The Rhythm & Brews Concert Series unfolds as a casual and welcoming event, occurring on the third Thursday of each month from June to October. South Main Street in Hendersonville transforms into a hub of local entertainment, where community members gather to enjoy live music, craft beverages, and family-friendly activities. Doors open at 5:15 p.m., initiating the evening with an opening act at 5:30 p.m., followed by the headlining performance from 7:30 p.m. to 9:30 p.m.

2025 Rhythm & Brews Concert Series Lineup:

June 19: Big Daddy Love [[Appalachian Rock]] with Letters to Abigail [[Americana]]

July 17: Florencia & the Feeling [[Pop/Funk/Fusion]] with Lewendahl [[Blues/Rock/Motown]]

August 21: Maggie Baugh [[Country]] with Blake Ellege & Saddletramp [[Country/Southern Rock]]

September 18: Caitlin Krisko & The Broadcast [[Soul Rock]] with Hustle Souls [[Soul/Funk/Americana]]

October 16: BonaFide Soul [[Jazz/Funk/Soul] with Congdon Griffin Band [[Folk/Americana/Rock]]

The Beer & Wine Garden, a focal point for adults, features offerings from local establishments such as Sierra Nevada Brewing Co., Bold Rock Hard Cider, Guidon Brewing Co., Oklawaha Brewing Co., Dry Falls Brewery, Saint Paul Mountain Vineyards, and Flat Rock Cider Company. Notably, all net proceeds from adult beverage sales contribute to the Friends of Downtown Hendersonville, a 501c3 nonprofit dedicated to supporting the Downtown Program.

For families, the Hendersonville Honeycrisps & the Hendersonville Toy Company Kid Zone provide a range of kid-friendly activities, including hula-hooping and interactive exhibits.

Attendees are encouraged to bring camp chairs and picnic blankets to create a relaxed atmosphere. However, coolers and pets are best left at home to ensure the comfort and safety of all participants. Join us for a laid-back summer evening, filled with music, local brews, and community connections in the heart of Hendersonville.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

Join us in this hands on class where you will make a hammered sterling silver wide band ring. One of Ignite’s talented instructors will take you through the process step by step including soldering, shaping, hammering, and finishing your ring.

These also make great wedding bands!

You’ll leave with a beautiful ring made to size in our downtown Asheville metalsmithing studio.

$120 person *All Materials Included

*Class times and avialbalility are subject to change. SIgn up in advance online to ensure your time and space.

This is a Weekly Recurring Event
Runs from May 23, 2025 to Jun 27, 2025 and happens every:
Fridays: 1:15pm – 3:30pm Timezone: EDT
Saturdays: 1:15pm – 3:30pm Timezone: EDT

Included with admission

Relax and unwind to the rhythm and charm of Antler Hill Village as accomplished jazz, blues, rock, pop, swing, bluegrass, and rock duos, trios, and bands deliver fantastic 45-minute sets! Grab a sandwich, a cool drink, or an ice cream cone to enjoy against a backdrop of excellent musicianship, dynamic vocals, and the beauty of Biltmore Estate.

Sets begin on the half hour at 4:30 until 8:15 p.m. (last set starts at 7:30).

June Schedule:

Fri. 6/6 – FREEPORT JAZZ, Jazz

Sat. 6/7 – BUNCOMBE TURNPIKE, Bluegrass

Fri. 6/13 – PATRICK LOPEZ EXPERIENCE, Pop, Latin, Jazz

Sat. 6/14 – KELLEY AND THE COWBOYS, Western Swing

Fri. 6/20 – TUXEDO JUNCTION, Pop 1940s-90s

Sat. 6/21 – 3 GUYS AND MY DAD, Jazz, Pop, Rock

Fri. 6/27 – NOT FROM HERE, Jazz Fusion

Sat. 6/28 – NOT FROM HERE, Jazz Fusion

To enjoy this complimentary event, guest must have a daytime ticket, a Biltmore Annual Pass, or a stay at one of the estate’s splendid overnight properties. Space is limited; seating available on first-come, first-served basis. Dates and live performance schedule subject to change. Outside food and beverage not permitted on Village Green. Outside alcohol not permitted on Biltmore property.

Join us as we partner with the Martin Luther King Jr. Association and Black Wall Street to celebrate Juneteenth! Featuring headliner Southern Avenue and opener DJ Phantom Pantone.

Downtown After 5 is more than just a concert series—it’s a community staple that celebrates the diversity and creativity of Asheville. Each event is free to the public, thanks to the generous support of our sponsors and partners, drawing an enthusiastic crowd of between 5,000 to 6,000 attendees. Food and beverage vendors will be on-site alongside a marketplace component where attendees can explore and shop handmade crafts from local makers. Join us at Pack Square Park for these unforgettable evenings of music, community, and celebration.

Please join us on Friday, June 20, from 5-8pm, for a heartfelt reopening reception of New Morning Gallery in Historic Biltmore Village. This isn’t just a return to our space – it’s a recognition and celebration of our community’s resiliency, creativity, and commitment to one another… and it wouldn’t feel complete without you.

Reopening Reception Highlights
-Meet four local artists who are part of the New Morning Gallery family: Joy Moser, painter; Sue Hintz, Salvaterra Studio, potter; Randy Hintz, woodworker; and Sarah Garrard, glass artist.
-a celebratory toast at 6pm
-live music and refreshments
-a first look at new and returning handcrafted work from over 500 American artisans
-a joyful reconnection with Asheville’s creative heart

Let’s celebrate how far we’ve come, and everything ahead.
It’s a New Morning in Biltmore Village, and we can’t wait to welcome you.

Kristin Hillegas, owner of Serenity Sound Healing of Asheville, offers a nurturing sanctuary for deep rest, renewal, and inner harmony.
With over 25 years in the Healing Arts, she uses the power of intention to gently guide you into states of relaxation and energetic balance through sound baths with singing bowls, chimes, gongs and more.
Kristin’s sessions support stress relief, emotional healing, clarity, and peace—inviting the body and spirit to return to their natural rhythm of wholeness.

$20 in Advance, $25 at the door

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

Join us in this hands on class where you will make a hammered sterling silver wide band ring. One of Ignite’s talented instructors will take you through the process step by step including soldering, shaping, hammering, and finishing your ring.

These also make great wedding bands!

You’ll leave with a beautiful ring made to size in our downtown Asheville metalsmithing studio.

$120 person *All Materials Included

*Class times and avialbalility are subject to change. SIgn up in advance online to ensure your time and space.

This is a Weekly Recurring Event
Runs from May 23, 2025 to Jun 27, 2025 and happens every:
Fridays: 1:15pm – 3:30pm Timezone: EDT
Saturdays: 1:15pm – 3:30pm Timezone: EDT

Included with admission

Relax and unwind to the rhythm and charm of Antler Hill Village as accomplished jazz, blues, rock, pop, swing, bluegrass, and rock duos, trios, and bands deliver fantastic 45-minute sets! Grab a sandwich, a cool drink, or an ice cream cone to enjoy against a backdrop of excellent musicianship, dynamic vocals, and the beauty of Biltmore Estate.

Sets begin on the half hour at 4:30 until 8:15 p.m. (last set starts at 7:30).

June Schedule:

Fri. 6/6 – FREEPORT JAZZ, Jazz

Sat. 6/7 – BUNCOMBE TURNPIKE, Bluegrass

Fri. 6/13 – PATRICK LOPEZ EXPERIENCE, Pop, Latin, Jazz

Sat. 6/14 – KELLEY AND THE COWBOYS, Western Swing

Fri. 6/20 – TUXEDO JUNCTION, Pop 1940s-90s

Sat. 6/21 – 3 GUYS AND MY DAD, Jazz, Pop, Rock

Fri. 6/27 – NOT FROM HERE, Jazz Fusion

Sat. 6/28 – NOT FROM HERE, Jazz Fusion

To enjoy this complimentary event, guest must have a daytime ticket, a Biltmore Annual Pass, or a stay at one of the estate’s splendid overnight properties. Space is limited; seating available on first-come, first-served basis. Dates and live performance schedule subject to change. Outside food and beverage not permitted on Village Green. Outside alcohol not permitted on Biltmore property.

General Admission Only. Mynda Aleeza is set to captivate audiences at The Theater at Spartanburg Memorial Auditorium in Spartanburg, SC on June 21st, 2025 at 6:00 PM. Known for her dynamic performances and soulful music, Mynda Aleeza merges country and pop influences to create a unique sound that resonates with fans. This event promises to be a memorable night filled with entertaining music and heartfelt moments for concert-goers.

Hendersonville Theatre presents the 70s Kids Solid Gold Tribute Band as it’s June Hometown Sound concert. Get ready to boogie back in time with the 70’s Kids, the high-energy, power-packed six-piece dance band that brings the iconic music of the 1970s to life! Specializing in disco, pop, rock, and yacht rock, they deliver an authentic 70s experience, complete with vibrant costumes, fun props, and an electrifying stage show that will have you dancing in the aisles all night long.

Based in Charlotte, but performing across the country, 70’s Kids pays tribute to the biggest hits and legendary artists of the era. From Hall & Oates and Donna Summer to The Bee Gees, Fleetwood Mac, and Kool & The Gang, the 70’s Kids cover all your favorite tunes. With crowd participation at the heart of their performances, the band creates an unforgettable atmosphere filled with singing, dancing, and pure nostalgic joy.

Don’t miss your chance to take a groovy journey through the ultimate era of music. Learn more about the 70s Kids Solid Gold Tribute Band at 70skids.com.

Hendersonville Theatre presents the 70s Kids Solid Gold Tribute Band as it’s June Hometown Sound concert. Get ready to boogie back in time with the 70’s Kids, the high-energy, power-packed six-piece dance band that brings the iconic music of the 1970s to life! Specializing in disco, pop, rock, and yacht rock, they deliver an authentic 70s experience, complete with vibrant costumes, fun props, and an electrifying stage show that will have you dancing in the aisles all night long.

Candlelight concerts bring the magic of a live, multi-sensory musical experience to awe-inspiring locations like never seen before in Asheville. Get your tickets now to discover the music of Classic Rock on Strings at Asheville Masonic Temple under the gentle glow of candlelight.

General Info
Venue: Asheville Masonic Temple
Dates and times: select your dates/times directly in the ticket selector
Duration: 60 minutes (doors open 45 mins prior to the start time and late entry is not permitted)
Age requirement: 8 years old or older. Anyone under the age of 16 must be accompanied by an adult
Accessibility: please contact us for more information on accessibility
Seating is assigned on a first come first served basis in each zone
Check out all the Candlelight concerts in Asheville

Candlelight concerts bring the magic of a live, multi-sensory musical experience to awe-inspiring locations like never seen before in Asheville. Get your tickets now to discover the music of Coldplay & Imagine Dragons at Asheville Masonic Temple under the gentle glow of candlelight.

Venue: Asheville Masonic Temple
Dates and times: select your dates/times directly in the ticket selector
Duration: 60 minutes (doors open 45 mins prior to the start time and late entry is not permitted)
Age requirement: 8 years old or older. Anyone under the age of 16 must be accompanied by an adult
Accessibility: please contact us for more information on accessibility
Seating is assigned on a first come first served basis in each zone

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Celebrate the light of Summer with a one hour Summer Solstice Sound Bath! A sound bath can cleanse your soul, restore your balance, surround you with peace and tranquility and stimulate healing.

For the meditation, we will feel the warmth of the sun on your skin as you bask in the suns gentle rays imagining the light penetrating your body with healing energy.

Note: Please bring a mat/blankets/pillow since you will be lying on the floor.
Wear comfortable and flexible clothing.

Choose your space starting at 12:45 pm, doors close promptly at 1:00 pm.

Sliding Scale $10-$20

NOTE: Accessible parking is available in the Center for Spiritual Living Asheville upper parking lot. The entrance to the upper parking lot is off of S. Bear Creek Rd between Science of Mind Way and Sand Hill Rd.
There is a boardwalk walk way from the upper parking lot to the building entrance.

Celebrate the light of Summer with a one hour Summer Solstice Sound Bath! A sound bath can cleanse your soul, restore your balance, surround you with peace and tranquility and stimulate healing.

For the meditation, we will feel the warmth of the sun on your skin as you bask in the suns gentle rays imagining the light penetrating your body with healing energy.
Note: Please bring a mat/blankets/pillow since you will be lying on the floor.
Wear comfortable and flexible clothing.
Choose your space starting at 12:45 pm, doors close promptly at 1:00 pm.

NOTE: Accessible parking is available in the Center for Spiritual Living Asheville upper parking lot. The entrance to the upper parking lot is off of S. Bear Creek Rd between Science of Mind Way and Sand Hill Rd.
There is a boardwalk walk way from the upper parking lot to the building entrance.