Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
We have three opportunities for you to help Connect Beyond AND see some music! We need volunteers to assist with wristbands for three shows this summer at Harrah’s Cherokee Center – Asheville in Downtown Asheville, N.C. Shifts are roughly (3) hours and all participating volunteers will also receive (1) free ticket to stay after and watch the show. The following dates and shows are available:
- February 16-18: Billy Strings
- May 16: Amon Amarth
- May 20 & 22: Noah Kahan
- August 30: King Gizzard and the Lizard Wizard
We have three opportunities for you to help Connect Beyond AND see some music! We need volunteers to assist with wristbands for three shows this summer at Harrah’s Cherokee Center – Asheville in Downtown Asheville, N.C. Shifts are roughly (3) hours and all participating volunteers will also receive (1) free ticket to stay after and watch the show. The following dates and shows are available:
- February 16-18: Billy Strings
- May 16: Amon Amarth
- May 20 & 22: Noah Kahan
- August 30: King Gizzard and the Lizard Wizard
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
The idea that music plays a part in shaping our moods and emotions stretches back to the Doctrine of Affections of ancient Greece. Contemporary film score composers know they have the power to heighten the senses of the audience through harmonies, rhythms, and timbres. Fantasias of the Renaissance and Baroque period allowed for musical forms more fluid than allowed by structured compositions such as canzonas and sonatas. Composers over the past century have called upon instruments to create sounds previously unimaginable, adding even more magic to the listener’s experience. Oboist Alicia Chapman joins Kelly Brzozowski, Rosalind Buda, Sarah Dietriech, and Jody Miller for this Fantastic Voyage.
$20 suggested general admission; $10 suggested for students, seniors; no one turned away for inability to donate.
Join us at 4:30 pm for our monthly poetry reading series coordinated by Mildred Barya. This month’s event features Kathy Nelson, Nicole Farmer, Kenneth Chamlee, and Stevie Edwards.
This is a hybrid event with limited in-store seating and the option to attend online. The event is free but registration is required for both in-person and virtual attendance.
Vivian Leva & Riley Calcagno play old-soul roots music, fluidly melding a backbone of Appalachian traditional music with fresh iconic melodies and the tightly wound vocal harmonies of indie folk.
A bittersweet nostalgia lies at the heart of Imaginary People, the new album from Viv & Riley, coming September 15, 2023 on Free Dirt Records. Over ten tracks, the pair applies an indie roots sheen to newly composed pop gems. Rooted originally in the folk tradition, the pair reframe the production into experimental territory, crafting songs that speak to finding a path forward into adulthood in an uncertain world. Gifted songwriters and multi-instrumentalists, Vivian Leva and Riley Calcagno’s first album under the name Viv & Riley is a subtle masterpiece of thought and reflection. The album brings a reflectiveness to summertime jams that speak of uninhibited joy and creative camaraderie. Coming on the heels of their acclaimed earlier albums that showed preternaturally talented songwriting from such young artists, now the songs have caught up with their lives. Now in their mid-20s, the two are building a life together, creating a supportive community, and looking back on everything they’ve been through. Based out of Durham, North Carolina, they’ve tapped into the area’s eclectic and collaborative music scene, recruiting Alex Bingham of Hiss Golden Messenger to produce the album. Bingham brings a sunny, lush sound to Viv & Riley’s music, moving beyond their earlier country roots and toward a layered sound and sonic experimentation. The songwriting has evolved as well, from the world-weary, stripped-down country songs they’re known for to indie songwriting at turns sweetly sad and gently sardonic. Ultimately, Imaginary People is about carrying and honoring our pasts, about letting that inform our new steps forward. No matter how much we might cling to where we are, sometimes we need to uproot and take a leap of faith, to open ourselves up to new experiences and ideas in order to grow and blossom.
All Ages – under 12 requires venue approval
This is a hybrid, dual-author event with limited in-store seating and the option to attend online. Join Elizabeth Engelhardt for her book, Boardinghouse Women: How Southern Keepers, Cooks, Nurses, Widows, and Runaways Shaped Modern America, and Diane Flynt for her book, Wild, Tamed, Lost, Revived: The Surprising Story of Apples in the South.
A new documentary film shines a light on four behind-
the-scenes L.A. musicians who were responsible for helping make much of the
era’s best music. A special January 8 screening of Immediate Family is the latest
entry in the popular Music Movie Mondays series hosted by author and music
journalist at Grail Moviehouse.
In the early 1970s music scene of Southern California, you couldn’t get a better bunch
of players than the four musicians who wold come to be known collectively as The
Section. Together and on their own, guitarists Danny “Kootch” Kortchmar and Waddy
Wachtel, bassist Leland Sklar and drummer extraordinaire Russ Kunkel played on a
staggering number of recordings made in that era. And an astounding number of those
songs would become hits.
Playing for and with the likes of Carole King, James Taylor, Stevie Nicks, Don
Henley, Keith Richards, Linda Ronstadt, Stevie Nicks and other well-known names,
that tightly-knit group of musicians would be responsible for the sound of an era. And today those four are the core of a popular
recording and performing unit, the Immediate Family.
Filmmaker Denny Tedesco (The Wrecking Crew) has dug into the collective history of these important musicians, and the result
is a new motion picture documentary, Immediate Family. Drawing from archival footage and contemporary interview with the
musicians (and the artists for whom they provided their expertise), Immediate Family fills in the blanks of an important – yet
often overlooked part of American popular music history.
And a post-screening discussion led by author and music journalist Bill Kopp provides an opportunity to share thoughts and
insight on the film.
As part of the Music Movie Mondays series, Grail Movie House in Asheville hosts a special one-night-only showing of the
film. Presented by Asheville-based speaker, author and music journalist Bill Kopp, the evening will include a screening of the
film followed by an interactive discussion.
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
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This month we’re discussing Homecoming by Kate Morton. The Leicester Library Book Discussion Group meets the second Tuesday of each month at 1 pm in the Community Room at the library. Newcomers welcome!
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Register so we can reach out and contact you as we prepare for our first meeting! Books will be distributed at the first meeting. This book club is for adults 18+.
Meetings will be on Tuesday evenings from 5:30-7pm (meeting location will be emailed once attendance is finalized)
Below are all the meeting dates:
December 5th
December 12th
December 19th
Skipping December 26th
January 2nd
January 9th
January 16th
Skipping January 22nd
January 30th
Our VOICE will be hosting a book club beginning this winter! Fill out the form to sign up as we have a limited amount of space!. Our first book selection will be Creating Consent Culture by Erica Scott and Marcia Baczynski. Books will be distributed at the first meeting and bus passes will be provided. This club will be offered in English, but we are looking to provide more opportunities in the future!
Books will be distributed at the first meeting. This book club is for adults 18+.
Meetings will be on Tuesday evenings from 5:30-7pm (meeting location will be emailed once attendance is finalized)
Below are all the meeting dates:
December 5th
December 12th
December 19th
Skipping December 26th
January 2nd
January 9th
January 16th
Skipping January 22nd
January 30th
Join Lauren Harr, co-founder of Gold Leaf Literary Services, to ask burning questions about the book world, author events, and the business of writing.
This event is scheduled to occur monthly at the dates and times listed above.
To join, email [email protected] with the subject “I have a question!” and you’ll receive the Zoom link for the upcoming event.
Founded by two long-time booksellers in 2016, Gold Leaf Literary Services is dedicated to educating and assisting authors in various stages of their careers. For more, visit www.goldleafliterary.com.
This is a hybrid event with limited in-store seating and the option to attend online.
The event is free but registration is required for both in-person and virtual attendance.
Please click here to register for the VIRTUAL event. The link required to attend will be emailed to registrants prior to the event.
Please click here to register for the IN-PERSON event. Note the important event details on the RSVP form.
This event includes a book signing. If you would like a signed book but can’t attend in person, you may order a signed copy online below. If you would like to have your book personalized, please order online or call the store at least two hours before the start of the event. When ordering online, use the comments field to provide a name for personalization, e.g. “To Paul.” NOTE: We do our best to get books personalized when requested but personalization is not guaranteed.
If you decide to attend and to purchase books, we ask that you purchase from Malaprop’s. When you do this you make it possible for us to continue hosting author events and you keep more dollars in our community. You may also support our work by purchasing a gift card or making a donation of any amount below. Thank you!
Idiot Men provides the stage for wayward characters who make poor choices in life and love against a backdrop of elegant prose. These tales recalibrate morality and convention as readers will grow to love the characters despite—and perhaps because of—their flaws. These diverse, rich stories are ultimately connected by the spellbinding voice of a true Southern storyteller.
You’ll meet a truck driver whose wife flees to Jamaica with her lover, leaving him to babysit her hairless tomcat, Princess Di; a male nurse who discovers a trailer full of counterfeit NASCAR paraphernalia during a home health visit; an amateur arsonist sentenced to a year in a Smokey the Bear suit; a disgruntled roofer with a bad back and a meth-dealing twin brother…these are just a few of the idiot men you’ll encounter in a collection of stories that will appeal to readers who relish literature with a Southern flavor.
Scott Gould was born, raised and still lives in South Carolina. His first book, Strangers to Temptation—a linked story collection the Atlanta Journal Constitution called “a compulsive read” and Foreword Reviews dubbed “funny, often poignant, and not easily forgotten”—was published by Hub City Press in 2017. Of his debut novel, Whereabouts (Koehler Books), the Atlanta Journal Constitution said, the book is “distinctly Southern but gritty, without a whiff of moonlight and magnolias.” Gould’s memoir, Things That Crash, Things That Fly (Vine Leaves Press), was released in March of 2021, and a second novel, The Hammerhead Chronicles, was published by the University of North Georgia Press in early 2022. His fiction and nonfiction have appeared in Kenyon Review, New Stories from the South, Black Warrior Review, Carolina Quarterly, Pithead Chapel, Garden & Gun, New Ohio Review, Crazyhorse and The Bitter Southerner, among others. He is a two-time winner of the S.C. Arts Commission’s Individual Artist Fellowship in Prose and the S.C. Academy of Authors Fiction Fellowship. He lives in Sans Souci, South Carolina with a cat and a dog, and teaches creative writing at the S.C. Governor’s School for the Arts & Humanities. He is always pulling for the Braves.
Sebastian Matthews is the author of the memoir In My Father’s Footsteps (W.W. Norton & Co.) as well as two collections of poetry, We Generous and Miracle Day, both published by Red Hen Press. A third collection, Beginner’s Guide to a Head-on Collision, came out from Red Hen Press in 2017. Along with Stanley Plumly, Matthews is the co-editor of three volumes: The Poetry Blues: Essays and Interviews of William Matthews (University of Michigan Press), Search Party: The Collected Poems of William Matthews (Houghton Mifflin), a runner-up for the Pulitzer Prize, and New Hope for the Dead: Uncollected Matthews (Red Hen Press). His poetry and prose have appeared in or on, among others, American Poetry Review, The Atlantic, Blackbird, The Common, From the Fishouse, Georgia Review, Massachusetts Review, New England Review, Poets & Writers, storySouth, The Sun, Tin House, Virginia Quarterly Review, Writer’s Almanac, and Writer’s Chronicle.
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
The Pack Library Book Club is a book discussion group that meets the second Wednesday of each month at 10:30AM at the library. We read and discuss a variety of book genres. The book for January 2024 is “Solito” by Javier Zamora.
Newcomers are always welcome! If you have any questions about book club, you can email [email protected] .
Sing with our Choir at a progressive church
Come join us! Contact Mark Acker for more information ([email protected]).
Rehearsals on Wednesday’s, 3:30-4:45
Join us for this educational and fun guided drum session. This class is super fun and no drumming experience is needed. In this hour long session we will establish the foundations of rhythm and experiment with various concepts from there.
Weekly mountain music JAM with
players in a round, where the session is focused on regional fiddle tunes and songs, You are welcome to come and listen or to
learn and join in. This event supports the Henderson County Junior Appalachian Musician (JAM) Kids Program, Free but
donations are accepted.
This is a hybrid event with limited in-store seating and the option to attend online.
The event is free but registration is required for both in-person and virtual attendance.
Please click here to register for the VIRTUAL event. The link required to attend will be emailed to registrants prior to the event.
Please click here to register for the IN-PERSON event. Note the important event details on the RSVP form.
This event includes a book signing. If you would like a signed book but can’t attend in person, you may order a signed copy online below. If you would like to have your book personalized, please order online or call the store at least two hours before the start of the event. When ordering online, use the comments field to provide a name for personalization, e.g. “To Paul.” NOTE: We do our best to get books personalized when requested but personalization is not guaranteed.
If you decide to attend and to purchase books, we ask that you purchase from Malaprop’s. When you do this you make it possible for us to continue hosting author events and you keep more dollars in our community. You may also support our work by purchasing a gift card or making a donation of any amount below. Thank you!
Old Crimes delves into the lives of characters who hold their secrets and misdeeds close, even as the past continues to reverberate over time and across generations. And despite the characters’ yearnings for connection, they can’t seem to tell the whole truth. In “Low Tones,” a woman uses her hearing impairment as a way to guard herself from her husband’s commentary. In “Lineman,” a telephone lineman strains to connect to his family even as he feels pushed aside in a digital world. In “Confessional,” a young couple buys a confessional booth for fun, only to discover the cost of honesty.
Profoundly moving and unforgettable, for fans of Alice Munro, Elizabeth Strout, and Lily King, the stories in Old Crimes reveal why McCorkle has long been considered a master of the form, probing lives full of great intensity, longing and affection, and deep regret.
Jill McCorkle has the distinction of having published her first two novels on the same day in 1984. Of these novels, the New York Times Book Review said: “one suspects the author of The Cheer Leader is a born novelist. With July 7th, she is also a full grown one.” Since then she has published five other novels—most recently, Hieroglyphics—and four collections of short stories. Five of her books have been named New York Times notable books and four of her stories have appeared in Best American Short Stories. McCorkle has received the New England Booksellers Award, the John Dos Passos Prize for Excellence in Literature, the North Carolina Award for Literature and the Thomas Wolfe Prize; she was recently inducted into the NC Literary Hall of Fame. McCorkle has taught at Harvard, Brandeis, and NC State where she remains affiliated with the MFA Program in creative writing and she is core faculty in the Bennington Writing Seminars.
⭐ Candlelight concerts bring the magic of a live, multi-sensory musical experience to awe-inspiring locations like never seen before in Asheville. Get your tickets now to discover the music of Queen and more at AyurPrana Listening Room under the gentle glow of candlelight.
General Info📍 Venue: AyurPrana Listening Room📅 Dates and times: select your dates/times directly in the ticket selector⏳ Duration: 60 minutes (doors open 45 mins prior to the start time and late entry is not permitted)👤 Age requirement: 8 years old or older. Anyone under the age of 16 must be accompanied by an adult♿ Accessibility: this venue is ADA compliant❓ View the FAQs for this event here🪑 Seating is assigned on a first come first served basis in each zone🕯️ If you would like to book a private concert (min 15+ people), please click here🎻 Check out all the Candlelight concerts in Asheville🎁 To treat your friends and family to a Candlelight gift card, click here
Tentative Program
Queen:
“Don’t Stop Me Now”
“Killer Queen”
“Somebody to Love”
“Love of My Life”
“Crazy Little Thing Called Love”
“Under Pressure” (Queen and David Bowie)
“Bohemian Rhapsody”
“Fat Bottomed Girls”
“We Will Rock You”
“Another One Bites The Dust”
“We Are The Champions”
Other Works:
Gianni Schicchi, “O Mio Babbino Caro” – Giacomo Puccini
La Boheme, SC 67, Act 2: “Quando m’en Vo’ (Musetta’s Waltz)” – Giacomo Puccini
Die Zauberflöte (The Magic Flute), K. 620, Act 2: “Der Hölle Rache Kocht in Meinem Herzen (Queen of the Night Aria)” – W. A. Mozart
Performers
Listeso String Quartet
Reviews of Candlelight Concerts💬 Brian L. ⭐⭐⭐⭐⭐: “The concert was amazing the band was incredible the setup was breath taking. Truly a phenomenal evening.”💬 Dixie L. ⭐⭐⭐⭐⭐: “Incredible talented and entertaining. The venue was beautiful:) so thankful for a beautiful experience.”💬 Iliana D. ⭐⭐⭐⭐⭐: “Great experience! I loved every single piece played.”
We have three opportunities for you to help Connect Beyond AND see some music! We need volunteers to assist with wristbands for three shows this summer at Harrah’s Cherokee Center – Asheville in Downtown Asheville, N.C. Shifts are roughly (3) hours and all participating volunteers will also receive (1) free ticket to stay after and watch the show. The following dates and shows are available:
- February 16-18: Billy Strings
- May 16: Amon Amarth
- May 20 & 22: Noah Kahan
- August 30: King Gizzard and the Lizard Wizard
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
| Would you love to teach mindfulness to your kids but haven’t had the time or been able to get in a regular routine? Join children’s author Jennifer Fae in a guided meditation reading of her book, My Big Heart. A book signing will follow. Books can be purchased after the program or online at jenniferfae.com. The author has even created a free audio that goes along with the book that you can play before bed each night. Grades k-5 and their caregivers are welcome. |
Join us for Jazz Jam Thursday every Thursday from 7-10. There is a suggested donation of $10 and local craft beer and wine for sale. Come as you are or bring an instrument! Open jam starts at 8 after a House Band set guaranteed to fill your soul with groove and joy.
Public parking is available at Marjorie Street, across from Packs Tavern.
– ALL AGES
– STANDING ROOM ONLY
HEX WIZARD
Coming out of Asheville, North Carolina, Hex Wizard brings the party with their high energy rock-n-roll, along with the entrancing psychedelic melodies that scream “rock is not dead!” Formed in the late summer of 2022, Hex Wizard is an original power trio comprised of front performer Michael Seng (guitar & vocals), Casey Willis (bass & visual effects), and Lee Rubenstein (percussion). Hex Wizard will always bring more music to your ears, and less dead space between songs in a live setting. “Heady shredders from Asheville with a melodic, funky yet decidedly heavy take on psych rock. Recommended if you like Jimi Hendrix, Black Sabbath, All Them Witches.” – Compass/Blank Newspaper, Knoxville TN
THE BEARD CULT
The Beard Cult based out of Asheville NC deliver a unique blend of stoner rock that pulls the listener in. With Shawn McCoy on lead guitar and vocals, Brett Spivey on bass and backing vocals, Brad Justice on rhythm guitar and Papillon DeBoer (Poppy) on drums. Let them take you on a journey into altered states with their churning and chugging riffs and melodic vocals. Feel the massive thunder clap of sound these 4 emit from the stage. Let them help you find your inner heavy.
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
Orlando Solar Bears
Greenville Swamp Rabbits
– ALL AGES
– SEATED SHOW
– LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE
JASON CARTER
In Lloyd, Kentucky, on U.S. 23, there’s a sign on the Country Music Highway dedicated to renowned fiddler Jason Carter. It was placed there because of his other accomplishments—the Grammy awards, the worldwide tours, and the many other accolades he’s earned through his music. But for Carter, joining the legendary names honored on that stretch of highway just might mean the most. “There’s a certain sound that’s up there that you just don’t hear anywhere else,” he says. “I think that played a big part in how I sound today.”
True to those Kentucky roots, Carter continues to pour all he has back into bluegrass. For thirty years, he has been the fiddle player for the Del McCoury Band—the most awarded group in bluegrass history. He’s won three Grammy awards, including 2018’s “Best Bluegrass Album” with the Travelin’ McCourys, of which he is a founding member. And he’s taken home five IBMAs for “Fiddle Player of the Year,” a staggering number that isn’t quite so crazy once you realize just how many bluegrass greats have turned to Carter for collaboration.
As a fiddler, Carter has been featured on albums by Steve Earle, Ricky Skaggs, Dierks Bentley, Charlie Daniels, Vince Gill, Asleep at the Wheel, and many more, all in addition to his tireless touring and recording with Del as well as the Travelin’ McCourys. On Carter’s forthcoming solo album, Lowdown Hoedown, listeners may recognize instrumental contributions from such legends as Jerry Douglas or Sam Bush alongside vocals from young trailblazers like Sarah Jarosz or Billy Strings. This time, though, Carter is singing lead.
Scattered across the album, too, are hints of the influences that have shaped Carter’s sound throughout his life. A guitar player since childhood and a fiddler since 15 (the age when he swore that someday he’d play in the Del McCoury Band), Carter inherited his love for bluegrass from his father, a musician himself, and grew up playing at jams, festivals, and campgrounds across Kentucky. After he graduated high school, he took his talent as a fiddler on the road professionally: first with the Goins Brothers, then at 19 with the Del McCoury Band, and later with the Travelin’ McCourys.
In the decades since, he’s seen the bluegrass community evolve and expand. “The bluegrass fans, they’re pretty loyal,” he says, noting that he’s found a similar kinship sharing stages with jam bands like Phish and Leftover Salmon, too. “They stick behind you, they’re there for you.” Carter mirrors that loyalty with his own—loyalty to his craft, loyalty to the road, and loyalty to the career path he’s dreamt of since childhood. With Lowdown Hoedown, Carter shares the fruits of decades’ worth of on-the-road experience, spectacular musical sensibility, and genuine excitement for what bluegrass can be.