Henderson County Gem and Mineral Society’s Annual Gem, Jewelry & Mineral Show

Dates:
SEPTEMBER 26-28TH, 2025
Time:
Fri-Sat 10am-6pm
Sun 10am-5pm

Address:
National Guard Armory
2025 Spartanburg Hwy
East Flat Rock, NC 28726

SHOW FEATURES:
16 exciting vendors
Grab bags
Snack and refreshments
Hourly prize drawings
Grand prize drawing
Raffle
Children’s activities
Live demos: cabbing,
faceting, & jewelry making

Admission: $5 adults (covers
all weekend)
Kids 12 & under: FREE with a
paying adult

The Blue Ridge National Heritage Area (BRNHA) is proud to announce its first-ever craft exhibit: Returning to the Ridge: Blue Ridge Craft Trails Exhibition. This landmark event will bring together the exceptional talents of 33 artists featured on the Blue Ridge Craft Trails (BRCT), showcasing the vibrant artistic landscape of Western North Carolina. Mars Landing Galleries, owned by Miryam Rojas and located at 37 Library Street, Mars Hill, NC 28754, will serve as the venue for this celebration of craft from July 2 to September 28, 2025.

Southern Appalachia’s artistic spirit, deeply rooted in its beautiful natural environment, will be on full display. From the intricate details of pottery to the masterful craftsmanship of woodworking, the exhibition will feature 60 pieces spanning a diverse range of traditional mediums, including fiber art, printmaking, metalworking (including jewelry), and basketry. This celebration of local artistry comes at a crucial time, as Hurricane Helene impacted many artists. Artists participating are from the central and western sections of BRNHA’s 25-county footprint, encompassing the NC mountains and the Qualla Boundary.

The gallery’s regular hours are Wednesday through Sunday, 10 am – 5 pm. Adding to the visitor experience, the exhibition coincides with three First Friday events in Downtown Mars Hill – July 4, August 1, and September 5. On these evenings, the downtown area, including Mars Landing Galleries (open 5 pm – 8 pm, with live music), will offer extended hours, inviting the community to explore local shops, restaurants, galleries and enjoy the lively atmosphere.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

The Blue Ridge Orchestra takes its performances on the road for its 26th season debut under the leadership of Music Director Dr. Emily Mariko Eng. “Post-Helene: Remembering, Rebuilding, Reimagining” captures an array of emotions in two September events. We are proud to collaborate with UNCA as they honor WNC’s resilience one year after Hurricane Helene, Post-Helene “Remembering, Rebuilding, Reimagining” Symposium.

Through music, we reflect on the impact of Hurricane Helene, one year later. This program features: the world premiere of Sinfonietta Helene by Asheville-based composer Jay Sanders; Iman Habibi’s Jeder Baum spricht, which is inspired by the beauty of nature and the impact of climate change; Elgar’s “Nimrod” from Enigma Variations to honor the memories of the people and places we lost; and local composer Phillip Rhodes’s Concerto for Bluegrass, a nod to the resilience of WNC.   

The BRO’s home at UNC Asheville is undergoing a multi-year scheduled renovation. While displaced from Lipinsky Hall, we are excited to bring our music to a venue near you!

Our passionate group of volunteer musicians will perform in the charming Warren Wilson Presbyterian Church, east of Asheville, and the renowned Diana Wortham Theatre in downtown Asheville.  Help us celebrate WNC’s inspiring, resilient culture this fall.

Saturday, September 27th, 2025, 3:00 pm
Warren Wilson Presbyterian Church
101 Chapel Ln.
Swannanoa, NC 28778

Sunday, September 28th, 2025, 3:00 pm
Diana Wortham Theatre

Wortham Center for the Performing Arts
18 Biltmore Ave.
Asheville, NC 28801

Tickets: Pricing varies per venue. Please visit our event page for accurate rates. Children 6 and under are always free

Monday, September 29, 2025
at Third Room (46 Wall Street, Downtown Asheville)
7PM-10PM
21+
$5-$10 Cover

PURCHASE: https://tixr.com/e/156023

It’s Grateful Monday with Asheville’s very own Clouds of Delusion!

Clouds of Delusion is a band centered around Grateful Dead music and the wider catalog of jam band influence. A 5-piece band, they are fascinated by the improv, smitten with the songs and dedicated to the dance party!

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Join us on October 3, 2025, 6:00-8:30 pm, for an unforgettable outdoor experience on Tryon Arts & Crafts School’s (TACS) west campus, commemorating the anniversary of Hurricane Helene with a celebration of Appalachian tradition. Ticket sales to TACS’ Hearth & Anvil fundraiser will support the school, a 501(c)(3) nonprofit organization, allowing us to continue providing opportunities such as the Helene Relief Artist in Residency Program. While fortunate compared to some, TACS and neighboring Harmon Field were significantly impacted by the storm with property damage, temporary closure, and cancellation of key events and programs. Hearth & Anvil is an opportunity to reflect on the past year and support the school, while enjoying traditional open-flame cooking and interactive art demonstrations alongside our new Terra Flora sculpture. The sculpture was constructed using natural and found materials from the aftermath of the hurricane.

Pumpkin Fest is a fun, family friendly and fantastic artistic event or great date night with 18 beautiful artist-designed lighted carved pumpkin displays on a newly-paved short walking trail. The event includes talented local musicians, food trucks and coffee house, games, storytelling, face painting, white squirrel scavenger hunt, games, dress ups, and the Silvermont historic mansion and second floor museum open for tours.

Admission $7 per person (ages 13 and over), $5 ages 3-12, and 2 and under free. We accept cards, cash or check with ID.

Onsite parking cost is $5 per car (cash preferred). Free parking is available offsite on nearby streets and Comporium and church parking lots 1 block away. Handicap sticker- free parking onsite.

WHERE: Third Room
WHEN: Friday October 3, 2025
DOORS: 9pm SHOW: 10pm
GENRE: house / techno
TICKETS: $18 – $33

PURCHASE: https://tixr.com/e/155647

Born in England in 1970, Lee Reynolds spent his formative years on a BMX bike, turning pro and relocating to California at the age of 18, where he would become entranced by the 90s rave scene and eventually start throwing parties and spinning records himself.

Fast forward 30 years and the legend of “Papa Lee” has only grown. The San Francisco based DJ/Producer, Founder of Desert Hearts, and Head of Frequency Clash has an unmatched youthful energy that captivates anybody who crosses his path. It’s been said that Lee Reynolds gives the most interesting man in the world a run for his money. Who are we to deny that?

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

One year after being destroyed by Hurricane Helene in Black Mountain, the Flood Gallery Fine Art Center is reviving its visual art program! With the help of numerous volunteers, Flood Gallery was able to launch the new location by December of 2024, and quickly renewed the True Home Open Mic Thursdays, and then added Flooded Poetry Mondays, and Foreign Film Fridays. Salvaged art went up on the walls for a  “Flooded Art” Show. “RAW + unfiltered” kicks off an open, unjuried, exhibition series, that will be dynamic, current and communal. The first 25 artists to submit up to 2 pieces, inspired by the title’s theme, will be in the show, encompassing all perspectives, styles, & media of the local artist community. The art will be for sale, to help support the artists and continue Flood Gallery’s eclectic programs and events.

Like all events at the Flood Gallery, this exhibition is free and open to the public. Light refreshments and food will be available. Flood Gallery Fine Art Center is a non-profit 501(c)3 organization, and educates, encourages, challenges and inspires the community through music, film, literary, and contemporary art.

Located off I-240 Exit 8, River Ridge Business Center, Suite 1200, 802 Fairview Rd, Asheville 28803 (behind Hamrick’s and Sun Soo Martial Arts, next to Asheville Dance Theater)

Show runs Oct. 4 – Nov. 7

Flood Gallery plans to hold these open art call exhibitions every couple of months. The next submission drop-off date will be Nov. 8, and opening date will be Nov. 15.

Pumpkin Fest is a fun, family friendly and fantastic artistic event or great date night with 18 beautiful artist-designed lighted carved pumpkin displays on a newly-paved short walking trail. The event includes talented local musicians, food trucks and coffee house, games, storytelling, face painting, white squirrel scavenger hunt, games, dress ups, and the Silvermont historic mansion and second floor museum open for tours.

Admission $7 per person (ages 13 and over), $5 ages 3-12, and 2 and under free. We accept cards, cash or check with ID.

Onsite parking cost is $5 per car (cash preferred). Free parking is available offsite on nearby streets and Comporium and church parking lots 1 block away. Handicap sticker- free parking onsite.

The Blues Is Alright Tour comes to the Bon Secours Wellness Arena with the 7^th Annual Greenville Blues Festival on Saturday, October 4 at 7:00 p.m. The Blues is musical storytelling filled with stark emotion and a revolving reality check. It’s authentically raw; transforming tragedy, adversity, and heartache into a visceral and cathartic experience. This special night of emotive lyrics and guitar-driven accompaniment features performances by Tucka, King George, Pokey Bear, Lenny Williams, Theodis Ealey, and J-Wonn

Experience Appalachian music and dancing at this lively community gathering! Enjoy a live old-time string band as a caller leads fun, easy-to-follow dances—no partner or experience needed. Start the evening with a short flatfoot lesson and try your luck in the cake raffle. All ages are welcome!

Plenty of free parking is available at Haw Creek Elementary School (10 Bethesda Rd), just a short walk from the hall. Accessible spots are also available next to the dance hall at Haw Creek Commons.

Admission: $10 per person, $5 for children 12 and under. Pay at the door via cash, Venmo, or Zelle.

Sign up for email updates below!

https://mailchi.mp/39798f75c04a/signup_asheville-community-square-dance

WHERE: Third Room
WHEN: Saturday October 4, 2025
DOORS: 8pm SHOW: 8:30pm
GENRE: future breaks / edm
TICKETS: $25 early bird / $30 adv. / $35 d.o.s.

Getting in the spotlight at the young age of just 16 with brutally unique multi-genre music, IMANU has developed a presence on the bass music scene as one of the greatest producers of the new generation. Now in his twenties, he already released on top notch labels such as Deadbeats, UKF and Vision, and remixed the likes of Apashe, T OKiMONST A and What So Not & Skrillex, as well as delivering collaborations with artists like Noisia, KUČKA, The Glitch Mob, Flowdan, Pham and Josh Pan.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Lecture Demonstration Series for the Curious, the New, and the Devotee

Sun Oct 5 • 3 pm | 60 minutes

Louis and Duke were there at the beginning—and their influence echoes through every note that comes after. Louis taught the world to swing with joyful individuality. Duke, America’s greatest composer, gave us music that is sophisticated, soulful, and gloriously open. Between them, they laid the foundation—unshakably cool and warmly welcoming.

Jazz Is for Everyone is a series of five one-hour sessions exploring jazz music. Come to one or join them all—each session stands on its own and welcomes listeners at any level.

What You’ll Experience:
Guided listening
Live music demonstrations
Stories that connect the music to people, places, and intent
A space for questions, curiosity, and shared discovery

Jeremy Walker launched Jazz Is for Everyone in 2004 at his Brilliant Corners Jazz Club, with Wynton Marsalis serving as Artistic Advisor. The program was developed as an Educational Affiliate with Jazz at Lincoln Center. Since then, Walker’s been writing, composing, performing, producing, and speaking about why this music still matters.