This is a variation on the tradition Cherokee Butterbean Game. It can be played by several individual players or several teams. Traditionally, this game uses three butterbeans that have been split in half. More…

From the Museum of the Cherokee Indian: Cherokee people began growing a form of corn two thousand years ago. By about a thousand years ago, or 1000 AD, they were growing corn and beans, as we know them today. Corn, beans, and squash was always grown together and was known as the “Three Sisters.” Beans restore nitrogen to the soil while corn depletes nitrogen. The vines of the beans and squash twined up the cornstalks. When corn and beans are eaten together, they provide complete proteins and amino acids for our diet.

Corn was so important to the Cherokee that they had important celebrations and ceremonies called “Green Corn Festivals.” The first of these was held in August, before the sweet corn was ready to eat. The last was held in October or November, when the
field corn was ready to be picked. At these ceremonies, people purified themselves physically and spiritually before feasting together. At this time, people got married and divorced. All old scores were settled and everyone started a new year together.

This year the Asheville Area Arts Council is offering $500 micro-grants for arts-based projects specifically focused on community hope and healing. These can be projects that bring joy to our local community, and/or projects that actively engage community members in safe activities following state and local health restrictions.

Arts and culture are a fundamental part of our community. They help us connect with one another and better understand history, people, and new ideas. When people become involved in the design, creation, and upkeep of places, they develop a vested interest in using and maintaining these spaces. When neighbors have a true sense of “ownership” or connection to the places they frequent, the community becomes a better place to live, work, and visit. According to Americans for the Arts (AFTA), “86% of participants who took part in community-based art want to be involved in future projects, and people living where these art projects occurred were more than twice as likely to be civically engaged as those whose neighborhoods did not have projects.”

This is a variation on the tradition Cherokee Butterbean Game. It can be played by several individual players or several teams. Traditionally, this game uses three butterbeans that have been split in half. More…

From the Museum of the Cherokee Indian: Cherokee people began growing a form of corn two thousand years ago. By about a thousand years ago, or 1000 AD, they were growing corn and beans, as we know them today. Corn, beans, and squash was always grown together and was known as the “Three Sisters.” Beans restore nitrogen to the soil while corn depletes nitrogen. The vines of the beans and squash twined up the cornstalks. When corn and beans are eaten together, they provide complete proteins and amino acids for our diet.

Corn was so important to the Cherokee that they had important celebrations and ceremonies called “Green Corn Festivals.” The first of these was held in August, before the sweet corn was ready to eat. The last was held in October or November, when the
field corn was ready to be picked. At these ceremonies, people purified themselves physically and spiritually before feasting together. At this time, people got married and divorced. All old scores were settled and everyone started a new year together.

As part of the state’s spending plan for federal CARES Act funding, $9.4 million was designated to provide direct aid to arts councils and arts organizations in an effort to mitigate business disruptions caused by COVID-19. These funds will be distributed on a per-capita basis to all North Carolina counties with a population less than 1 million people. Buncombe County received an allocation of $299,212.42, which will be distributed by the Asheville Area Arts Council.

The Southern Equality Studios special grant round is dedicated to resourcing and celebrating LGBTQ artists and creatives across the LGBTQ South who are BIPOC (Black, Indigenous, or people of color). Grants of up to $500 will support BIPOC LGBTQ Southern artists working on a wide range of creative projects.

These new grant rounds are part of CSE’s Southern Equality Fund, which has been making grassroots grants across the LGBTQ South since 2015. Since its inception, the Southern Equality Fund has prioritized supporting work led by BIPOC, transgender, and rural organizers.

Have you seen an inspiring BIPOC LGBTQ artists in your community, or are you a creative who could use grant support? If so, we want to hear from you!

We are specifically seeking nominations for artists or creatives efforts who are:

• Based in the South.
• Black, Indigenous, or people of color (BIPOC).
• LGBTQ people.
• Funds can be used to support a wide range of artistic endeavors.
• Nominees are eligible to receive this grant even if they have received a previous Southern Equality Fund grant; however, priority will be given to nominees who have not yet received a grant.
• Anyone is welcome and encouraged to nominate an artist for a grant and artists may also nominate themselves.
• There are no grant reports, budgets or supplemental materials required in this process. However, if selected, applicants will have to fill out and return a W9 form to receive their funding.

This year the Asheville Area Arts Council is offering $500 micro-grants for arts-based projects specifically focused on community hope and healing. These can be projects that bring joy to our local community, and/or projects that actively engage community members in safe activities following state and local health restrictions.

Arts and culture are a fundamental part of our community. They help us connect with one another and better understand history, people, and new ideas. When people become involved in the design, creation, and upkeep of places, they develop a vested interest in using and maintaining these spaces. When neighbors have a true sense of “ownership” or connection to the places they frequent, the community becomes a better place to live, work, and visit. According to Americans for the Arts (AFTA), “86% of participants who took part in community-based art want to be involved in future projects, and people living where these art projects occurred were more than twice as likely to be civically engaged as those whose neighborhoods did not have projects.”

This is a variation on the tradition Cherokee Butterbean Game. It can be played by several individual players or several teams. Traditionally, this game uses three butterbeans that have been split in half. More…

From the Museum of the Cherokee Indian: Cherokee people began growing a form of corn two thousand years ago. By about a thousand years ago, or 1000 AD, they were growing corn and beans, as we know them today. Corn, beans, and squash was always grown together and was known as the “Three Sisters.” Beans restore nitrogen to the soil while corn depletes nitrogen. The vines of the beans and squash twined up the cornstalks. When corn and beans are eaten together, they provide complete proteins and amino acids for our diet.

Corn was so important to the Cherokee that they had important celebrations and ceremonies called “Green Corn Festivals.” The first of these was held in August, before the sweet corn was ready to eat. The last was held in October or November, when the
field corn was ready to be picked. At these ceremonies, people purified themselves physically and spiritually before feasting together. At this time, people got married and divorced. All old scores were settled and everyone started a new year together.

As part of the state’s spending plan for federal CARES Act funding, $9.4 million was designated to provide direct aid to arts councils and arts organizations in an effort to mitigate business disruptions caused by COVID-19. These funds will be distributed on a per-capita basis to all North Carolina counties with a population less than 1 million people. Buncombe County received an allocation of $299,212.42, which will be distributed by the Asheville Area Arts Council.

The Southern Equality Studios special grant round is dedicated to resourcing and celebrating LGBTQ artists and creatives across the LGBTQ South who are BIPOC (Black, Indigenous, or people of color). Grants of up to $500 will support BIPOC LGBTQ Southern artists working on a wide range of creative projects.

These new grant rounds are part of CSE’s Southern Equality Fund, which has been making grassroots grants across the LGBTQ South since 2015. Since its inception, the Southern Equality Fund has prioritized supporting work led by BIPOC, transgender, and rural organizers.

Have you seen an inspiring BIPOC LGBTQ artists in your community, or are you a creative who could use grant support? If so, we want to hear from you!

We are specifically seeking nominations for artists or creatives efforts who are:

• Based in the South.
• Black, Indigenous, or people of color (BIPOC).
• LGBTQ people.
• Funds can be used to support a wide range of artistic endeavors.
• Nominees are eligible to receive this grant even if they have received a previous Southern Equality Fund grant; however, priority will be given to nominees who have not yet received a grant.
• Anyone is welcome and encouraged to nominate an artist for a grant and artists may also nominate themselves.
• There are no grant reports, budgets or supplemental materials required in this process. However, if selected, applicants will have to fill out and return a W9 form to receive their funding.

This year the Asheville Area Arts Council is offering $500 micro-grants for arts-based projects specifically focused on community hope and healing. These can be projects that bring joy to our local community, and/or projects that actively engage community members in safe activities following state and local health restrictions.

Arts and culture are a fundamental part of our community. They help us connect with one another and better understand history, people, and new ideas. When people become involved in the design, creation, and upkeep of places, they develop a vested interest in using and maintaining these spaces. When neighbors have a true sense of “ownership” or connection to the places they frequent, the community becomes a better place to live, work, and visit. According to Americans for the Arts (AFTA), “86% of participants who took part in community-based art want to be involved in future projects, and people living where these art projects occurred were more than twice as likely to be civically engaged as those whose neighborhoods did not have projects.”

This is a variation on the tradition Cherokee Butterbean Game. It can be played by several individual players or several teams. Traditionally, this game uses three butterbeans that have been split in half. More…

From the Museum of the Cherokee Indian: Cherokee people began growing a form of corn two thousand years ago. By about a thousand years ago, or 1000 AD, they were growing corn and beans, as we know them today. Corn, beans, and squash was always grown together and was known as the “Three Sisters.” Beans restore nitrogen to the soil while corn depletes nitrogen. The vines of the beans and squash twined up the cornstalks. When corn and beans are eaten together, they provide complete proteins and amino acids for our diet.

Corn was so important to the Cherokee that they had important celebrations and ceremonies called “Green Corn Festivals.” The first of these was held in August, before the sweet corn was ready to eat. The last was held in October or November, when the
field corn was ready to be picked. At these ceremonies, people purified themselves physically and spiritually before feasting together. At this time, people got married and divorced. All old scores were settled and everyone started a new year together.

As part of the state’s spending plan for federal CARES Act funding, $9.4 million was designated to provide direct aid to arts councils and arts organizations in an effort to mitigate business disruptions caused by COVID-19. These funds will be distributed on a per-capita basis to all North Carolina counties with a population less than 1 million people. Buncombe County received an allocation of $299,212.42, which will be distributed by the Asheville Area Arts Council.

The Southern Equality Studios special grant round is dedicated to resourcing and celebrating LGBTQ artists and creatives across the LGBTQ South who are BIPOC (Black, Indigenous, or people of color). Grants of up to $500 will support BIPOC LGBTQ Southern artists working on a wide range of creative projects.

These new grant rounds are part of CSE’s Southern Equality Fund, which has been making grassroots grants across the LGBTQ South since 2015. Since its inception, the Southern Equality Fund has prioritized supporting work led by BIPOC, transgender, and rural organizers.

Have you seen an inspiring BIPOC LGBTQ artists in your community, or are you a creative who could use grant support? If so, we want to hear from you!

We are specifically seeking nominations for artists or creatives efforts who are:

• Based in the South.
• Black, Indigenous, or people of color (BIPOC).
• LGBTQ people.
• Funds can be used to support a wide range of artistic endeavors.
• Nominees are eligible to receive this grant even if they have received a previous Southern Equality Fund grant; however, priority will be given to nominees who have not yet received a grant.
• Anyone is welcome and encouraged to nominate an artist for a grant and artists may also nominate themselves.
• There are no grant reports, budgets or supplemental materials required in this process. However, if selected, applicants will have to fill out and return a W9 form to receive their funding.

This year the Asheville Area Arts Council is offering $500 micro-grants for arts-based projects specifically focused on community hope and healing. These can be projects that bring joy to our local community, and/or projects that actively engage community members in safe activities following state and local health restrictions.

Arts and culture are a fundamental part of our community. They help us connect with one another and better understand history, people, and new ideas. When people become involved in the design, creation, and upkeep of places, they develop a vested interest in using and maintaining these spaces. When neighbors have a true sense of “ownership” or connection to the places they frequent, the community becomes a better place to live, work, and visit. According to Americans for the Arts (AFTA), “86% of participants who took part in community-based art want to be involved in future projects, and people living where these art projects occurred were more than twice as likely to be civically engaged as those whose neighborhoods did not have projects.”

This is a variation on the tradition Cherokee Butterbean Game. It can be played by several individual players or several teams. Traditionally, this game uses three butterbeans that have been split in half. More…

From the Museum of the Cherokee Indian: Cherokee people began growing a form of corn two thousand years ago. By about a thousand years ago, or 1000 AD, they were growing corn and beans, as we know them today. Corn, beans, and squash was always grown together and was known as the “Three Sisters.” Beans restore nitrogen to the soil while corn depletes nitrogen. The vines of the beans and squash twined up the cornstalks. When corn and beans are eaten together, they provide complete proteins and amino acids for our diet.

Corn was so important to the Cherokee that they had important celebrations and ceremonies called “Green Corn Festivals.” The first of these was held in August, before the sweet corn was ready to eat. The last was held in October or November, when the
field corn was ready to be picked. At these ceremonies, people purified themselves physically and spiritually before feasting together. At this time, people got married and divorced. All old scores were settled and everyone started a new year together.

As part of the state’s spending plan for federal CARES Act funding, $9.4 million was designated to provide direct aid to arts councils and arts organizations in an effort to mitigate business disruptions caused by COVID-19. These funds will be distributed on a per-capita basis to all North Carolina counties with a population less than 1 million people. Buncombe County received an allocation of $299,212.42, which will be distributed by the Asheville Area Arts Council.

The Southern Equality Studios special grant round is dedicated to resourcing and celebrating LGBTQ artists and creatives across the LGBTQ South who are BIPOC (Black, Indigenous, or people of color). Grants of up to $500 will support BIPOC LGBTQ Southern artists working on a wide range of creative projects.

These new grant rounds are part of CSE’s Southern Equality Fund, which has been making grassroots grants across the LGBTQ South since 2015. Since its inception, the Southern Equality Fund has prioritized supporting work led by BIPOC, transgender, and rural organizers.

Have you seen an inspiring BIPOC LGBTQ artists in your community, or are you a creative who could use grant support? If so, we want to hear from you!

We are specifically seeking nominations for artists or creatives efforts who are:

• Based in the South.
• Black, Indigenous, or people of color (BIPOC).
• LGBTQ people.
• Funds can be used to support a wide range of artistic endeavors.
• Nominees are eligible to receive this grant even if they have received a previous Southern Equality Fund grant; however, priority will be given to nominees who have not yet received a grant.
• Anyone is welcome and encouraged to nominate an artist for a grant and artists may also nominate themselves.
• There are no grant reports, budgets or supplemental materials required in this process. However, if selected, applicants will have to fill out and return a W9 form to receive their funding.

This year the Asheville Area Arts Council is offering $500 micro-grants for arts-based projects specifically focused on community hope and healing. These can be projects that bring joy to our local community, and/or projects that actively engage community members in safe activities following state and local health restrictions.

Arts and culture are a fundamental part of our community. They help us connect with one another and better understand history, people, and new ideas. When people become involved in the design, creation, and upkeep of places, they develop a vested interest in using and maintaining these spaces. When neighbors have a true sense of “ownership” or connection to the places they frequent, the community becomes a better place to live, work, and visit. According to Americans for the Arts (AFTA), “86% of participants who took part in community-based art want to be involved in future projects, and people living where these art projects occurred were more than twice as likely to be civically engaged as those whose neighborhoods did not have projects.”

This is a variation on the tradition Cherokee Butterbean Game. It can be played by several individual players or several teams. Traditionally, this game uses three butterbeans that have been split in half. More…

From the Museum of the Cherokee Indian: Cherokee people began growing a form of corn two thousand years ago. By about a thousand years ago, or 1000 AD, they were growing corn and beans, as we know them today. Corn, beans, and squash was always grown together and was known as the “Three Sisters.” Beans restore nitrogen to the soil while corn depletes nitrogen. The vines of the beans and squash twined up the cornstalks. When corn and beans are eaten together, they provide complete proteins and amino acids for our diet.

Corn was so important to the Cherokee that they had important celebrations and ceremonies called “Green Corn Festivals.” The first of these was held in August, before the sweet corn was ready to eat. The last was held in October or November, when the
field corn was ready to be picked. At these ceremonies, people purified themselves physically and spiritually before feasting together. At this time, people got married and divorced. All old scores were settled and everyone started a new year together.

As part of the state’s spending plan for federal CARES Act funding, $9.4 million was designated to provide direct aid to arts councils and arts organizations in an effort to mitigate business disruptions caused by COVID-19. These funds will be distributed on a per-capita basis to all North Carolina counties with a population less than 1 million people. Buncombe County received an allocation of $299,212.42, which will be distributed by the Asheville Area Arts Council.

The Southern Equality Studios special grant round is dedicated to resourcing and celebrating LGBTQ artists and creatives across the LGBTQ South who are BIPOC (Black, Indigenous, or people of color). Grants of up to $500 will support BIPOC LGBTQ Southern artists working on a wide range of creative projects.

These new grant rounds are part of CSE’s Southern Equality Fund, which has been making grassroots grants across the LGBTQ South since 2015. Since its inception, the Southern Equality Fund has prioritized supporting work led by BIPOC, transgender, and rural organizers.

Have you seen an inspiring BIPOC LGBTQ artists in your community, or are you a creative who could use grant support? If so, we want to hear from you!

We are specifically seeking nominations for artists or creatives efforts who are:

• Based in the South.
• Black, Indigenous, or people of color (BIPOC).
• LGBTQ people.
• Funds can be used to support a wide range of artistic endeavors.
• Nominees are eligible to receive this grant even if they have received a previous Southern Equality Fund grant; however, priority will be given to nominees who have not yet received a grant.
• Anyone is welcome and encouraged to nominate an artist for a grant and artists may also nominate themselves.
• There are no grant reports, budgets or supplemental materials required in this process. However, if selected, applicants will have to fill out and return a W9 form to receive their funding.

This year the Asheville Area Arts Council is offering $500 micro-grants for arts-based projects specifically focused on community hope and healing. These can be projects that bring joy to our local community, and/or projects that actively engage community members in safe activities following state and local health restrictions.

Arts and culture are a fundamental part of our community. They help us connect with one another and better understand history, people, and new ideas. When people become involved in the design, creation, and upkeep of places, they develop a vested interest in using and maintaining these spaces. When neighbors have a true sense of “ownership” or connection to the places they frequent, the community becomes a better place to live, work, and visit. According to Americans for the Arts (AFTA), “86% of participants who took part in community-based art want to be involved in future projects, and people living where these art projects occurred were more than twice as likely to be civically engaged as those whose neighborhoods did not have projects.”

As part of the state’s spending plan for federal CARES Act funding, $9.4 million was designated to provide direct aid to arts councils and arts organizations in an effort to mitigate business disruptions caused by COVID-19. These funds will be distributed on a per-capita basis to all North Carolina counties with a population less than 1 million people. Buncombe County received an allocation of $299,212.42, which will be distributed by the Asheville Area Arts Council.

The Southern Equality Studios special grant round is dedicated to resourcing and celebrating LGBTQ artists and creatives across the LGBTQ South who are BIPOC (Black, Indigenous, or people of color). Grants of up to $500 will support BIPOC LGBTQ Southern artists working on a wide range of creative projects.

These new grant rounds are part of CSE’s Southern Equality Fund, which has been making grassroots grants across the LGBTQ South since 2015. Since its inception, the Southern Equality Fund has prioritized supporting work led by BIPOC, transgender, and rural organizers.

Have you seen an inspiring BIPOC LGBTQ artists in your community, or are you a creative who could use grant support? If so, we want to hear from you!

We are specifically seeking nominations for artists or creatives efforts who are:

• Based in the South.
• Black, Indigenous, or people of color (BIPOC).
• LGBTQ people.
• Funds can be used to support a wide range of artistic endeavors.
• Nominees are eligible to receive this grant even if they have received a previous Southern Equality Fund grant; however, priority will be given to nominees who have not yet received a grant.
• Anyone is welcome and encouraged to nominate an artist for a grant and artists may also nominate themselves.
• There are no grant reports, budgets or supplemental materials required in this process. However, if selected, applicants will have to fill out and return a W9 form to receive their funding.

This year the Asheville Area Arts Council is offering $500 micro-grants for arts-based projects specifically focused on community hope and healing. These can be projects that bring joy to our local community, and/or projects that actively engage community members in safe activities following state and local health restrictions.

Arts and culture are a fundamental part of our community. They help us connect with one another and better understand history, people, and new ideas. When people become involved in the design, creation, and upkeep of places, they develop a vested interest in using and maintaining these spaces. When neighbors have a true sense of “ownership” or connection to the places they frequent, the community becomes a better place to live, work, and visit. According to Americans for the Arts (AFTA), “86% of participants who took part in community-based art want to be involved in future projects, and people living where these art projects occurred were more than twice as likely to be civically engaged as those whose neighborhoods did not have projects.”