Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
APPLICATIONS OPEN NOW!
Do you have a boundary-pushing, innovative performance piece, short film or installation that you’re ready to share?
We will open applications for the film portion of the festival in fall 2023. Films must be submitted via FilmFreeway. Our application fee for films is $5.
NOW CONSIDERING WORKS OF ALL KINDS
We accept live performances from 5 to 60 minutes in length, plus installations and films. We’re open to other types of performance as well – let’s talk! Depending on its length, your piece may be grouped with another show, or scheduled as a Random Act of Fringe. RAFs are free and open to the public, and artists receive a stipend for their performance, rather than relying on door sales.
Typically each artist with a ticketed show gets 2 performances. But in 2024, we’re exploring the option of giving a few shows 3 performances, at select venues only. Our venues range from 20-80 person capacity.
1. FRINGE SHOT
A piece that is
5-15 minutes long
May be paired with another performance, or be selected as a free Random Act of Fringe.
2. SHORT FORM
A piece that is
20-40 minutes long
May be paired with another show.
3. FULL-LENGTH
A piece that is
45-60 minutes long
Ticketed theater-style show.
4. INSTALLATION
A piece that is
Site-specific (any length)
May be in an unusual location, or repeated many times. May be seen by as few as one person at a time.
5. FILM
A piece that is
Designed specifically for film.
May be of any genre & length. Could be combined with other films for a showcase or film night.
Submit on Film Freeway Fall 2023
3. THE ASHEVILLE FRINGE ARTS FESTIVAL IS A JURIED FESTIVAL.
We carefully review each and every submission. You’ll know by late October if your piece is selected. Should your piece get selected, there is a $35 participation fee.
Closed | Opening August 7
The North Carolina Arts Council Artist Support Grant is a regional grant program to support individual artists in all phases of their career. The program funds professional and artistic development for emerging or established artists to create work, improve their business operations, or bring their work to new audiences. This grant is intended to support a broad range of talented artists in the genres of visual arts, performing arts, literary arts, music composition, choreography, and interdisciplinary arts. Grants range from $500 to $3,000
The ASG program is funded by the N.C. Arts Council to provide the opportunity for regional consortia of local arts councils to award project grants to artists in their regions. Region 17 is led by Haywood County Arts Council and support artists in Buncombe, Haywood, Henderson, Polk, Rutherford, and Transylvania counties.
The deadline to apply is September 5, 2023 at 11:59 pm.
What!!! Rahzel from the original Roots is coming to LEAF! The Human Beatbox aka the Grammy-winning Rapper/MC from the original, world-renowned Roots lineup, has been added to the Saturday night lineup of the October Festival.
Famous for his jaw-dropping vocal percussion and beatboxing prowess, Rahzel is not just a performer, he’s an experience. Dive deep into the pulse and rhythm of hip-hop (on the 50th anniversary of the genre) with this masterful artist who blurs the line between voice and instrument. It’s more than a show: it’s musical genius live onstage.
Aaaand … there will be a Beatbox Play-Shop for all ages. Don’t miss it!
Rahzel is one of the biggest names in beatboxing today, and continues to redefine the limits of the human voice. Known as “The Godfather of Noyze,” he was growing up in Queens when hip-hop blew up. LEAF is thrilled to welcome Rahzel to the fall Festival on the 50th anniversary of hip-hop.
Rahzel’s cousin Rahiem was an original member of the Furious Five, and Rahzel recalls sneaking into their shows, “watching Grand Master Flash before I could even see over the gate.” Rahzel embraced the philosophy that “not having’ was never an excuse for ‘not doing. … To me, [beatboxing] saves lives and I’m a prime example of it. It inspires kids to be creative and motivated.”
Through both his solo work and his stint with the live-music hip-hop group The Roots, Rahzel is credited with bringing beatboxing back to the fore of hip-hop in the 1990s. Rahzel can sing a chorus and beatbox the back-up simultaneously, a skill showcased on his signature song, “If Your Mother Only Knew,” from his groundbreaking first album, Make the Music 2000. Rahzel has worked with artists from Björk to Branford Marsalis.
The local ReStore ReUse Contest is officially open for
submissions. Now through September 30, residents can show off their creativity and talent for
a chance to win in the 12 th annual contest. Fabulous furniture make-overs, remarkable
renovations, or unique yard art…if you recently took on a DIY project using predominantly
reused building materials, the Asheville Habitat ReStore wants to know. There are five
categories this year plus Best in Show, and all entries must be submitted electronically. For
guidelines and entry form, visit ashevillehabitat.org/restore .
The creativity of this community never ceases to amaze. Past projects have included a fence
fashioned from doors, a potting bench built from pallets, a wine bar made from a vintage
console radio, a chair constructed from an oil drum, and so much more. To see photos from
2022, click here.
A panel of five judges will select winners in the following categories: Furniture, Homesteading,
Live/Work Space, Home Décor, Art + Best in Show. Winners will be announced in mid-
October.
Tuxedo Junction will be performing at the beautiful Point Lookout Vineyards on 8/25/23. The Vineyard is located 10 minutes from Hendersonville atop the southeast slope of Point Lookout Mountain with 30 mile panoramic views! Come enjoy the tasty meads and wines of Point Lookout Vineyards while Tuxedo Junction showcases many of the classic to contemporary hits from of Swing, Classic Rock, Classic to Contemporary Country, Funk, Beach, Motown, Folk, Folk-Rock, Pop, and Americana genres.
APPLICATIONS OPEN NOW!
Do you have a boundary-pushing, innovative performance piece, short film or installation that you’re ready to share?
We will open applications for the film portion of the festival in fall 2023. Films must be submitted via FilmFreeway. Our application fee for films is $5.
NOW CONSIDERING WORKS OF ALL KINDS
We accept live performances from 5 to 60 minutes in length, plus installations and films. We’re open to other types of performance as well – let’s talk! Depending on its length, your piece may be grouped with another show, or scheduled as a Random Act of Fringe. RAFs are free and open to the public, and artists receive a stipend for their performance, rather than relying on door sales.
Typically each artist with a ticketed show gets 2 performances. But in 2024, we’re exploring the option of giving a few shows 3 performances, at select venues only. Our venues range from 20-80 person capacity.
1. FRINGE SHOT
A piece that is
5-15 minutes long
May be paired with another performance, or be selected as a free Random Act of Fringe.
2. SHORT FORM
A piece that is
20-40 minutes long
May be paired with another show.
3. FULL-LENGTH
A piece that is
45-60 minutes long
Ticketed theater-style show.
4. INSTALLATION
A piece that is
Site-specific (any length)
May be in an unusual location, or repeated many times. May be seen by as few as one person at a time.
5. FILM
A piece that is
Designed specifically for film.
May be of any genre & length. Could be combined with other films for a showcase or film night.
Submit on Film Freeway Fall 2023
3. THE ASHEVILLE FRINGE ARTS FESTIVAL IS A JURIED FESTIVAL.
We carefully review each and every submission. You’ll know by late October if your piece is selected. Should your piece get selected, there is a $35 participation fee.
Closed | Opening August 7
The North Carolina Arts Council Artist Support Grant is a regional grant program to support individual artists in all phases of their career. The program funds professional and artistic development for emerging or established artists to create work, improve their business operations, or bring their work to new audiences. This grant is intended to support a broad range of talented artists in the genres of visual arts, performing arts, literary arts, music composition, choreography, and interdisciplinary arts. Grants range from $500 to $3,000
The ASG program is funded by the N.C. Arts Council to provide the opportunity for regional consortia of local arts councils to award project grants to artists in their regions. Region 17 is led by Haywood County Arts Council and support artists in Buncombe, Haywood, Henderson, Polk, Rutherford, and Transylvania counties.
The deadline to apply is September 5, 2023 at 11:59 pm.
Bender Gallery is honored to present My Soul: Mexican Surrealism with a Japanese Heart, the first solo exhibition in the US of Japanese Mexican artist, Yui Sakamoto. Sakamoto paints large colorful and highly detailed dream-like works, carrying forward the rich history of Surrealism in Mexico. With his unique dual heritage, Sakamoto seamlessly blends themes and iconography from Japanese culture, Mexican folk art, pre-Columbian artifacts, and current cultural references. Sakamoto’s work is nothing short of amazing and Bender Gallery is proud to showcase it in the US. The exhibition runs from Saturday August 5 through August 26. We hope you will be able to attend!
What!!! Rahzel from the original Roots is coming to LEAF! The Human Beatbox aka the Grammy-winning Rapper/MC from the original, world-renowned Roots lineup, has been added to the Saturday night lineup of the October Festival.
Famous for his jaw-dropping vocal percussion and beatboxing prowess, Rahzel is not just a performer, he’s an experience. Dive deep into the pulse and rhythm of hip-hop (on the 50th anniversary of the genre) with this masterful artist who blurs the line between voice and instrument. It’s more than a show: it’s musical genius live onstage.
Aaaand … there will be a Beatbox Play-Shop for all ages. Don’t miss it!
Rahzel is one of the biggest names in beatboxing today, and continues to redefine the limits of the human voice. Known as “The Godfather of Noyze,” he was growing up in Queens when hip-hop blew up. LEAF is thrilled to welcome Rahzel to the fall Festival on the 50th anniversary of hip-hop.
Rahzel’s cousin Rahiem was an original member of the Furious Five, and Rahzel recalls sneaking into their shows, “watching Grand Master Flash before I could even see over the gate.” Rahzel embraced the philosophy that “not having’ was never an excuse for ‘not doing. … To me, [beatboxing] saves lives and I’m a prime example of it. It inspires kids to be creative and motivated.”
Through both his solo work and his stint with the live-music hip-hop group The Roots, Rahzel is credited with bringing beatboxing back to the fore of hip-hop in the 1990s. Rahzel can sing a chorus and beatbox the back-up simultaneously, a skill showcased on his signature song, “If Your Mother Only Knew,” from his groundbreaking first album, Make the Music 2000. Rahzel has worked with artists from Björk to Branford Marsalis.
The local ReStore ReUse Contest is officially open for
submissions. Now through September 30, residents can show off their creativity and talent for
a chance to win in the 12 th annual contest. Fabulous furniture make-overs, remarkable
renovations, or unique yard art…if you recently took on a DIY project using predominantly
reused building materials, the Asheville Habitat ReStore wants to know. There are five
categories this year plus Best in Show, and all entries must be submitted electronically. For
guidelines and entry form, visit ashevillehabitat.org/restore .
The creativity of this community never ceases to amaze. Past projects have included a fence
fashioned from doors, a potting bench built from pallets, a wine bar made from a vintage
console radio, a chair constructed from an oil drum, and so much more. To see photos from
2022, click here.
A panel of five judges will select winners in the following categories: Furniture, Homesteading,
Live/Work Space, Home Décor, Art + Best in Show. Winners will be announced in mid-
October.
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Photo credit:
Sae Honda. Courtesy of the Artist.
NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.
NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.
The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.
Photo credit:
Photograph by Bowery Blue Makers
Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.
A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.
Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.
Take a 90-plus minute stroll along 7th Avenue/Historic Depot District, where the action was when the first steam engine locomotives rolled into town starting in 1879 bringing hundreds of tourists. The district surrounding the historic Railroad Depot was where it was happening in the Gilded Age of Hendersonville from 1879, when the first steam locomotive arrived with hundreds of tourists daily, till the Crash of 1929 … learn about the drays, the hustle, the inns, the summer visitors, the shoot-outs, growth of agriculture, and popular candy stores. These 90-plus minute walks occur rain or shine. Please make a reservation, 828-545-3179.
All tours: $10 per person age 10 and over. Children under 10 yrs. free with paying adult.
Meeting Place: Hendersonville City Hall, front steps (at corner of 5th Ave. E. and King St.)
Schedule a private tour anytime for your group.
Reservations/information: 828-545-3179
On Saturday, August 26 at 10am, listen to the regenerative story straight from the man who, together with his wife Amy in the year 2000, started the modern day version of Hickory Nut Gap. Jamie is filled to the brim with stories about the history of the land and, of course, four generations of farming wisdom. We’re excited to offer this free tour to the public for a chance to share Jamie’s vision of regenerative agriculture with all.
Learn Asheville’s history, discover hidden gems, and laugh at LaZoom’s quirky sense of adventure.
- Guided comedy tour bus of historical Asheville
- 90-Minutes – tours run daily
- 15-minute break at Green Man Brewing
- $39 per person (ages 13+ only)

TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community.
The first weekly Coffee is Saturday, August 20 at 9 am.
No RSVP needed, just drop by!
Free parking available on Melrose Avenue, behind and alongside TFAC.
Join us Saturday August 26, 2023 at Harrah’s Cherokee Center – Asheville.
$20 VIP tickets include early admission 10am – 11am, and a sturdy tote bag the perfect size to carry your purchases, and including goodies from our sponsors.
$5-10 Suggested Donation Regular Admission 11am – 5pm
We’ll have over 30 vendors this year providing over 10,000 square feet of records, 45s, CDs, collectibles and MORE!
Hear great live DJ sets and performances by local artists!
Tickets Available Soon!
***You*** can sign up to be a record fair vendor HERE
We want your unwanted vinyl and CD collections!
If you’ve got a batch of interesting and eclectic vinyl and CDs that you’d like to donate to us ahead of the fair, please email us. We use these donations to help fill in holes in our ever-expanding music library and to help generate funds for the station. And we will happily provide a tax receipt for your donation!
We’re looking for business sponsors for Record Fair!
Volunteer to Help!
Just like the rest of our programming, we rely on volunteers to make our Record Fair a great experience for vendors and attendees! Contact Volunteer Coordinator Jess Speer at [email protected] to learn more!
Location & Directions
Harrah’s Cherokee Center – Asheville (sometimes still referred to as the Civic Center) is located in downtown Asheville at 87 Haywood St.
Paid parking is available at the Center, with all parking fees supporting Asheville FM. Enter on Rankin Ave.
There are also over 700 metered parking spots, and several parking garages within a 3-5 minute walk.
FOR MORE INFORMATION email us at [email protected]
Black Mountain College and Mexico (BMC/MX): Exhibition, Publication, and Public Programming
Black Mountain College (1933–1957), a small but remarkably influential liberal arts school in rural North Carolina, had important links to Mexico that until now have been little investigated. A crucible of twentieth-century creativity, BMC galvanized and inspired artists and intellectuals from around the world, while Mexico’s innovations and age-old traditions—in fine and applied arts, architecture, poetry, music, performance, and more—dovetailed with, and indeed drove, global impulses toward modernism and beyond. Among the many key BMC figures whose lives were importantly touched by experiences in Mexico were Anni and Josef Albers, Ruth Asawa, John Cage, Jean Charlot, Elaine de Kooning, Buckminster Fuller, Carlos Mérida, Robert Motherwell, Charles Olson, Clara Porset, M.C. Richards, and Aaron Siskind. In turn, engagements with BMC and its legacy have played a significant role in shaping contemporary approaches to art in Mexico, evident in the works of Jorge Méndez Blake, Iñaki Bonillas, Abraham Cruzvillegas, Jose Dávila, Gerda Gruber, Lake Verea, Gabriel Orozco, and Damián Ortega, among others.
The exhibition BMC/MX features works by these and other prominent contemporary Mexican artists alongside a selection of historic works by BMC artists, highlighting the ways in which ideas and modalities are translated across materials, space, and time.
Related programming, planned in collaboration with Mexican artists, features a series of public events, including a performance by artist (and BMC/MX co-curator) David Miranda to take place at Different Wrld; an exhibition visit (in Spanish and English) with BMC/MX Project Director Eric Baden; and a series of experiential art events in the BMCM+AC library.
The exhibition is accompanied by the book Black Mountain College and Mexico (forthcoming late summer 2023), which investigates the people, ideas, and practices linking BMC and Mexico during the life of the school, as well as resonances between BMC and the work of contemporary Mexican artists. With contributions by BMC/MX’s curators, as well as by artist Abraham Cruzvillegas, design scholar Ana Elena Mallet, and author and activist Margaret Randall, this fully illustrated volume brings new light to this complex and underexplored subject.
BMC/MX is an investigation into modes of communication—the arenas in which new ideas and alliances may come to be—between Black Mountain College and Mexico, between past and present, between form and idea.
About the Curators
BMC/MX’s Project Director Eric Baden is a photographer and from 1994 to 2022 was professor of photography at Warren Wilson College in Swannanoa, North Carolina. He is the founding director of photo+, a multidisciplinary arts event held in Asheville, North Carolina.
Artist and educator David Miranda is curator at the Museo Experimental El Eco (Universidad Nacional Autónoma de México, UNAM), and teaches at the Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda” in Mexico City.
Diana Stoll is an editor, writer and curator who works with institutions such as The Museum of Modern Art and the J. Paul Getty Museum. She has served as an editor at Aperture and Artforum magazines, and contributes writings to prominent arts publications.
The new Art Place Studios have opened next door at 2015 Asheville Hwy. Visitors can see 23 studio artists at work.
Every Friday from April through November (weather permitting),
check out the Hike and Sip Tour at Souther Williams Vineyard, a unique opportunity to hike our scenic rolling vineyards and enjoy
five different wines along the way, led by a private tour guide who will share the history of the farm and while you hike through the
vines, This educational experience will delight as you live the life of grape throughout its annual pilgrimage to the glass, This 1
hour tour requires moderate walking through hillside vineyards and appropriate farm/field attire, and can accommodate up to 12
people and reservations are required 2 days in advance, $50 per person, Souther Williams Vineyard, Hendersonville,
Kids’ Comedy Tour: Wildly funny, this educational and entertaining tour features the perfect blend of Asheville’s history and kid-centric comedy. Geared specifically toward the 5–12 year old crowd, you’ll explore the town with our famously outlandish tour guides leading the way.
- Perfect for birthday parties
- Makes for memorable school field trips
- Tickets are $27 per person
- Beverages available for purchase at the LaZoom Room
- Departs from 76 Biltmore Avenue
Romare Bearden (Charlotte, NC 1911–1988 New York, NY), African American writer and artist, is renowned for his collages. He constantly experimented with various techniques to achieve his artistic goals throughout his career. This exhibition highlights works on paper and explores his most frequently used mediums, including screen-printing, lithography, hand-colored etching, collagraph, monotype, relief print, photomontage, and collage.
Bearden’s work reflects his improvisational approach to his practice. He considered his process akin to that of jazz and blues composers. Starting with an open mind, he would let an idea evolve spontaneously.
“Romare Bearden: Ways of Working highlights Bearden’s unique artistic practice and masterful storytelling through art,” says Pamela L. Myers, Executive Director of the Asheville Art Museum. “We are thrilled to collaborate with Jerald Melberg Gallery to present these extraordinary works on paper in conversation with Bearden’s collage Sunset Express, 1984 in the Museum Collection (on view in the Museum’s SECU Collection Hall). This exhibition will also provide a glimpse into the cultural histories and personal interests that influenced his art-making practice, and we hope it encourages introspection and dialogue with our visitors.”
Jerald Melberg states, “Romare Bearden’s groundbreaking artistic practice continues to captivate audiences worldwide. With an unparalleled legacy of creativity and innovation, Bearden’s contributions to art remain deeply influential years beyond his life.” We have enjoyed organizing this exhibition with the Asheville Art Museum to showcase his artistic genius and inspire visitors from the Western North Carolina region and beyond.”
This exhibition is made possible in part by the Judy Appleton Fund. Many thanks to the Jerald Melberg Gallery for the loan of these important artworks and to Mary and Jerald Melberg for their long-standing support of the arts, artists, and the Asheville Art Museum.
Sandburg Home Tours – Thursday to Sunday at 11am, 1pm, 2pm.
*As of April 2022, tours are free until further notice. See rates below if they change before your visit. Online reservations are available at recreation.gov.
The Sandburg Home is a great place to start your visit! The ground floor of the home contains visitor information, exhibits, tour ticket sales, the park store, and you can watch the park video. The main and top level of the home are furnished with the Sandburg family belongings. Visitors may only access the furnished ares of the home on a guided tour.
- Tour Reservations: Reserving in advance lets you pick your preferred house tour time. Tours fill up quickly. Last-minute, in-person tickets may not be available on the day you visit. Plan ahead and reserve house tour tickets at recreation.gov.
- Passes: The park does not currently sell the America the Beautiful– National Parks and Federal Recreational Lands Passes.
*These passes do not waive the house tour fee, but do provide a discount.
*You can purchase a pass online at America the Beautiful – National Parks & Federal Recreational Lands Annual Pass | USGS Store. - 30-minute house tours are offered year-round, schedule varies by season. Visit recreation.gov for the current schedule.
- Visitors may only tour the Sandburg Home on a guided tour.
- Tours are limited to 6 persons.
- Strollers are not permitted on the house tour, but there is a place to leave them for storage. Infants and small children should be carried through the house while on tour.
Sandburg Home Guided Tour Fee
*Tours are free until further notice, this chart is the rate when fees resume.
(credit card only)
$10.00 for Adults 16 and older
$6.00 for Adults age 62 and older and all interagency pass holders
Free for Children age 15 and under
The Art of Food features works from important postwar artists, like Robert Rauschenberg, Roy Lichtenstein, John Baldessari, Wayne Thiebaud, Ed Ruscha, Andy Warhol, David Hockney, and Jasper Johns, alongside the work of contemporary artists, like Alison Saar, Lorna Simpson, Enrique Chagoya, Rachel Whiteread, and Jenny Holzer, among others.
The Art of Food features more than 100 works in mediums that include drawings, paintings, photographs, prints, sculptures, and ceramics by 37 artists.
Each artist has a unique means of depicting food in their work that, when seen alongside others, creates a nuanced representation of the complex place food holds in everyday life. Cross-historical resonances between artists in the exhibition spark novel meditations on food and its discontents, while speaking to a broad range of audiences.
Included with admission
Back by popular demand, The Vanderbilts at Home and Abroad exhibition offers guests:
- An opportunity to view rarely-seen treasures from the Biltmore collection
- A first-hand look at the Vanderbilts’ lifestyle
- Deeper insights into George, Edith, and Cornelia’s personalities, both at home and on their extensive travels
Access to exhibitions at The Biltmore Legacy is included with Biltmore daytime admission.
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Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home. Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection. |
The 4SCO (the outgrowth of the Jubilee! Summer Orchestra) returns with a program of lush and evocative orchestral music of Japan. The concert features the magical music of Joe Hisaishi from the classic Studio Ghibli animated films Spirited Away, Howl’s Moving Castle, My Neighbor Totoro, and Kiki’s Delivery Service, as well as iconic video game music from Super Mario Brothers, The Legend of Zelda, Halo, Civilization IV, Kingdom Hearts, and much more. Concert pianist Steven Graff, who has performed all over the world, including in eight appearances with the Chicago Symphony, will join the orchestra as guest artist. The concert will also kick off the Stages for Stages campaign to support treatment and care for children affected by cancer.



