Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
The Biltmore Estate has been planning the largest exhibition in its historic gardens for almost a decade. And finally, last week, Chihuly at Biltmore opened with a mega installation of glass sculptures from the famous artist Dale Chihuly. Tens of thousands of glass pieces from all around the world reside in 14 locations around the Estate (which is the very first large-scale N.C. Chihuly installation).
The exhibition is up from now until Oct. 7th, free admission with a Biltmore day pass (and free for annual pass holders). Chihuly at Nightis a special, ongoing event where the glass sculptures are lit up, plus live music in the gardens + a wine bar. Tickets are $37.50 for kids + range from $65 – 75 for adults ($10 discount for pass holders).
Three new works were blown just for Biltmore, and 6 new compositions were put together.
The Asheville Art Museum is excited to present Red Hot in the Blue Ridge, an exhibition being held in conjunction with Western North Carolina’s community-wide Summer of Glass celebration. On view at the Asheville Art Museum On the Slope at 175 Biltmore Avenue May 19 – September 30, 2018, Red Hot in the Blue Ridge celebrates Western North Carolina’s unique place in the history of American Studio Glass. Many other organizations and galleries across WNC are also hosting glass-focused events, programs and exhibitions during the region’s Summer of Glass celebration, which coincides with a new exhibition at Biltmore of multi-media artist Dale Chihuly’s monumental glass sculptures. Visit www.ashevilleart.org for details.
Amazing Glaze with Gabriel Kline
Fridays 10am-12:30pm
August 31- October 5
Do you hate glazing? I mean, do you really HATE glazing? Have you experienced the frustration of making a beautiful piece, then ruining it with a flawed, or perhaps worse, boring glaze? Would you rather spend your time doing just about ANYTHING else, even cleaning your studio? Then this is the class for you! Join Gabriel each Friday as he demystifies the techniques that will help you learn to love the glazing process, achieve more dynamic results, and get your work noticed. Topics will include under and overglaze decoration, glazing large and delicate work, spraying glazes, and multiple firings. We will also examine the basics of formulating, mixing, or altering a glaze.
Level: Seasoned Beginner, Intermediate, and Advanced
Tuition: $255 + $35 Lab Fee
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
Manifest Color is having a Studio sale!
>> Saturday, Sept 8 <<<> 12 – 7pm <<<<
9 Reed St in Biltmore Village
Come by to browse and shop the best tie-dye work in Asheville! Master Shibori artist Michael Smith creates exceptional, wearable art using an innovative hand-dying process on luxurious silks, classic cotton Ts, and super-soft knit rayon.
For one day this summer, we are opening the warehouse to in-person sales.
Rooted in music festival culture, our handcrafted, high quality wearable art T-shirts have been known and loved worldwide for decades. We started 30 years ago with the desire to elevate the tie-dye T-shirt into an art form.
All of our shirts begin with premium cotton and are hand dyed in small batches in Asheville, NC.
No two patterns will ever be the same, so every last thing that comes out of our studio is truly one of a kind.
This is your chance to get a behind-the scenes look at Michael's creative workspace! Select styles will be on sale as well as new pieces that have not yet been listed on our website or Etsy shop.
Located conveniently in Biltmore village behind Bon Vivant.
Cold readings from the script which will be provided. Looking for three female actors, aged late teens to early forties. ALL EXPERIENCE LEVELS ARE ACCEPTED AND HIGHLY ENCOURAGED! You won’t want to miss this spooky show–just in time for Halloween!
https://www.facebook.com/events/261264131181196/
Beginner Wheel Throwing with Cayce Kolstad
Tuesdays 3-5:30pm
August 28- October 2
With an emphasis on ceramic tableware, this class is a perfect introduction to throwing on the potter’s wheel. We will explore the fundamental forms of functional pottery and work towards altering them to make cups, mugs, bowls and more. We will also cover the basics of glazing in order to create food safe pots you can use at home.
Level: Beginner and Seasoned Beginner
Tuition: $235 + $35 Lab Fee
Introduction To Modeling The Human Figure with Leonid Siveriver
Thursdays, 6-9pm
August 30- October 4
You’ve asked for it, and this session we are pleased to announce that a live model, figurative sculpture class will be returning to Odyssey ClayWorks! Working from a live model each week, students will hone their understanding of basic anatomy, proportions and the mechanics of movement in 3 dimensions. After first creating multiple fast sketches in clay to work out technique, students will then advance to a longer-term sculpture based on a single pose, with more attention to detail. Please join us for this exciting opportunity to work with decorated sculptor, Leonid Siveriver.
Level: All Levels
Tuition: $255 + $75 Lab and live model fee
Plates and Mugs: Focusing On Surface and Form With Laurie Caffery Harris
Tuesdays, 6:30-9pm
August 28- October 2
These two popular forms offer endless possibilities of expression to the clay artist. In this intermediate level class, we will use the potter’s wheel to create our forms, then focus on creating a unique surface that reflects your individuality. Through demonstrations and practice on our own test tiles, we will cover surface design including mishima (slip inlay), painting, and sgraffito carving. There will also be a heavy emphasis on handle making, as we seek to create forms that are both beautiful, and easy to use.
Level: Intermediate and Advanced
Tuition: $255 + $35 Lab Fee
Students at the Visual Arts Preschool at Roots + Wings School of Art and Design engage with pre-K education fundamentals through a dynamic, arts based curriculum. Literacy, numeracy, social skills, community building, cultural and environmental studies are approached through an art and design thinking lens, as students explore learning concepts experientially across multiple platforms.
The Roots + Wings Visual Arts Preschool ‘Best of 2018’ collection is a cross section of the diverse pre-K education program and includes investigations into art movements, community and culture, storytelling, and creative play.
The Biltmore Estate has been planning the largest exhibition in its historic gardens for almost a decade. And finally, last week, Chihuly at Biltmore opened with a mega installation of glass sculptures from the famous artist Dale Chihuly. Tens of thousands of glass pieces from all around the world reside in 14 locations around the Estate (which is the very first large-scale N.C. Chihuly installation).
The exhibition is up from now until Oct. 7th, free admission with a Biltmore day pass (and free for annual pass holders). Chihuly at Nightis a special, ongoing event where the glass sculptures are lit up, plus live music in the gardens + a wine bar. Tickets are $37.50 for kids + range from $65 – 75 for adults ($10 discount for pass holders).
Three new works were blown just for Biltmore, and 6 new compositions were put together.
The Asheville Art Museum is excited to present Red Hot in the Blue Ridge, an exhibition being held in conjunction with Western North Carolina’s community-wide Summer of Glass celebration. On view at the Asheville Art Museum On the Slope at 175 Biltmore Avenue May 19 – September 30, 2018, Red Hot in the Blue Ridge celebrates Western North Carolina’s unique place in the history of American Studio Glass. Many other organizations and galleries across WNC are also hosting glass-focused events, programs and exhibitions during the region’s Summer of Glass celebration, which coincides with a new exhibition at Biltmore of multi-media artist Dale Chihuly’s monumental glass sculptures. Visit www.ashevilleart.org for details.
Amazing Glaze with Gabriel Kline
Fridays 10am-12:30pm
August 31- October 5
Do you hate glazing? I mean, do you really HATE glazing? Have you experienced the frustration of making a beautiful piece, then ruining it with a flawed, or perhaps worse, boring glaze? Would you rather spend your time doing just about ANYTHING else, even cleaning your studio? Then this is the class for you! Join Gabriel each Friday as he demystifies the techniques that will help you learn to love the glazing process, achieve more dynamic results, and get your work noticed. Topics will include under and overglaze decoration, glazing large and delicate work, spraying glazes, and multiple firings. We will also examine the basics of formulating, mixing, or altering a glaze.
Level: Seasoned Beginner, Intermediate, and Advanced
Tuition: $255 + $35 Lab Fee
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
Beginner Wheel Throwing with Cayce Kolstad
Tuesdays 3-5:30pm
August 28- October 2
With an emphasis on ceramic tableware, this class is a perfect introduction to throwing on the potter’s wheel. We will explore the fundamental forms of functional pottery and work towards altering them to make cups, mugs, bowls and more. We will also cover the basics of glazing in order to create food safe pots you can use at home.
Level: Beginner and Seasoned Beginner
Tuition: $235 + $35 Lab Fee
The Magnetic Theatre will present the world premiere of Karen Saari’s intimate, affirming, and heartfelt play, IN A CLEARING.
Mark is three months into sobriety. He is still haunted by the death of close friend, who died in an unexplained roadside accident after a night of hard partying. The looming guilt Mark secretly feels about his friend’s death has motivated him to become sober; a challenging feat in the small north woods, Wisconsin small town where he has always lived. Seeing friends, family, and the world in a whole new light; Mark rekindles a relationship with Pam, an old “friend” from school and the aggrieved sister of his dead friend, and finally solves the mysteries of his own heart.
The production is being directed by Andrew Gall, The Magnetic Theatre’s co-Artistic Director.
Featuring:
Thomas Traugaer
Emily Tynan McDaniel
Kay Galvin
Jered Shults
Scenic Design: Rodney Smith
Lighting Design: Abby Auman
Costume Design: Victoria Smith
Sound Design: Mary Zogzas
https://www.facebook.com/events/259302424887309/
Introduction To Modeling The Human Figure with Leonid Siveriver
Thursdays, 6-9pm
August 30- October 4
You’ve asked for it, and this session we are pleased to announce that a live model, figurative sculpture class will be returning to Odyssey ClayWorks! Working from a live model each week, students will hone their understanding of basic anatomy, proportions and the mechanics of movement in 3 dimensions. After first creating multiple fast sketches in clay to work out technique, students will then advance to a longer-term sculpture based on a single pose, with more attention to detail. Please join us for this exciting opportunity to work with decorated sculptor, Leonid Siveriver.
Level: All Levels
Tuition: $255 + $75 Lab and live model fee
Plates and Mugs: Focusing On Surface and Form With Laurie Caffery Harris
Tuesdays, 6:30-9pm
August 28- October 2
These two popular forms offer endless possibilities of expression to the clay artist. In this intermediate level class, we will use the potter’s wheel to create our forms, then focus on creating a unique surface that reflects your individuality. Through demonstrations and practice on our own test tiles, we will cover surface design including mishima (slip inlay), painting, and sgraffito carving. There will also be a heavy emphasis on handle making, as we seek to create forms that are both beautiful, and easy to use.
Level: Intermediate and Advanced
Tuition: $255 + $35 Lab Fee
JOSEPH at The Grey Eagle
There is nothing like the sound of siblings singing together. Whether it’s the Beach Boys or the Everly Brothers—or, more recently, First Aid Kit—absorbing the same breathing rhythms and speech patterns adds an element to vocal harmonies that can be pure magic. With the release of I’m Alone, No You’re Not, the mesmerizing, hypnotic sound of the trio known as Joseph—made up of sisters Allison, Meegan, and Natalie Closner—joins this elite company.
“It’s just second nature, like a fifth limb that’s already on you,” says first-born Natalie. “There’s an ability to anticipate what’s going to happen and blend with it. When Meegan and Allison sing, they know exactly what I’m going to do and when.”
But the Closners didn’t actually start singing together when they were growing up in Oregon, the children of artistic parents (their dad was a jazz singer and drummer, their mom a theater teacher). Natalie was the performer—“the older sister who stood on the edge of the fireplace and told everyone, ‘Watch me!,’“ she says. Twins Meegan and Allison stayed out of her lane, joining in for their mother’s musical theater productions but otherwise avoiding the spotlight.
When Natalie was in college, she began pursuing music more seriously. The summer before her senior year, she went to Nashville to check out the scene and work on her guitar playing and songwriting. She had recorded an EP and done a few rounds of touring when a friend sat her down one day.
“It was kind of dramatic,” she says, “He took me aside and said, ‘I don’t think you really believe in this.’ It stopped me in my tracks.” She thought deeply about the music she was making and had a curious epiphany; she decided to ask her sisters if they would consider singing with her.
Initially, they didn’t really get it. “We thought she was asking us to be background singers, so we didn’t take it that seriously,” says Allison. “It was more commitment than I was expecting—I even tried to leave at one point, but after a while, I was convinced.”
A transformation occurred when the Closners were in the process of recording their first album, Native Dreamer Kin. At the time, they were calling themselves Dearborn, but their producer felt that the name didn’t fit the strength of the music. They went to visit their grandfather Jo, in the eastern Oregon town of Joseph. Allison made a playlist for the trip and called it “Joseph,” which is what influenced the band’s name.
“Once she said it, it just hit us all—that’s what this is and who we are, these are the sounds of the land that we’ve lived on,” says Natalie.
With this new sense of themselves, Meegan and Allison began taking a more active role in the group’s songwriting. Meegan notes that while the process was a “totally new journey” for her, it felt similar to the candor and vulnerability of her long-time journaling—just “pulling out the gold and arranging that into neater lines.”
She and Natalie both point to the song “Honest” as a keystone for the development of I’m Alone, No You’re Not. “We were trying really hard to write a song, but nothing was coming,” recalls Natalie. “One night, Meegan was working on some lyrics and getting frustrated, so she wrote in the margin of the page, ‘I can’t say a true thing. It’s hard to be that honest.’ Immediately after that, her most honest sentence spilled out—‘There’s always two thoughts, one after the other: I’m alone. No, you’re not.’ And she thought, ‘Oh, there’s the song.’ “
Meanwhile, the group was cultivating a devoted fan base in the most traditional ways possible: touring the Western states playing living room shows, backyard parties, and secret house party gigs; reaching an audience directly through such platforms as Noisetrade; selling their self-released CD and building a loyal following step by step. By the time they were approached by ATO Records, Joseph had already built a strong community of fans on its own.
As they moved toward making their second record, the project took an additional turn when the Closners decided to work with some other songwriters in Los Angeles. “We were afraid of it at first because the songs were more pop than we were used to writing,” says Meegan, “but as we internalized them, they started becoming super-important to us.”
They point to “More Alive Than Dead,” co-written with Ethan Gruska, as an example of these contributions. “That song describes an experience with a partner where you have hard things in your combined past,” says Natalie. “You’re haunted by them until you realize that those things are dead, and as long as you dwell on them, you’re missing the real live person in front of you.”
She adds, though, that Gruska was critical in clarifying and sharpening the nuanced emotion of the lyric. “When Ethan sent us back the demo, I lost it, He was able to see the heart of the song and bring it out, cut to the core of what I was trying to say.”
Finally, the women of Joseph recorded the album with acclaimed producer Mike Mogis (Bright Eyes, Jenny Lewis, First Aid Kit) at his studio in Omaha. He was able to open up their expansive, evocative vocal sound with powerful and striking arrangements, adding depth while highlighting their haunting intensity.
“This was our first time doing a recording like this,” says Natalie, “and we learned so much about creativity. Mike is a genius, and he’s just a total maniac as a musician, so he took these bare bones songs and brought them to life with lush, gorgeous textures and sounds.”
The initial reaction to the music on I’m Alone, No You’re Not has been remarkable. Joseph was selected as a #SpotifySpotlight artist, and booked for festivals including Bonnaroo, Pickathon, and Sasquatch even prior to the release of the single “White Flag,” a song inspired by an article predicting a massive earthquake for the Pacific Northwest.
“Reading that created a heaviness that was making us jumpy, scared, and miserable,” says Natalie. “It became clear we had two options: be scared and cowering, backing away from the world into paralysis, or keep moving and live. Defy fear. Wear peace. Find better ways to love the people in our lives instead of huddling together like frightened sheep thinking about earthquakes.”
Most rewarding for the Closner sisters has been feeling the audience response to the new songs, as they tour supporting such artists as James Bay and Amos Lee. “This is really when you learn what’s special about a song, or if it’s special,” says Natalie. “It’s this crazy firecracker thing that happens—‘Am I feeling something? Is anyone? What is this song, what does it do, which parts make the most sense?’
“It really is about connection with people, and we’re so grateful we’ve gotten the chance to do that. This has been a totally wild journey, and we’re constantly blown away with possibility of what could be.”
https://www.facebook.com/events/188070488495632/
Students at the Visual Arts Preschool at Roots + Wings School of Art and Design engage with pre-K education fundamentals through a dynamic, arts based curriculum. Literacy, numeracy, social skills, community building, cultural and environmental studies are approached through an art and design thinking lens, as students explore learning concepts experientially across multiple platforms.
The Roots + Wings Visual Arts Preschool ‘Best of 2018’ collection is a cross section of the diverse pre-K education program and includes investigations into art movements, community and culture, storytelling, and creative play.
The Biltmore Estate has been planning the largest exhibition in its historic gardens for almost a decade. And finally, last week, Chihuly at Biltmore opened with a mega installation of glass sculptures from the famous artist Dale Chihuly. Tens of thousands of glass pieces from all around the world reside in 14 locations around the Estate (which is the very first large-scale N.C. Chihuly installation).
The exhibition is up from now until Oct. 7th, free admission with a Biltmore day pass (and free for annual pass holders). Chihuly at Nightis a special, ongoing event where the glass sculptures are lit up, plus live music in the gardens + a wine bar. Tickets are $37.50 for kids + range from $65 – 75 for adults ($10 discount for pass holders).
Three new works were blown just for Biltmore, and 6 new compositions were put together.
The Asheville Art Museum is excited to present Red Hot in the Blue Ridge, an exhibition being held in conjunction with Western North Carolina’s community-wide Summer of Glass celebration. On view at the Asheville Art Museum On the Slope at 175 Biltmore Avenue May 19 – September 30, 2018, Red Hot in the Blue Ridge celebrates Western North Carolina’s unique place in the history of American Studio Glass. Many other organizations and galleries across WNC are also hosting glass-focused events, programs and exhibitions during the region’s Summer of Glass celebration, which coincides with a new exhibition at Biltmore of multi-media artist Dale Chihuly’s monumental glass sculptures. Visit www.ashevilleart.org for details.
Amazing Glaze with Gabriel Kline
Fridays 10am-12:30pm
August 31- October 5
Do you hate glazing? I mean, do you really HATE glazing? Have you experienced the frustration of making a beautiful piece, then ruining it with a flawed, or perhaps worse, boring glaze? Would you rather spend your time doing just about ANYTHING else, even cleaning your studio? Then this is the class for you! Join Gabriel each Friday as he demystifies the techniques that will help you learn to love the glazing process, achieve more dynamic results, and get your work noticed. Topics will include under and overglaze decoration, glazing large and delicate work, spraying glazes, and multiple firings. We will also examine the basics of formulating, mixing, or altering a glaze.
Level: Seasoned Beginner, Intermediate, and Advanced
Tuition: $255 + $35 Lab Fee
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
Beginner Wheel Throwing with Cayce Kolstad
Tuesdays 3-5:30pm
August 28- October 2
With an emphasis on ceramic tableware, this class is a perfect introduction to throwing on the potter’s wheel. We will explore the fundamental forms of functional pottery and work towards altering them to make cups, mugs, bowls and more. We will also cover the basics of glazing in order to create food safe pots you can use at home.
Level: Beginner and Seasoned Beginner
Tuition: $235 + $35 Lab Fee
Introduction To Modeling The Human Figure with Leonid Siveriver
Thursdays, 6-9pm
August 30- October 4
You’ve asked for it, and this session we are pleased to announce that a live model, figurative sculpture class will be returning to Odyssey ClayWorks! Working from a live model each week, students will hone their understanding of basic anatomy, proportions and the mechanics of movement in 3 dimensions. After first creating multiple fast sketches in clay to work out technique, students will then advance to a longer-term sculpture based on a single pose, with more attention to detail. Please join us for this exciting opportunity to work with decorated sculptor, Leonid Siveriver.
Level: All Levels
Tuition: $255 + $75 Lab and live model fee
Plates and Mugs: Focusing On Surface and Form With Laurie Caffery Harris
Tuesdays, 6:30-9pm
August 28- October 2
These two popular forms offer endless possibilities of expression to the clay artist. In this intermediate level class, we will use the potter’s wheel to create our forms, then focus on creating a unique surface that reflects your individuality. Through demonstrations and practice on our own test tiles, we will cover surface design including mishima (slip inlay), painting, and sgraffito carving. There will also be a heavy emphasis on handle making, as we seek to create forms that are both beautiful, and easy to use.
Level: Intermediate and Advanced
Tuition: $255 + $35 Lab Fee
Students at the Visual Arts Preschool at Roots + Wings School of Art and Design engage with pre-K education fundamentals through a dynamic, arts based curriculum. Literacy, numeracy, social skills, community building, cultural and environmental studies are approached through an art and design thinking lens, as students explore learning concepts experientially across multiple platforms.
The Roots + Wings Visual Arts Preschool ‘Best of 2018’ collection is a cross section of the diverse pre-K education program and includes investigations into art movements, community and culture, storytelling, and creative play.
The Biltmore Estate has been planning the largest exhibition in its historic gardens for almost a decade. And finally, last week, Chihuly at Biltmore opened with a mega installation of glass sculptures from the famous artist Dale Chihuly. Tens of thousands of glass pieces from all around the world reside in 14 locations around the Estate (which is the very first large-scale N.C. Chihuly installation).
The exhibition is up from now until Oct. 7th, free admission with a Biltmore day pass (and free for annual pass holders). Chihuly at Nightis a special, ongoing event where the glass sculptures are lit up, plus live music in the gardens + a wine bar. Tickets are $37.50 for kids + range from $65 – 75 for adults ($10 discount for pass holders).
Three new works were blown just for Biltmore, and 6 new compositions were put together.
The Asheville Art Museum is excited to present Red Hot in the Blue Ridge, an exhibition being held in conjunction with Western North Carolina’s community-wide Summer of Glass celebration. On view at the Asheville Art Museum On the Slope at 175 Biltmore Avenue May 19 – September 30, 2018, Red Hot in the Blue Ridge celebrates Western North Carolina’s unique place in the history of American Studio Glass. Many other organizations and galleries across WNC are also hosting glass-focused events, programs and exhibitions during the region’s Summer of Glass celebration, which coincides with a new exhibition at Biltmore of multi-media artist Dale Chihuly’s monumental glass sculptures. Visit www.ashevilleart.org for details.