Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
The Magnetic Theatre announces its 2023 Mainstage Season of new plays with tickets on sale beginning January 1st, and begins scheduling auditions and interviews for actors and technicians.
The Magnetic Theatre’s Mainstage Season begins with HappyLand, a new rock opera by Brayden Dickerson and Zach Knox of Smooth Goose. The musical tells the tale of a delivery person who doesn’t quite fit into the titular town of HappyLand. Forced to make one last delivery before the vacation they have been dreaming of, our hero embarks on an epic journey to SadLand, falls in love, and maybe even saves the world. Full of toe-tappin’ tunes and fantastic adventure, HappyLand launches February 10th and runs through February 25th.
Beginning April 14th and running through April 29th, join us for the regional premiere of Fish, by Cyndi Williams. When two characters connect unexpectedly in a lonely bar, they wind up playing a dangerous game. Who will survive, and how can they forgive themselves in the process? Shifting timelines and unearthing skeletons, Fish is a fever dream twisting through memory, fantasy, and the present.
Next up, June 2nd through 17th, take your seats and pay attention to Da Classroom Ain’t Enuf, by Charles Payne. This choreopoem, inspired by the work of Ntozake Shange, is an exploration of the intersection of Black and Brown communities, particularly in and around the American educational system. The play features an ensemble of four actors who play teachers, students, and their families and is a mix of poetry, prose, and music, with original tracks by composer Richard Jones.
Then, August 4th through 13th, The Magnetic Theatre’s One Act Play Festival returns for its fourth year of short plays. Featuring a variety of stories, emerging and seasoned playwrights, local directors, and incredible performers, there’s sure to be something for everyone! Playwrights may submit one act scripts for consideration throughout the month of February.
Ushering in the spooky season, October 6th through 21st brings The Splatter Play by Abby Auman. It’s the day of the open house for Tina’s childhood home, which also happens to be her deceased mother’s evil laboratory. Determined to turn the terrors of the lab into selling points, Tina and her optimistic realtor parade a cast of unsavory potential buyers through the home, tormented all the while by the resident creepies and crawlies who aren’t quite as ready to move on as Tina would hope. *Note: there will be blood, so much blood.
Finally, as 2023 comes to a close, The Magnetic Theatre proudly presents New Queer’s Eve. December 1st through 16th, join us for a look at the year’s last holiday through a new lens. New Queer’s Eve takes place in one location over multiple New Year’s Eve celebrations and provides a glimpse into the LGBTQIA+ experience through time. Through interconnected stories told by a collaboration of queer writers, New Queer’s Eve invites audiences to share in the joys and struggles of queer life through the decades.
Jazz Sunday at One World Brewing West is a modern jazz jam held every Sunday afternoon from 1-4pm. Previously known as Jazz Monday, the jam has been running non stop since July, 2018 at the West Asheville brewery and is hosted weekly by The Fully Vaccinated Jazz Trio, consisting of Ray Ring on guitar, Jason DeCristofaro on drums, piano and vibraphone, and Connor Law on bass. Jazz Sunday typically features a guest artist for a short set and then welcomes jazz musicians of all levels to sit in for the remainder of the afternoon on One World’s spacious outdoor stage.
Jack of the Wood : Sunday-Irish Session
Sundays
1 till who knows when?
Traditional Irish music is kept alive at Jack of the Wood with our unplugged Sunday session.
Jack of the Wood
95 Patton ave
Asheville, NC 28801
(828) 252.5445
The Magnetic Theatre announces its 2023 Mainstage Season of new plays with tickets on sale beginning January 1st, and begins scheduling auditions and interviews for actors and technicians.
The Magnetic Theatre’s Mainstage Season begins with HappyLand, a new rock opera by Brayden Dickerson and Zach Knox of Smooth Goose. The musical tells the tale of a delivery person who doesn’t quite fit into the titular town of HappyLand. Forced to make one last delivery before the vacation they have been dreaming of, our hero embarks on an epic journey to SadLand, falls in love, and maybe even saves the world. Full of toe-tappin’ tunes and fantastic adventure, HappyLand launches February 10th and runs through February 25th.
Beginning April 14th and running through April 29th, join us for the regional premiere of Fish, by Cyndi Williams. When two characters connect unexpectedly in a lonely bar, they wind up playing a dangerous game. Who will survive, and how can they forgive themselves in the process? Shifting timelines and unearthing skeletons, Fish is a fever dream twisting through memory, fantasy, and the present.
Next up, June 2nd through 17th, take your seats and pay attention to Da Classroom Ain’t Enuf, by Charles Payne. This choreopoem, inspired by the work of Ntozake Shange, is an exploration of the intersection of Black and Brown communities, particularly in and around the American educational system. The play features an ensemble of four actors who play teachers, students, and their families and is a mix of poetry, prose, and music, with original tracks by composer Richard Jones.
Then, August 4th through 13th, The Magnetic Theatre’s One Act Play Festival returns for its fourth year of short plays. Featuring a variety of stories, emerging and seasoned playwrights, local directors, and incredible performers, there’s sure to be something for everyone! Playwrights may submit one act scripts for consideration throughout the month of February.
Ushering in the spooky season, October 6th through 21st brings The Splatter Play by Abby Auman. It’s the day of the open house for Tina’s childhood home, which also happens to be her deceased mother’s evil laboratory. Determined to turn the terrors of the lab into selling points, Tina and her optimistic realtor parade a cast of unsavory potential buyers through the home, tormented all the while by the resident creepies and crawlies who aren’t quite as ready to move on as Tina would hope. *Note: there will be blood, so much blood.
Finally, as 2023 comes to a close, The Magnetic Theatre proudly presents New Queer’s Eve. December 1st through 16th, join us for a look at the year’s last holiday through a new lens. New Queer’s Eve takes place in one location over multiple New Year’s Eve celebrations and provides a glimpse into the LGBTQIA+ experience through time. Through interconnected stories told by a collaboration of queer writers, New Queer’s Eve invites audiences to share in the joys and struggles of queer life through the decades.
– ALL AGES
– STANDING ROOM ONLY
Raised in the driftless north of Minnesota, Wyatt Moran has become an underground mainstay in the folk and indie rock scenes of the Twin Cities. Playing such legendary venues as 7th Street Entry like many before him, Moran has been inspired by the countless names and faces that have walked across those very same stages.
From finger-picked guitars to heavy indie rock instrumentals, Moran’s music spans many genres but his intentions are always clear: write songs with integrity that people can connect to. Explosive and crushing drums lurk behind Moran’s cyclical baritone guitar riffs. Bass lines float in and out of focus as Moran’s voice carries his emo-adjacent style of songwriting.
Moran currently lives in Boston, MA where he is finishing his undergrad program at Berklee College of Music, but regularly returns to Minnesota to play, record, and perform his music. With two national tours under his belt and another being planned for winter 2022, Moran plans to record his debut record in January 2023, with plans for a west coast tour and record release in the summer/fall of the same year.
WELL KEPT
Well Kept is an alternative rock band from Athens, GA, harnessing a potent combination of modern indie rock and classic emo. Originally formed in 2019 as the songwriting vehicle for Athens producer Tommy Trautwein, Well Kept has blossomed into a 5-piece band that is just as imaginative in the studio as they are powerful onstage. Their new record The Inquirer was self-produced by Trautwein and features a denser and more detailed sound, filled with both honest and reflective songwriting and the type of hooks that have fit in smoothly when Well Kept has shared bills with modern pop bands like Dayglow and COIN. With The Inquirer, Well Kept appear to be on the cusp of thrilling change, having proven they can craft ambitious widescreen rock songs without losing the intimacy of their home recording roots.
CONVALESCENT
Drawing from emo, pop punk, and Americana influences, Convalescent strives for raw, honest expression through music. Officially bearing the moniker since 2019, songwriter Joel Ragan has been writing and performing in Asheville since 2012. Convalescent’s six-song EP “I Swear I’m Trying” touches on themes of motivation, hopelessness, and questions about the meaning of life.
MARY’S LETTER
Seamlessly blurring the lines between 2nd wave emo acts and post rock songwriting, Mary’s Letter is a unique blend of heart on the sleeve lyricism with patient buildups and climaxes. Maintaining a sense of pop sensibility, the Asheville 5 piece manages to create sonic soundscapes which evoke intense emotions out of the listener, without losing a sense of accessibility.
The Magnetic Theatre announces its 2023 Mainstage Season of new plays with tickets on sale beginning January 1st, and begins scheduling auditions and interviews for actors and technicians.
The Magnetic Theatre’s Mainstage Season begins with HappyLand, a new rock opera by Brayden Dickerson and Zach Knox of Smooth Goose. The musical tells the tale of a delivery person who doesn’t quite fit into the titular town of HappyLand. Forced to make one last delivery before the vacation they have been dreaming of, our hero embarks on an epic journey to SadLand, falls in love, and maybe even saves the world. Full of toe-tappin’ tunes and fantastic adventure, HappyLand launches February 10th and runs through February 25th.
Beginning April 14th and running through April 29th, join us for the regional premiere of Fish, by Cyndi Williams. When two characters connect unexpectedly in a lonely bar, they wind up playing a dangerous game. Who will survive, and how can they forgive themselves in the process? Shifting timelines and unearthing skeletons, Fish is a fever dream twisting through memory, fantasy, and the present.
Next up, June 2nd through 17th, take your seats and pay attention to Da Classroom Ain’t Enuf, by Charles Payne. This choreopoem, inspired by the work of Ntozake Shange, is an exploration of the intersection of Black and Brown communities, particularly in and around the American educational system. The play features an ensemble of four actors who play teachers, students, and their families and is a mix of poetry, prose, and music, with original tracks by composer Richard Jones.
Then, August 4th through 13th, The Magnetic Theatre’s One Act Play Festival returns for its fourth year of short plays. Featuring a variety of stories, emerging and seasoned playwrights, local directors, and incredible performers, there’s sure to be something for everyone! Playwrights may submit one act scripts for consideration throughout the month of February.
Ushering in the spooky season, October 6th through 21st brings The Splatter Play by Abby Auman. It’s the day of the open house for Tina’s childhood home, which also happens to be her deceased mother’s evil laboratory. Determined to turn the terrors of the lab into selling points, Tina and her optimistic realtor parade a cast of unsavory potential buyers through the home, tormented all the while by the resident creepies and crawlies who aren’t quite as ready to move on as Tina would hope. *Note: there will be blood, so much blood.
Finally, as 2023 comes to a close, The Magnetic Theatre proudly presents New Queer’s Eve. December 1st through 16th, join us for a look at the year’s last holiday through a new lens. New Queer’s Eve takes place in one location over multiple New Year’s Eve celebrations and provides a glimpse into the LGBTQIA+ experience through time. Through interconnected stories told by a collaboration of queer writers, New Queer’s Eve invites audiences to share in the joys and struggles of queer life through the decades.
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White Horse’s legendary Open Mic takes place each and every Tuesday at 7pm.
You’ll hear a variety of wonderfully talented folks on their way up. You never know what you’ll hear… original songs, covers, guitar, piano….. and often something quite surprising.
The signup sheet is placed on the bar at 6:30 and the first ten to sign in are the performers for the evening. Each gets 15 minutes or three songs.
It’s a lot of fun… especially since it’s FREE !!!!!
The Magnetic Theatre announces its 2023 Mainstage Season of new plays with tickets on sale beginning January 1st, and begins scheduling auditions and interviews for actors and technicians.
The Magnetic Theatre’s Mainstage Season begins with HappyLand, a new rock opera by Brayden Dickerson and Zach Knox of Smooth Goose. The musical tells the tale of a delivery person who doesn’t quite fit into the titular town of HappyLand. Forced to make one last delivery before the vacation they have been dreaming of, our hero embarks on an epic journey to SadLand, falls in love, and maybe even saves the world. Full of toe-tappin’ tunes and fantastic adventure, HappyLand launches February 10th and runs through February 25th.
Beginning April 14th and running through April 29th, join us for the regional premiere of Fish, by Cyndi Williams. When two characters connect unexpectedly in a lonely bar, they wind up playing a dangerous game. Who will survive, and how can they forgive themselves in the process? Shifting timelines and unearthing skeletons, Fish is a fever dream twisting through memory, fantasy, and the present.
Next up, June 2nd through 17th, take your seats and pay attention to Da Classroom Ain’t Enuf, by Charles Payne. This choreopoem, inspired by the work of Ntozake Shange, is an exploration of the intersection of Black and Brown communities, particularly in and around the American educational system. The play features an ensemble of four actors who play teachers, students, and their families and is a mix of poetry, prose, and music, with original tracks by composer Richard Jones.
Then, August 4th through 13th, The Magnetic Theatre’s One Act Play Festival returns for its fourth year of short plays. Featuring a variety of stories, emerging and seasoned playwrights, local directors, and incredible performers, there’s sure to be something for everyone! Playwrights may submit one act scripts for consideration throughout the month of February.
Ushering in the spooky season, October 6th through 21st brings The Splatter Play by Abby Auman. It’s the day of the open house for Tina’s childhood home, which also happens to be her deceased mother’s evil laboratory. Determined to turn the terrors of the lab into selling points, Tina and her optimistic realtor parade a cast of unsavory potential buyers through the home, tormented all the while by the resident creepies and crawlies who aren’t quite as ready to move on as Tina would hope. *Note: there will be blood, so much blood.
Finally, as 2023 comes to a close, The Magnetic Theatre proudly presents New Queer’s Eve. December 1st through 16th, join us for a look at the year’s last holiday through a new lens. New Queer’s Eve takes place in one location over multiple New Year’s Eve celebrations and provides a glimpse into the LGBTQIA+ experience through time. Through interconnected stories told by a collaboration of queer writers, New Queer’s Eve invites audiences to share in the joys and struggles of queer life through the decades.
Join us for a weekly mountain music JAM with players in a round, where the session is focused on regional fiddle tunes and songs! You are welcome to come and listen or to learn and join in. This event supports the Henderson County Junior Appalachian Musician (JAM) Kids Program. Free but donations are accepted. Weekly event takes place at Oklawaha Brewing Company.
The Magnetic Theatre announces its 2023 Mainstage Season of new plays with tickets on sale beginning January 1st, and begins scheduling auditions and interviews for actors and technicians.
The Magnetic Theatre’s Mainstage Season begins with HappyLand, a new rock opera by Brayden Dickerson and Zach Knox of Smooth Goose. The musical tells the tale of a delivery person who doesn’t quite fit into the titular town of HappyLand. Forced to make one last delivery before the vacation they have been dreaming of, our hero embarks on an epic journey to SadLand, falls in love, and maybe even saves the world. Full of toe-tappin’ tunes and fantastic adventure, HappyLand launches February 10th and runs through February 25th.
Beginning April 14th and running through April 29th, join us for the regional premiere of Fish, by Cyndi Williams. When two characters connect unexpectedly in a lonely bar, they wind up playing a dangerous game. Who will survive, and how can they forgive themselves in the process? Shifting timelines and unearthing skeletons, Fish is a fever dream twisting through memory, fantasy, and the present.
Next up, June 2nd through 17th, take your seats and pay attention to Da Classroom Ain’t Enuf, by Charles Payne. This choreopoem, inspired by the work of Ntozake Shange, is an exploration of the intersection of Black and Brown communities, particularly in and around the American educational system. The play features an ensemble of four actors who play teachers, students, and their families and is a mix of poetry, prose, and music, with original tracks by composer Richard Jones.
Then, August 4th through 13th, The Magnetic Theatre’s One Act Play Festival returns for its fourth year of short plays. Featuring a variety of stories, emerging and seasoned playwrights, local directors, and incredible performers, there’s sure to be something for everyone! Playwrights may submit one act scripts for consideration throughout the month of February.
Ushering in the spooky season, October 6th through 21st brings The Splatter Play by Abby Auman. It’s the day of the open house for Tina’s childhood home, which also happens to be her deceased mother’s evil laboratory. Determined to turn the terrors of the lab into selling points, Tina and her optimistic realtor parade a cast of unsavory potential buyers through the home, tormented all the while by the resident creepies and crawlies who aren’t quite as ready to move on as Tina would hope. *Note: there will be blood, so much blood.
Finally, as 2023 comes to a close, The Magnetic Theatre proudly presents New Queer’s Eve. December 1st through 16th, join us for a look at the year’s last holiday through a new lens. New Queer’s Eve takes place in one location over multiple New Year’s Eve celebrations and provides a glimpse into the LGBTQIA+ experience through time. Through interconnected stories told by a collaboration of queer writers, New Queer’s Eve invites audiences to share in the joys and struggles of queer life through the decades.
– STANDING ROOM ONLY
BENEFIT CONCERT FOR EVERGREEN COMMUNITY CHARTER SCHOOL
Evergreen Community Charter School is a K-8 learning community committed to the pursuit of excellence in the holistic education of mind, body, and spirit. We prepare students for successful lifelong learning, social responsibility, environmental stewardship, and service. We value the voice of every member of our community.
Featuring….
THE LATE SHIFTERS
Southern rock meets jam band meets Americana with The Late Shifters, a necessity-born, passion-driven, local band, playing back holler, Asheville rock.
With a nod to their Southern rock and Appalachian roots, The Late Shifters have found a way to express their love for the region and its rich environment and culture through amplified and warm electric sound. Three guitars and three vocalists weave texture and melodic layers through their catchy original tunes that’ll have you singing along before the night is through.
In 2023, the band will be releasing their debut album featuring crowd-favorite originals like Highway 191 and Letting Go. They have an enthusiastic following around town and have plans to take their show on the road regionally this spring. These five, hardworking, hard-playing family men have brought together their individual talents from both southern corners of Buncombe County. The Late Shifters have been playing around the corner and around the campfire for years, and chances are, you probably know at least one of them. Bring your families and boogie shoes for a soul-warming, bootie shaking, rocking good time.
The Blushin’ Roulettes deliver sultry, smoky, swingin’ twang. “Their songs are stripped down, sexy little jewel boxes stuffed with ancient mountain magic,” says the San Francisco Free Folk Festival. Guitaress and songwriter Angie Heimann belts her stirring songs of damsels in their bliss and distress in a clarion vibrato often likened to Iris Dement. Cas Sochacki thumps the double bass and interlaces bright dobro stylings amid the rich lyrics of the Roulettes’ more serious songs, and rings in vocally with his molasses baritone on the occasional cheeky duet. The Roulettes have newly expanded their North Carolina lineup to include the prominent Asheville players Cynthia McDermott (mandolin and vocals,) Jay Brown (guitar and vocals) and James T. Browne (drums.)
The Blushin’ Roulettes’ appearances include performances at the Kate Wolf Memorial Music Festival, San Francisco Free Folk Festival, North Bay Hootennany and the Humboldt Folklife Festival, as well as shared stages with the Wailin’ Jennies, Wayne the Train Hancock, Big Sandy and His Fly Right Boys, and The Devil Makes 3, and poet John Trudell. Angie has won songwriting awards in KZFR/Sierra Nevada’s Celebration of the Song, Woody Guthrie Songwriting Contest, Artists for Literacy SIBL Songwriting Contest, and South Florida Folk Festival.
JUAN HOLLADAY
Hailing from the desert southwest, Juan Holladay is a quiet storm, down tempo, lo-fi crooner.
Pulp presents
SANTIAGO & LOS GATOS / THE 40, 20, 10’S
The Magnetic Theatre announces its 2023 Mainstage Season of new plays with tickets on sale beginning January 1st, and begins scheduling auditions and interviews for actors and technicians.
The Magnetic Theatre’s Mainstage Season begins with HappyLand, a new rock opera by Brayden Dickerson and Zach Knox of Smooth Goose. The musical tells the tale of a delivery person who doesn’t quite fit into the titular town of HappyLand. Forced to make one last delivery before the vacation they have been dreaming of, our hero embarks on an epic journey to SadLand, falls in love, and maybe even saves the world. Full of toe-tappin’ tunes and fantastic adventure, HappyLand launches February 10th and runs through February 25th.
Beginning April 14th and running through April 29th, join us for the regional premiere of Fish, by Cyndi Williams. When two characters connect unexpectedly in a lonely bar, they wind up playing a dangerous game. Who will survive, and how can they forgive themselves in the process? Shifting timelines and unearthing skeletons, Fish is a fever dream twisting through memory, fantasy, and the present.
Next up, June 2nd through 17th, take your seats and pay attention to Da Classroom Ain’t Enuf, by Charles Payne. This choreopoem, inspired by the work of Ntozake Shange, is an exploration of the intersection of Black and Brown communities, particularly in and around the American educational system. The play features an ensemble of four actors who play teachers, students, and their families and is a mix of poetry, prose, and music, with original tracks by composer Richard Jones.
Then, August 4th through 13th, The Magnetic Theatre’s One Act Play Festival returns for its fourth year of short plays. Featuring a variety of stories, emerging and seasoned playwrights, local directors, and incredible performers, there’s sure to be something for everyone! Playwrights may submit one act scripts for consideration throughout the month of February.
Ushering in the spooky season, October 6th through 21st brings The Splatter Play by Abby Auman. It’s the day of the open house for Tina’s childhood home, which also happens to be her deceased mother’s evil laboratory. Determined to turn the terrors of the lab into selling points, Tina and her optimistic realtor parade a cast of unsavory potential buyers through the home, tormented all the while by the resident creepies and crawlies who aren’t quite as ready to move on as Tina would hope. *Note: there will be blood, so much blood.
Finally, as 2023 comes to a close, The Magnetic Theatre proudly presents New Queer’s Eve. December 1st through 16th, join us for a look at the year’s last holiday through a new lens. New Queer’s Eve takes place in one location over multiple New Year’s Eve celebrations and provides a glimpse into the LGBTQIA+ experience through time. Through interconnected stories told by a collaboration of queer writers, New Queer’s Eve invites audiences to share in the joys and struggles of queer life through the decades.
Songs, stories & home movies of Earl Scruggs, celebrating the music of WNC and the 5-string banjo with Dr. Mark Morris, Dylan Morris, and George Buckner
– FULLY SEATED SHOW
– LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE
CARNIVALE MACABRE: DUNGEONS AND DRAG
Join us for Balkan Bump + Rohan Solo, Medisin, & ElectroChemical at Asheville Music Hall Friday January 6th!
Powered by BASSBOSS
21+
The Magnetic Theatre announces its 2023 Mainstage Season of new plays with tickets on sale beginning January 1st, and begins scheduling auditions and interviews for actors and technicians.
The Magnetic Theatre’s Mainstage Season begins with HappyLand, a new rock opera by Brayden Dickerson and Zach Knox of Smooth Goose. The musical tells the tale of a delivery person who doesn’t quite fit into the titular town of HappyLand. Forced to make one last delivery before the vacation they have been dreaming of, our hero embarks on an epic journey to SadLand, falls in love, and maybe even saves the world. Full of toe-tappin’ tunes and fantastic adventure, HappyLand launches February 10th and runs through February 25th.
Beginning April 14th and running through April 29th, join us for the regional premiere of Fish, by Cyndi Williams. When two characters connect unexpectedly in a lonely bar, they wind up playing a dangerous game. Who will survive, and how can they forgive themselves in the process? Shifting timelines and unearthing skeletons, Fish is a fever dream twisting through memory, fantasy, and the present.
Next up, June 2nd through 17th, take your seats and pay attention to Da Classroom Ain’t Enuf, by Charles Payne. This choreopoem, inspired by the work of Ntozake Shange, is an exploration of the intersection of Black and Brown communities, particularly in and around the American educational system. The play features an ensemble of four actors who play teachers, students, and their families and is a mix of poetry, prose, and music, with original tracks by composer Richard Jones.
Then, August 4th through 13th, The Magnetic Theatre’s One Act Play Festival returns for its fourth year of short plays. Featuring a variety of stories, emerging and seasoned playwrights, local directors, and incredible performers, there’s sure to be something for everyone! Playwrights may submit one act scripts for consideration throughout the month of February.
Ushering in the spooky season, October 6th through 21st brings The Splatter Play by Abby Auman. It’s the day of the open house for Tina’s childhood home, which also happens to be her deceased mother’s evil laboratory. Determined to turn the terrors of the lab into selling points, Tina and her optimistic realtor parade a cast of unsavory potential buyers through the home, tormented all the while by the resident creepies and crawlies who aren’t quite as ready to move on as Tina would hope. *Note: there will be blood, so much blood.
Finally, as 2023 comes to a close, The Magnetic Theatre proudly presents New Queer’s Eve. December 1st through 16th, join us for a look at the year’s last holiday through a new lens. New Queer’s Eve takes place in one location over multiple New Year’s Eve celebrations and provides a glimpse into the LGBTQIA+ experience through time. Through interconnected stories told by a collaboration of queer writers, New Queer’s Eve invites audiences to share in the joys and struggles of queer life through the decades.
We’re putting our build crew back together and we’d love to have you join us. Every 2 weeks, we’ll meet at 9 am for hands-on set construction! Whether your talents are building, painting, or you just want to learn, come out and join us every other Saturday for some creative fun. Tools and work gloves are helpful but not required
Nobody’s Darling String Band is here every Saturday from 4-6! Stop in for an afternoon libation and enjoy the ladies picking’ away on the stage!
– ALL AGES
– STANDING ROOM ONLY
“The Get Right Band are the type of performers that you just know will break out. Their songs are infectious and take you immediately to a place. The lyrics are smart and bear weight.” -The Huffington Post
The Get Right Band is a psychedelic indie rock power trio from Asheville, NC. They are a band focused on following their muses to honest self-expression, to whatever excites them and pushes them into unexplored territory. The Get Right Band proudly carries the torch for a long line of genre-bending power trios from Cream to The Jimi Hendrix Experience to The Police to Violent Femmes to Primus to Green Day to Nirvana to Sublime. It’s the space between the notes, the rawness and the maneuverability, that makes a power trio, well, so damn powerful.
“An ass shaking good time.” -Relix Magazine
The Get Right Band’s career highlights include shows with Everclear, Rusted Root, Dr. Dog, Smash Mouth, Ozomatli, Dirty Dozen Brass Band, and Victor Wooten; appearances on NPR’s World Cafe and Nashville’s Music City Roots television show; and performances at major festivals and venues including FloydFest, StrangeCreek, Riverbend Fest, The Orange Peel, Brooklyn Bowl, and The Hamilton.
“I love this song!” -Marc Maron, of WTF podcast
The band is built on the musical brotherhood that guitarist/vocalist Silas Durocher and bassist Jesse Gentry have formed playing music together since middle school. Durocher, who is a trained composer and has been commissioned to write for symphonies and chamber groups, has guitar chops that can soothe or rage and a charismatic swagger as a frontman and a singer. “Durocher has an impressive range and rich clarity to his vocals—think a more soulful Dan Auerbach” (Connect Savannah). Gentry’s virtuosic bass playing “catapults from elastic to nasty” (The Mountain Xpress). With the addition of Jian-Claude Mears, a drummer with “precision, passion, and an inescapable momentum” (Live For Live Music), the group’s sound has become an unstoppable force. They have been wowing audiences around the country and the Caribbean since their inception in 2011 with an unparalleled live show and a relentless tour schedule.
“Tight and diverse jams and a distinctive, intellectual but accessible worldview.” -Live For Live Music
RANDOM ANIMALS
Random Animals is an Asheville, North Carolina based Indie-Soul quintet formed in 2016.
All Ages – under 12 requires venue approval
Steve Lapointe’s nine years of classical piano as a youth grounded him in music theory. Jazz studies while in Ithaca, NY, opened his ears to extemporaneous improvisation and the music of Keith Jarrett, Chick Corea, Bill Evans, Michel Petrucciani and the American songbook. Steve served as musical director of the Unitarian Universalist Fellowship of Vero Beach, Florida, and occasionally performed at the UU Asheville congregation.
Jack of the Wood : Sunday-Irish Session
Sundays
1 till who knows when?
Traditional Irish music is kept alive at Jack of the Wood with our unplugged Sunday session.
Jack of the Wood
95 Patton ave
Asheville, NC 28801
(828) 252.5445
– SEATED SHOW
WESTERN CAROLINA WRITERS
Established in 2019 with the purpose of showcasing local, up and coming artists in venues all around WNC, Western Carolina Writers presents this Songwriters in the Round showcase that features 9 singer-songwriters from all over the Western Carolinas. This show puts the spotlight on local songwriting and original music with a touch of tasteful collaboration between some of the most talented performers in the area. With 3 rounds of 3 different writers taking turns playing their songs, the night promises some exciting eclectic music with some beautiful, unique and spontaneous collaboration.
Featuring:
All Ages – under 12 requires venue approval