Once the Times Square ball drops, ringing in 2024, be ready for a fast-paced 9½ weeks in preparation for your Annual Precinct Meeting in February and the Primary Election on Tues., March 5th.

2024 is an Election Year. If you want to accomplish your goals, engage your volunteers, and get voters to the polls in November, create a well-organized plan of action now. Don’t wait until January. Start now to plan, design, and map your 2024 year.

Led by professional trainer Barrie Barton, this workshop leads you through Map Your Year, a step-by-step approach to plan the year ahead. To receive the greatest benefit from this 1.5-hr. workshop, we encourage all 3 officers and key volunteers from your precinct to attend. By the end of this workshop, your precinct team will leave with goals, strategies and actions to make 2024 a successful year.

Who should attend: All precinct officers and key volunteers

Once the Times Square ball drops, ringing in 2024, be ready for a fast-paced 9½ weeks in preparation for your Annual Precinct Meeting in February and the Primary Election on Tues., March 5th.

2024 is an Election Year. If you want to accomplish your goals, engage your volunteers, and get voters to the polls in November, create a well-organized plan of action now. Don’t wait until January. Start now to plan, design, and map your 2024 year.

Led by professional trainer Barrie Barton, this workshop leads you through Map Your Year, a step-by-step approach to plan the year ahead. To receive the greatest benefit from this 1.5-hr. workshop, we encourage all 3 officers and key volunteers from your precinct to attend. By the end of this workshop, your precinct team will leave with goals, strategies and actions to make 2024 a successful year.

Who should attend: All precinct officers and key volunteers

Tyger Tyger Gallery is pleased to present Reckoning: Adornment as Narrative, a group exhibition curated by Asheville-based artist and curator Erika Diamond.

Reckoning: Adornment as Narrative is an exhibition of diverse practices, anchored at three points: methods of reckoning; the function of adornment; and the fusing of personal and cultural narrative. It features acts of glitz, embellishment, and homage by Shae Bishop, David Harper Clemons, Kashif Dennis, Annie Evelyn, Margaret Jacobs, Julia Kwon, Katrina Majkut, Heather Mackenzie, and Luis Sahagun. Through material language, each artist tells the story of their identity. Inherent to these stories are contradictions—between labor and value, feminine and masculine, natural and fabricated.

The Peppermint Bear Scavenger Hunt will take you on a fun-filled bear hunt through downtown Hendersonville looking for Peppermint Bear’s lost bear cubs, who are hiding out in the shops, Get your map at the Visitor Center, then head out to find all of the cubs and get a stamp at each location after you’ve found the bear, return completed entry forms to the Visitor Center to be eligible for great prizes!

Bargain Hendo Thrift Store will be permanently closing its doors on December 13th.
• WNCSource operates the small thrift store which is located on the corner of King Street
and 2nd Avenue in Hendersonville.
• Bargain Hendo first opened in December of 2020 and was meant to support the programs
and services WNCSource provides in 4 western North Carolina Counties. Unfortunately,
low sales and competition from other local thrift stores has made the store less than
profitable.
• But don’t worry, starting Thursday, November 2nd, Bargain Hendo will be open
Wednesdays through Fridays 10AM to 4PM and Saturdays from 10AM to 2PM with some
incredible bargains and sales to clear the shelves.
• Bargain Hendo’s last day is December 13th

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

$10 | Ages 2-9 with adult, advance registration required

A holiday tradition for local families, Santa hosts a special breakfast with games, crafts, and a visit from the jolly man himself.

TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community. The first weekly Coffee is Saturday, August 20 at 9 am. No RSVP needed, just drop by! Free parking available on Melrose Avenue, behind and alongside TFAC.

Images: Left: Minna Wright Citron, Squid Under Pier, 1948, color etching, soft-ground, and engraving on paper, edition 42/50, 15 x 17 7/8 inches, 2010 Collections Circle purchase, Asheville Art Museum. © Estate of Minna Citron/Licensed by VAGA at ARS, New York. Right: Dorothy Dehner, Woman #2, 1954, watercolor and ink on paper, 22 3/4 x 18”, courtesy of Dolan Maxwell.

The Asheville Art Museum is pleased to announce the upcoming exhibition American Art in the Atomic Age: 1940–1960, which explores the groundbreaking contributions of artists who worked at the experimental printmaking studio Atelier 17 in the wake of World War II. Co-curated by Marilyn Laufer and Tom Butler, American Art in the Atomic Age which draws from the holdings of Dolan/Maxwell, the Asheville Art Museum Collection, and private collections will be on view from November 10, 2023–April 29, 2024.

Atelier 17 operated in New York for fifteen years, between 1940 and 1955. The studio’s founder, Stanley William Hayter (1901–1988) established the workshop in Paris but relocated to New York just as the Nazi occupation of Paris began in 1940. Hayter’s new studio attracted European emigrants like André Masson, Yves Tanguy, and Joan Miró, as well as American artists like Dorothy Dehner, Judith Rothschild, and Karl Schrag, allowing for an exchange of artistic ideas and processes between European and American artists.

The Asheville Art Museum will present over 100 works that exemplify the cross-cultural exchange and profound social and political impact of Atelier 17 on American art. Prints made at Atelier 17—including those by Stanley William Hayter, Louise Nevelson, and Perle Fine—will be in conversation with works by European Surrealists who were working at the studio in the 1940s and 1950s. The exhibition will also feature a selection of domestic mid-century objects that exemplify how the ideas and aesthetics of post-war abstraction became a part of everyday life.

Throughout the history of painting from the mid-19th century forward, artists have used an endless variety of approaches to record their world. Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting continues this thread, offering an opportunity to explore a singular and still forceful aspect of American art. Photorealism shares many of the approaches of historical and modernist realism, with a twist. The use of the camera as a basic tool for organizing visual information in advance of painterly expression is now quite common, but Photorealists embraced the camera as the focal point in their creative process. Beyond the Lens presents key works from the collection of Louis K. and Susan Pear Meisel, bringing together paintings and works on paper dating from the 1970s to the present to focus on this profoundly influential art movement. The exhibition includes work by highly acclaimed formative artists of the movement such as Charles Bell, Robert Bechtle, Tom Blackwell, Richard Estes, Audrey Flack, and Ralph Goings as well as paintings by the successive generations of Photorealist artists Anthony Brunelli, Davis Cone, Bertrand Meniel, Rod Penner, and Raphaella Spence. Featured artworks in the exhibition include diverse subject matters, but the primary focus is on the common and every day: urban scenes, “portraits” of cars, trucks, and motorcycles, still life compositions using toys, food, candy wrappers, and salt and pepper shakers. All provide opportunities for virtuoso studies in how light, reflection, and the camera as intermediary shapes our perception of the material world. This multigenerational survey demonstrates how the 35-mm camera, and later technological advances in digital image-making, informed and impacted the painterly gesture. Taken together, the paintings and works on paper in Beyond the Lens show how simply spellbinding these virtuosic works of art can be. “Beyond the Lens offers a fascinating look into the Photorealism movement and delves into the profound connection between the artists’ observation and creative process,” says Pamela L. Myers, Executive Director of Asheville Art Museum. “We are delighted to present this curated collection of artworks encapsulating the creative vision and technical precision that defines this artistic genre.” Photorealism found its roots in the late 1960s in California and New York, coexisting with an explosion of new ideas in art-making that included Conceptual, Pop, Minimalism, Land and Performance Art. At first, representational realism coexisted with the thematic and conceptual explosion but was eventually relegated to the margins regarding critical and curatorial attention. Often misunderstood and sometimes negatively criticized or lampooned as a betrayal of modernism’s commitment to abstraction, the artists involved in Photorealism remained committed explorers of the trail they had blazed. In the decades of the late twentieth century and early twenty-first century, realistic and symbolic painting experienced a renaissance, as contemporary artists are increasingly drawn to narrative and storytelling. Concurrently, using a camera as a preparatory tool equally legitimate and valuable as pencils and pens has made the rubric of Photorealism increasingly relevant. This exhibition is organized by the Asheville Art Museum and guest curated by Terrie Sultan. This exhibition is sponsored in part by Jim and Julia Calkins Peterson.

Opening Reception for the Artist Nov. 3, 6-8PM.

Tracey Morgan Gallery is pleased to present A Mirror, Not a Window, an exhibition of new and recent work by artist Hannah Cole. This is Cole’s second solo exhibition with the gallery. A reception for the artist will be held Friday, November 3 from 6-8PM.

This collection of paintings and sculptures continues Cole’s interest in creating, completely by hand, reproductions of small details and objects culled from her everyday life, turning the viewer’s attention to often overlooked aspects of our surrounding environment and reframing the very definition of representational art. With nods to pop art, trompe l’oeil, and modern American painters, Cole poses big questions about the nature of the artist’s hand, and the drive to (re)create.

A grouping of wall sculptures of nearly exact replicas of books which are hand-painted on wood blocks are included in the exhibition. These books are all non-fiction, mostly art related, though now un-readable. Instead of looking to books for answers, these objects force the viewer to provide the substance. The most self-referential of the group is Jean Baudrillard’s Simulacra and Simulation in which the French philosopher talks in dense prose about our culture of signs and signals eventually becoming copies without any originals. In Cole’s tongue-in-cheek nod, her faithful replica of Baudriallard’s philosophical work becomes an art object whose meaning has shifted completely from the original. Cole’s painted wood block cannot be read and has no actual utility at all, except as an object to contemplate.

A recurring element in Cole’s paintings is a hand-rendered tape measure running along the edge of her canvases. By including this common, easily recognizable object, Cole calls to question the “truth” of representation. Can we trust these measurements simply because they have identifiable markings? Other paintings on Styrofoam show painted wood grain edges, subverting the viewer’s expectation of where the painting itself is, and what it’s made of. We expect a painting to be on the outward-facing surface, but what if the faithful representation is painted on the sides?

In this contemporary age of Artificial Intelligence flooding us with copies, reproductions, fakes, and deliberate decep-tions, anxieties regarding authenticity and authorship run high. Cole’s work invites contemplation of these deeply philosophical issues with a playful tone, presenting serious questions by way of common objects.

Hannah Cole studied at Yale University and Boston University. Her work has been exhibited at The Turchin Center for Visual Arts, NC; the Drawing Center, NY; the University of Maine Museum of Art; the Sherman Gallery at Boston University, MA; Tiger Strikes Asteroid, Greenville, NC; and the North Carolina Museum of Art, Raleigh, among other national and international institutions. She currently lives and works in Asheville, NC.

Join us for a Holiday Pop Up Shop at Open Studio

Saturday, December 9th – 11-5
Sunday, December 10th – 11-5

115 Elk Mountain Road, North Asheville NC 28804

Shop pottery, art, vintage clothing, home goods, jewelry, teas, tinctures, gifts + more from:
@gennypopshop
@a13rattlesnakesandrainbows
@junopottery
@heilbronherbs
@loomimports
@yewocollective

“This Holiday Sip & Shop offers a refreshing alternative to big-box retail chains, as every item in
our shop is American-made,” says the gallery’s marketing manager Ashley Van Matre.
Discover beauty in small batches while shopping for unique gift items handmade by Asheville
artists and beyond. Grovewood Gallery showcases over 9,000 square feet of finely crafted
jewelry, wooden bowls and utensils, ceramic tableware, blown glass, fiber art, and much more.
Local makers will demonstrate their craft each day. Participating artists include Eddie Aaronson
of Windthrow, Lisa Gluckin, Deanna Lynch, and Janna Mattson.

Demo Descriptions:

Eddie Aaronson of Windthrow – Dec. 8 + 9
Black and white sketch etchings of Western North Carolina landscapes.

Lisa Gluckin – Dec. 8 + 9
Hand-building clay vessels and surface design.

Deanna Lynch Textiles – Dec. 8 + 9
Mending antique quilts.

Janna Mattson – Dec. 9Needle felting wool landscapes.

About Grovewood Gallery

Established in 1992, Grovewood Gallery is noted for its charming, old-world setting and rich
craft heritage. The gallery is located in the historic Grovewood Village complex, which once
housed the weaving and woodworking operations of Biltmore Industries, a force in American
craft and textiles that grew to become one of the largest producers of handwoven wool in the
country. Today, the gallery offers two expansive floors of fine American-made art and crafts
contributed by more than 350 makers.
Hours are Monday through Sunday from 10 am – 5 pm. Free parking is available on-site.

Kids’ Comedy Tour: Wildly funny, this educational and entertaining tour features the perfect blend of Asheville’s history and kid-centric comedy. Geared specifically toward the 5–12 year old crowd, you’ll explore the town with our famously outlandish tour guides leading the way.

• Perfect for birthday parties
• Makes for memorable school field trips
• Tickets are $27 per person
• Beverages available for purchase at the LaZoom Room
• Departs from 76 Biltmore Avenue

Live art creation, demos, and more. Peer into the process of artists in their studios, working in ceramic, fiber, paint, and more. Featuring Art Garden studio artists, and occasional special guests.

Studios:

#314: Trish Salmon, hand-built ceramic sculpture

#324: Cynthia Llanes, landscape expressionism

#320 Canopy Suite:

320a: Emily Alley and Leviticus Moore, fiber sculpture and painting.

320b: Skwerl, painting and drawing

320c: UCB+Youth Arts Empowered, Cleaster Cotton and Tarah Singh, mixed media

320d: Jack Henry, painting and wheel-thrown ceramics

320e: Dillon Endico, oil painting, woodwork, murals

320f: Annie Kyla Bennett, Regenerative Nouveau. oil and mixed media

320g: Sierra the Moth Queen, apothecary and plant arts

320h: Alex Stilber, painting and mixed media

Romare Bearden (Charlotte, NC 1911–1988 New York, NY), African American writer and artist, is renowned for his collages. He constantly experimented with various techniques to achieve his artistic goals throughout his career. This exhibition highlights works on paper and explores his most frequently used mediums, including screen-printing, lithography, hand-colored etching, collagraph, monotype, relief print, photomontage, and collage.

Bearden’s work reflects his improvisational approach to his practice. He considered his process akin to that of jazz and blues composers. Starting with an open mind, he would let an idea evolve spontaneously.

“Romare Bearden: Ways of Working highlights Bearden’s unique artistic practice and masterful storytelling through art,” says Pamela L. Myers, Executive Director of the Asheville Art Museum. “We are thrilled to collaborate with Jerald Melberg Gallery to present these extraordinary works on paper in conversation with Bearden’s collage Sunset Express, 1984 in the Museum Collection (on view in the Museum’s SECU Collection Hall). This exhibition will also provide a glimpse into the cultural histories and personal interests that influenced his art-making practice, and we hope it encourages introspection and dialogue with our visitors.”

Jerald Melberg states, “Romare Bearden’s groundbreaking artistic practice continues to captivate audiences worldwide. With an unparalleled legacy of creativity and innovation, Bearden’s contributions to art remain deeply influential years beyond his life.” We have enjoyed organizing this exhibition with the Asheville Art Museum to showcase his artistic genius and inspire visitors from the Western North Carolina region and beyond.”

This exhibition is made possible in part by the Judy Appleton Fund. Many thanks to the Jerald Melberg Gallery for the loan of these important artworks and to Mary and Jerald Melberg for their long-standing support of the arts, artists, and the Asheville Art Museum.

Tracey Morgan Gallery is pleased to present an exhibition of paintings by artist Stella Alesi in our project space. This is Alesi’s first exhibition with the gallery and is presented in conjunction with Hannah Cole: A Mirror, Not a Window in our main gallery space. A reception for both artists will be held Friday, November 3 from 6-8PM.

The works on view are from the SQUISHY series, a group of geometric, abstract oil on oil paper paintings. With the use of simple shapes and a limited color palette, these works explore the visceral experience of living at this current moment. Alesi’s colorful, “squishy” shapes bend to the demands placed on them by their seemingly heavy, unforgiving counterparts. With this work, Alesi confronts contemporary issues such as climate change and political turmoil, as well as personal trials, using basic shapes, both hard and malleable to express a state of being. The shapes are gestural, fluid, and animated – sometimes resembling body parts even in their minimalism. The effect is a playful interpretation of heavy topics – a visual play on the deep and multi-layer well of human emotions.

Stella Alesi works across several styles and mediums, including drawing, painting, photography, collage, and large wall works. Their practice is characterized by a willingness to try new approaches in the ongoing investigation into new materials and visual languages, always exploring new ways to represent the visceral nature of the human experience. Born on Long Island, New York in 1963, Alesi was raised in New Jersey. They studied at Parsons School of Design, New York City; University Hampshire, Durham; and University of Massachusetts, Amherst. Their work has been purchased by many private and commercial collections. Career highlights include a recent solo exhibit (spring of 2023) at the Northern-Southern gallery, Austin, TX and a large-scale permanent installation in the lobby of The Foundry, Austin TX. Alesi currently lives and works in both Austin, TX and Asheville, NC.

Join Guidon Brewing for their 5th Annual Christmas Market. Local
vendors, Santa, live music with Sunlight Drive, cookie contest and Glühwein will help you get into the Christmas spirit!

Starting April 8th, you can ride ArtAVL’s new free ArtsAVL Connect Trolley – connecting the Downtown and River Arts Districts with two overlapping routes. The initiative is a partnership between ArtsAVL and Gray Line Asheville. Beginning April 8th, two chartered Gray Line trolleys will circulate on 20-30 minute intervals from 12-8 pm on every Second Saturday. Riders are welcome to hop on and off anywhere along the trolley routes. The Downtown Trolley connects the main areas of the Central Business District to the River Arts District. The River Arts Trolley loops throughout the River Arts District. Residents and visitors can view stops and current location of trolleys through the interactive trolley map on ArtsAVL’s website and the new ArtsAVL app.

There’s nothing like opening a brand new book and getting lost in the pages, especially during these dark winter months. Ensuring that more local youth have that very experience is exactly what United Way of Asheville and Buncombe County hopes to do through their annual Holiday Book Drive.

Volunteer Responsibilities:

• Greeting families and checking them in
• Running the hot chocolate bar
• Reading stories to children
• Acting as “booksellers” by assisting youth with finding books
• And more!

Requirements:

• You will need to sign a volunteer waiver before the shifts starts
• All volunteers will receive a brief orientation prior to the start of your shift

Skills Required: 

• Good customer service and welcoming demeanor.
• Flexibility to help where needed.

Attire:

• Casual or festive holiday clothes (think Santa hats, reindeer headbands, Christmas bulb necklaces, ugly sweaters that are family friendly)

Location:

• 50 S French Broad Ave, Asheville, NC 28801

Health and Safety:

• Masks are optional, must bring your own if you need one
• This event requires for volunteers to stand for long periods. Accommodations can be made if requested.

From Heart To Table: MANNA Foodbank:

Outdoor German-style Christkindlmarkt.
Artisans & Crafters. Food. Drink. Music. Santa Claus. Children’s crafts. Make your own s’mores. Outdoor games. Fun For All Ages.
Featuring: Haus Heidelberg Food Truck, Guidon Brewing Co., 30 vendors, & more

Collage postcards, greeting cards, AND make-your-own buttons!

Saturday, December 9th between 1-6, we’re unleashing a blast from the past with a downright delightful Vintage Popup!

Saddle up for a journey through time as you peruse the delightful array of clothes and curiosities curated by Soft Cowboy Trading Co and Tangelo Vintage. From timeless duds that’ll have you looking dapper at the local watering hole to trinkets with tales as vast as the prairie.

So, mosey on down, take a sip, and indulge in a shopping spree that’ll make you Yeehaw