Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

Sing with our Choir at a progressive church

Come join us! Contact Mark Acker for more information ([email protected]).

Rehearsals on Wednesday’s, 3:30-4:45

Weekly mountain music JAM with
players in a round, where the session is focused on regional fiddle tunes and songs, You are welcome to come and listen or to
learn and join in. This event supports the Henderson County Junior Appalachian Musician (JAM) Kids Program, Free but
donations are accepted.

Join us at Keynote Speechcrafters and

Discover the
Joy of
Public Speaking!

It’s natural to enjoy things you do well,
and you will get good at this.

Our members are committed to meeting each week because

steady progress
requires
steady practice.

Our motto:

When you show up
You speak
Every meeting
Every week

So come join us at the South Buncombe Library on Wednesday evenings and prepare to become a better you.

Please Click here to let us know you are coming.

Guests are always welcome. We look forward to speaking with you!

– ALL AGES
– SEATED SHOW
– LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE

EMERALD RAE
Emerald Rae is an American Fiddler & Folksinger based in Nashville. Hailing from the seaside town of Gloucester, Massachusetts, Rae began her musical journey deep in the world of traditional Celtic music. With her 2018 self-titled release, Rae broke the boundaries of fiddle-singing with a wide palate of experimental techniques. With her powerhouse vocals, groovy percussive fiddle and eclectic songwriting style, she has delighted audiences at legacy folk festivals and concert stages across North America.

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

Join us for Jazz Jam Thursday every Thursday from 7-10. There is a suggested donation of $10 and local craft beer and wine for sale. Come as you are or bring an instrument! Open jam starts at 8 after a House Band set guaranteed to fill your soul with groove and joy.
Public parking is available at Marjorie Street, across from Packs Tavern.

– ALL AGES
– SEATED SHOW
– LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE

HANNAH KAMINER

Hannah Kaminer makes modern American roots music that blurs the boundaries between genre and generation. As a songwriter, storyteller, and producer, she nods to the Appalachian traditions of her native North Carolina while creating a contemporary sound that’s woozy, wistful, and evocative of the landscape where it was created.

She turns a new page with her third record, Heavy On The Vine. Written and recorded in Kaminer’s adopted hometown of Asheville, it’s a reflective, resilient album that finds the artist making sense of her new world—a place where boutique hotels block the view of the Blue Ridge Mountains, childhood habits have given way to adulthood realities, and the Christian faith that once offered easy answers to life’s big questions has lost its magic. Heavy On The Vine isn’t just a soundtrack for Kaminer’s loss of faith; it’s a battle cry of hope and defiance, delivered by a songwriter who’s learned to live with uncertainty.

“The idea of estrangement shows up everywhere,” says Kaminer, who kickstarted her career with 2015’s Acre By Acre and expanded her sound with 2018’s Heavy Magnolias. “These songs are about estrangement from myself, from family and old friends, from the Christian faith of my childhood, and from the world as I used to know it.”

Kaminer’s world began taking shape in the small towns of western North Carolina, where she grew up singing hymns in church. Later, while living in central Texas as a college student, she heard a bluegrass song on the radio and found herself pining for the home she’d left behind. “I heard the banjo and thought, ‘That’s the sound of home!’” she remembers. “It took me moving halfway across the country to realize how much I gravitated toward those sounds.”

Those sounds took her back to North Carolina, where Kaminer settled in Asheville and found a supportive musical community that prioritized collaboration over competition. “It was a great place to try something different,” she says. Inspired by Gillian Welch, Iris DeMent, and Patty Griffin—three artists who nodded to the old-school folk singers who came before them, yet still made modern music that balanced gorgeous melodies with grit, hard truths, and haunting arrangements—she started writing her own songs. The Grammy-winning audio engineer Julian Dreyer became one of her earliest champions, engineering her 2015 debut album and co-producing its 2018 follow-up. By the time Kaminer began writing material for Heavy On The Vine, though, she’d become more than a sharp songwriter. She’d started to think like a producer, too.

THOMAS KOZAK
Thomas Kozak’s writing pulls myth and religion through the split-open skull of an obsessive-compulsive, anchoring the past to a new body and giving it voice through and beyond the conventions of folk and Americana.

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

Join us for an unforgettable evening of country music at The Main Event in Hendersonville, NC. Get ready to tap your toes and sing along as Ryan Perry takes the stage for our Country Roots Reunion. This in-person event promises to be a foot-stompin’, hand-clappin’ good time. So grab your cowboy boots and hat, and head on over to The Main Event for a night filled with twangy tunes, heartfelt lyrics, and good ol’ country vibes. Don’t miss out on this one-of-a-kind experience!

– ALL AGES
– SEATED SHOW

MAMA AND THE RUCKUS

The Ruckus is led by powerful vocalist, Melissa McKinney who writes songs about the trauma and pain that every person inevitably experiences in their lives. She sings these songs as a cry for hope, healing, and inspiration to others. This intergenerational Roots Rock/Blues project features original music that they hope will ignite healing, spread joy, and shine up your soul. Melissa McKinney is a resident artist at LEAF Global, the co-founder of WTF Music Festival, a board member of AVL FEST, as well as a small business owner. Her drive and passion are evident in her songwriting and her performance.

With dual guitars, wailing vocals, screaming harmonicas, and some funky bass, keys, and drums, the Ruckus hopes to shake you up, make you dance, and cry at least one tear.

On January 5th Melissa’s daughter McKinney will open the night with a short set of brand new original music. McKinney is a funky bass player and incredible vocalist with a spirit and artistry that will move you.

McKINNEY
K McKinney is a 22 year old bass player, singer/songwriter living in Asheville, NC.  Since moving to AVL in 2018, McKinney has been mentored by a plethora of Asheville’s finest. McKinney is a resident artist with LEAF Global Arts and has a been a regular performer at the LEAF festivals for the past 6 years. She grew up touring with an empowerment concert tour that educates youth about mental health resources. K continues to infuse her shows with a genuine vibe the lifts her audience and truly makes them feel seen and heard. She released her debut solo album in 2021 entitled “Stay,” produced by Josh Blake at Echo Mountain.  With McKinney on bass and vocal, Thommy Knowles of the Fritz on keys, Derrick Johnson from Yo Mama’s Big Fat Booty Band on trombone, Alex Bradley of Empire Strikes Brass on trumpet, Isaac Hadden of IHP on guitar and backing vocals, and K’s drummer of 13 years Aryan Graham on drums, you can feel the desire she has to create new music that reaches into your soul and feels like an old friend. With new music, coming early 2023 produced by Ted Marks & Thommy Knowles, this young woman is ready to take her place as the next powerhouse female coming out of Asheville.

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

You’ve never “herd” anything like them. Grassroots music at its finest, Pretty Little Goat formed in 2013 through their common grounding in the deep well of tradition found in the mountains of Western North Carolina. As young lovers of old-time music, Pretty Little Goat began winning string band competitions right away with their hard driving style. Since then, they have been drawing inspiration from a diverse array of sources, coupled with a lifestyle close to the land, to create a unique collection of timeless original music. Pretty Little Goat sees traditional music is a living art form – vibrant and evolving – and their energy and creativity on stage reflect that. They will get you dancing with a diverse array of old-time fiddle tunes, swingy country two-step numbers, and rollicking mountain hoedowns, while in turn offering heartfelt ballads and sweet harmonies. Pushing out a sound unidentifiable by time, their music is “as close as we will ever be to our past while being as current as we need it to be” (Mike Ashworth, Steep Canyon Rangers). Don’t miss the Goats!

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

The idea that music plays a part in shaping our moods and emotions stretches back to the Doctrine of Affections of ancient Greece. Contemporary film score composers know they have the power to heighten the senses of the audience through harmonies, rhythms, and timbres. Fantasias of the Renaissance and Baroque period allowed for musical forms more fluid than allowed by structured compositions such as canzonas and sonatas. Composers over the past century have called upon instruments to create sounds previously unimaginable, adding even more magic to the listener’s experience. Oboist Alicia Chapman joins Kelly Brzozowski, Rosalind Buda, Sarah Dietriech, and Jody Miller for this Fantastic Voyage.

$20 suggested general admission; $10 suggested for students, seniors; no one turned away for inability to donate.

Vivian Leva & Riley Calcagno play old-soul roots music, fluidly melding a backbone of Appalachian traditional music with fresh iconic melodies and the tightly wound vocal harmonies of indie folk.

 A bittersweet nostalgia lies at the heart of Imaginary People, the new album from Viv & Riley, coming September 15, 2023 on Free Dirt Records. Over ten tracks, the pair applies an indie roots sheen to newly composed pop gems. Rooted originally in the folk tradition, the pair reframe the production into experimental territory, crafting songs that speak to finding a path forward into adulthood in an uncertain world. Gifted songwriters and multi-instrumentalists, Vivian Leva and Riley Calcagno’s first album under the name Viv & Riley is a subtle masterpiece of thought and reflection. The album brings a reflectiveness to summertime jams that speak of uninhibited joy and creative camaraderie. Coming on the heels of their acclaimed earlier albums that showed preternaturally talented songwriting from such young artists, now the songs have caught up with their lives. Now in their mid-20s, the two are building a life together, creating a supportive community, and looking back on everything they’ve been through. Based out of Durham, North Carolina, they’ve tapped into the area’s eclectic and collaborative music scene, recruiting Alex Bingham of Hiss Golden Messenger to produce the album. Bingham brings a sunny, lush sound to Viv & Riley’s music, moving beyond their earlier country roots and toward a layered sound and sonic experimentation. The songwriting has evolved as well, from the world-weary, stripped-down country songs they’re known for to indie songwriting at turns sweetly sad and gently sardonic. Ultimately, Imaginary People is about carrying and honoring our pasts, about letting that inform our new steps forward. No matter how much we might cling to where we are, sometimes we need to uproot and take a leap of faith, to open ourselves up to new experiences and ideas in order to grow and blossom.

All Ages – under 12 requires venue approval

A new documentary film shines a light on four behind-
the-scenes L.A. musicians who were responsible for helping make much of the

era’s best music. A special January 8 screening of Immediate Family is the latest
entry in the popular Music Movie Mondays series hosted by author and music
journalist at Grail Moviehouse.
In the early 1970s music scene of Southern California, you couldn’t get a better bunch
of players than the four musicians who wold come to be known collectively as The
Section. Together and on their own, guitarists Danny “Kootch” Kortchmar and Waddy
Wachtel, bassist Leland Sklar and drummer extraordinaire Russ Kunkel played on a
staggering number of recordings made in that era. And an astounding number of those
songs would become hits.
Playing for and with the likes of Carole King, James Taylor, Stevie Nicks, Don
Henley, Keith Richards, Linda Ronstadt, Stevie Nicks and other well-known names,
that tightly-knit group of musicians would be responsible for the sound of an era. And today those four are the core of a popular
recording and performing unit, the Immediate Family.
Filmmaker Denny Tedesco (The Wrecking Crew) has dug into the collective history of these important musicians, and the result
is a new motion picture documentary, Immediate Family. Drawing from archival footage and contemporary interview with the
musicians (and the artists for whom they provided their expertise), Immediate Family fills in the blanks of an important – yet
often overlooked part of American popular music history.
And a post-screening discussion led by author and music journalist Bill Kopp provides an opportunity to share thoughts and
insight on the film.
As part of the Music Movie Mondays series, Grail Movie House in Asheville hosts a special one-night-only showing of the
film. Presented by Asheville-based speaker, author and music journalist Bill Kopp, the evening will include a screening of the
film followed by an interactive discussion.

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!