Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Tuesday, May
9, 2023
Exhibition on Display: Attributes
Biltmore Estate: Ciao! From Italy Sculptural Postcard Display
An Abundance of Riches
Exhibition: NEO MINERALIA
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Exhibition: Something earned, Something left behind
Exhibition: Crafting Denim
Italian Renaissance Alive
Art Exhibit: RAUSCHENBERG: A Gift in Your Pocket
Flower Power – Asheville Gallery of Art
Elementary After-School Volunteer Creative Peacemakers
Dark City Poet’s Society
History Hour: Appalachia on the Table
What You May Not Know About the Occupations of Black Women in Asheville from 1800 to 1900
Stitch n’ Bitch
Michelle Tway – fiber
Timothy Bridges – fiber
Martine House – mixed media
Noel Yovovich – metal
Deb Herman – fiber
The Focus Gallery is located on the second level of the Folk Art Center. The Folk Art Center is located at Milepost 382 of the Blue Ridge Parkway, just north of the Highway 70 entrance in east Asheville, NC.
This exhibition is hosted by the Southern Highland Craft Guild. The Guild is a non-profit, educational organization established in 1930 to cultivate the crafts and makers of the Southern Highlands for the purpose of shared resources, education, marketing, and conservation. The Southern Highland Craft Guild is an authorized concessioner of the National Park Service, Department of the Interior.
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Andrea Rich’s intricately designed, carved, and printed woodcuts draw viewers in for an up-close look.
Some of the artist’s earliest memories are of drawing animals. Childhood encounters with pets, livestock, and wildlife, including birds, deer, and toads, created a lasting connection to the natural world. Through encounters with creatures both tame and wild, Rich developed a fascination and a compassion for animals integral to her art.
“My prints are a visual record of the intriguing creatures that have enriched my life. The woodcut process challenges me to focus on the essence of my subjects. At the same time, I am drawn to the smell of the wood, its texture and grain, and the pleasure I experience while carving. I begin working on a block of wood and realize later that hours have passed without notice.”
Rich uses a centuries-old medium that requires one carved wood panel for each color – varying from one to sixteen – necessary to develop the composition. These panels are painstakingly aligned one atop another sequentially and pulled through a printing press to create the final woodcut.
The subjects of Rich’s woodcuts range from the wilderness of the Australian outback and the lush tropical Amazon forests to the roaring rivers of Yellowstone Park. Rich has traveled worldwide to study wildlife habitats and these varied firsthand experiences are reflected in her work.
Among Rich’s many achievements are international recognition for her woodcut prints, including a 2009 Award of Excellence from the Society of Animal Artists and a 2009 Medal of Excellence from the Artists for Conservation Foundation. She was named Master Artist by the Leigh Yawkey Woodson Art Museum in 2006. In 2010 her work was featured in a solo exhibition at the Mass Audubon Visual Arts Center, Canton, Massachusetts. Rich is a member of the California Society of Printmakers, Artists for Nature Foundation, the Society of Animal Artists, and Society of Wildlife Artists.
In 2000 Rich designated the Woodson Art Museum as the repository for her artistic oeuvre. An Abundance of Riches is drawn from these holdings, which include an example of each of her woodcuts created since the mid-1980s.
Photo credit:
Sae Honda. Courtesy of the Artist.
NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.
NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.
The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.
Photo credit:
Photograph by Bowery Blue Makers
Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.
A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.
Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.
Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.
PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences
PLUS: FREE next-day access to Biltmore’s Gardens and Grounds
This visit includes access to:
- Italian Renaissance Alive at Amherst at Deerpark®
- 8,000 Acres of Gardens and Grounds for two consecutive days
- Antler Hill Village & Winery
- Complimentary Wine Tastings at the Winery
- Tastings require a Day-of-Visit Reservation, which can be made by:
- Scanning the QR Code found in your Estate Guide
- Visiting any Guest Services location
- Complimentary parking
Art Exhibition: Italian Renaissance Alive
This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history
Robert Rauschenberg, Autobiography, 1968
In the late 70s, Bradley Jeffries had a chance meeting with Robert Rauschenberg outside his home on Captiva Island, and they bonded immediately. Bradley was hired to be the artist’s business and life manager. Her employment with him for over 30 years, until his death in 2008, involved many roles on the Board of Directors of Change, Inc and The Rauschenberg Foundation. Bradley’s travels with Rauschenberg took her on incredible adventures all over the world and exposed her to extraordinary opportunities. Throughout their friendship and work together, Rauschenberg gifted Bradley with many of his original artworks.
The family and friends of Bradley Jeffries will use her expansive and never previously exhibited Rauschenberg collection as a means of memorializing Bradley through this traveling exhibition. “Rauschenberg: A Gift in Your Pocket” opens on April 25, 2022 at the Bob Rauschenberg Gallery at Florida Southwestern State College in Ft. Myers for display throughout the summer. After which her collection will travel to The University of Kentucky Art Museum followed by its culminating exhibition at BMCM+AC.
Once her collection of Rauschenberg’s artwork completes its planned memorial exhibitions, pieces will be donated to each of the involved institutions in an ongoing memorial to Bradley and her legacy of promoting the arts and artists.
Curated by Jade Dellinger, Director of the Bob Rauschenberg Gallery at Florida Southwestern State College.
Asheville Gallery of Art’s May show, “Flower Power,” introduces three new Gallery members: Nick Colquitt, Jean-Pierre Dubreuil, and Yvonne McCabe. This delightful exhibition takes its audience on a journey through the mountains of North Carolina, showcasing the mysterious beauty they display within their natural terrain. The show runs May 1-31 during Gallery hours, 11am-6pm daily.
We are seeking volunteers to assist us in our small after school program for children in West Asheville in low-income housing. We provide a safe and nourishing environment, healthy snacks, and creative activities. Our program currently meets during the school year on most Tuesday and Thursday afternoons from 3:00-5:00pm. You may volunteer for one or two days a week.
Volunteer Responsibilities:
- Assist with serving snacks
- Interact with children during activity time
- Supervise games and outdoor free time
- For people with background in education, there is also an opportunity to assist with curriculum development and program planning and administration
Requirements:
- Background check
- Orientation booklets will be provided
- Masks are required if unvaccinated
Great news for poets and poetry lovers: Dark City Poet’s Society is returning to the Black Mountain Library. DCPS is a completely free poetry group that is open to poets of all ages and experience levels. Join us at the Black Mountain Library from 6-7:30 p.m. on the first Tuesday of every month for our (respectful) critique group. DCPS will meet at BAD Craft from 6-7 p.m. on the third Tuesday for our monthly open mic Poetry Night. Find out more on Instagram @darkcitypoetssociety or contact the Black Mountain Library.
Join the Asheville Museum of History Tuesday, May 9 at 6pm via Zoom for the first program in our foodways month. This event airs live and will be recorded.
In this talk Erica Abrams Locklear will discuss her new book, Appalachia on the Table: Representing Mountain Food and People, published this April by University of Georgia Press. At its core, the project asks: How do long-held preconceptions about Appalachian foodways color our perception of the region and its people? Foods that were once considered “coarse” are now trendy, while a fairly rigid idea of what “counts” as mountain food remains stagnant.
Abrams Locklear will discuss how socially agreed upon understandings of food can and do define its consumers in the national imagination. Her book analyzes travel writing and fiction from the turn of the twentieth century, tactics Progressive Era reformers used when describing mountain fare, fictional critiques of government programs meant to educate farmers, literary depictions of the culinary shame that can accompany mountain eating habits, and the ways in which authors celebrate mountain fare.
About the Speaker:
Erica Abrams Locklear is a professor of English and the Thomas Howerton Distinguished Professor of Humanities at the University of North Carolina Asheville. She is the author of Negotiating a Perilous Empowerment: Appalachian Women’s Literacies and is a seventh-generation Western North Carolinian.
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Pictured above: Young Black women at a cooking class at the Allen Industrial Home in Asheville. The Allen Industrial Home was opened by Miss Alsie B. Dole in 1887 to teach Negro youths and adults to read and write. The Home was operated by the Woman’s Home Missionary Society of the Methodist Episcopal Church until it closed in 1952.
Join presenters Zoe Rhine and Eboné Graham to learn about the occupations most commonly held by Black women in our community at the turn of the century. We’ll explore questions like: Did women have any autonomy? Were there any entrepreneurs or women who owned their own homes or businesses? How did the types of occupations for women and men compare? The answers to these questions might surprise you!
Zoe Rhine is also the author of a series of articles on this subject for the Special Collections blog, Heard Tell.
This program is free and everyone is invited. If you have any question, please contact Special Collections. This lecture is part of a series of talks centered on racial and social justice sponsored by the Friends of Buncombe County Special Collections.
Join us for a stitch n’ bitch fiber arts group! Debbie and Alicia are knowledgeable in knitting, crochet, embroidery, and historical fiber techniques including spinning yarn and traditional darning. Ideal for beginners that need guidance or for the seasoned professionally looking for a social group to craft with!
*potluck snacks and beverages always welcome!
Wednesday, May
10, 2023
Asheville Art Museum 75th Anniversary Spring Annual Fund
Asheville Community Theatre Raffle: Trip to NYC 2023
Asheville Regional Airport: art exhibit highlighting local artists
AVL’s Arts Build Community Grant
Hall Fletcher Elementary Plant Sale
Spring Photo Contest: “Spring Trails”
Wilderness Medicine + Survival Skills at Nantahala Outdoor Center
Exhibition on Display: Attributes
Biltmore Estate: Ciao! From Italy Sculptural Postcard Display
An Abundance of Riches
Spring Homeschool Day
Exhibition: NEO MINERALIA
Exhibition: Something earned, Something left behind
Exhibition: Crafting Denim
Italian Renaissance Alive
Art Exhibit: RAUSCHENBERG: A Gift in Your Pocket
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Celebrate with us by contributing to the future of the arts in Western North Carolina.
Make your 75th Anniversary Spring Annual Fund donation today! |
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! The Diamond Anniversary is a time to honor our rich heritage and—more importantly—envision our future as the premier visual arts organization in this vibrant, creative region.
Founded in 1948 by a group of local artists to showcase the scope and depth of creativity in Western North Carolina (WNC), the Museum brings art of international significance to the region and encourages lively, diverse dialogue.
The Museum’s original home was a modest, unheated, three-room building on Charlotte Street in the former sales office of Dr. E.W. Grove. The building was designed by Richard Sharp Smith and provided to the Museum by the City of Asheville. Exhibitions by local painters and sculptors could only be staged in warmer weather, and Sunday afternoon receptions gave the community an opportunity to view original art and to listen to artists talk about their work. By the 1950s, the Museum had become an invaluable part of Asheville’s cultural life. It also began acquiring artworks for its Collection.
Three quarters of a century later, the Museum has evolved into the preeminent cultural and educational hub for WNC—welcoming tens of thousands of visitors annually, hosting several major exhibitions each year, holding scores of special programs, and housing its Collection of more than 7,500 works in its state-of-the-art Pack Square location. From its humble beginnings on Charlotte Street to its breathtaking permanent home in the heart of downtown Asheville, the Museum has remained dedicated to Its mission to engage, enlighten, and inspire individuals and enrich the community through dynamic experiences in American art of the 20th and 21st centuries.
The Asheville Art Museum was built, cherished, and supported by the community throughout the past 75 years. Our anniversary celebration will give back through community partnerships and special programs, and by creating new reasons to visit or become a Member. We hope you’ll join us at one (or all) of our Diamond Anniversary special events: the 2023 Gala on June 17th, the 75th Anniversary Community Day Celebration in August, and the 75th Anniversary Dance Party in November!
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Raffle: Trip to NYC 2023
Enter to win a fabulous trip for two to New York!
Raffle tickets on sale through Sunday, August 6, 2023!
Tickets are $50 and only 500 will be sold.
Travel package for Thanksgiving 2023, with check-in on Wednesday, November 22, 2023 and check-out on Sunday, November 26, 2023.
Prize includes:
- Two round-trip Business Class tickets to New York from Asheville Regional Airport
- Transfers to and from the airport to your hotel
- Accomodations for four nights in Midtown at The Lotte New York Palace, with a choice of one king bed or two double beds
- VIP Macy’s Parade Day experience, including brunch and complimentary drinks, access to indoor and outdoor VIP viewing areas, and access to the Inflation Celebration of parade balloons on Wednesday afternoon
- Orchestra seating tickets to the Radio City Rockettes Christmas Spectacular
- Tickets to a Broadway show
- Up to $500 to spend on guided tours or additional theatre tickets
- Personal consultation with Foothills Travel to customize your trip
- On-site concierge provided through MyBucketListEvents
The drawing will take place the week of August 7, 2023. Winner will be notified by phone call and email.
Edge, the newest exhibit showing in the airport art gallery, is open to the public now through July 21, 2022. The local art is unique, bold and is sure to capture the imaginations of its viewers.
The local artists’ work featured in this exhibit consist of many different mediums. Diane Bronstein creates complex and mesmerizing pieces with photographs, embroidery floss and other materials. Susan Devitt uses bold colors and vivid details to capture the beauty and possibilities of nature with her acrylic paintings. Jen Pacicci crafts peaceful and majestic collages of landscapes using watercolor and torn paper. Kurt Ross designs clay vessels of varying materials and glazes that are each unique in their thoughtful and clean design. Paul Silverman presents ceramic figures of various tools and vintage items that trick the eye in their realistic appearance and awe with their attention to detail.
“The Edge exhibit welcomes travelers and residents to Asheville with a vibrant and unique display this spring at AVL,” said Alexandra Ingle, Brand and Experience Designer at AVL and curator of the gallery. “We are excited at each gallery opening to bring a fresh taste of our talented WNC art community into the airport.”
Artwork can be purchased from the gallery by emailing [email protected]. Details about the program and how to apply can be found on the airport’s website at flyavl.com.
Since 2018, the Arts Build Community grant supports innovative, arts-based projects that inspire diverse groups of participants to be more active, involved, and civically-engaged by creating together. Grants range from $1,000-2,500.
Arts and culture are a fundamental part of our community. They help us connect with one another and better understand history, people, and new ideas. When people become involved in the design, creation, and upkeep of places, they develop a vested interest in using and maintaining these spaces. When neighbors have a true sense of “ownership” or connection to the places they frequent, the community becomes a better place to live, work, and visit.
Description & Eligibility
Organizations must have been in operation for at least one year and be physically located in Buncombe County. Priority is given to projects based in low-income neighborhoods and communities in need.
The arts must be centered in the proposed project. Funds may be used to cover expenses such as art supplies, professional artists’ fees and travel, space rental, advertising, marketing and publicity, website and electronic media, scripts, costumes, sets, props, music and equipment rental.
Funds are for projects taking place from July 1, 2023- June 30, 2024. This can be a reimbursement for projects occurring during this funding period that have already taken place or for projects that have not yet occurred. Projects must be completed by June 30, 2024.
NC State Parks’ Year of the Trail continues with a celebration of how our trails transform each spring. Bring your camera on your next excursion in the park and capture budding wildflowers, spring hikers, or whatever you encounter along the way. You may even win a prize for your efforts!
GREAT PRIZES WILL BE AWARDED TO 3 WINNING ENTRIES
1st Prize: The winning photo will be our Facebook cover photo for two weeks, and the photographer will receive two annual passes to Chimney Rock State Park and lunch for four at the Old Rock Café.
2nd Prize: After the first place photo, the second place photo will be our Facebook cover photo for one week. The photographer will receive one annual pass to Chimney Rock State Park and lunch for two at the Old Rock Café.
3rd Prize: The third place photographer will receive two adult day passes (or one family pack of day passes) to Chimney Rock State Park and lunch for two at the Old Rock Café.
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LEARN MORE THIS YEAR |
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Brush up on your wilderness medicine or learn new survival skills! SOLO Southeast & NOC are offering over 200 courses in 2023 and classes in locations across the southeast.
Find your next course with SOLO Southeast and be prepared for the unexpected! |
Michelle Tway – fiber
Timothy Bridges – fiber
Martine House – mixed media
Noel Yovovich – metal
Deb Herman – fiber
The Focus Gallery is located on the second level of the Folk Art Center. The Folk Art Center is located at Milepost 382 of the Blue Ridge Parkway, just north of the Highway 70 entrance in east Asheville, NC.
This exhibition is hosted by the Southern Highland Craft Guild. The Guild is a non-profit, educational organization established in 1930 to cultivate the crafts and makers of the Southern Highlands for the purpose of shared resources, education, marketing, and conservation. The Southern Highland Craft Guild is an authorized concessioner of the National Park Service, Department of the Interior.
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Andrea Rich’s intricately designed, carved, and printed woodcuts draw viewers in for an up-close look.
Some of the artist’s earliest memories are of drawing animals. Childhood encounters with pets, livestock, and wildlife, including birds, deer, and toads, created a lasting connection to the natural world. Through encounters with creatures both tame and wild, Rich developed a fascination and a compassion for animals integral to her art.
“My prints are a visual record of the intriguing creatures that have enriched my life. The woodcut process challenges me to focus on the essence of my subjects. At the same time, I am drawn to the smell of the wood, its texture and grain, and the pleasure I experience while carving. I begin working on a block of wood and realize later that hours have passed without notice.”
Rich uses a centuries-old medium that requires one carved wood panel for each color – varying from one to sixteen – necessary to develop the composition. These panels are painstakingly aligned one atop another sequentially and pulled through a printing press to create the final woodcut.
The subjects of Rich’s woodcuts range from the wilderness of the Australian outback and the lush tropical Amazon forests to the roaring rivers of Yellowstone Park. Rich has traveled worldwide to study wildlife habitats and these varied firsthand experiences are reflected in her work.
Among Rich’s many achievements are international recognition for her woodcut prints, including a 2009 Award of Excellence from the Society of Animal Artists and a 2009 Medal of Excellence from the Artists for Conservation Foundation. She was named Master Artist by the Leigh Yawkey Woodson Art Museum in 2006. In 2010 her work was featured in a solo exhibition at the Mass Audubon Visual Arts Center, Canton, Massachusetts. Rich is a member of the California Society of Printmakers, Artists for Nature Foundation, the Society of Animal Artists, and Society of Wildlife Artists.
In 2000 Rich designated the Woodson Art Museum as the repository for her artistic oeuvre. An Abundance of Riches is drawn from these holdings, which include an example of each of her woodcuts created since the mid-1980s.
Advance Registration Requires.
Chimney Rock’s Spring Homeschool Day is the perfect way to shake off the winter cobwebs and enjoy the beauty of spring! Join our education team for programs created to engage your student’s interest in the natural world around us. After morning activities conclude, hang out for a fun-filled afternoon in the Park with plenty of ways to expand your experience.
Photo credit:
Sae Honda. Courtesy of the Artist.
NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.
NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.
The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.
Photo credit:
Photograph by Bowery Blue Makers
Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.
A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.
Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.
Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.
PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences
PLUS: FREE next-day access to Biltmore’s Gardens and Grounds
This visit includes access to:
- Italian Renaissance Alive at Amherst at Deerpark®
- 8,000 Acres of Gardens and Grounds for two consecutive days
- Antler Hill Village & Winery
- Complimentary Wine Tastings at the Winery
- Tastings require a Day-of-Visit Reservation, which can be made by:
- Scanning the QR Code found in your Estate Guide
- Visiting any Guest Services location
- Complimentary parking
Art Exhibition: Italian Renaissance Alive
This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history
Robert Rauschenberg, Autobiography, 1968
In the late 70s, Bradley Jeffries had a chance meeting with Robert Rauschenberg outside his home on Captiva Island, and they bonded immediately. Bradley was hired to be the artist’s business and life manager. Her employment with him for over 30 years, until his death in 2008, involved many roles on the Board of Directors of Change, Inc and The Rauschenberg Foundation. Bradley’s travels with Rauschenberg took her on incredible adventures all over the world and exposed her to extraordinary opportunities. Throughout their friendship and work together, Rauschenberg gifted Bradley with many of his original artworks.
The family and friends of Bradley Jeffries will use her expansive and never previously exhibited Rauschenberg collection as a means of memorializing Bradley through this traveling exhibition. “Rauschenberg: A Gift in Your Pocket” opens on April 25, 2022 at the Bob Rauschenberg Gallery at Florida Southwestern State College in Ft. Myers for display throughout the summer. After which her collection will travel to The University of Kentucky Art Museum followed by its culminating exhibition at BMCM+AC.
Once her collection of Rauschenberg’s artwork completes its planned memorial exhibitions, pieces will be donated to each of the involved institutions in an ongoing memorial to Bradley and her legacy of promoting the arts and artists.
Curated by Jade Dellinger, Director of the Bob Rauschenberg Gallery at Florida Southwestern State College.