The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

SoulCollage® is a playful and transformative method that helps us acknowledge all aspects of self. The process helps us discover our unique inner/outer guides and challengers in life. Together we will explore and express ourselves by making our own personalized deck, sharing cards, journaling, and consulting our cards about our own life questions. We will use simple tools—images, 5×8 cards, scissors, and glue, so no artistic experience needed!

Open Studio is a time when supplies and space will be available to create cards for your deck. You can drop in for a little while or stay the entire time. New and experienced practitioners welcome! While this is mainly time for independent creation, Michelle will be there to chat, answer questions, provide tips, and guide you through the process. If you’ve been curious about SoulCollage® this is a great way to get started.

Bring your water bottle and something to journal with. All other supplies will be provided.

Materials Fee Contribution: $5.00/Card

About Your Guide: I’m Michelle, an avid SoulCollage® Creatrix and lifelong educator who knows we are a network of connected humans. I believe we each have the capacity to improve our world by intentionally directing our individual and collective energies. I spend my time and energy expanding ideas, people, and communities that are lighting up the world with their precious energy. I’m excited to create with you!

North Carolina Baroque Orchestra Chamber Players
present
Hello Summer!

Join the North Carolina Baroque Orchestra as we celebrate the beginning of summer with concerts of virtuoso baroque music, including Spring and Summer from Vivaldi’s “Four Seasons.”
In addition to the stunning “Seasons,” the program includes Bach’s violin concerto in A minor and some fun 17th century Ciaconnas!
These concerts feature violinists David Wilson, Jeanne Johnson and Janelle Davis and violist Asa Zimmerman. The continuo team is cellist Barbara Krumdieck, harpsichordist Barbara Weiss and NCBO is pleased to have William Simms join us on theorbo and baroque guitar.
https://www.ncbaroqueorchestra.org/
Questions? Contact Barbara at [email protected]
Visit our website at https://www.ncbaroqueorchestra.org
The North Carolina Baroque Orchestra is a 501c3 nonprofit organization composed of professional music specializing in historically informed performance of 17th and 18th century music on period instruments.

Included with admission

Relax and unwind to the rhythm and charm of Antler Hill Village as accomplished jazz, blues, rock, pop, swing, bluegrass, and rock duos, trios, and bands deliver fantastic 45-minute sets! Grab a sandwich, a cool drink, or an ice cream cone to enjoy against a backdrop of excellent musicianship, dynamic vocals, and the beauty of Biltmore Estate.

Sets begin on the half hour at 4:30 until 8:15 p.m. (last set starts at 7:30).

June Schedule:

Fri. 6/6 – FREEPORT JAZZ, Jazz

Sat. 6/7 – BUNCOMBE TURNPIKE, Bluegrass

Fri. 6/13 – PATRICK LOPEZ EXPERIENCE, Pop, Latin, Jazz

Sat. 6/14 – KELLEY AND THE COWBOYS, Western Swing

Fri. 6/20 – TUXEDO JUNCTION, Pop 1940s-90s

Sat. 6/21 – 3 GUYS AND MY DAD, Jazz, Pop, Rock

Fri. 6/27 – NOT FROM HERE, Jazz Fusion

Sat. 6/28 – NOT FROM HERE, Jazz Fusion

To enjoy this complimentary event, guest must have a daytime ticket, a Biltmore Annual Pass, or a stay at one of the estate’s splendid overnight properties. Space is limited; seating available on first-come, first-served basis. Dates and live performance schedule subject to change. Outside food and beverage not permitted on Village Green. Outside alcohol not permitted on Biltmore property.

Sonic Spheres
The Sphere Of Mystery

Join us for an immersive sound journey into the mystery of vibration and resonance. More than just sound waves traveling through air, sound is the invisible thread weaving together all of existence – connecting stars to our beating hearts, and speaking directly to the soul.

“If you want to find the secrets of the universe, think in terms of energy, frequency and vibration.” – Nikola Tesla

You will be gently guided through layers of harmonic tones and resonant frequencies designed to calm the mind, open the heart, and awaken profound inner balance. Each sound becomes a gateway, carrying messages beyond words and inviting you to journey inward, beyond thought and time.

This is the first, inaugural Sonic Sphere. They each will have a theme, a specific instrumentation and/or carry their own unique quality. Each one offers a sacred space where every vibration holds a secret, every silence hums with possibility, and every tone helps you reconnect to the universal rhythm that connects us all.

Be the first to experience ✩ The Sphere of Mystery ✩

Please bring any comfort items you might want: a pillow, blanket, eye mask, etc. We have a limited number here to offer.

The energetic exchange starts at $20. Please be generous and give more if you can to support both facilitator and host. Spaces are limited.

Reserve your place HERE or RSVP through Meetup.

Note: If the number of participants is less than 4, the event might be canceled.

Experience the magic of Pink Floyd like never before! Featuring veteran performers from Broadway, Los Angeles, Las Vegas, Orlando, and the UK, Pinkish Floyd brings an immersive, multimedia concert experience to life.

This nine-piece tribute band—complete with two frontmen, guitars, keys, saxophone, bass, drums, and powerhouse backing vocalists—delivers Pink Floyd’s iconic sound and spirit with passion and precision. Many members double and triple up on instruments, creating a rich, authentic sound.

Get lost in a visual and sonic spectacle featuring stunning lights, lasers, video projections, and the legendary music of Pink Floyd. Each performance includes a carefully curated “best-of” set spanning the band’s discography, including Dark Side of the Moon, Wish You Were Here, and The Wall.

Whether you’re a lifelong fan or new to the Pink Floyd universe, Pinkish Floyd delivers an unforgettable journey through the sounds and visuals that defined a generation. Learn more about the band at pinkishfloyd.com.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

SoulCollage® Card Reading Group

Monday, June 30th 3:30-5:00 PM
Energetic Exchange: $20-$30

As we lovingly create our SoulCollage® cards they are imbued with bits and pieces of ourselves. This means our decks can act as a key that accesses our infinite inner wisdom.

The voice of our cards are meant to be heard, consulted, and played with. Bring your journal and cards to this interactive workshop and explore a variety of methods for doing your own SoulCollage® readings. Ideally you will have at least three cards that you’ve created.

If you have not yet started crafting your own deck, bring your favorite oracle deck or borrow one from the library in the event space. New and experienced practitioners are welcome.

If you’re interested, but the day/time doesn’t work for you, reach out to Michelle: [email protected]

About Your Guide: I’m Michelle, an avid SoulCollage® Creatrix and lifelong educator who knows we are a network of connected humans. I believe we each have the capacity to improve our world by intentionally directing our individual and collective energies. I spend my time and energy expanding ideas, people, and communities that are lighting up the world with their precious energy. I’m excited to create with you!

Botanical Drawing for Beginners with Camille Daunno

Tuesday, July 1  |  11 am – 1 pm

During this beginner level class, you will learn several drawing techniques including line, shading, pen and ink. We will discuss composition with contour, contrast and texture and how to use watercolor to complete your drawing. We will experiment with different techniques to enhance your personal style. All materials and supplies will be provided.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

Group Heart & Sound Magic

Open and release….An evening with our hearts including meditation, story telling, astrology, movement, Self expression and a Gong Sound healing journey.

In a rapidly changing world and paradigm, let’s gather to anchor light for the collective. We are the ones who are called for this deeper level of journey and service.

Join multi-creative Sammy Vanek & sound awakener David Heiss for an evening of deep meditative contact, individual expansion, and group-heart spellcasting with our collective.

The flow for the evening: we’ll settle into a meditative space led by Sammy, deepen with a legendary sound journey by David, and invite group vocal expression to release what’s ready be set free.
For It’s all about the experience and what you do with it!
Let’s deepen, bloom, and have some fun while we do it.

Suggested Donation scale between $22-$44

The Blue Ridge National Heritage Area (BRNHA) is proud to announce its first-ever craft exhibit: Returning to the Ridge: Blue Ridge Craft Trails Exhibition. This landmark event will bring together the exceptional talents of 33 artists featured on the Blue Ridge Craft Trails (BRCT), showcasing the vibrant artistic landscape of Western North Carolina. Mars Landing Galleries, owned by Miryam Rojas and located at 37 Library Street, Mars Hill, NC 28754, will serve as the venue for this celebration of craft from July 2 to September 28, 2025.

Southern Appalachia’s artistic spirit, deeply rooted in its beautiful natural environment, will be on full display. From the intricate details of pottery to the masterful craftsmanship of woodworking, the exhibition will feature 60 pieces spanning a diverse range of traditional mediums, including fiber art, printmaking, metalworking (including jewelry), and basketry. This celebration of local artistry comes at a crucial time, as Hurricane Helene impacted many artists. Artists participating are from the central and western sections of BRNHA’s 25-county footprint, encompassing the NC mountains and the Qualla Boundary.

The gallery’s regular hours are Wednesday through Sunday, 10 am – 5 pm. Adding to the visitor experience, the exhibition coincides with three First Friday events in Downtown Mars Hill – July 4, August 1, and September 5. On these evenings, the downtown area, including Mars Landing Galleries (open 5 pm – 8 pm, with live music), will offer extended hours, inviting the community to explore local shops, restaurants, galleries and enjoy the lively atmosphere.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.

Gallery hours: Wed-Sat / 11am-5PM

Tracey Morgan Gallery is pleased to present the second part of our third solo exhibition with photographer James Henkel whose exhibition “Cyanosure,” originally installed in the fall of 2024, was disrupted by Helene. We are excited to present this new iteration which includes the addition of a series of new work.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

Experience reggae revolutionaries Steel Pulse, LIVE on their 50th Anniversary Tour! July 2nd @ French Broad River Brewery – OUTDOOR stage! Presented by Asheville Music Hall. ALL AGES welcome! Get Your Tickets NOW: https://buff.ly/YFzDUo6

Bearing witness to the accelerating negativity of global affairs, Steel Pulse emerges with musical vengeance to halt the disarray of humanity. The bands twelfth studio production, titled Mass Manipulation, reflects four decades committed to bettering mankind through music. Steel Pulse continues to be revolutionary in engaging controversial topics of racial injustice and human rights on a global scale. Their musical stance and conceptualizations are as potent and relevant today as they were at the beginning of their career. The album’s uniquely thematic approach provokes thought as it presses forward, toward humanities unification. A manipulation of our minds has been influenced by a New World Order currently dominating humankind. Steel Pulse reappears at a fated moment, armed with compassion, encouraging all people to reject false ideals, set higher goals, and demand more from themselves to further this unification.

The Blue Ridge National Heritage Area (BRNHA) is proud to announce its first-ever craft exhibit: Returning to the Ridge: Blue Ridge Craft Trails Exhibition. This landmark event will bring together the exceptional talents of 33 artists featured on the Blue Ridge Craft Trails (BRCT), showcasing the vibrant artistic landscape of Western North Carolina. Mars Landing Galleries, owned by Miryam Rojas and located at 37 Library Street, Mars Hill, NC 28754, will serve as the venue for this celebration of craft from July 2 to September 28, 2025.

Southern Appalachia’s artistic spirit, deeply rooted in its beautiful natural environment, will be on full display. From the intricate details of pottery to the masterful craftsmanship of woodworking, the exhibition will feature 60 pieces spanning a diverse range of traditional mediums, including fiber art, printmaking, metalworking (including jewelry), and basketry. This celebration of local artistry comes at a crucial time, as Hurricane Helene impacted many artists. Artists participating are from the central and western sections of BRNHA’s 25-county footprint, encompassing the NC mountains and the Qualla Boundary.

The gallery’s regular hours are Wednesday through Sunday, 10 am – 5 pm. Adding to the visitor experience, the exhibition coincides with three First Friday events in Downtown Mars Hill – July 4, August 1, and September 5. On these evenings, the downtown area, including Mars Landing Galleries (open 5 pm – 8 pm, with live music), will offer extended hours, inviting the community to explore local shops, restaurants, galleries and enjoy the lively atmosphere.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.