Calendar of Events

• Live Music, 6:00 p.m. and $8 specialty martinis all day at Leo’s Italian Social

Join us on select Thursdays from April through September for live Americana music from the Waverly front porch along with great southern fare and cold beverages. Bring a lawn chair and/or blanket from 6-8pm for a great evening in Hendersonville.

May 4: Jess Jocoy, Waverly Front Porch Series

June 1: Letters to Abigail, Waverly Front Porch Series

June 29: The Gathering Dark, Waverly Front Porch Series

July 27: The Last Full Measure, Waverly Front Porch Series

September 7: Angela Easterling, Waverly Front Porch Series

October 5: David Childers, Waverly Front Porch Series

Queen Bee and the Honeylovers is a dance band that performs classic swing, blues and Latin music. They have been voted best in Jazz 2020/21/22 in the Mountain Xpress “Best Of” poll. Their debut album, ‘Asheville’, celebrated their hometown’s history and won them #41 on WNCW’s listener-voted poll of Best Albums of 2019 as well as features on The State of Things with Frank Stasio and PBS Woodsongs. Their video for “Beacham’s Curve” won Best Soundtrack at the 2019 Music Video Asheville Awards.

Queen Bee and the Honeylovers is a dance band that performs classic swing, blues and Latin music. They have been voted best in Jazz 2020/21/22 in the Mountain Xpress “Best Of” poll. Their debut album, ‘Asheville’, celebrated their hometown’s history and won them #41 on WNCW’s listener-voted poll of Best Albums of 2019 as well as features on The State of Things with Frank Stasio and PBS Woodsongs. Their video for “Beacham’s Curve” won Best Soundtrack at the 2019 Music Video Asheville Awards.

Our jazz trio with Thommy Knoles on keys, Felix Pastorius on bass, and Paul Gladstone on drums will perform an opening set from about 7-8:15 pm.

An open jam session follows. Drop-ins are welcome and encouraged for a suggested donation of $10.

Jazz Jam will feature a diverse array of music from jazz’s rich history, ranging from 1940s bebop up to 1970s jazz fusion, as well as material from prominent present-day composers. Bring your instruments and jam with us, or just come and enjoy!

From the local favorites to new regional acts, all live from the river banks of the Nantahala. Raft, dine, then jam with us with Live Music every Friday and Saturday from 5pm-8pm between Memorial Day and Labor Day!

We can’t believe it’s been ten years since the Lake Lure Flowering Bridge came onto the Lake Lure scene! The Bridge is a premier garden destination that draws visitors from around the world. From the beginning, our volunteers have lovingly created and maintained the gardens and delighted in sharing information and their passion with all who visit.

Whether we’re chatting with visitors as they walk the gardens or making presentations in more formal sessions, we love talking shop. To mark this special occasion, we are hosting a special FUNraising and FUNDraising event.

As part of commemorating the anniversary, we are growing and enhancing our education program. Currently, all classes are conducted “open air,” which means we sometimes have to cancel or move a class due to rain or excessive wind or do our best to provide shelter from the hot sun. To grow our vision and attract even more visitors to our beautiful area, we need a structure where we can safely conduct classes and events and where our schedule is not weather-dependent.  All proceeds from the anniversary party will go toward building and operating our new Education Center. Make plans now to join in the fun and support the cause.

Tickets – $80 per person
Includes:

• Live music by Johnnie Blackwell
• Three-course dinner buffet & dessert
• Cash bar
• Silent Auction – get ready to purchase items for your garden and more!
• 

Wanna hear the best local music ​and​ drink the best local beers? Hop aboard LaZoom’s Purple Bus and rock out with a local band while we take you on a journey to Asheville’s premiere local breweries.

John McEuen, born in Oakland, CA in 1945, moved to southern California’s Orange County with his family for high school years, where he thought his teenage dream job in Disneyland’s Magic Shop (at 16 years old) was “as good as it gets”. He and lifelong high-school friend both got that 1963 job (magic shop co-worker, Steve Martin) were 17 when music came along. After seeing Missouri bluegrass group The Dillards in an Orange County club, John’s life headed towards his new dream: make magic with music and be a traveling music man. Leaving his Garden Grove spawning ground, moving to Hollywood, dream became a reality more than imagined it could be!

In 1971 John initiated the landmark Will the Circle be Unbroken* album by asking musical mentors Earl Scruggs and Doc Watson to record; then with his brother Bill (band manager, record producer) it grew to inviting Mother Maybelle Carter, Jimmy Martin, Roy Acuff, ‘Bashful’ Brother Oswald, Vassar Clements, and Merle Travis to a

Nashville studio, hooking them up with Nitty Gritty Dirt Band, for 5 magic hot August days of recording.

The now multi-platinum “Circle” is honored both by Library of Congress and the Grammy Hall of Fame. * “One of the most important records to come out of Nashville…” Chet Flippo, Rolling Stone

Multi-instrumentalist McEuen (banjo, guitar, mandolin, fiddle, dobro, piano, dulcimer) recognized as a founding member and award-winning outstanding performer of the Nitty Gritty Dirt Band (50 years!), departed NGDB at the end of the 50th year anniversary tour Oct. 22, 2017 due to demands for his solo work. In addition to John’s

numerous solo accolades, NGDB was inducted in to Colorado Music Hall of Fame 2015. He covers it all in his highly praised book The Life I’ve Picked on Chicago Review Press, published April, 2018.

McEuen has made over 46 albums (7 solo) that have earned five platinum and six gold records, multiple Grammy Awards and nominations, CMA and ACM awards, an Emmy film score nomination, IBMA record of the year award, and performed on another 25 albums as guest artist. John’s production of Steve Martin – The Crow won the

2010 Best Bluegrass Album Grammy.

The Music of the Wild West CD- produced by McEuen, was honored with the Western Heritage Award. Other accolades include: Grammy nomination for String Wizards II; the Uncle Dave Macon Award (for excellence in preservation and performance of historic music); 2009 he was inducted in to the Traditional Country Music Hall

of Honor. As a producer/composer of film scores, John has produced award-winning projects of his own and for several other artists.

John has continually performed since 1963 – over 10,000 concerts, 300 television shows, 11,000 interviews and flown more than 4 million miles. In 2010 he was honored with the Best in the West Award solo performer from the Folk Alliance Organization.

McEuen’s rich history of creating, producing and preserving original and traditional

folk music earned him the 2013 Charlie Poole Lifetime Achievement Award.

McEuen joined forces with Martha Redbone in 2011 to co-write, arrange, perform on and produce her Garden of Love album where they put Englishman William Blake’s artful poetry of 200 years ago to the ‘Appalachian sound’. Playing a variety of instruments, he fit it to the musical landscape of the late 1800’s.

Made in Brooklyn. – (Stereophile Magazine's Record of the Month; winner: Independent Music Award’s Best Americana album in 2018), produced by John and David Chesky, earned rave reviews.

John was inducted in 2017 to the American Banjo Museum Hall of Fame

John’s first book, The Life I’ve Picked on Chicago Review Press has over 100 5-star rave reviews on Amazon.

John’s popular Sirius/XM Acoustic Traveller Show, now in its 18th year, is found on The Village channel.

Radio Host, author, television show producer, writer, concert promoter, multi-instrumental musician, performer, magician, John McEuen continues to explore the music world. “I am grateful people continue to support what I do, as it excites me to continue making things. I feel like some of my best projects are ahead, like my next album out this summer on Compass Records! So many stories. so many songs, so many notes, so little time!”

• Visit the Artists Website
• Sample Video

This show will probably sell out in advance.

Thus, advance ticket purchases are HIGHLY RECOMMENDED !!!!!!!

tickets: Matt Maeson – That’s My Cue Tour Tickets | Asheville, NC | The Orange Peel (etix.com)

From the local favorites to new regional acts, all live from the river banks of the Nantahala. Raft, dine, then jam with us with Live Music every Friday and Saturday from 5pm-8pm between Memorial Day and Labor Day!

Wanna hear the best local music ​and​ drink the best local beers? Hop aboard LaZoom’s Purple Bus and rock out with a local band while we take you on a journey to Asheville’s premiere local breweries.

All Ages – under 12 requires venue approval

THIS EVENT IS RAIN OR SHINE
NO BAGS ALLOWED

On Saturday, June 3rd, guitars will be abundant in Brevard as iconic guitarist Bryan Sutton hosts the Second Annual North Carolina Guitar Celebration at Brevard Music Center’s Whittington-Pfohl Auditorium and is the culmination of Sutton’s Blue Ridge Guitar Camp. The concert will feature Bryan Sutton with special guests Darrell Scott, Sierra Hull & Justin Moses, Andrew Marlin (Watchhouse), Jeff Hanna (Nitty Gritty Dirt Band), Dom Flemons, Jon Stickley, Ed Helms (The Office and The Hangover movies), T. Michael Coleman and Jack Lawrence along with the instructors, Chris Eldridge (Punch Brothers), Courtney Hartman, Marcel Ardans, Matt Munistari, Jake Eddy and Woody Platt. This year’s event is also celebrating Doc Watson’s 100th birthday.

Bryan Sutton is the most accomplished and awarded acoustic guitarist of his generation, an innovator who bridges the bluegrass flatpicking traditions of the 20th century with the dynamic roots music scene of the 21st. His rise from buzzed-about young sideman to first-call Nashville session musician to membership in one of history’s greatest bluegrass bands has been grounded in quiet professionalism and ever-expanding musicianship.

Auditorium seating is reserved.  Lawn seating is general admission.

“Everything has to be said.” This is the conviction guiding Indigo De Souza’s sophomore album, Any Shape You Take. This dynamic record successfully creates a container for the full spectrum—pushing through and against every emotion: “I wanted this album to give a feeling of shifting with and embracing change. These songs came from a turbulent time when I was coming to self-love through many existential crises and shifts in perspective.”

Faithful to its name, Any Shape You Take changes form to match the tenor of each story it tells. “The album title is a nod to the many shapes I take musically. I don’t feel that I fully embody any particular genre—all of the music just comes from the universe that is my ever-shifting brain/heart/world,” says Indigo. This sonic range is unified by Indigo’s strikingly confessional and effortless approach to songwriting, a signature first introduced in her debut, self-released LP, I Love My Mom. Written in quick succession, Indigo sees these two records as companion pieces, both distinct but in communion with each other: “Many of the songs on these two records came from the same season in my life and a certain version of myself which I feel much further from now.”

Throughout Any Shape You Take, Indigo reflects on her relationships as she reckons with a deeper need to redefine how to fully inhabit spaces of love and connection. “It feels so important for me to see people through change. To accept people for the many shapes they take, whether those shapes fit into your life or not. This album is a reflection of that. I have undergone so much change in my life and I am so deeply grateful to the people who have seen me through it without judgment and without attachment to skins I’m shifting out of.”

Lead single “Kill Me,” written during the climax of a dysfunctional relationship, opens with the lines “Kill me slowly/ Take me with you.” This powerful plea, that begins within the quiet strum of a single electric guitar, is diffused by Indigo’s ironic apathy—a slacker rock nonchalance that refuses to take itself seriously: “I was really tired and fucked up from this relationship and simultaneously so deeply in love with that person in a special way that felt very vast and more real than anything I’d ever experienced.”

Across the table from that irreverence sits the sincerity of the single “Hold U,” a more energized, neo soul-inspired love song that substitutes apathy for a genuine expression of care. “I wrote ‘Hold U’ after I left that heavy season of my life and was learning how to love more simply and functionally. I wanted to write a love song that was painfully simple.”

Growing up in a conservative small town in the mountains of North Carolina, Indigo started playing guitar when she was nine years old. “Music was a natural occurrence in my life. My dad is a bossa nova guitarist and singer from Brazil and so I think I just had it in my blood from birth.” It wasn’t until moving to Asheville, NC that Indigo began to move into her current sound, developing a writing practice that feeds from the currents that surround her: “Sometimes it feels like I am soaking up the energies of people around me and making art from a space that is more a collective body than just my own.”

“Real Pain,” one of the most experimental tracks on the record, is Indigo’s attempt to make that phenomena more intentionally collaborative. Starting soft before dropping down into a cavernous pit of layered screams and cries, “Real Pain” collages the voices of strangers—audio bites Indigo received after posting online asking for “screams, yells and anything else.” “Hearing these voices join together and move with my own was really powerful. The whole record was a release for me. And I hope it can be that for others.”

At the forefront of all De Souza’s projects is her magnetism—her unique quality of spirit that is both buoyant and wise. While her backing band has undergone shifts between releases, her sound has stayed tethered to her vision. Any Shape You Take is the first full-length album that Indigo produced herself. Teaming up with executive producer Brad Cook (Bon Iver, Waxahatchee, The War on Drugs) and engineers/producers Alex Farrar and Adam McDaniel, Indigo recorded the album at Betty’s, Sylvan Esso’s studio in Chapel Hill, NC and finished it with additional production and mixing at Drop of Sun Studios in Asheville. Moving past the limitations of a home studio, Indigo could finally embody the full reach of her sound: “It felt really exciting to lean into my pop tendencies more than I have in the past and to trust my intuition to take the songs where I felt they should go. I had the tools to do it and collaborators who were willing to
go there with me.”

“I feel very much like a shape-shifter with my music, I’m always trying to embody a balance between the existential weight and the overflowing sense of love I feel in the world.” It is exactly this balance that Indigo strikes in her Saddle Creek debut, Any Shape You Take. A listening experience that gives back, as you shed and shape-shift along with her.

indigodesouza.com

Nickel Creek is the platinum-selling, internationally renowned roots trio of mandolinist Chris Thile, violinist Sara Watkins and guitarist Sean Watkins. The Grammy-winning band has revolutionized folk and roots music since first performing together as children at a pizza parlor in San Diego in 1989, signing to acclaimed roots label Sugar Hill Records after wowing the bluegrass circuit for a decade. Nickel Creek quickly broke through in 2000 with their Grammy-nominated, Alison Krauss-produced self-titled LP, which showcased not just their instrumental virtuosity but their burgeoning songwriting prowess. The trio quickly followed that effort with the Krauss-produced This Side, a landmark release that earned Nickel Creek the Grammy Award for Best Contemporary Folk Album and brought their progressive take on acoustic music to a broader audience, greatly influencing the sound and trajectory of roots music in the process. 2005’s Grammy-nominated Why Should the Fire Die? found the trio pushing genre boundaries even further, incorporating elements of alt-rock and indie pop into their singular brand of acoustic music. Nickel Creek’s most recent album, 2014’s critically acclaimed and joyously received A Dotted Line, ended a seven-year recording and touring hiatus for the band, during which members explored other musical and creative avenues.

Each member of Nickel Creek has taken part in many outside projects over the years, too. Thile is a 2012 recipient of a MacArthur Fellowship and served as the host of the American radio variety show Live from Here (formerly A Prairie Home Companion) from 2016 to 2020. Over the course of Nickel Creek’s career, Thile has released collaborative albums alongside world-renowned musicians like Yo-Yo Ma, Edgar Meyer, Brad Mehldau and Stuart Duncan. His Grammy-winning band Punch Brothers has released six studio albums, the most recent being 2022’s Hell on Church Street, a re-imagining of the beloved 1983 Tony Rice album Church Street Blues. Sean Watkins has kept busy outside of Nickel Creek, too, co-founding Watkins Family Hour alongside Sara, releasing three albums with the collective and maintaining the long-running collaborative show in Los Angeles for a decade. Sean has also released a string of solo albums, most recently 2020’s This Is Who We Are with the Bee Eaters. Sara Watkins’ extracurricular projects include the aforementioned Watkins Family Hour band, as well as co-founding the Grammy-winning roots trio I’m With Her alongside Aoife O’Donovan and Sarah Jarosz. Sara has released four studio albums, most recently 2021’s Under the Pepper Tree. She has contributed fiddle to recordings by artists like Phoebe Bridgers, the Killers and John Mayer.

Nickel Creek will release Celebrants, their first new album in nine years, March 24 via Thirty Tigers.

Nickel Creek will be joined by opening act Gaby Moreno.

Looking for a buzz-worthy event? Look no further than Asheville’s 2nd Annual Honey Festival! Join the Center for Honeybee Research and Shanti Elixirs on Sunday, June 4th, from 12-6pm for a day of celebration, education, and community-building.
At the festival, you’ll enjoy live music, food trucks, and vendors showcasing the unique flavors of honey and other artisanal goods. But that’s not all: you’ll also be supporting a great cause, as proceeds from the festival will go towards saving pollinators and our planet.
The Center for Honeybee Research will be offering local and international honey for guests to sample and purchase, and you can even participate in the People’s Choice award for local honey vendors. Plus, we will be featuring the live finals of the 12th Annual International Black Jar Honey competition. Festival goers can watch as local celebrities determine the world’s best tasting honey.
And don’t forget to come dressed in your best pollinator-themed costume! It’s all part of the fun at Asheville’s 2nd Annual Honey Festival.
Personal water bottles are recommended, and families are encouraged to attend. So mark your calendars for June 4th, and come out to celebrate the wonderful world of beekeeping, honey, and all things pollinators. Together, we can help save the bees!

Jack of the Wood : Sunday-Irish Session 

Sundays

1 till who knows when?

Traditional Irish music is kept alive at Jack of the Wood with our unplugged Sunday session.

Jack of the Wood

95 Patton ave

Asheville, NC 28801

(828) 252.5445

http://www.jackofthewood.com/

No matter where we come from, we are all part of the same circle. We all want to dance, to get out of our heads, and tap into ourselves. When delivered by the Taj Mahal Quartet, the blues can take us there. For more than 40 years, Grammy-winning legend Taj Mahal, internationally renowned bassist Bill Rich, and revered percussionist Kester Smith have taken blues on a joyride through reggae, funk, jazz, cajun and more, leaving a trail of swinging hips and raised palms in their wake. In 2019, guitarist and lap steel master Babby Ingano joined the group, and the trio became the Taj Mahal Quartet. The four-match musical virtuosity  with downhome grit unlike anyone else: a blend of sophistication and humble familiarity that is equally at home on a shotgun-shack porch or a Carnegie Hall stage.

In 2023, Los Lobos celebrates its 50th anniversary as aband, a rare and impressive feat, as the band continues its great legacy. The quintet enjoyed critical success early on, wining the Grammy® for Best Mexican-American Performance for “Anselma” from its 1983 EP, and tying with Bruce Springsteen for Rolling Stone‘s Artist of the Year in 1984. A major turning point came in 1987 with the release of Ritchie Valens’ biopic, La Bamba. Their cover topped the charts in the U.S. and U.K., and rather than capitalize on that massive commercial success, they chose to record La Pistola y El Corazon, a tribute to Tejano and Mariachi music that won the 1989 Grammy® for Best Mexican-American Performance. That kind of sharp artistic turn has become Los Lobos’ trademark, serving to both fuel the band’s creativity and keep their fans engaged. Los Lobos has sold millions of records, won prestigious awards (four Grammys® altogether) and made fans around the world. But perhaps its most lasting impact will be how well its musicembodies the idea of America as a cultural melting pot – bringing together different genres to create a new sound that’s greater than the sum of its parts.

Taj Mahal and Los Lobos will be joined by opening act North Mississippi Allstars.

No matter where we come from, we are all part of the same circle. We all want to dance, to get out of our heads, and tap into ourselves. When delivered by the Taj Mahal Quartet, the blues can take us there. For more than 40 years, Grammy-winning legend Taj Mahal, internationally renowned bassist Bill Rich, and revered percussionist Kester Smith have taken blues on a joyride through reggae, funk, jazz, cajun and more, leaving a trail of swinging hips and raised palms in their wake. In 2019, guitarist and lap steel master Babby Ingano joined the group, and the trio became the Taj Mahal Quartet. The four-match musical virtuosity  with downhome grit unlike anyone else: a blend of sophistication and humble familiarity that is equally at home on a shotgun-shack porch or a Carnegie Hall stage.

In 2023, Los Lobos celebrates its 50th anniversary as aband, a rare and impressive feat, as the band continues its great legacy. The quintet enjoyed critical success early on, wining the Grammy® for Best Mexican-American Performance for “Anselma” from its 1983 EP, and tying with Bruce Springsteen for Rolling Stone‘s Artist of the Year in 1984. A major turning point came in 1987 with the release of Ritchie Valens’ biopic, La Bamba. Their cover topped the charts in the U.S. and U.K., and rather than capitalize on that massive commercial success, they chose to record La Pistola y El Corazon, a tribute to Tejano and Mariachi music that won the 1989 Grammy® for Best Mexican-American Performance. That kind of sharp artistic turn has become Los Lobos’ trademark, serving to both fuel the band’s creativity and keep their fans engaged. Los Lobos has sold millions of records, won prestigious awards (four Grammys® altogether) and made fans around the world. But perhaps its most lasting impact will be how well its musicembodies the idea of America as a cultural melting pot – bringing together different genres to create a new sound that’s greater than the sum of its parts.

Taj Mahal and Los Lobos will be joined by opening act North Mississippi Allstars.

No matter where we come from, we are all part of the same circle. We all want to dance, to get out of our heads, and tap into ourselves. When delivered by the Taj Mahal Quartet, the blues can take us there. For more than 40 years, Grammy-winning legend Taj Mahal, internationally renowned bassist Bill Rich, and revered percussionist Kester Smith have taken blues on a joyride through reggae, funk, jazz, cajun and more, leaving a trail of swinging hips and raised palms in their wake. In 2019, guitarist and lap steel master Babby Ingano joined the group, and the trio became the Taj Mahal Quartet. The four-match musical virtuosity  with downhome grit unlike anyone else: a blend of sophistication and humble familiarity that is equally at home on a shotgun-shack porch or a Carnegie Hall stage.

In 2023, Los Lobos celebrates its 50th anniversary as aband, a rare and impressive feat, as the band continues its great legacy. The quintet enjoyed critical success early on, wining the Grammy® for Best Mexican-American Performance for “Anselma” from its 1983 EP, and tying with Bruce Springsteen for Rolling Stone‘s Artist of the Year in 1984. A major turning point came in 1987 with the release of Ritchie Valens’ biopic, La Bamba. Their cover topped the charts in the U.S. and U.K., and rather than capitalize on that massive commercial success, they chose to record La Pistola y El Corazon, a tribute to Tejano and Mariachi music that won the 1989 Grammy® for Best Mexican-American Performance. That kind of sharp artistic turn has become Los Lobos’ trademark, serving to both fuel the band’s creativity and keep their fans engaged. Los Lobos has sold millions of records, won prestigious awards (four Grammys® altogether) and made fans around the world. But perhaps its most lasting impact will be how well its musicembodies the idea of America as a cultural melting pot – bringing together different genres to create a new sound that’s greater than the sum of its parts.

Taj Mahal and Los Lobos will be joined by opening act North Mississippi Allstars.

Grail Moviehouse in Asheville’s River Arts District continues its popular event series: Music Movie Mondays. Showcasing the best in new, classic and cult films about music, these special screenings feature an introduction by music journalist Bill Kopp (that’s me), followed by a screening of the film and then a moderated discussion about what we’ve just seen and heard.

The latest in the series is MONTEREY POP, the documentary film by D.A. Pennebaker showcasing the first great pop music festival. The film features legendary perfomrances by Otis Redding, The Who, Jimi Hendrix, Jefferson Airplane, The Byrds, The Grateful Dead and more than two dozen other acts. A rousing success, the festival created a template for the festival movement.Details are in the attached press release; more info at http://musoscribe.com/movies

The next installment is Wednesday, June 7, and the special guest will be BOB HINKLE, founder and owner of popular music hall White Horse Black Mountain. He got his start as a musician here in WNC, eventually forming a group; recording an album; going solo and releasing another album; working with influentail rock/Americana pioneers The Band on their popular Rock of Ages album; working for Bob Dylan’s notorious manager Albert Goldman; serving as head of A&R for a record label; becoming an artist manager himself, and managing several high-profile artists including Harry Chapin, Manfred Mann’s Earth Band, The J. Geils Band and more. And even all that is only part of the story; Bob Hinkle went on to a VP position at a major label, overseeing one of its popular divisions. And then instead of retiring, he launched White Horse Black Mountain.

The man has stories.

In conversation with host/moderator Bill Kopp, Hinkle will share stories and engage with audience questions/discussion about his life and career in the music business.