Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Thursday, August
24, 2023
MANNA FoodBank’s 40th Anniversary Celebration
PATIO: Will Overman (solo)
Live Music specialty martinis all day at Leo’s Italian Social
The Orchard Sessions with Nicole Witt
Jazz Jam
Steve Simon + The Kings of Jazz
Canaan Cox
THE MENZINGERS WITH PRINCE DADDY + THE HYENA AND MERCY UNION
Dye Garden Series: Botanical Printing: Printing Leaves and Flowers
We’re celebrating 40 years of setting the table together and invite you to join us! Each ticket includes:
- A MANNA-through-the-decades dance party with DJ Molly Parti spinning tunes from the 80s, 90s, 00s, and 10s
- Special recognitions for the people and partners that have made our work possible for 40 years
- A snack bar filled with goodies from WNC’s iconic brands like Poppy Popcorn, Asheville Pretzel Company, and Hickory Nut Gap
- The best handcrafted popsicles in town from Buggy Pops
- The joy of knowing that your ticket helps provide 160 meals for neighbors facing food insecurity right now
– ALL AGES
– LIMITED PATIO SEATING IS FIRST COME, FIRST SERVED
WILL OVERMAN
Making a living in music isn’t easy, especially when it seems like listeners’ tastes change with the wind and algorithms are updated constantly, teasing artists with catching the elusive dollar. Central VA based singer-songwriter Will Overman however; has found a way to thrive in a seemingly constant state of transition.
Will Overman’s music can be best described as Country-Americana, but it’s not your typical Country-Americana sound. Sonically it is restless by nature, always searching for something new, and with Will’s heart-worn lyrics and dynamic vocal delivery, it makes for a memorable mixture that is hard to place but easy to love.
Born and raised in Virginia Beach, Will began writing songs after picking up the guitar in high school. He quickly built a regional following, and despite taking time to thru-hike the Appalachian Trail and move to Vermont for a semester of college, he capitalized on his move back to Virginia the following spring by forming the Will Overman Band. The Southern Rock ‘n Roll influenced Americana project released two EPs and an LP, playing bar gigs and festival slots (Merlefest, Appaloosa Music Festival, Rooster Walk) up and down the East Coast until in the spring of 2017, when Will graduated from UVA and the band decided to go their separate ways.
Although he was unsure what to do next, Will began working on his first solo release – 2017’s Crossroads EP with a studio band of some nationally known musicians (Johnny Stubblefield – Parachute, Sam Wilson – Sons of Bill) and good friends from the central VA music scene. Though proud of the final product, following its release, Will took a step back from music for over a year as he re-evaluated whether he could build a sustainable career as a writer and touring musician. Even while putting distance between himself and music, Will couldn’t keep himselffrom writing new songs, and following a return to Virginia in mid-2019, Will went back into the studio to record the songs that would form his debut LP The Winemaker’s Daughter.
Following the successful and well-received release of the debut single “Something to Hold” from The Winemaker’s Daughter on February 14, 2020, Will hit the road on his first major solo tour two weeks later – just as the pandemic started shutting down the world. Canceled and indefinitely postponed gigs quickly piled up, but rather than stop making or releasing music Will continued on, dropping singles from the album while garnering international media attention and radio play. Since breaking the ice on his own return to live shows in April 2021 to celebrate the release of The Winemaker’s Daughter in February 2021 (almost a year to the day after the release of the initial single), Will has put tens of thousands of miles on his van while traveling from shows anywhere from Savannah to Minneapolis to Boston and everywhere in between.
Armed with a powerful voice and powerful convictions, Will Overman is slowly but surely building a name for himself performing throughout the east coast at venues and festivals such as (The Jefferson Theater, Fall for Greenville, The Basement) and supporting artists like (Joe Pug, Christian Lopez, Dead Horses, Grady Spencer & the Work, etc.). Regardless of whether you get a first listen of Will at the next show or song on shuffle, you can be sure that it won’t be long before you know his songs by heart.
- Live Music, 6:00 p.m. and $8 specialty martinis all day at Leo’s Italian Social
Nicole Witt is a nationally-touring, award-winning Nashville songwriter and multi-instrumentalist known for the soaring melodies and clever turns of phrase that have brought her national acclaim in the country, bluegrass, and Christian music scenes. With a voice that’s part Adele, part Patty Griffin, she conveys a level of emotion and sincerity scarce in modern music. Whether she’s behind a piano or upfront with her guitar or fiddle, Witt delivers live performances led by that gorgeous voice and anchored by her charm.
Our jazz trio with Thommy Knoles on keys, Felix Pastorius on bass, and Paul Gladstone on drums will perform an opening set from about 7-8:15 pm.
An open jam session follows. Drop-ins are welcome and encouraged for a suggested donation of $10.
Jazz Jam will feature a diverse array of music from jazz’s rich history, ranging from 1940s bebop up to 1970s jazz fusion, as well as material from prominent present-day composers. Bring your instruments and jam with us, or just come and enjoy!
Steve Simon & The Kings of Jazz are Brevard’s newest and most exciting and entertaining jazz band with a sound that combines the funkiness of George Benson, the soulfulness of Ray Charles and the smoothness of Diana Krall all wrapped together in big Count Basie style arrangements of American and Latin jazz classics. If you are looking for an amazing live jazz experience then check out the hottest jazz band in the coolest city in North Carolina performing every Thursday at The DFR Lounge from 7pm to 9pm
ALL AGES
– STANDING ROOM ONLY
– LIMITED NUMBER OF VIP MEET & GREET TICKETS AVAILABLE (VIP PROGRAM BEGINS AT 6:15PM)
– STANDING ROOM ONLY
– LIMITED NUMBER OF VIP MEET & GREET TICKETS AVAILABLE (VIP PROGRAM BEGINS AT 6:15PM)
Canaan Cox is the definition of a triple threat – artist, actor and dancer. His music is a fusion of contemporary country, pop and a hint of rhythm and blues, which is no surprise as he grew up in a musical household. Originally from North Carolina, his father blasted Conway Twitty records while his mother toured the southeast with her band, and his seven sisters ensured he had a healthy dose of pop music. Cox went on to earn his BFA in Musical Theatre from Catawba College which allows him a unique musical perspective that influences everything he does today, from writing original music to his performance during live shows. Cox moved to Nashville in the fall of 2016, and began playing the downtown bars on Broadway.
During a chance encounter in 2021, Cox met radio and television personality Bobby Bones, who loved his hustle and invited Cox to appear on his show, reaching over 9.2 million listeners. His last single “As You Leave” (January 2022) received critical acclaim with marquee playlisting on Spotify including New Boots, Wild Country, Breakout Country, Next from Nashville, Apple’s New in Country, and was highlighted in Amazon’s Breakthrough Country playlist.
Following the outpouring of support he received on the Bobby Bones Show, his song was spotlighted on the Country Top 30. This momentum led Cox to a phenomenal year of streaming, seeing incredible 10x growth in 2022. His latest single “Hate Me More” highlights his craft as a songwriter along with a sultry sound that blends his unique styles of music. In addition, Cox is planning to release an upcoming EP and an international tour later this year. There is much to come from this multi-talented artist that is paving his own lane in country music.
The Menzingers will be performing LIVE on the Indoor Stage at Salvage Station on Thursday, August 24th, 2023 with Prince Daddy & the Hyena and Mercy Union! Doors open @ 7PM and the music starts @ 8PM. This is a General Admission show with FREE ON-SITE PARKING!
Day of show information:
PARKING: DO NOT park along the railroad tracks, bike lanes, or at other businesses along Riverside Drive! YOU WILL BE TOWED! FREE ON-SITE parking is available for this event.
AGE LIMIT: 18+ only (no exceptions!)
REQUIRED: Shirts + shoes are required at all times while on property (this used to be a salvage yard and can be very dangerous for bare feet).
FOOD/BEVERAGE: We will have Root Down Kitchen open with options for everyone, so come hungry! Please, no outside food, drinks are allowed into the venue. Multiple full bars will be open with an incredible selection of alcoholic and non-alcoholic options. EMPTY water bottles are allowed in an effort to cut down on waste. Remember to reduce, reuse and recycle and LEAVE NO TRACE (aka- put your used items in the proper bins when done).
BAG POLICY: ALL guests are subject to being searched prior to entry. No large bags over 6″x6″ are allowed into the venue. *If you must have a bag larger than 6″x6″ for medical reasons, it must be completely CLEAR.
Presenters: Pat Strang and Joyce Tromba, Extension Master Gardener SM Volunteers
Learn how tannin and pigments in plants allow us to make amazing prints on fabric. We will collect and use leaves and flowers from the Learning Garden to create beautiful prints on cotton. We will steam our botanicals on cotton bandanas to create permanent, life like images.
$10 donation requested. Cash only
This class will be in the garden, please dress appropriately..
Registration: Seating is limited and registration is required. Please click on the link below to register. If you encounter problems registering or if you have questions, call 828-255-5522.
Friday, August
25, 2023
Biltmore Estate: Ciao! From Italy Sculptural Postcard Display
Exhibition: NEO MINERALIA
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Exhibition: Something earned, Something left behind
Exhibition: Crafting Denim
Black Mountain College and Mexico (BMC/MX): Exhibition
Celebrate Art Exhibit
Romare Bearden: Ways of Working Exhibition
The Art of Food: From the Collections of Jordan D. Schnitzer and His Family Foundation
Western North Carolina Glass: Selections from the Collection
Cragnolin Park Dedication + Performance by Womansong
Oak and Grist Distilling Co. Summer Music Series
PATIO: Fo Daniels
Summer Sounds in the Gorge
UMPHREY’S MCGEE WITH DANIEL DONATO’S COSMIC COUNTRY
LAZOOM Tours: BAND AND BEER TOUR
Concerts in the Park: Dub Kartel
Concerts on the Creek in Sylva
OUTPOST: Santiago y Los Gatos
Standup Comedy at plēb urban winery
Blind Date Live!
Josh Goforth and Michael Reno Harrell
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Photo credit:
Sae Honda. Courtesy of the Artist.
NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.
NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.
The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.
Photo credit:
Photograph by Bowery Blue Makers
Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.
A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.
Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.
Black Mountain College and Mexico (BMC/MX): Exhibition, Publication, and Public Programming
Black Mountain College (1933–1957), a small but remarkably influential liberal arts school in rural North Carolina, had important links to Mexico that until now have been little investigated. A crucible of twentieth-century creativity, BMC galvanized and inspired artists and intellectuals from around the world, while Mexico’s innovations and age-old traditions—in fine and applied arts, architecture, poetry, music, performance, and more—dovetailed with, and indeed drove, global impulses toward modernism and beyond. Among the many key BMC figures whose lives were importantly touched by experiences in Mexico were Anni and Josef Albers, Ruth Asawa, John Cage, Jean Charlot, Elaine de Kooning, Buckminster Fuller, Carlos Mérida, Robert Motherwell, Charles Olson, Clara Porset, M.C. Richards, and Aaron Siskind. In turn, engagements with BMC and its legacy have played a significant role in shaping contemporary approaches to art in Mexico, evident in the works of Jorge Méndez Blake, Iñaki Bonillas, Abraham Cruzvillegas, Jose Dávila, Gerda Gruber, Lake Verea, Gabriel Orozco, and Damián Ortega, among others.
The exhibition BMC/MX features works by these and other prominent contemporary Mexican artists alongside a selection of historic works by BMC artists, highlighting the ways in which ideas and modalities are translated across materials, space, and time.
Related programming, planned in collaboration with Mexican artists, features a series of public events, including a performance by artist (and BMC/MX co-curator) David Miranda to take place at Different Wrld; an exhibition visit (in Spanish and English) with BMC/MX Project Director Eric Baden; and a series of experiential art events in the BMCM+AC library.
The exhibition is accompanied by the book Black Mountain College and Mexico (forthcoming late summer 2023), which investigates the people, ideas, and practices linking BMC and Mexico during the life of the school, as well as resonances between BMC and the work of contemporary Mexican artists. With contributions by BMC/MX’s curators, as well as by artist Abraham Cruzvillegas, design scholar Ana Elena Mallet, and author and activist Margaret Randall, this fully illustrated volume brings new light to this complex and underexplored subject.
BMC/MX is an investigation into modes of communication—the arenas in which new ideas and alliances may come to be—between Black Mountain College and Mexico, between past and present, between form and idea.
About the Curators
BMC/MX’s Project Director Eric Baden is a photographer and from 1994 to 2022 was professor of photography at Warren Wilson College in Swannanoa, North Carolina. He is the founding director of photo+, a multidisciplinary arts event held in Asheville, North Carolina.
Artist and educator David Miranda is curator at the Museo Experimental El Eco (Universidad Nacional Autónoma de México, UNAM), and teaches at the Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda” in Mexico City.
Diana Stoll is an editor, writer and curator who works with institutions such as The Museum of Modern Art and the J. Paul Getty Museum. She has served as an editor at Aperture and Artforum magazines, and contributes writings to prominent arts publications.
The new Art Place Studios have opened next door at 2015 Asheville Hwy. Visitors can see 23 studio artists at work.
Romare Bearden (Charlotte, NC 1911–1988 New York, NY), African American writer and artist, is renowned for his collages. He constantly experimented with various techniques to achieve his artistic goals throughout his career. This exhibition highlights works on paper and explores his most frequently used mediums, including screen-printing, lithography, hand-colored etching, collagraph, monotype, relief print, photomontage, and collage.
Bearden’s work reflects his improvisational approach to his practice. He considered his process akin to that of jazz and blues composers. Starting with an open mind, he would let an idea evolve spontaneously.
“Romare Bearden: Ways of Working highlights Bearden’s unique artistic practice and masterful storytelling through art,” says Pamela L. Myers, Executive Director of the Asheville Art Museum. “We are thrilled to collaborate with Jerald Melberg Gallery to present these extraordinary works on paper in conversation with Bearden’s collage Sunset Express, 1984 in the Museum Collection (on view in the Museum’s SECU Collection Hall). This exhibition will also provide a glimpse into the cultural histories and personal interests that influenced his art-making practice, and we hope it encourages introspection and dialogue with our visitors.”
Jerald Melberg states, “Romare Bearden’s groundbreaking artistic practice continues to captivate audiences worldwide. With an unparalleled legacy of creativity and innovation, Bearden’s contributions to art remain deeply influential years beyond his life.” We have enjoyed organizing this exhibition with the Asheville Art Museum to showcase his artistic genius and inspire visitors from the Western North Carolina region and beyond.”
This exhibition is made possible in part by the Judy Appleton Fund. Many thanks to the Jerald Melberg Gallery for the loan of these important artworks and to Mary and Jerald Melberg for their long-standing support of the arts, artists, and the Asheville Art Museum.
The Art of Food features works from important postwar artists, like Robert Rauschenberg, Roy Lichtenstein, John Baldessari, Wayne Thiebaud, Ed Ruscha, Andy Warhol, David Hockney, and Jasper Johns, alongside the work of contemporary artists, like Alison Saar, Lorna Simpson, Enrique Chagoya, Rachel Whiteread, and Jenny Holzer, among others.
The Art of Food features more than 100 works in mediums that include drawings, paintings, photographs, prints, sculptures, and ceramics by 37 artists.
Each artist has a unique means of depicting food in their work that, when seen alongside others, creates a nuanced representation of the complex place food holds in everyday life. Cross-historical resonances between artists in the exhibition spark novel meditations on food and its discontents, while speaking to a broad range of audiences.
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Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home. Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection. |
Womansong will be performing at the Cragnolin Park Dedication on Friday, August 25th at 5pm. Join us as we celebrate the remediation of this once contaminated property, and honor the life of RiverLink founder and community visionary, Karen Cragnolin.
The community of A is invited to this free event. Parking is available at Carrier Park, with a drop-off for the mobility impaired at the Karen Cragnolin Park entrance at 190 Amboy Rd. The schedule of events includes:
- 4-5 p.m. – Complimentary Sno-cones, music buskers, street chalking, bubbles, games, temporary tattoos and more, all along the Karen Cragnolin Park greenway
- 5:00 – Performance by Womansong
- 5:15 – Remarks from several local, Asheville Leaders
- 5:45 – Ribbon cutting by Karen Cragnolin’s grandson
- 6 p.m. – Transition to after-party at Hi-Wire in the RAD with Connect Buncombe’s Brewing for Greenways event. Join Mark Cobb for a walk and conversation on the greenway!
NEW SUMMER MUSIC DATES
We are having so much fun with our Friday nights that we’re bringing live music & food trucks to Saturday too! Every Friday & Saturday at Oak & Grist, we’re hosting live music from talented local musicians & artists. Plus, we’re hosting a rotating selection of food trucks to keep the party going just a bit longer! View our upcoming schedule below:
AUGUST 2023
FRIDAY, AUGUST 4TH: Clara New // Mother’s Pizza Pop-Up (5-8pm)
SATURDAY, AUGUST 5TH: TBA // Cactus Rainbow Gourmet Grilled Cheese (4-8pm)
FRIDAY, AUGUST 11TH: Spencer Cranfill // Grush’s Cajun Dino Grill (4-8pm)
SATURDAY, AUGUST 12TH: Billy Presnell // Trucking Delicious Food Truck (4-8pm)
FRIDAY, AUGUST 18TH: Billy Presnell // Mothers Pizza Pop-Up (5-8pm)
SATURDAY, AUGUST 19TH: TBA // TBA
FRIDAY, AUGUST 25TH: Color Machine Music // Sweet Cheesus Food Truck (4-8pm)
SATURDAY, AUGUST 26TH: Dave Desmelik // Trucking Delicious Food Truck (4-8pm)
Doors Open: 4:00 PM
– ALL AGES
– LIMITED PATIO SEATING IS FIRST COME, FIRST SERVED
FO DANIELS
Fo Daniels combines the raw intensity of a rock and roll band with a songwriter’s attention to lyrical and emotional detail. His debut LP, “Imitation Roses” was cut completely live in his home base of Charleston, SC, all in one day. Since its release, he has been tirelessly releasing new music and touring the east coast, quickly gaining renown for his dynamic performances and unforgettable songs.
– LIMITED PATIO SEATING IS FIRST COME, FIRST SERVED
FO DANIELS
Fo Daniels combines the raw intensity of a rock and roll band with a songwriter’s attention to lyrical and emotional detail. His debut LP, “Imitation Roses” was cut completely live in his home base of Charleston, SC, all in one day. Since its release, he has been tirelessly releasing new music and touring the east coast, quickly gaining renown for his dynamic performances and unforgettable songs.
From the local favorites to new regional acts, all live from the river banks of the Nantahala. Raft, dine, then jam with us with Live Music every Friday and Saturday from 5pm-8pm between Memorial Day and Labor Day!
May 27th 5pm-8pm – Mama and the Ruckus
May 28th 5pm-8pm – The Lefties
June 2nd 5pm-8pm – Christina Chandler Trio
June 3rd 5pm-8pm – Laura Thurston
June 9th 5pm-8pm – Eddie Clayton
June 10th 1pm-4pm – Jacobs Well
June 10th 5pm-8pm – Natti Love Joys
June 16th 5pm-8pm – Rae and the Ragdolls
June 17th 5pm-8pm – Beer and Loathing
June 23rd 5pm-8pm – TBA
June 24th 5pm-8pm – Terry Haughton Trio
June 30th 5pm-8pm – Blue
July 1st 5pm-8pm – Brown Mountain Lightning Bugs
July 7th 5pm-8pm – Bayou Diesel
July 8th 5pm-8pm – Pioneer Chicken Stand
July 14th 5pm-8pm – Wyatt Espalin
July 15th 5pm-8pm – Christina Chandler Duo
July 21st 5pm-8pm – Terry Haughton
July 22nd 5pm-8pm – TG and the Stoned Rangers
July 28th 5pm-8pm – Blue
July 29th 5pm-8pm – Somebody’s Child
August 4th 5pm-8pm – Trial by Fire
August 5th 5pm-8pm – Andy Johnson
August 11th 5pm-8pm – Eddie Clayton Solo
August 12th 5pm-8pm – Eddie Clayton Band
August 18th 5pm-8pm – Big Deal Band
August 19th 1pm-4pm – Mckinney
August 19th 5pm-8pm – Funk N’ Around
August 25th 5pm-8pm – Wyatt Espalin
August 26th 5pm-8pm – Somebody’s Child
September 1st 5pm-8pm – TBA
September 2nd 5pm-8pm – Regatta 69
Umphrey’s McGee will be performing LIVE on the Outdoor Stage at Salvage Station for an incredible two-night run Friday, August 25th with and Saturday, August 26th! Daniel Donato’s Cosmic Country will open for the Friday Show, and Butcher Brown will open Saturday!
Day of show information:
4:00PM- Salvage Station paid on-site parking lot opens
5:00PM- Satellite lots open + FREE shuttle service begins
5:00PM- Venue doors open
6:15PM- Concert starts
11:00PM- City-wide outdoor amplified music curfew
PARKING: DO NOT park along the railroad tracks, bike lanes, or at other businesses along Riverside Drive! YOU WILL BE TOWED! PAID on-site parking is first-come, first-served with a $10 cash; $12 credit card fee per car. Handicap on-site parking is available. As always, PLEASE carpool, Uber, Lyft, Taxi, or bike when you can!
FREE PARKING: will be available with complimentary shuttle service from 5PM to 11:30PM every 20 minutes (or faster, if traffic is good to us) just down the street at the Asheville Visitor Center (36 Montford Ave.)
*NO PARKING AT ZEN TUBING FOR THIS EVENT*
Wanna hear the best local music and drink the best local beers? Hop aboard LaZoom’s Purple Bus and rock out with a local band while we take you on a journey to Asheville’s premiere local breweries.
Experience the magic of live, local music in the Town Square on Friday, Aug. 25 from 6:00 – 800 p.m. with Dub Kartel, an east coast reggae collective delivering classic dub rhythms and positive vibes. From mesmerizing bass lines and brass instruments to hypnotic drum patterns and vocals, Dub Kartel offers infectious rhythms and grooves. Join them on the lawn in front of The Hickory Tavern and dive into a harmonious experience that will feel like a cool ocean breeze under the warm sun. Click here to listen and get excited for a live show by this talented ensemble. Their songs are uplifting, exciting, and even serene, with a blend of traditional reggae elements and modern twists. Join neighbors, visitors, and familiar or new faces to experience reggae-infused adventure and a memorable night!
These mountains are known as much for the music that comes out of them as they are for their picturesque vistas, cascading waterfalls and alluring trails.
Some of the world’s finest musicians have come from Western North Carolina and that rich tradition carries on today.
Here in Jackson County, the Town of Sylva, Jackson County Parks and Recreation Department and Jackson County Chamber of Commerce team up to produce the Concerts on the Creek series at the Bridge Park gazebo in Sylva every Friday from 7-9 p.m., typically from Memorial Day through Labor Day.
The 14th annual season will start on Friday, May 26 (Memorial Day weekend) and end on Friday, Sept. 1 (Labor Day weekend). That will be 15 Fridays of Concerts on the Creek, with the Fireworks Festivities and concert on Tuesday, July 4 sprinkled in for good measure.
- Friday, July 28: Lua Flora, folk/reggae (7-9 p.m.)
- Friday, Aug. 4: Tuxedo Junction, classic hits, (7-9 p.m.)
- Friday, Aug. 11: TLQ+2, classic rock and pop hits, (7-9 p.m.)
- Friday, Aug. 18: Get Right Band, psychedelic indie rock originals, (7-9 p.m.)
- Friday, Aug. 25: Maggie Valley Band, Appalachian/Americana folk rock, (7-9 p.m.)
- Friday, Sept. 1: PMA, roots/reggae/dub/fusion, (7-9 p.m.)
These events are free with donations encouraged. Everyone is welcome. Dogs must be on a leash. No smoking, vaping, coolers or tents allowed. Bring a chair or blanket. We will have food trucks available on select nights.
For more information, please contact the Jackson County Chamber of Commerce at 828-586-2155, visit our Facebook page, or visit us online at www.mountainlovers.com.
– ALL AGES
– STANDING ROOM ONLY
– RAIN OR SHINE
– STANDING ROOM ONLY
– RAIN OR SHINE
Santiago y Los Gatos
After settling in Asheville, NC, Bronx born singer-songwriter Jeff Santiago quickly became immersed in the city’s diverse music community, joining bandmates Josh Chassner, Lee White, Sprigs Wade and Lisa Scivolete to for Santiago y Los Gatos. The band has played along side artists like Franz Ferdinand, Scott Weiland, Ozomatli, bringing a combination of emotionally driven lyrics and funky, rhythmic rock-inspired jams to the stage.
Santiago y Los Gatos is pop music at its core, indie rock at its root that is infused with Hispanic heritage and Southern soul. All this, delivered in songs from the heart. Their live shows are full of passion, energy and emotion.
Kismet Kind is a Sad Girl Rock two-piece indie band out of Greenville, SC. Their sound is original and evocative. Picture folky and raw growing-against-the-grain style meets rock. Ashley (Drummer) and Corinne (Vocalist & Guitarist) met in a kismet fashion on the corner of downtown. The two musicians have been inseparable ever since. You’ll hear a mixture of their own original songs and covers thrown in. Stay tuned for what this dynamic duo is up to! Follow Kismet Kind on all social platforms.
TICKETS:
Standup Comedy at plēb urban winery
https://www.eventbrite.com/e/standup-comedy-at-pleb-urban-winery-tickets-668281476887?aff=oddtdtcreator
Standup Comedy at plēb urban winery
Join us for a night filled with laughter and good vibes at plēb urban winery! Get ready to have wine and beer options complete your night of standup comedy by some of the best standup comedians in the region. This in-person event is happening on Fri Aug 25 2023 at7p-9p! Featuring Hilliary Begley, Petey Smith McDowell & Morgan Bost. Hosted by Cary Goff.
Hilliary Begley- Opened for: Jon Reep, Judah Friedlander, Chanel Ali, and Fortune Feimster. Film debut in the Netflix original Dumplin’ as Aunt Lucy, or “Jennifer Anniston’s fat sister,” In Austin Film Festival winning movie When We Last Spoke with Cloris Leachman, now streaming on Amazon Prime.
Located at 289 Lyman Street, Asheville, NC 28801, plēb urban winery offers the perfect setting for an evening of comedy and wine pairings. Sit back, sip on some exquisite wine, and let the talented comedians entertain you with their hilarious jokes. Food options will be available!
Don’t miss out on this unforgettable night of laughter and fun. Grab your friends and come join us at plēb urban winery for an evening that will leave you in wine-blurred stitches!
Fb:
https://facebook.com/events/s/standup-comedy-at-pleb-urban-w/818921102840895/?mibextid=RQdjqZ
Doors Open: 6:30 PM
– AGES 18+
– SEATED SHOW
– 7PM MIXER, 8PM SHOW
We’re back for more Blind Date Live — Asheville’s only live dating show!
Blind Date Live has found a way to remove the tragic swiping of #applife and the sheer awkwardness of “meeting someone organically,” setting real Asheville singles up with people they might actually want to see again. Come see for yourself as you watch real people fall in love on The Grey Eagle stage — sight unseen.
Raunchy local matchmakers Cayla Clark and Donnie Rex Bishop host the show, which begins with a 1-hour “singles” mixer (open to everyone). Mingle with other show-goers as you enjoy a drink (or two, or five), and who knows… sparks have been known to fly offstage as well as on.
Stick around after the show for a legendary dance party hosted by Asheville’s finest, DJ Lil Meow Meow! What’s more romantic than laughing until you cry, housing 5 tacos, and dancing until your side cramps?
It’s going to be one helluva night!
Their backgrounds are so similar that it just seems natural that Josh Goforth and Michael Reno Harrell should team up for a series of performances. And fans will be excited to hear that that is finally happening. Each has roots going back several generations in the Southern Appalachians and their individual approaches to music and storytelling blend like two glasses of cool water drawn from the same well.
Both are nationally known entertainers whose friendship and mutual respect span many years. The two have put together a blend of unique stories and songs that must be experienced live to truly be appreciated.
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Michael Reno Harrell is an award winning songwriter, as well as a veteran storyteller and entertainer, and he’s from the South… the Southern Appalachian Mountains to hone it a bit finer.
One could compare Michael’s performances to his granddaddy’s pocket knife: well warn and familiar feeling, but razor sharp and with a point. His brand of entertainment appeals to a very diverse audience. A typical day for Michael might include a program for 4th graders in the afternoon and a concert for a mixed audience that evening.
Michael’s recordings top the Americana Music Association charts year after year. His original songs and stories have been described as “Appalachian grit and wit” but, as his writing shows, Michael’s awareness is much broader than the bounds of his boyhood home or even the Southern Experience. Having toured throughout the British Isles and much of Europe, as well as most of the US, the songs he writes and the stories he creates reflect an insight into people’s experiences that catch the ear like an old friend’s voice.
Michael’s natural knack for storytelling, in print, song and spoken word has earned him praise from not only the music community but from the literary and storytelling worlds as well, having had the honor of being a Featured Teller at the National Storytelling Festival and to be Teller In Residence at the International Storytelling Center, as well as performing at major music events like MerleFest and the Walnut Valley Festival. Along with his performances, Michael often conducts workshops in songwriting and storytelling as well.
Michael’s recordings have for years received and continue to garner awards in Country, Americana and Folk circles. His humor and wit, as well as the emotional depth of his work, keep his fan base growing and staying tuned in for whatever comes next. Don’t miss the chance to experience what those faithful fans keep returning again and again to enjoy.
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Josh Goforth must have been born musical—he was already playing piano in church at the age of four—but it was an experience he had in the sixth grade that really lit the fuse of his precocious musical career. A performance at Goforth’s middle school by Sheila Kay Adams caused him to start thinking about the musical heritage and stories of his native Madison County, NC. Josh was able to listen and learn from local masters like Gordon and Arvil Freeman and Jerry Adams. Goforth is a highly accomplished storyteller and acoustic musician playing close to 20 different instruments.
After high school he went to East Tennessee State University to study music education with a Euphonium concentration, and to be a part of ETSU’s famous Bluegrass and Country Music Program. In 2000, he played fiddle for the movie Songcatcher, both onscreen and on the soundtrack. He has toured extensively with a variety of ensembles, including the ETSU Bluegrass band, David Holt, Laura Boosinger, and with several bluegrass bands like Appalachian Trail, the Josh Goforth Trio, the Steep Canyon Rangers and Open Road. He has performed in all 50 US states, all over Europe, Asia, and Australia. In 2000, 2003, and 2005, he was named Fiddler of the Festival at Fiddler’s Grove and, after winning the third title, was designated “Master Fiddler” and retired from that competition. He has performed at the Grand Ole Opry, the Lincoln Center, as well as Carnegie Hall. In 2009 he was nominated for a Grammy for his album with David Holt entitled “Cutting Loose”. He currently is on faculty at the Academy for the Arts in Asheville and performs all over the world.
- https://www.blueridgeheritage.com/artist/josh-goforth/