4 Week Session with 1 Weekend of digital performance

Rehearse – Monday through Friday 12-2(3)pm (June 15th through July 10th)

Shows pre-recorded and streamed – Friday, Saturday, Sunday at 5:30pm (July 10, 11, 12)
w/live Q & A after

Limit 20 Participants

Persephone is 29, unemployed, broke, and trying to figure out what to do next. She’s living with her mother, who’s driving her crazy. Enter Hades – the attractive bad boy who might just offer the escape she needs. The question is – what is Persephone willing to give up for her freedom?

Persephone is 29, unemployed, broke, and trying to figure out what to do next. She’s living with her mother, who’s driving her crazy. Enter Hades – the attractive bad boy who might just offer the escape she needs. The question is – what is Persephone willing to give up for her freedom?

Join us Tuesday nights, beginning April 13th, as The Magnetic Theatre teams up with the wizards at Smoky Park Supper Club to host a live, outdoor variety show. We’ll be filling Smoky Park’s gorgeous, riverside outdoor space with comedy, theatre, music and so much more.

There will be food and beverages available for purchase.

• This is a BYOC (Bring-Your-Own-Chair) event.
• In accordance with safety guidelines this show will be staged outdoors, with mask and social distancing protocols enforced. There will also be temperature checks and COVID waivers that need to be signed by each attendee at the gate.
• Please arrive at least 15 minutes before the 7pm showtime.
• We do require that masks be worn at all times unless you are actively eating or drinking.

READERS THEATRE SHOWCASE

Love, Marriage and the Irish!: Two Comic One-Acts

The Twelve Pound Look by JM Barrie – directed by Jim Reid; O’Flaherty, V.C. by GB Shaw – directed by Ellen Pappas

Auditions, rehearsals, and performances at Attic Salt Theatre Company

LOCATION: 2002 Riverside Dr. Suite 42-O; ​Asheville, NC 28804

AUDITION DATE: Thursday, July 15; 10:30 am-2:30 pm

PERFORMANCE DATES: August 6-8, 2021; 2:30 pm

REHEARSAL DATES: July 26, July 27, July 29, August 3, and August 5; 10:30 am -2:30 pm

Auditions held at The Autumn Players will be performing a readers theater program of two delightful one-act comedies this summer at Attic Salt Theatre (while ACT is closed). The program is called Love, Marriage and the Irish!: Two Comic One-Acts by JM Barrie and George Bernard Shaw. Fireworks fly in the drawing room as an unexpected visitor sends Harry Sims Into a tailspin on the day before he is to be knighted in JM Barrie’s delightful play The Twelve Pound Look. And George Bernard Shaw infuses comedy into the terrible experience of war in O’Flaherty, V.C. as he depicts an Irish soldier trying to come to terms with what it means to be a hero. The Twelve Pound Look will be directed by Jim Reid and O’Flaherty, V.C. will be directed by Ellen Pappas. The plays will be performed as reader’s theatre. All are welcome to audition!

In this collegiate-style, two-week summer session, teen artists will learn from industry experts in a combination of acting and musical theatre training, rehearsal, and performance. Daily classes in acting, movement, and music will challenge students to explore the nuances of theatre technique and provide a framework for approaching songs, scenes, and monologues, developed and performed in an original revue at the end of the two weeks. This session is ideal for students who are passionate about theatre, excited to collaborate in a pre-professional environment with peers and industry experts, and looking to grow and develop as artists. Space is limited. 

(2021 high school graduates are welcome)

​​​​​
REGISTRATION OPENS APRIL 19

These can be done together or separate. $175/camp or $300 for both

Early and late care available for an additional fee of $50 (7:45am drop off and 5pm pick up)

Princesses

Students in grades 1-6

Princesses will take place in the morning from 9am – Noon. Performances will take place at 12pm on Friday

This camp is for those wanting to explore the inner workings of the princesses.

Take a ride with Jasmine on a magic carpet and befriend her tiger pet. Explore with Ariel under the sea, finding gadgets and gizmos galore while maybe kinda shirking some princess responsibilities or explore uncharted territory with Moana. Find out just what kind of princess YOU are, and how you want to run YOUR kingdom!

Villains

Students in grades 1-6

Villains will take place from 12:30pm – 3:30pm. Performances will take place at 3:30pm on Friday

This camp is for those wanting to explore the inner workings of the princesses and/or their so-called villains.

Villains… are they really all THAT bad? There’s always another side to the story. Why did Ursula really steal Ariel’s voice? Did Jafar have the keen mind for details necessary to be a better leader than the absent-minded Sultan? Was Gaston really just trying to protect his neighbors from a seemingly reclusive, moody, beast-type monster? Let’s explore the other side of the story and our imaginations, and see what things look like from the other side.

Tanglewood Summer Camp

These can be done together or separate. $175/camp or $300 for both

Early and late care available for an additional fee of $50 (7:45am drop off and 5pm pick up)

Princesses

Students in grades 1-6

Princesses will take place in the morning from 9am – Noon. Performances will take place at 12pm on Friday

This camp is for those wanting to explore the inner workings of the princesses.

Take a ride with Jasmine on a magic carpet and befriend her tiger pet. Explore with Ariel under the sea, finding gadgets and gizmos galore while maybe kinda shirking some princess responsibilities or explore uncharted territory with Moana. Find out just what kind of princess YOU are, and how you want to run YOUR kingdom!

Villains

Students in grades 1-6

Villains will take place from 12:30pm – 3:30pm. Performances will take place at 3:30pm on Friday

This camp is for those wanting to explore the inner workings of the princesses and/or their so-called villains.

Villains… are they really all THAT bad? There’s always another side to the story. Why did Ursula really steal Ariel’s voice? Did Jafar have the keen mind for details necessary to be a better leader than the absent-minded Sultan? Was Gaston really just trying to protect his neighbors from a seemingly reclusive, moody, beast-type monster? Let’s explore the other side of the story and our imaginations, and see what things look like from the other side.

Persephone is 29, unemployed, broke, and trying to figure out what to do next. She’s living with her mother, who’s driving her crazy. Enter Hades – the attractive bad boy who might just offer the escape she needs. The question is – what is Persephone willing to give up for her freedom?

EVERYTHING IS ROSIE

SPECIAL EVENT

Everything is Rosie tells the story of Rosemary Clooney’s rise to top of the Billboard charts in the 50’s, her success in Hollywood in films like WHITE CHRISTMAS followed by her mental breakdown, and finally her triumphant return to the top of the jazz charts in the 80’s and 90’s. It is a compelling story of heartbreak, tragedy, perseverance, and triumph. As Wendy takes the audience on a riveting trip through Rosemary’s life, she interweaves some of Rosemary’s most beloved hits such as “Come On A My House”, “Half as Much”, “Hey There”, and Tenderly” as well as songs from her movie musicals including WHITE CHRISTMAS and jazz standards by composers such as George Gershwin, Duke Ellington, and Harold Arlen

Persephone is 29, unemployed, broke, and trying to figure out what to do next. She’s living with her mother, who’s driving her crazy. Enter Hades – the attractive bad boy who might just offer the escape she needs. The question is – what is Persephone willing to give up for her freedom?

EVERYTHING IS ROSIE

SPECIAL EVENT

Everything is Rosie tells the story of Rosemary Clooney’s rise to top of the Billboard charts in the 50’s, her success in Hollywood in films like WHITE CHRISTMAS followed by her mental breakdown, and finally her triumphant return to the top of the jazz charts in the 80’s and 90’s. It is a compelling story of heartbreak, tragedy, perseverance, and triumph. As Wendy takes the audience on a riveting trip through Rosemary’s life, she interweaves some of Rosemary’s most beloved hits such as “Come On A My House”, “Half as Much”, “Hey There”, and Tenderly” as well as songs from her movie musicals including WHITE CHRISTMAS and jazz standards by composers such as George Gershwin, Duke Ellington, and Harold Arlen