Tastings at the Winery
• Tastings require a Day-of-Visit Reservation, which can be made by:
  • Scanning the QR Code found in your Estate Guide
  • Visiting any Guest Services location
• Complimentary parking

Art Exhibition: Leonardo da Vinci – 500 Years of Genius

Immerse yourself in the world’s most comprehensive and thrilling Da Vinci experience as his brilliance and extraordinary achievements are brought to vivid life!

Natural Collector is organized by the Asheville Art Museum. IMAGE: Christian Burchard, Untitled (nesting bowls), 1998, madrone burl, various from 6 × 6 × 6 to ⅜ × ⅜ × ⅜ inches. Gift of Fleur S. Bresler, 2021.76.01.

Natural Collector | Gifts of Fleur S. Bresler features around 15 artworks from the collection of Fleur S. Bresler, which include important examples of modern and contemporary American craft including wood and fiber art, as well as glass and ceramics. These works that were generously donated by contemporary craft collector Bresler to the Asheville Art Museum over the years reflect her strong interest in wood-based art and themes of nature. According to Associate Curator Whitney Richardson, “This exhibition highlights artworks that consider the natural element from which they were created or replicate known flora and fauna in unexpected materials. The selection of objects displayed illustrates how Bresler’s eye for collecting craft not only draws attention to nature and artists’ interest in it, but also accentuates her role as a natural collector with an intuitive ability to identify themes and ideas that speak to one another.” This exhibition presents work from the Collection representing the first generation of American wood turners like Rude Osolnik and Ed Moulthrop, as well as those that came after and learned from them, such as Philip Moulthrop, John Jordan, and local Western North Carolina (WNC) artist Stoney Lamar. Other WNC-based artists in Natural Collector include Anne Lemanski, whose paper sculpture of a snake captures the viewer’s imagination, and Michael Sherrill’s multimedia work that tricks the eye with its similarity to true-to-life berries. Also represented are beadwork and sculpture by Joyce J. Scott and Jack and Linda Fifield.

Asheville-born and Raleigh-Durham-based interdisciplinary artist Sherrill Roland’s socially driven practice draws upon his experience with wrongful incarceration for a crime he did not commit and seeks to open conversations about how we care for our communities and one another with compassion and understanding. Through sculpture, installation, and conceptual art, Roland engages visitors in dialogues around community, social contract, identity, biases, and other deeply human experiences. Comprised of artwork created from 2016 to the present, Sherrill Roland: Sugar, Water, Lemon Squeeze reflects on making something from nothing, lemonade from lemons, the best of a situation. A reference to a simple recipe from the artist’s childhood, the title also speaks to Roland’s employment of materials available to him while incarcerated, such as Kool-Aid and mail from family members. In the face of his personal experiences, he invites viewers to confront their own uncomfortable complicity in perpetuating injustice. Roland’s work humanizes these difficult topics and creates a space for communication and envisioning a better future. This exhibition is organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator, in collaboration with the Artist. This exhibition is funded, in part, by a grant from South Arts in partnership with the National Endowment for the Arts.

Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.

PLUS: Immersive, multi-sensory Leonardo da Vinci – 500 Years of Genius exhibition created and produced by Grande Experiences

PLUS: FREE next-day access to Biltmore’s Gardens and Grounds

This visit includes access to:

• Leonardo da Vinci – 500 Years of Genius at Amherst at Deerpark®
• 8,000 Acres of Gardens and Grounds for two consecutive days
• Antler Hill Village & Winery
• Complimentary Wine Tastings at the Winery
• Tastings require a Day-of-Visit Reservation, which can be made by:
  • Scanning the QR Code found in your Estate Guide
  • Visiting any Guest Services location
• Complimentary parking

Art Exhibition: Leonardo da Vinci – 500 Years of Genius

Immerse yourself in the world’s most comprehensive and thrilling Da Vinci experience as his brilliance and extraordinary achievements are brought to vivid life!

Tracey Morgan Gallery is pleased to present landmarks, an exhibition of new work by photographer Colby Caldwell. On view are large-scale, wax coated color photographic prints of elements from the natural world abstracted by digital interventions. Paired with these are small, meditative photographs taken from the forest floor of bright skies framed by treetops. In his most recent work, Caldwell explores the forests of the Blue Ridge Mountains collecting what could be thought of as visual “field recordings.” Using a flatbed scanner as a makeshift camera, Caldwell documents what he encounters on his wanderings: decomposing leaves, moss, lichen, tree bark. The resulting images are punctuated by digital interferences – unnatural hues of pinks, reds, and greens, swaths of pixilation, and large streaks where the scanner attempts and fails to “accurately” record information. Caldwell asks us to examine often overlooked details from the forest floor in a new view, not shying from the digital idiosyncrasies inherent in the process of scanning 3-dimensional objects on a flat surface. Where much of Caldwell’s previous work has included bringing nature into his studio, this series flips the script in a unique examination of technology’s place in the natural world. The work pushes at the parameters of traditional, photo historical nature specimen documentation. Caldwell is less interested in precisely cataloging samples, and more interested in investigating which tools we use to do so. The work additionally looks at how history is held within the landscape, and the ways humans have appropriated the land, contested its ownership, and used it for sustenance. Caldwell’s unconventional, experimental methodology of documentation seems to be pointing to the many ways these histories have been obscured, and the way our connection to nature has changed in the contemporary digital era. Colby Caldwell (American, born 1965), once a student of history, has tested virtually every avenue of the personal uses of photography as an instrument of memory. While his early work replicated the theatrical feeling of 19th Century “drawing with light,” his most recent efforts deconstruct the very elements of digital photography. Caldwell has held teaching positions at the Corcoran School of Art in Washington, DC; St. Mary’s College of Maryland; and currently at Warren Wilson College, Swannanoa, NC. His work is included in the collections of The Museum of Fine Arts, Houston, TX; the Smithsonian American Art Museum, Washington DC; and the Ogden Museum of Southern Art, New Orleans, LA. Caldwell received a Bachelor of Fine Arts from the Corcoran College of Art + Design in 1990. Recent solo exhibitions include Selu Songs at the Radford Art Museum in early 2022. He was featured in the book Art of the State, published November 2022, which surveys contemporary art in his home state of North Carolina. He currently lives and works in Asheville, NC.

Great news for poets and poetry lovers: Dark City Poet’s Society is returning to the Black Mountain Library. DCPS is a completely free poetry group that is open to poets of all ages and experience levels. Join us at the Black Mountain Library from 6-7:30 p.m. on the first Tuesday of every month for our (respectful) critique group. DCPS will meet at BAD Craft from 6-7 p.m. on the third Tuesday for our monthly open mic Poetry Night. Find out more on Instagram @darkcitypoetssociety or contact the Black Mountain Library.

Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.

PLUS: Immersive, multi-sensory Leonardo da Vinci – 500 Years of Genius exhibition created and produced by Grande Experiences

PLUS: FREE next-day access to Biltmore’s Gardens and Grounds

This visit includes access to:

• Leonardo da Vinci – 500 Years of Genius at Amherst at Deerpark®
• 8,000 Acres of Gardens and Grounds for two consecutive days
• Antler Hill Village & Winery
• Complimentary Wine Tastings at the Winery
• Tastings require a Day-of-Visit Reservation, which can be made by:
  • Scanning the QR Code found in your Estate Guide
  • Visiting any Guest Services location
• Complimentary parking

Art Exhibition: Leonardo da Vinci – 500 Years of Genius

Immerse yourself in the world’s most comprehensive and thrilling Da Vinci experience as his brilliance and extraordinary achievements are brought to vivid life!

Tracey Morgan Gallery is pleased to present landmarks, an exhibition of new work by photographer Colby Caldwell. On view are large-scale, wax coated color photographic prints of elements from the natural world abstracted by digital interventions. Paired with these are small, meditative photographs taken from the forest floor of bright skies framed by treetops. In his most recent work, Caldwell explores the forests of the Blue Ridge Mountains collecting what could be thought of as visual “field recordings.” Using a flatbed scanner as a makeshift camera, Caldwell documents what he encounters on his wanderings: decomposing leaves, moss, lichen, tree bark. The resulting images are punctuated by digital interferences – unnatural hues of pinks, reds, and greens, swaths of pixilation, and large streaks where the scanner attempts and fails to “accurately” record information. Caldwell asks us to examine often overlooked details from the forest floor in a new view, not shying from the digital idiosyncrasies inherent in the process of scanning 3-dimensional objects on a flat surface. Where much of Caldwell’s previous work has included bringing nature into his studio, this series flips the script in a unique examination of technology’s place in the natural world. The work pushes at the parameters of traditional, photo historical nature specimen documentation. Caldwell is less interested in precisely cataloging samples, and more interested in investigating which tools we use to do so. The work additionally looks at how history is held within the landscape, and the ways humans have appropriated the land, contested its ownership, and used it for sustenance. Caldwell’s unconventional, experimental methodology of documentation seems to be pointing to the many ways these histories have been obscured, and the way our connection to nature has changed in the contemporary digital era. Colby Caldwell (American, born 1965), once a student of history, has tested virtually every avenue of the personal uses of photography as an instrument of memory. While his early work replicated the theatrical feeling of 19th Century “drawing with light,” his most recent efforts deconstruct the very elements of digital photography. Caldwell has held teaching positions at the Corcoran School of Art in Washington, DC; St. Mary’s College of Maryland; and currently at Warren Wilson College, Swannanoa, NC. His work is included in the collections of The Museum of Fine Arts, Houston, TX; the Smithsonian American Art Museum, Washington DC; and the Ogden Museum of Southern Art, New Orleans, LA. Caldwell received a Bachelor of Fine Arts from the Corcoran College of Art + Design in 1990. Recent solo exhibitions include Selu Songs at the Radford Art Museum in early 2022. He was featured in the book Art of the State, published November 2022, which surveys contemporary art in his home state of North Carolina. He currently lives and works in Asheville, NC.

This is a Humanities Common Lecture for UNC Asheville students and faculty. The class is free and open to the public to attend. See below for details on parking a links to a campus map.

“As a contemporary artist Indigenous to North America, I am motivated to reclaim and reframe a more accurate version of 21st century Native American culture and its powerful global relevance.”

–Cannupa Hanska Luger

Born on the Standing Rock Reservation in North Dakota, New Mexico based artist Cannupa Hanska Luger is an enrolled member of the Three Affiliated Tribes of Fort Berthold and is of Mandan, Hidatsa, Arikara and Lakota heritage. Creating monumental installations, sculpture and performance to communicate urgent stories about 21st Century Indigeneity, Luger incorporates ceramics, steel, fiber, video and repurposed materials to activate speculative fiction, engage land-based actions of repair and practice empathetic response through social collaboration. Luger combines critical cultural analysis with dedication and respect for the diverse materials, environments, and communities he engages while provoking diverse audiences to engage with Indigenous peoples and values apart from the lens of colonial social structuring.

Luger is a 2022 Guggenheim Fellow, a recipient of a 2021 United States Artists Fellowship Award for Craft and was named a 2021 GRIST Fixer. He is a 2020 Creative Capital Fellow, a 2020 Smithsonian Artist Research Fellow, and the recipient of the Museum of Arts and Design’s 2018 inaugural Burke Prize, among others. Luger has exhibited nationally and internationally including at The Metropolitan Museum of Art, Gardiner Museum, Kunsthal KAdE, Washington Project for the Arts, Art Mûr, Crystal Bridges Museum of American Art and the National Center for Civil and Human Rights. Luger holds a BFA in studio arts from the Institute of American Indian Arts and is represented by Garth Greenan Gallery in New York.

This event is held in conjunction with Mįhą́pmąk, a solo exhibition of 2020 Craft Research Fund Artist Fellow Cannupa Hanska Luger on view at the Center for Craft (Asheville, NC) through January 28, 2023. The exhibition features ceramics, research ephemera, and documentation from the past two years of his ongoing research project to recover his ancestral, Mandan clay traditions. This exhibit was recently reviewed in Art in America.

The lecture is in the Mullen James Lecture Hall at the University of North Carolina Asheville. For a Campus Map, see: https://maps.unca.edu/

For parking instructions, see “Visitors”: https://www.permitsales.net/UNCA

This event is presented in partnership by Center for Craft, Center for Native Health, Museum of the Cherokee Indian, and University North Carolina Asheville.

Natural Collector is organized by the Asheville Art Museum. IMAGE: Christian Burchard, Untitled (nesting bowls), 1998, madrone burl, various from 6 × 6 × 6 to ⅜ × ⅜ × ⅜ inches. Gift of Fleur S. Bresler, 2021.76.01.

Natural Collector | Gifts of Fleur S. Bresler features around 15 artworks from the collection of Fleur S. Bresler, which include important examples of modern and contemporary American craft including wood and fiber art, as well as glass and ceramics. These works that were generously donated by contemporary craft collector Bresler to the Asheville Art Museum over the years reflect her strong interest in wood-based art and themes of nature. According to Associate Curator Whitney Richardson, “This exhibition highlights artworks that consider the natural element from which they were created or replicate known flora and fauna in unexpected materials. The selection of objects displayed illustrates how Bresler’s eye for collecting craft not only draws attention to nature and artists’ interest in it, but also accentuates her role as a natural collector with an intuitive ability to identify themes and ideas that speak to one another.” This exhibition presents work from the Collection representing the first generation of American wood turners like Rude Osolnik and Ed Moulthrop, as well as those that came after and learned from them, such as Philip Moulthrop, John Jordan, and local Western North Carolina (WNC) artist Stoney Lamar. Other WNC-based artists in Natural Collector include Anne Lemanski, whose paper sculpture of a snake captures the viewer’s imagination, and Michael Sherrill’s multimedia work that tricks the eye with its similarity to true-to-life berries. Also represented are beadwork and sculpture by Joyce J. Scott and Jack and Linda Fifield.

Asheville-born and Raleigh-Durham-based interdisciplinary artist Sherrill Roland’s socially driven practice draws upon his experience with wrongful incarceration for a crime he did not commit and seeks to open conversations about how we care for our communities and one another with compassion and understanding. Through sculpture, installation, and conceptual art, Roland engages visitors in dialogues around community, social contract, identity, biases, and other deeply human experiences. Comprised of artwork created from 2016 to the present, Sherrill Roland: Sugar, Water, Lemon Squeeze reflects on making something from nothing, lemonade from lemons, the best of a situation. A reference to a simple recipe from the artist’s childhood, the title also speaks to Roland’s employment of materials available to him while incarcerated, such as Kool-Aid and mail from family members. In the face of his personal experiences, he invites viewers to confront their own uncomfortable complicity in perpetuating injustice. Roland’s work humanizes these difficult topics and creates a space for communication and envisioning a better future. This exhibition is organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator, in collaboration with the Artist. This exhibition is funded, in part, by a grant from South Arts in partnership with the National Endowment for the Arts.

Participants: Cannupa Hanska Luger, Artist and Luis Martinez, Chef Since time immemorial indigenous populations throughout Abya Yala, or the Americas, have dug clay and transformed it into vessels for cooking food grown from the same land. Whether a traditional, Mandan stew simmered in a clay pot over an open fire, or masa toasted on a comal in Oaxaca, the relationship between land, clay, and native foods is inextricably linked. Small Bite Tasting Menu: Chochoyotes – GF/VEGAN – Red Corn Masa, Foraged Herbs Mulli Tamal – GF/VEGAN – Yellow Corn Masa, Black Ants “Mulli”, Squash Pipian – GF/VEGAN – Local beans, Pipian Salsa, Sunchoke This event is free, but we recommend a donation of $15 through registration.

Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.

PLUS: Immersive, multi-sensory Leonardo da Vinci – 500 Years of Genius exhibition created and produced by Grande Experiences

PLUS: FREE next-day access to Biltmore’s Gardens and Grounds

This visit includes access to:

• Leonardo da Vinci – 500 Years of Genius at Amherst at Deerpark®
• 8,000 Acres of Gardens and Grounds for two consecutive days
• Antler Hill Village & Winery
• Complimentary Wine Tastings at the Winery
• Tastings require a Day-of-Visit Reservation, which can be made by:
  • Scanning the QR Code found in your Estate Guide
  • Visiting any Guest Services location
• Complimentary parking

Art Exhibition: Leonardo da Vinci – 500 Years of Genius

Immerse yourself in the world’s most comprehensive and thrilling Da Vinci experience as his brilliance and extraordinary achievements are brought to vivid life!