One in five people in the Carolinas don’t have enough food to eat.  As we enter the holiday season, November is historically one of the hardest months for food banks across the country.  Many North and South Carolinians are either looking for ways to help those in need or looking for help themselves. The Blood Connection (TBC), the non-profit community blood center serving these two states, is dedicating the month of November to addressing the issue of food insecurity in the region by offering blood donors a way to help those in need.

In the month of November, TBC will partner with Feeding the Carolinas – a network of food banks across North and South Carolina that works to provide a healthy, adequate, and consistent food supply – to promote blood donation and food donation.  Each year, Feeding the Carolinas estimates they supply food to more than 2.3 million Carolinians facing hunger.  Feeding the Carolinas also supports the Augusta, Georgia region, which TBC has recently begun operations in.

TBC needs around 1,000 blood donations per day to supply blood to more than 100 hospitals across the Carolinas, and TBC must ensure the shelves are stocked with life-saving blood products when hospital partners call. TBC has set a goal of raising $5,000 for food banks in November, with the hopes of helping neighboring non-profits stock their shelves, as well. Like the need for blood, the need for charitable food does not go away: people in this community will always need food – especially now with inflation at never-before-seen levels.  With one blood donation, a donor can save three lives and help a family in their own community have enough food on the table for Thanksgiving.

Throughout the month of November, blood donors will have the option to donate their TBC reward points in
the TBC Store to Feeding the Carolinas. At TBC centers, food collection boxes will also be placed out for
donors to give non-perishable food items. TBC is also looking for organizations to host blood drives
benefiting Feeding the Carolinas. Blood drive hosts have the option to donate $10 or $20 per blood donor to
Feeding the Carolinas. For more information about hosting a blood drive in November, go to
thebloodconnection.org/host.

Welcome to Western NC’s most premier farmers market!

Since 1980, we have been providing Asheville and the surrounding area with a full range of local, sustainably produced produce, meats, eggs, cheeses, breads, plants, prepared foods and crafts. Day vendors complement the members’ offerings with additional products and services.

The North Asheville Tailgate Market is a weekly, Saturday morning gathering of the best farmers, craftsmen, and bakers. With over 40 vendors and more than 40,000 annual customers, the market’s energetic and warm environment welcomes all.

The WNC Farmers Market is the premier destination for buying and selling the region’s best agriculture products directly from farmers & food producers to household & wholesale customers in an environment that celebrates the region’s diverse culture, food & heritage.

House of Operation:

WNC Farmers Market: 24/7, 361 days a year market access for farmers
Office: Monday- Friday, 8am-5pm
Market Shops: 7 days a week, 8 am-5 pm
Wholesale and Truck Sheds: 7 days a week

Even though it’s getting colder, you can still find fresh, local food at area farmers markets. Nine markets in Buncombe County will offer extended seasons in November and December. In addition to seasonal produce, meats, cheeses, and bread, these markets will feature local artists and handmade goods, such as wreaths, pottery, jewelry, and more. Plus, four markets will stay open through the winter!

Holiday Market featuring favorite community craft vendors, baked goods, local products and late fall produce.

Holiday Market featuring community craft vendors, late fall produce and local products.

Old Kentucky Home -The Thomas Wolfe Memorial

American Novelist Thomas Wolfe (1900-1938)

Considered by many to be one of the giants of 20th-century American literature, Thomas Wolfe immortalized his childhood home in his epic autobiographical novel, Look Homeward, Angel. Wolfe’s colorful portrayal of his family, his hometown of “Altamont” Asheville, North Carolina, and “Dixieland” the Old Kentucky Home boardinghouse, earned the Victorian period house a place as one of American literature’s most famous landmarks.

House tours are offered daily at half past each hour. Last tour leaves at 4:30 pm.
Group tours by reservation.

Adult – $5.00
Student (ages 7-17) – $2.00
Adult Group (10+) – $2.50 each
Student Group – $2.00 each
6 & under – Free

Hours of Operation

Yarn bombing is a global trend, it is a type of soft, removable graffiti street art that employs colorful
displays of knitted or crocheted yarn or fiber rather than paint or chalk, come to one of the “Yarn-In” days to knit or crochet your
own wonderful creations in a group setting, free yarn and needles available or bring your own, recommended to bring your own
chair as seating is limited to non-existent at this outdoor event.

IT’S BEGINNING TO LOOK A LOT LIKE CHRISTMAS HERE IN THE BEAUTIFUL WESTERN NORTH CAROLINA MOUNTAINS.

The Mast General Store welcomes Columbia Sportswear’s partnership for this year’s Share the Warmth campaign. During the month of November, Mast General Store is collecting gently used coats, jackets, sweaters, and blankets to share with our neighbors
who need them. Columbia will make their own donation of coats and jackets to be shared with
our community organizations.

Kids have great imaginations – this is the place to let it loose! Our youngest students will learn to bring fun stories and characters to life. Through games and play, they’ll get comfortable expressing with their voices and bodies. And, their confidence will grow as they perform with other kids! Join us for play and creativity!

Registration begins on Wednesday, September 14, 2022 at 10:00 am. Tuition will be $175 – Scholarships are available.

NOTE: If applying for a scholarship, please fill out the Scholarship Application INSTEAD of filling out registration. If your application is approved, we will be in touch with you to register.

Improv teaches performers spontaneity, creativity, and to think outside the box! In this class, students will learn the basics of improv with techniques designed to get them comfortable with performing, quick thinking, and being present on stage. They’ll be laughing and learning with fun games, warm-ups, “Yes And” exercises, and a showcase for family and friends during the last class.

Registration begins on Wednesday, September 14, 2022 at 10:00 am. Tuition will be $225 – Scholarships are available.

NOTE: If applying for a scholarship, please fill out the Scholarship Application INSTEAD of filling out registration. If your application is approved, we will be in touch with you to register.

This weekend art show and sale is free and open to the public. This year’s annual event will feature new art work created by six Voorhees family members along with two guest artists. The event will again be featured in a family home, this year at Susan Voorhees’ house. Meet this extraordinary family of artists known throughout North Carolina and the Southeast.

Marking the 25^th event there will be an online raffle benefiting a local non-profit this year. Everything will be easily accessible online through the website: www.voorheesfamilyart.com

The arts legacy began with Edwin Voorhees, (1919-1999) and Mildred Voorhees (1924-2007) both accomplished painters and well known throughout NC for their artwork. The first Voorhees Family Art Show was held in the family home in Morehead City in 1998. Edwin passed away the next year but the Voorhees Family Art Show continued in Morehead for several years. With Mildred’s move to Asheville the show followed with it being hosted in one of several Voorhees family homes in North Asheville ever since. The Voorhees Family was recently recognized with an exhibition “Nature & Nurture: The Voorhees Family Artistic Legacy” at the NC Arboretum.

This year’s show celebrates the 25^th show for the Voorhees Family and continues the legacy begun by Edwin Voorhees back in 1998. Three of Edwin and Mildred’s six children and two daughters-in-law, and David’s son-in-law will be showing their work at this event: Susan Voorhees, oil and pastel paintings; Jane Voorhees, watercolors, prints, cards and calendars; David Voorhees, wood-fired stoneware and porcelain pottery; David’s wife, Molly Sharp Voorhees, sterling silver and gold jewelry. David’s son-in-law, James Becker with resin art creations; and Amy Cusick Voorhees (son Chad’s wife), oil paintings. Also exhibiting are guest artists Cheryl Stippich, stained glass and polymer clay, and Chad Alice Hagen, felted art and handmade books. For more information and map visit www.voorheesfamilyart.com

Limited Capacity: 12 Guests per Tour
A truly memorable experience featuring rare photo opportunities, this exclusive guided tour offers a behind-the-scenes look at the design and construction of Biltmore House in areas unavailable on the regular house visit. Imagine yourself a Vanderbilt (or cherished Vanderbilt guest) as you take in stunning views seen only from the house’s rooftop and balconies.

Advance reservation required. Tour includes 250 stairs with no elevator access. Wheelchairs, strollers, and baby backpacks are prohibited. Backpacks are not allowed on any guided tours. Guests are required to leave backpacks in a locker or in their vehicle. To participate in this tour, guest must have a daytime ticket, a Biltmore Annual Pass, or a stay at one of the estate’s splendid overnight properties.

TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community. The first weekly Coffee is Saturday, August 20 at 9 am. No RSVP needed, just drop by! Free parking available on Melrose Avenue, behind and alongside TFAC.

The Fall Studio Tour Preview Exhibition opens in the Kokol Gallery, in Toe River Arts’ Spruce Pine location at 269 Oak Ave, October 29 and runs through the end December 2022.  This exhibition gives visitors an opportunity to have a glimpse into each studio and plan their route. It’s also a great place to begin the tour or take a break from a day of non-stop art and artists.

There’s something breathtaking and awe-inspiring about driving through the mountains of western North Carolina in the Fall.  The way the trees show off by turning vibrant shades of red, yellow, and orange before leaving bare branches to the crisp winds and snowy days of winter, reminds us that nature herself is the original artist.

For more than a quarter century, the Toe River Arts Studio Tour has intrigued those who make the journey to visit places of inspiration and creation. Situated between Roan Mountain which boasts the world’s largest rhododendron garden and Mt. Mitchell, the highest peak east of the Mississippi, the Toe River Arts Studio Tour is a free, self-guided journey of the arts. This arts adventure through Mitchell and Yancey Counties will take visitors along the meandering Toe River, across its many bridges, around barns, acres of fields and miles of forests all while visiting the 83 talented studio artists who often take inspiration from the mountains they call home and 8 galleries featuring local and international art.

It doesn’t matter if you live up the hill or across the state. The Studio Tour provides an adventure for the intrepid seeker of the art experience. Artist studios come in many iterations—the building off to the side of the house, or across the field or down the road or right off the main road or down a gravel one-lane. Two-stories with a gallery space or small and cozy with a table set up or cleared off for display. Still there are others that devote a corner to each artist sharing the space. Wherever and however they are set up, the studios are exciting places to visit because they demonstrate the dynamic process used to create a finished piece. Every artist has their own way of telling a story, inviting visitors to ask questions, hold their work, and share a moment.

The art is as diverse as the artists who create it and features the work of glassblowers, jewelers, printmakers, potters, fiber artists, ironworkers, painters, sculptors, and woodworkers.

Collage paintings, assemblages, textiles, & faux artifacts designed by Jean Hess to explore the 1920 WV mining labor dispute as metaphor for the human condition.

Three rooms are filled with an eclectic mix of collage paintings ranging in scale from 6×6” to 50×70”; 3-D assemblages and faux artifacts; hand-stitched textiles; documentation in the form of historic notes, catalog entries for a collection of ephemera, photographs.
Call 828-273-3332 for weekend hours or to make an appointment. Exhibits through November 30, 2022.
Flood Gallery Fine Art Center is a non-profit 501(c)3 organization, and educates, encourages, challenges and inspires the community through music, film, literary, and contemporary art.

“Matewan as Metaphor” is an experiment in artistic license. Mixed-media artist Jean Hess creates a personal story by combining real and imagined resources with the intention of healing her own memory and transcending limits on what is possible and allowed in creative and scholarly endeavors as well as in visual art. The 1920 mining labor dispute in Matewan, West Virginia, which involved her own family, stands for a full life and its adversities.

Matewan was, in 1920, the scene of an armed skirmish between coal miners, mining companies, local union officials and hired strike-breakers. Baldwin-Felts Detective Agency thugs hired by the coal operators traveled by train to cast striking miners and their families out of their homes. The local mayor and several Baldwin-Felts agents were killed. The chief of police, the Matewan mayor, and several other locals gathered at the train station to confront the hired guns about the unlawful evictions. The Baldwin-Felts agents refused to recognize the local authority, and a shootout ensued. The mayor, some miners, and several detectives were killed. This was one of many violent conflicts that took place in Southern WV between pro-union miners and men hired by coal companies to use force and intimidation to prevent miners from unionizing.

Jean Hess takes serious training in cultural anthropology and visual art to playful levels. Her mixed-media paintings and constructions come from personal memory and nostalgia, ancestral ties and historical fact. Mining illustrations and maps signify coal mining in early twentieth century Appalachia, as well as issues concerning extractive industries, population displacement, exploitative labor practices, suffering and loss. Using collage, paint, layered resins and found ephemera Hess experiments with myriad ways one can obfuscate, surprise and entice. Found imagery is from geography and history textbooks from the early 1900’s and before. Dimensional objects are from her family or found in junk shops over time. Much of her material may be deconstructed, obscured, scrambled or carefully embellished.
Jean Hess’ multi-variant creative output segues with an equally unpredictable life. She has lived in Washington, DC, Baltimore, Albuquerque, Santa Fe and Abiquiu, New Mexico as well as Atlanta, Dallas and now Knoxville, Tennessee. Her work-for-pay background includes stints as a computer programmer, Montessori teacher, museum registrar, writer and research consultant for government and private industry. With degrees [BA, MA] in cultural anthropology she tends to draw inspiration from wide-ranging interests, and not always according to established rules.

Hess is well-known for experimental mixed-media collage paintings and assemblages that combine the skillful use of layered paint and resins, light refraction and found materials such as antique ephemera and pressed plants. Because her palette, surface and touch are consistent, one can always tell a work of art is hers. And yet Hess likes surprises, plays with materials that are sometimes unfamiliar, operates in a controlled-experiment spirit and likes accidental detours that energize her work. While she took some undergraduate art courses she is largely self-taught.

Public collections include: Huntsville Museum of Art; Evansville Museum of Art, History and Science; Knoxville Museum of Art; University of Virginia; Farm Credit Administration; Knoxville Convention Center; City of Chattanooga; St. Mary’s Hospital Heart Institute [IN]; Canon USA.

Jean Hess is proud that much of her work is in private collections, cared for by sympathetic individuals.

Capacity is limited.
Tasting room by reservation only. Make reservations in-person on the day of your Winery visit.

To participate in this activity, guest must have a daytime ticket, a Biltmore Annual Pass, or a stay at one of the estate’s splendid overnight properties.

Reservations are required for all wine tastings and must be made on the day of your visit. Because our complimentary wine tastings fill up quickly, we recommend you reserve your tasting when you arrive for your visit.