Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Burlesque Brunch is a monthly burlesque and bellydance show with a classic speakeasy feel. Join our dancing dames and dandies every third Sunday of the month for a little singin’, strippin’, and sippin’ starting at noon. It’s a Sunday afternoon to delight the senses!
**Ticket price covers entry, brunch is not included in price.
18+
Jazz Sunday at One World Brewing West is a modern jazz jam held every Sunday afternoon from 1-4pm. Previously known as Jazz Monday, the jam has been running non stop since July, 2018 at the West Asheville brewery and is hosted weekly by The Fully Vaccinated Jazz Trio, consisting of Ray Ring on guitar, Jason DeCristofaro on drums, piano and vibraphone, and Connor Law on bass. Jazz Sunday typically features a guest artist for a short set and then welcomes jazz musicians of all levels to sit in for the remainder of the afternoon on One World’s spacious outdoor stage.
Heralded by The New Yorker as “thrilling” and “genuinely moving.”
From the producer of The Lion King and Aladdin, Frozen, the Tony®-nominated Best Musical, is now on tour across North America and the critics rave, “It’s simply magical!” (LA Daily News).
Frozen features the songs you know and love from the original Oscar®-winning film, plus an expanded score with a dozen new numbers by the film’s songwriters, Oscar winner Kristen Anderson-Lopez and EGOT winner Robert Lopez. Oscar winner Jennifer Lee (book), Tony and Olivier Award winner Michael Grandage (director), and Tony winner Rob Ashford (choreographer) round out the creative team that has won a cumulative 16 Tony Awards.
An unforgettable theatrical experience filled with sensational special effects, stunning sets and costumes, and powerhouse performances, Frozen is everything you want in a musical: It’s moving. It’s spectacular. And above all, it’s pure Broadway joy.
Subscribers who have received seat assignments may now purchase additional single tickets for the 2021-2022 Broadway season through their account or by calling the Peace Center Box Office Monday – Friday between 9:30 am – 5:30 pm.
*Seat locations are based on currently available inventory. Additional tickets for Hamilton performances are not included. Please stay tuned for more information on when they will become available for purchase.
Steve Lapointe’s nine years of classical piano as a youth grounded him in music theory. Jazz studies while in Ithaca, NY, opened his ears to extemporaneous improvisation and the music of Keith Jarrett, Chick Corea, Bill Evans, Michel Petrucciani and the American songbook. Steve served as musical director of the Unitarian Universalist Fellowship of Vero Beach, Florida, and occasionally performed at the UU Asheville congregation
Jack of the Wood : Sunday-Irish Session
Sundays
1 till who knows when?
Traditional Irish music is kept alive at Jack of the Wood with our unplugged Sunday session.
Jack of the Wood
95 Patton ave
Asheville, NC 28801
(828) 252.5445
It’s hard to stay still around these boys. They’ve got that toe-tapping, knee-slapping, boot-stomping kind of sound. They get you moving and shaking. Buffalo Wabs & The Price Hill Hustle—part rowdy honkytonk, part old-time pioneers—equates to a sound that sticks with your soul and leaves you singing barefoot into the star sky.
They pull from all sorts of genres—from Lead Belly to John Prine, from Woody Guthrie to Willy Tea Taylor —to create something unique and deep-rooted. These guys lean into the rhythms of the Ohio River Valley—where they’ve walked upon—and look to the songs in the muddy water and the tradition it carries.
To get “hustled” is to get the full-body musical experience—that head-boppin’, hip-swaying, soul-singing with the stranger next to you. It’s the kind of music that encapsulates you into a community of sound, one that becomes familiar once you hear it, like maybe, you’ve been listening to them forever.
Heralded by The New Yorker as “thrilling” and “genuinely moving.”
From the producer of The Lion King and Aladdin, Frozen, the Tony®-nominated Best Musical, is now on tour across North America and the critics rave, “It’s simply magical!” (LA Daily News).
Frozen features the songs you know and love from the original Oscar®-winning film, plus an expanded score with a dozen new numbers by the film’s songwriters, Oscar winner Kristen Anderson-Lopez and EGOT winner Robert Lopez. Oscar winner Jennifer Lee (book), Tony and Olivier Award winner Michael Grandage (director), and Tony winner Rob Ashford (choreographer) round out the creative team that has won a cumulative 16 Tony Awards.
An unforgettable theatrical experience filled with sensational special effects, stunning sets and costumes, and powerhouse performances, Frozen is everything you want in a musical: It’s moving. It’s spectacular. And above all, it’s pure Broadway joy.
Subscribers who have received seat assignments may now purchase additional single tickets for the 2021-2022 Broadway season through their account or by calling the Peace Center Box Office Monday – Friday between 9:30 am – 5:30 pm.
*Seat locations are based on currently available inventory. Additional tickets for Hamilton performances are not included. Please stay tuned for more information on when they will become available for purchase.
“That was my mission on this album: To really set these songs up so that they have a life of their own,” says Samantha Fish about Kill or Be Kind, her sixth solo album and her debut on Rounder Records. “Strong messages from the heart – that’s what I really set out for.” Indeed, what comes across immediately on hearing the album is the extraordinary level of songcraft on its eleven tracks, the way these songs are so smartly put together to deliver a potent emotional impact.
Anyone who has ever heard Fish’s previous albums knows that she has earned a place in the top rank of contemporary blues guitarists and that her voice can wring the soul out of a ballad and belt out a rocker with roof-shaking force. And, rest reassured, those virtues are fully in evidence on Kill or Be Kind. But each of the songs on the album does far more than simply provide a setting for Fish’s pyrotechnics. They tell captivating stories, set up by verses that deftly set the scene, choruses that lift with real feeling, and hooks that later rise up in your thoughts, even when you’re not aware that you’re thinking of music at all. It’s the kind of songwriting that emerges when raw talent is leavened by experience and aspiration, and when a committed artist genuinely has something to say. Those qualities make Kill or Be Kind a genuine artistic breakthrough for Fish.
“I think I’ve grown as a performer and as a player,” she explains. “I’ve become more respectful of the melody. You can go up and down the fret board and up and down your vocal register, but that’s not going to be as powerful as conveying a simple melody that people can really connect to and sing themselves.” To help bring those elements to her music, Fish sought out high-quality songwriting collaborators – the likes of Jim McCormick (who has worked with Fish before and also written for Luke Bryan and Keith Urban); Kate Pearlman (who has worked with Kelly Clarkson); Patrick Sweeney; Parker Millsap; and Eric McFadden. The result is an album on which each song is distinct, but the complete work hangs together as a coherent, entirely satisfying statement. “When you get to this point in your life as an artist,” Fish says, “it’s good to work with others, because it makes you stretch. I think you hear a lot of that nuance on the record, songs that have a pop sensibility to them, hooks that really pull you in.”
You get a good sense of the range the album covers from the first two songs released. Fish propels “Watch It Die” with an insistent guitar riff, but near the song’s end two female background singers lend the song a haunting soulful feel. Meanwhile, “Love Letters” moves on an insinuating, stop-time riff in its verses until it bursts in passion on its chorus. Both songs use horn sections for finesse and texture. “Love Letters” also introduces one of the album’s central themes: the allure of losing yourself in love – and the dangers of it. “Keep waking up in the bed I made,” Fish sings. “Forget the pain when you wanna play/I’m back to broken when you go away.”
“That’s just a love-sick song,” Fish says, laughing. “like I think I was when I wrote it.” The title track, a seductive ballad, offers a lover a stark choice: “Make up your mind/I can kill or be kind.” To explain that dichotomy, Fish says, “It’s funny how love can be so fickle, how quickly you go from object of affection to one of disdain. I’ve always found that dynamic interesting. That track is full of that duality,” she adds, laughing. “I also loved the Memphis sound of the horns on there. They sound modern, but it’s got this vintage feeling as well.” The songs “Dirty,” “Love Your Lies” and “Fair-Weather” explore similar themes – how deceit, self-deception and shifting expectations can alter the course of life and love. The affecting ballad “Dream Girl” stands the endearment of its title on its head and explores the dilemma of a love not coming to fruition. “I wish you’d take the rest of me,” Fish sings. “These tears, they kill your fantasy.” On “She Don’t Live Around Here Anymore,” a soul ballad once again bolstered by tasteful horn parts, the singer confronts the feeling of being used and finds empowerment in walking away.
The album is framed by songs — “Bulletproof” and “You Got It Bad (Better Than You Ever Had).” “Bulletproof digs into the theme of vulnerability, about it being mistaken for weakness, and how we often times feel the need to wear a mask to survive in the world today, while “You Got It Bad (Better Than You Ever Had)” is about working towards your dreams and the knifes edge we often walk to reach our goals.
“Trying Not to Fall in Love With You” finds the singer not wanting to rush a relationship – and therefore undermine it. “I fall fast,” Fish admits, “I have to remember to take care and not scare the person away.”
To make Kill or Be Kind, Fish chose to work at the legendary Royal Studios in Memphis, with Scott Billington as producer. “I worked at Royal before, when I made my Wild Heart album,” she says. “The soul in the walls, the vibe – you can feel it in that place. I’m such a fan of Al Green, Ann Peebles and all the classic recordings that happened there. Memphis just kept calling to me. I’ve always felt so inspired there.” As for Billington, a three-time Grammy winner, Fish appreciated both his open-mindedness and his willingness to ease her out of her comfort zone. “Scott allowed me to see the building-out process of the album all the way through, from the top to the bottom,” she says. “Bringing in background singers and synthesizers, which I’d never done on an album before, that added an extra edge. Honestly, it was a challenge. It pushed me to think about the songs differently. That trust from my producer gave me the freedom to really take some risks.”
Having completed an album that she believes in so strongly – “This is me coming through, my personality,” she says – Fish is eager to bring it to the world. “I got the moon in the back of my mind, and I want to shoot for it!” she declares. “I want to reach over genre lines and get out to as many people as possible. This album is so broad – and it’s all me. So I’m just hoping it catches people and appeals to them.”
She concludes, “Overall my big goal, career-wise, is to contribute something different and new to music. I want to give something that stands apart and yet is timeless.” With Kill or Be Kind, Samantha Fish is well on her way along that path. – Anthony DeCurtis
Formed by Sir Neville Marriner in 1958 from a group of leading London musicians to focus on playing Baroque music, the Academy gave its first performance in its namesake church in November 1959. The Academy of St. Martin in the Fields Chamber Ensemble was created in 1967 to tour as a string octet, string sextet, and in other configurations including winds.
Currently the Wind Ensemble is composed of James Burke, clarinet, Tom Blomfield, oboe, Julie Price, bassoon, Stephen Stirling, horn, and Simon Crawford-Phillips, piano. As well as being extraordinary chamber musicians, the artists perform as soloists and serve as teachers individually and together. Their accolades and tributes are many and illustrious.
In an ongoing cooperative spirit, the ensemble works toward the brilliantly energetic sound and high standard of musicianship which have become its hallmarks. The Wind Ensemble of the Academy of St. Martin in the Fields one of the world’s premier chamber orchestras, is renowned for its fresh, brilliant interpretations of the world’s most-loved classical music.
Volunteer at
TFAC events this spring!Email Sharol at [email protected] or call 828-859-8322
T-F 10AM – 4PMUshers & Bartenders
needed for the following events.EVENTS
- April 16: Livingston Taylor concert on main stage
- April 21-24: Enchanted April community theater on stage
- April 28: Amphitheater concert (outdoors)
- May 8: Ranky Tanky concert on main stage
- May 5: Amphitheater concert (outdoors)
- May 12: Amphitheater concert (outdoors)
- May 19: Amphitheater concert (outdoors)
- May 26: Amphitheater concert (outdoors)
Intro to Guitar with Melissa McKinney – Students will receive a solid foundation in beginner rhythm guitar for vocalists. Chords, Rhythm patterns, and basic theory will be introduced while learning songs with an uplifting message. Students will also learn to play the song that the Songwriting Class will be writing and will record it in the One Mic Studio.
Tuesdays from 4pm-5pm at LEAF Global Experience (19 Eagle St, Asheville, NC, 28801)
*Dates/times subject to change – interested in attending this class but unsure if it works with your schedule, or if it suits your student’s skill level? Reach out to us at [email protected]! We are always looking to adapt and expand our class schedules to accommodate new students!
Intro to Ukulele with Melissa McKinney – Students will receive a solid foundation in beginner Ukulele skills for vocalists. Chords, Rhythm patterns, and basic theory will be introduced through songs with an uplifting message. Students will also learn to play the song that the Songwriting Class will be writing and get to record it in the One Mic Studio.
*Dates/times subject to change – interested in attending this class but unsure if it works with your schedule, or if it suits your student’s skill level? Reach out to us at [email protected]! We are always looking to adapt and expand our class schedules to accommodate new students!
The live show is based on Pinkfong’s viral earworm and global dance phenomenon, ‘Baby Shark’. This one of a kind concert experience will delight fans of all ages as Baby Shark joins up with his friend Pinkfong to take an adventure into the sea, singing and dancing through new and classic songs including Five Little Monkeys, Wheels on the Bus, Jungle Boogie, Monkey Banana Dance and of course, Baby Shark! Baby Shark, Pinkfong’s global hit song about a family of sharks, has climbed the charts and connected with fans around the globe. After entering the Billboard Hot 100 at #32, the song has been recording a 14-week streak in the Top 50, while topping the Kids Digital Song Sales Chart as #1. The Baby Shark Dance video has over 2.7 billion views, making it the 10th most viewed videoin the history of YouTube.
| Due to a positive test for Covid-19 and in order to take time for our band member to fully recover, Circle Jerks are postponing the show scheduled for April 19 at The Orange Peel.
We will do our best to announce a rescheduled date for the show in the coming weeks. All tickets sold for the postponed show will be honored on the date of the rescheduled show. |
Circle Jerks emerged from the punk underbelly of LA’s South Bay in 1979. First conceptualized at “The Church” of Hermosa Beach, the once infamous hangout of scene forefathers Black Flag, Descendents, Redd Kross, and The Last, the band quickly became the innovators of a movement simply referred to today as HARDCORE PUNK ROCK. After serving as a co-founder and lead vocalist of Black Flag during the recording of its essential Nervous Breakdown EP, Keith Morris joined forces with former Redd Kross guitarist Greg Hetson to form what would become Circle Jerks, a reference uncovered from artist Raymond Pettibon’s slang dictionary. Having written material for their former bands respectively, Morris and Hetson, along with bassist Roger Rogerson and jazz drummer Lucky Lehrer, fine-tuned previously unfinished material to conceive the troupe’s now-renowned sound – thoughtfully steadfast, yet relentless and ferocious in nature. Unlike much of the unapologetic hardcore that seeped through the cracks of American suburbia, the music of the Circle Jerks was dynamic, deliberate, and most importantly, a force to be reckoned with. Bringing together a potent, articulate rhythm section with earnest yet oftentimes derisive lyrics and themes, the band was thereafter heralded as a leader of the pack, but with no real plan in sight. The social climate of Los Angeles in the early eighties was marked by unsettled fluidity, with the expansion of hardcore punk that infiltrated the public eye. The “pogo” of a former generation became the “slam dance” of another – a moniker consecrated in the iconic Circle Jerks “Skanking Kid” logo designed by graphic designer Shawn Kerri. Songs got shorter, shows wilder, and the police – led by embattled police chief Daryl Gates – shut it all down. This earmark of punk lineage was epitomized in the groundbreaking documentary by Penelope Spheeris, The Decline of Western Civilization, in which Circle Jerks most notably performed to a pit of chaos. Today, the film is recognized and preserved by the National Film Registry at the Library of Congress as being “culturally, historically, or aesthetically significant.” In October 1980, Circle Jerks released their debut studio album Group Sex on Los Angeles label Frontier Records. Clocking in at fourteen songs in just sixteen minutes, the record remains a milestone of the punk genre and equally as symbolic nearly forty years later. Plowing forward with a relentless, tooth-cutting work ethic and a rousing stage presence, the band would soon find itself headlining shows at LA’s 5,000-capacity Olympic Auditorium and emblazoned in cult video classics like Repo Man, New Wave Theatre, and The Slog Movie. Over the decades, Circle Jerks would release six studio albums, including the acclaimed Wild in the Streets (1982), Golden Shower of Hits (1983), Wonderful (1985), and IV (1987), where they would become a major headliner during the alternative music explosion of Generation X. Morris and Hetson remain the only consistent members since the band’s creation, withstanding several lineup changes, including Flea and Chuck Biscuits. Bassist Zander Schloss (The Weirdos, Joe Strummer) has been a member since the 1980’s. During hiatuses, Morris fronted bands like OFF! and FLAG, while Hetson played guitar in Bad Religion. The long list of those influenced by the legacy of the Circle Jerks ranges from Butthole Surfers to Red Hot Chili Peppers – with notable fans being Dogtown skateboarders, Chuck Berry, Alice Cooper, Elton John, Johnny Depp, Guns N’ Roses, and Philip K. Dick. Decades later, their music continues to make an imprint on generations of diverse music fans and those who challenge the status quo. In celebration of the band’s 40th anniversary and the commemorative reissue of their celebrated landmark record Group Sex, Circle Jerks return to the stage for the first time in over a decade.
Volunteer at
TFAC events this spring!Email Sharol at [email protected] or call 828-859-8322
T-F 10AM – 4PMUshers & Bartenders
needed for the following events.EVENTS
- April 16: Livingston Taylor concert on main stage
- April 21-24: Enchanted April community theater on stage
- April 28: Amphitheater concert (outdoors)
- May 8: Ranky Tanky concert on main stage
- May 5: Amphitheater concert (outdoors)
- May 12: Amphitheater concert (outdoors)
- May 19: Amphitheater concert (outdoors)
- May 26: Amphitheater concert (outdoors)
Option 1: Classic Rock for acoustic guitar
Join beloved Polk County musician Woody Cowan and learn YOUR favorite tunes. In this setting, the students pick the songs, and Woody leads the teaching. This friendly class is full of peer-to-peer encouragement and collaboration. Artists covered included Janis Joplin, Neil Young, Old Crow Medicine Show, & Grateful Dead. Whether you know a lot of chords or just a couple, this class will move you forward musically while taking you back through the best era of radio-played folk music.
Option 2: Beginner/Intermediate Folk Jam
World-class musician Gaye Johnson leads this class, gently raising your comfort level to play freely in a group setting. Rooted in traditional folk music, aspiring mandolin, and guitar students will join together to gain more comfort and self-assurance in a group setting, while also diving into rhythm techniques and ornamentations.
Option 3: Intermediate/ advanced band
Bob and Amy Buckingham guide adults on all instruments (guitar, clawhammer banjo, fiddle, mandolin, ukulele, & bass). Several songs are picked by the group at the start of the semester, and over the 10 week semester, the musicality and “setlist” grow exponentially. Adults love this format for
guided jamming.
Wednesday
4:00 pm – 5:30 pm
All beginning students receive 45 minutes of group instruction and 45 minutes of singing/storytelling.
Group song & story: Gaye Johnson (known for having the sweetest voice in the region) gives students the strong foundation they need for learning an instrument. To learn music most effectively, students must know the songs before they play them on an instrument – then the learning becomes intuitive. This fun class equips students with the classic songs and stories of the region and helps launch their musical abilities.
Instrument options:
Age ranges are suggestions. Please email Julie if your child is outside the age range for the class they wish to take.
Option 1: Beginning ukulele, ages 6-8
Option 2: Instrument Survey, ages 8-14
Continuing from last semester, this instrument survey class will focus on clawhammer banjo, plus one additional instrument to be chosen by the students.
Option 3: Beginning guitar, ages 8-14
Option 4: Beginner mandolin ages 8-14
Option 5: Beginner fiddle ages 8-14
*Please be sure to select the student’s 1st and 2nc\d instrument choices when registering.
Wednesdays
4:30 pm-6:00pm
All students with some experience under their belt will take an intermediate or advanced group instrument class, and a band class.
- 4:30-5:15
Jam Band: Phil Jenkins & Carson Moore help young musicians find their voice in a band environment.
- 5:15 – 6:00
Option 1: Intermediate Guitar
Option 2: Intermediate Fiddle
Option 3: Intermediate Mandolin
Option 4: Three-finger banjo- all levels
Clover Pickers: 4:00- 6:00
PacJAM’s house band gets rigorous coaching this semester from Emily Wait and special guest coaches. Clover Pickers will spend 5 weeks of the semester practicing their teaching skills from 4-4:45 weekly, and 5 weeks working on choosing and arranging songs for Clover Picker performance. Band rehearsal and coaching last from 4:45-6 for all 10 weeks. Clover Pickers band is by invitation and the commitment requires extra rehearsals as determined by the group.
While participating in the Lights program, students can develop their songwriting, performing, and musicianship skills while exploring music from around the world. They will have extensive performance opportunities with a focus on music that inspires, uplifts, and spreads a music of unity and hope. Students will record their music in the One Mic studio and learn about the music industry and explore topics such as audio engineering, stage presence, graphic design, videography, website development and more while learning to use their music to be a force for change. Advanced students will have the opportunity to work towards touring locally and regionally with the Lights concert tour. They will also have the opportunity to regularly interact with and learn from LEAF resident artists. Students will be exposed to music from a diverse range of genres and cultures. Students will have the opportunity to see how music connects us on a deep level and how it can create joy, bring people together, and instigate change. LEAF lights will lift young leaders and give them a platform to make a difference in the lives of others.
Wednesdays at 5pm (Junior Group) & 6pm (Senior Group) at LEAF Global Experience (19 Eagle St, Asheville, NC, 28801)
Dates/times subject to change – interested in attending this class but unsure if it works with your schedule, or if it suits your student’s skill level? Reach out to us at [email protected]! We are always looking to adapt and expand our class schedules to accommodate new students!
Cody Jay Canada is an American rock/alt-country musician who currently is the lead singer and lead guitarist of the rock band The Departed since 2010. From 1994 to 2010, Canada was the lead singer of rock/alt country band Cross Canadian Ragweed.
Born and raised in the Bama clay, these boys are as southern as they come. Taught how to bend a string and break a heart by Skynyrd and Hank, brothers James and Frank Ford along with their hometown friends Andrew Davis and Ben Crain formed the southern rock band known as Them Dirty Roses. Piling into an RV with their belongings, their instruments, and all the whiskey they could carry (in the cooler), they made their way from Gadsden, AL to Nashville, TN. All living all under one roof, Them Dirty Roses are a living example of the quintessential rock and roll American Dream. Their live show calls for a shot of whiskey and a 2 for 1 special — BUT what that really means is you better be ready to throw back 12 for 6 and shake it with Them Dirty Roses.
JPEGMAFIA Saturday – May 28 Use code JPEELMAFIA Code valid 4/21 12pm – 4/22 12pm
JPEGMAFIA Tickets | Asheville, NC | The Orange Peel (etix.com)
Dates: July 11 – 16, 2022
Application: Available now through MyBMC
Cost: A $600 fee covers all housing, meals, classes, materials, and concert tickets. Spots are limited and applications will be reviewed on a rolling basis.
Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.
Program Summary
Brevard Music Center (BMC) presents The Brevard Project: Reimagining the Future of Orchestral Programming, a six-day intensive seminar and think-tank on orchestral programming intended for professionals and influencers in the orchestral field. Presented by Brevard Music Center in partnership with Bard College, the Blair School of Music at Vanderbilt University, the Chicago Sinfonietta, the South Dakota Symphony, the University of Michigan School of Music, and Project Director Joseph Horowitz, The Brevard Project takes place July 11-16, 2022. The central goals of The Brevard Project are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire.
Curriculum
The Brevard Project: Reimagining the Future of Orchestral Programing complements Brevard Music Center’s week-long “Dvořák’s Prophecy” festival from July 11-16 and is inspired by Joseph Horowitz’s acclaimed new book Dvořák’s Prophecy and the Vexed Fate of Black Classical Music. Part think-tank, part seminar, this inaugural Project gathering equips practitioners and scholars alike to begin to answer questions about the dense nexus of culture and race, of historical, political, and moral reckonings surrounding the story of American orchestral music. The central goals of this program are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire. The Brevard Project is designed for conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and engaged orchestra Board members.
Moving forward requires a fresh and closer look at our musical past – and to the lagging formation of an American symphonic canon. A new narrative of American classical music will be proposed that explores timely and topical issues that impact present and future orchestral programming. Why did our repertoire remain so stubbornly Eurocentric? What can we learn from this history? What can be mined from the treasure trove of long-hidden indigenous and Black music that can help to pave the future?
Classroom sessions will be highly interactive, drawing upon first-hand accounts of humanities-infused approaches to programming and community engagement. Topics of exploration include creating a “new paradigm” for American orchestral repertoire, rethinking the concert experience, and redefining the role of the music director. Participants will be challenged to envision programming and organizational initiatives to promote symphonic events grounded in the American experience, past and present.
The Faculty
A remarkable faculty has been assembled for this groundbreaking exercise.
*virtual participant
Joseph Horowitz, Project Director
Leon Botstein, President, Bard College; Music Director, American Symphony; Founder, Bard Festival and The Orchestra Now
Lorenzo Candelaria, Dean, Blair School of Music at Vanderbilt University
Mark Clague, Music Historian, University of Michigan
JoAnn Falletta*, Music Director, Buffalo Philharmonic Orchestra
Christopher Gibbs*, Music Historian, Bard Conservatory; Artistic Co-Director, Bard Festival
Delta David Gier, Music Director, South Dakota Symphony
Blake-Anthony Johnson, CEO, Chicago Sinfonietta
Keith Lockhart*, Artistic Director, Brevard Music Center
Douglas McLennan, Founder/Editor, ArtsJournal
Jason Posnock, Chief Artistic Officer, Brevard Music Center
Jesse Rosen, Former CEO, League of American Orchestras
Larry Tamburri, CEO, Newark School of the Arts (former CEO, Pittsburgh and New Jersey Symphonies)
The Performers
Lara Downes, Pianist, producer, arts advocate
Sidney Outlaw, Baritone/pedagogue, Ithaca College
George Shirley, Tenor/pedagogue, University of Michigan
Enrollment Information
Conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and Board members are all encouraged to apply for The Brevard Project.
Capacity is limited. A $600 fee covers all housing, meals, classes, materials, and concert tickets for the week. Applications will be reviewed on a rolling basis. Apply now through MyBMC.
Monday – September 12
Use code NEKOPEEL
Code valid 4/21 10am – 10pm
Neko Case Tickets | Asheville, NC | The Orange Peel (etix.com)
Thursday – October 13
Use code PEELEXICO
Code valid 4/21 10am – 10pm
ttps://event.etix.com/ticket/online/performanceSale.do?utm_term=0_2237b6600c-72dc150871-267081285&performance_id=2777949&partner_id=240&method=restoreToken&utm_campaign=72dc150871-Orange_Peel_Newsletter_11-28-16_COPY_01&utm_medium=ema
Volunteer at
TFAC events this spring!Email Sharol at [email protected] or call 828-859-8322
T-F 10AM – 4PMUshers & Bartenders
needed for the following events.EVENTS
- April 16: Livingston Taylor concert on main stage
- April 21-24: Enchanted April community theater on stage
- April 28: Amphitheater concert (outdoors)
- May 8: Ranky Tanky concert on main stage
- May 5: Amphitheater concert (outdoors)
- May 12: Amphitheater concert (outdoors)
- May 19: Amphitheater concert (outdoors)
- May 26: Amphitheater concert (outdoors)
Queer Music Exploration with Kayla Lynn – Students will explore guitar, bass, drums, singing and piano with a focus on learning music by artists from the LGBTQ+ community. Students will have the chance to interact with their peers and share their experiences through music
Lauded by UK music review platform Three Chords and the Truth as sounding like she was “…born to gypsy poets and raised in the mountains by Emmylou Harris,” Asheville, North Carolina songstress Jane Kramer has garnered international recognition for the sultry, heartrending originality of her vocals and for the heavy-hitting lyrical eloquence of her songwriting.
With deep roots in the musical traditions, culture and lore of her beloved Appalachia, Kramer’s songs are introspective, gracefully gritty and fiercely memorable. They elegantly sweep listeners down the gravel roads and southern coastal highways, midnight truck stops and lonely motel rooms of “hard learning” and lead home to the wooded Blue Ridge Mountains with moving acceptance of our flawed human experience. Kramer’s live performances are equally as poignant and engaging; rich with accessible, warm, often hilarious storytelling and gracefully lifting the veil between audience and performer.
After a seven year stint as founding member, guitarist, vocalist and songwriter in the nationally-touring, Asheville-based all female Appalachian folk outfit, The Barrel House Mamas from 2003-2010, Kramer recorded and released her first solo album, Break & Bloom, in Portland, Oregon in 2013. Following the February 2016 release of her acclaimed sophomore solo studio album, Carnival of Hopes and her roots and folk radio nationally-charting third studio album, Valley of the Bones, Kramer has been touring nationally and internationally, playing for sold-out audiences in listening rooms, theaters, pubs, festivals, living rooms and arts councils in support of the record. This has gained her a loyal following from Portland, Oregon to Scotland, U.K to Florence, Italy.
A former social worker, domestic violence crisis counselor and avid humanitarian, Kramer continues to perform and teach about the songwriting process in women’s prisons, shelters for the unhoused, programs for at-risk youth, classrooms, hospitals and animal shelters, sharing her message of music as a powerful tool for healing, connection and compassion.
Quoted as “…an artist on the rise” by acclaimed American songwriter Mary Gauthier and as “…a voice that can only be described as one of the purest in modern Americana” By Dave Stallard of Blue Ridge Outdoors, Kramer has performed with such well-known artists as Joan Osborne, Amy Ray of the Indigo Girls, Gretchen Peters, Appalachian troubadour Malcolm Holcombe, Shawn Mullins and Maria Muldaur.
Caamp formed when Taylor Meier and Evan Westfall met and bonded over a shared love of music and a shared love of home, specifically the inspiration they culled from the Midwest lives they grew up in. The two began writing and performing and quickly grew a rabid fan base. A self-titled 2016 debut album took flight, quickly gaining over 170 million streams, with a staggering 70 million streams for their single “ Vagabond ” alone. Evan and Taylor brought on a third member and longtime friend, Matt Vinson, to join on bass just before recording By and By.
In week one of the release of their full-length, By and By on Mom + Pop, Caamp made multiple chart debuts. By and By entered the Billboard Top 200, was the #1 Heatseeker, #1 on the New Artist Alternative Albums, top 5 vinyl album sales for the week, and entered the Alternative and Emerging Artist charts. Caamp then scored their first #1 at radio with their single “Peach Fuzz,” made their late-night television debut on Jimmy Kimmel Live!, and followed that up with a killer performance on CBS This Morning Saturday. After a victorious 2019 festival season playing Firefly, Shaky Knees, Forecastle, Outside Lands, Austin City Limits, Great Escape, and many more, Caamp kicked off a major US headlining tour in September of 2019 and sold out show after show.
In early 2020, Caamp performed on the Late Show with Stephen Colbert. The performance was filmed in Caamp’s hometown of Columbus, OH during quarantine. The trio later released their first live EP Live From Newport Music Hall. The five track recording was taken from one of their seminal hometown shows in Columbus, OH. The recording contains live versions of songs off their most recent album, By and By.
Not long after the release of Live From Newport Music Hall, Caamp kept themselves busy by releasing the singles and companion videos for “Officer Of Love” and “Fall Fall Fall” via their label home, Mom + Pop. The band then celebrated another victory in 2020 with their single “By and By” resting snugly in the Top 5 Most Spun on Sirius XM’s Alt Nation. They’ve kicked off the new year with “Officer of Love” hitting #1 at AAA radio for 2 consecutive weeks. Fans can expect new music from CAAMP in 2021.
Based on Louisa May Alcott’s life, Little Women follows the adventures of sisters, Jo, Meg, Beth and Amy March. Jo is trying to sell her stories for publication, but the publishers are not interested – her friend, Professor Bhaer, tells her that she has to do better and write more from herself. Begrudgingly taking this advice, Jo weaves the story of herself and her sisters and their experience growing up in Civil War America.
Based on Louisa May Alcott’s life, Little Women follows the adventures of sisters, Jo, Meg, Beth and Amy March. Jo is trying to sell her stories for publication, but the publishers are not interested – her friend, Professor Bhaer, tells her that she has to do better and write more from herself. Begrudgingly taking this advice, Jo weaves the story of herself and her sisters and their experience growing up in Civil War America.
Little Women embodies the complete theatrical experience, guaranteeing a night filled with laughter, tears and a lifting of the spirit. Little Women features plenty of great opportunities for female actors and singers ranging in age. The powerful score soars with the sounds of personal discovery, heartache and hope – the sounds of a young America finding its voice.