Calendar of Events

Joe Zimmerman grew up in Morgantown, West Virginia, and started his comedy career in North Carolina. While living in the South, his stand-up group the Beards of Comedy landed a record deal with Comedy Central Records. He moved to New York City in 2012, quickly appearing on The Late Late Show and John Oliver’s New York Stand-Up Show, as well as performing at Montreal’s prestigious Just for Laughs festival. His resume has since grown to include The Tonight Show, Conan, Nickelodeon, Last Comic Standing, and his own Comedy Central Half Hour. Joe’s solo album Smiling at Wolves reached number two on the iTunes comedy charts and is played regularly on SiriusXM. (His second, Innocence, is due this summer on Comedy Central Records.) He has also contributed humor pieces to The New York Times.

Joe’s new podcast, “A Great Listening Experience” details his questionable attempts to attain infinite knowledge and power. Among his many podcast & radio appearances, he has recently appeared on 2 Dope Queens, The Dork Forest, Bob & Tom, The Todd Barry Podcast, and The Artie Lange Show. Joe is frequently touring, headlining clubs around the country, and occasionally opening for super stars Brian Regan and Ricky Gervais.

“The combination of Joe’s calming vocalization and inventive writing is a thing of magic. You’d be hard-pressed to find a more enjoyable show.”
-Buzzfeed

ages 18+
Tickets $12 advance, $15 day of
Friday: https://www.eventbrite.com/e/lazoom-comedy-joe-zimmerman-friday-tickets-87501546481
Saturday: https://www.eventbrite.com/e/lazoom-comedy-joe-zimmerman-saturday-tickets-87502748075

The first show of the Playhouse’s 2020 season is sure to rock your world with Music on the Rock® The Music of Queen. Dustin Brayley and Ryan Guerra join forces with Nat Zegree for the first time on the Leiman Mainstage along with Music on the Rock® favorites Eric Anthony, Paul Babelay, and Ryan Dunn. The Music of Queen will feature all your favorite hits from the legendary rock group like “We Will Rock You,” “Bohemian Rhapsody,” “Another One Bites The Dust,” and more!

An All New World Premiere! Once again, Bertie finds himself suffering the slings and arrows of misfortune at the hands of his relatives, caught between the magisterial machinations of his fierce Aunt Agatha and the plaintive pleadings of his cousin Egbert. An imperious Sir Roderick Glossop and his daughter add to another priceless predicament calling upon the redoubtable Jeeves to save the day.

This production is sponsored by Jerry McAninch in Loving Memory of Bill McAninch

One of the funniest musicals ever written. Sondheim’s joyous musical romp through Rome has desperate lovers, scheming neighbors and secrets behind every toga. This unforgettable, hysterical musical allows a terrify ensemble of comedic actors to shine!

The Fantasticks is the longest-running musical in the world and with good reason: it’s a timeless fable of love that manages to be nostalgic and universal at the same time! This musical is punctuated by a series of catchy, memorable songs, many of which have become classics. “Try To Remember” a time when this romantic charmer wasn’t enchanting audiences around the world!

The Fantasticks is directed by Mark Jones with music direction by Rob Blackwell and choreography by Jessica Garland Lowe.

An All New World Premiere! Once again, Bertie finds himself suffering the slings and arrows of misfortune at the hands of his relatives, caught between the magisterial machinations of his fierce Aunt Agatha and the plaintive pleadings of his cousin Egbert. An imperious Sir Roderick Glossop and his daughter add to another priceless predicament calling upon the redoubtable Jeeves to save the day.

This production is sponsored by Jerry McAninch in Loving Memory of Bill McAninch

The Fantasticks is a funny and romantic musical about a boy, a girl, and their two fathers who try to keep them apart. The narrator, El Gallo, asks the audience to use their imagination and follow him into a world of moonlight and magic. The lovers fall in love, grow apart and finally find their way back to each other after realizing the truth in El Gallo’s words that, “without a hurt, the heart is hollow.” The story is punctuated by a series of catchy, memorable songs, many of which have become classics.

The Fantasticks is directed by Mark Jones with music direction by Rob Blackwell and choreography by Jessica Garland Lowe. Coincidentally, Mark appeared onstage in ACT’s 1998 production of The Fantasticks!

“It’s been about 20 years since I played Matt on the ACT stage. I was a young, inexperienced actor, and person, at that time,” Mark said. “But now I am able to revisit the show with much more experience and maturity. I know much more about love, loss and heartbreak than I did at the age of 24.”

The first show of the Playhouse’s 2020 season is sure to rock your world with Music on the Rock® The Music of Queen. Dustin Brayley and Ryan Guerra join forces with Nat Zegree for the first time on the Leiman Mainstage along with Music on the Rock® favorites Eric Anthony, Paul Babelay, and Ryan Dunn. The Music of Queen will feature all your favorite hits from the legendary rock group like “We Will Rock You,” “Bohemian Rhapsody,” “Another One Bites The Dust,” and more!

One of the funniest musicals ever written. Sondheim’s joyous musical romp through Rome has desperate lovers, scheming neighbors and secrets behind every toga. This unforgettable, hysterical musical allows a terrify ensemble of comedic actors to shine!

An All New World Premiere! Once again, Bertie finds himself suffering the slings and arrows of misfortune at the hands of his relatives, caught between the magisterial machinations of his fierce Aunt Agatha and the plaintive pleadings of his cousin Egbert. An imperious Sir Roderick Glossop and his daughter add to another priceless predicament calling upon the redoubtable Jeeves to save the day.

This production is sponsored by Jerry McAninch in Loving Memory of Bill McAninch

The Fantasticks is the longest-running musical in the world and with good reason: it’s a timeless fable of love that manages to be nostalgic and universal at the same time! This musical is punctuated by a series of catchy, memorable songs, many of which have become classics. “Try To Remember” a time when this romantic charmer wasn’t enchanting audiences around the world!

The Fantasticks is directed by Mark Jones with music direction by Rob Blackwell and choreography by Jessica Garland Lowe.

The Fantasticks is a funny and romantic musical about a boy, a girl, and their two fathers who try to keep them apart. The narrator, El Gallo, asks the audience to use their imagination and follow him into a world of moonlight and magic. The lovers fall in love, grow apart and finally find their way back to each other after realizing the truth in El Gallo’s words that, “without a hurt, the heart is hollow.” The story is punctuated by a series of catchy, memorable songs, many of which have become classics.

The Fantasticks is directed by Mark Jones with music direction by Rob Blackwell and choreography by Jessica Garland Lowe. Coincidentally, Mark appeared onstage in ACT’s 1998 production of The Fantasticks!

“It’s been about 20 years since I played Matt on the ACT stage. I was a young, inexperienced actor, and person, at that time,” Mark said. “But now I am able to revisit the show with much more experience and maturity. I know much more about love, loss and heartbreak than I did at the age of 24.

TheatreUNCA will present Hedda Gabler, the 1890 drama by Henrik Ibsen, one of the founders of modernism in theater, with a new translation that director Aaron Snook calls “streamlined and accessible.” Curtain at  will rise at 7:30 p.m. on Thursday-Saturday, Feb. 27-29, and there will be a 2 p.m. matinee on Sunday, March 1.

“What Ibsen did so brilliantly was create very complex human beings on the stage that could be seemingly contradictory,” says Snook. “And we’re creating some moments of transition between the acts that will be different from some other Hedda Gablers. We’re not changing the script, but using the spaces in the play itself to tell a little bit more of her story.”

The Fantasticks is the longest-running musical in the world and with good reason: it’s a timeless fable of love that manages to be nostalgic and universal at the same time! This musical is punctuated by a series of catchy, memorable songs, many of which have become classics. “Try To Remember” a time when this romantic charmer wasn’t enchanting audiences around the world!

The Fantasticks is directed by Mark Jones with music direction by Rob Blackwell and choreography by Jessica Garland Lowe.

The Fantasticks is a funny and romantic musical about a boy, a girl, and their two fathers who try to keep them apart. The narrator, El Gallo, asks the audience to use their imagination and follow him into a world of moonlight and magic. The lovers fall in love, grow apart and finally find their way back to each other after realizing the truth in El Gallo’s words that, “without a hurt, the heart is hollow.” The story is punctuated by a series of catchy, memorable songs, many of which have become classics.

The Fantasticks is directed by Mark Jones with music direction by Rob Blackwell and choreography by Jessica Garland Lowe. Coincidentally, Mark appeared onstage in ACT’s 1998 production of The Fantasticks!

“It’s been about 20 years since I played Matt on the ACT stage. I was a young, inexperienced actor, and person, at that time,” Mark said. “But now I am able to revisit the show with much more experience and maturity. I know much more about love, loss and heartbreak than I did at the age of 24.”

One of the funniest musicals ever written. Sondheim’s joyous musical romp through Rome has desperate lovers, scheming neighbors and secrets behind every toga. This unforgettable, hysterical musical allows a terrify ensemble of comedic actors to shine!

TheatreUNCA will present Hedda Gabler, the 1890 drama by Henrik Ibsen, one of the founders of modernism in theater, with a new translation that director Aaron Snook calls “streamlined and accessible.” Curtain at  will rise at 7:30 p.m. on Thursday-Saturday, Feb. 27-29, and there will be a 2 p.m. matinee on Sunday, March 1.

“What Ibsen did so brilliantly was create very complex human beings on the stage that could be seemingly contradictory,” says Snook. “And we’re creating some moments of transition between the acts that will be different from some other Hedda Gablers. We’re not changing the script, but using the spaces in the play itself to tell a little bit more of her story.”