Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
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Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home. Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection. |
Free. Open to the public.
Join us at the SAHC Community Farm for Part Two of this special Lunch & Learn series to hike along our Discovery Trail and spend extra time at the Utopian Seed Project’s experimental farm plots. During this visit you will have the opportunity to see the crops that are growing and hear from Utopian Seed Project Executive Director and Founder Chris Smith about his vision for an engaged community of growers, gardeners, farmers, foodies, cooks, chefs and everyone who embraces regional biodiversity and believe in a resilient, delicious and equitable food and farming system.
This outing is Part 2 of a 2-part series, with a Virtual Lunch and Learn on Tuesday, September 19 at 12:00 p.m. You are not required to sign up for both, but it is recommended. Register separately for the virtual introductory program HERE.
Our Community Farm is a 140-acre educational and working farm just outside Asheville. The farm is a continually evolving home for conservation projects and agricultural production. Highlighted by our stream restoration project, shortleaf pine reforestation project, farm incubator program, silvopasture project, and education center, there is always something new to see.
Participants can hike The Discovery Trail in a 2.5-mile loop allowing us to view all of the amazing farm projects before returning to the parking area. Or you can just visit the first part of the tour and return to the parking lot. The walk from the parking lot to the farm plot is about 10-15 minutes on a relatively flat trail. Participants are welcome to bring snacks and water to enjoy as we venture across the farm property.
Please note that our Community Farm is an active farm not open to the public unless accompanied by SAHC staff. To ensure safety, staff capacity, and a positive experience for everyone involved it is critical that ALL hike participants pre-register for events before visiting the farm. You will receive an email with specific information about where to meet on the farm and other necessary details. If you do not receive this email, as well as a confirmation email following your registration, we do not have you registered for the hike. The majority of this hike is not disability accessible.
Lunch and Learn Series Part II – In-Person Community Farm Tour
Juried market features handmade goods from local and independent artists.
Join us on a walking tour of the Foundy in the River Arts District where we learn about the only existing Street Art Gallery in Asheville and all the artists who have created graffiti and mural installations that have made our town an urban art destination.
Wanna hear the best local music and drink the best local beers? Hop aboard LaZoom’s Purple Bus and rock out with a local band while we take you on a journey to Asheville’s premiere local breweries.

GHOST COMEDY BUS TOUR
Grab a local beer, crucifix and a rubber chicken* —You might survive this hour long hilarious haunted ghost tour of Asheville.
- Guided comedy bus tour of Haunted Asheville
- 60 minutes; tours run nightly after dark
- $33 per person (Ages 17+ only)
- Departs from 76 Biltmore Avenue
*Legal Note: Crucifix not required to board the bus; we do not condone exorcisms, chickens, rubber, or any combination of the three.
Standup Comedy at plēb urban winery
Join us for a night filled with laughter and good vibes at plēb urban winery! Get ready to have great night of standup comedy by some of the best comedians in the region. This in-person event is on tap for Fri Sept 22 2023 at7p-9p! Featuring Moira Goree, Petey Smith McDowell, Jess Cooley & Jason Webb. Hosted by Morgan Marie.
Foodtruck will be available for the whole show!
What: Standup Comedy at plēb urban winery in the River Arts District
When: September 22, 7-9p
Where: Located at 289 Lyman Street, Asheville, NC 28801, plēb urban winery offers the perfect setting for an evening of comedy!
Tickets: $20
Get $4 off with promo code: WINECOMEDYONTAP
https://www.eventbrite.com/e/710423163807?aff=oddtdtcreator
HOST Morgan Marie is an Asheville based comic capturing the playful and often painful parallels between adolescence and “almost-adulthood.” Vibrant yet vulnerable; her high-energy storytelling is influenced by her background as an improviser. She writes a monthly beloved humor column, “Best Medicine with Morgan Marie,” for the Mountain Xpress.
Peter Smith-McDowell has been traveling around the country telling jokes since 2009. Besides his standup comedy, Petey is Asheville native and known for his hysterical Asheville memes on Instagram : instagram.com/peteysmithmcdowell
Jess Cooley is a writer and stand up comic from Upstate South Carolina, where he learned how to walk, and talk, and eat food like a real boy. Currently based in Asheville, NC, his comedy involves personal subjects like Autism, religion, and the loss of his favorite sex toy during a home invasion. His unique and colorful perspective brings his stories to life, and his demons to the spotlight.
Moira Goree is from Asheville,Nc she’s a transgender woman who is darkly funny and authentic in her delivery. Her mix of storytelling and humor will mesmerize you while crying laughing,
Jason Webb is Co-Creator and Co-Host of Follow That! at The Comedy Store on Sunset.Festivals: Bridgetown Comedy Festival, San Francisco Sketchfest, Laughing Skull Comedy Festival (Best of the Fest) !0,000 Laughs Comedy Festival (Best of the Fest), Orlando Indie Comedy Festival, Bird City Comedy Festival, Blue Whale Comedy Festival, Big Pine Comedy Festival, Orlando Indie Comedy Festival.
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Free to the public after Arboretum entrance fee of $20 (free for Arboretum Members)
September 23, Saturday, 9 am– 5 pm
September 24, Sunday, 9 am– 4 pm
Ikebana International, Asheville Chapter 74, is hosting an ikebana exhibition September 23-24 at the NC Arboretum. There will be ikebana designs for viewing throughout the weekend and members will be available to explain ikebana flower arranging techniques and materials. The exhibition will feature ikebana designs from the four main schools. There will be table-top designs, pedestal designs and floor/installation designs to show a full range of how ikebana can be displayed.
Photo credit:
Sae Honda. Courtesy of the Artist.
NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.
NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.
The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.
Photo credit:
Photograph by Bowery Blue Makers
Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.
A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.
Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.
Take a 90-plus minute stroll along 7th Avenue/Historic Depot District, where the action was when the first steam engine locomotives rolled into town starting in 1879 bringing hundreds of tourists. The district surrounding the historic Railroad Depot was where it was happening in the Gilded Age of Hendersonville from 1879, when the first steam locomotive arrived with hundreds of tourists daily, till the Crash of 1929 … learn about the drays, the hustle, the inns, the summer visitors, the shoot-outs, growth of agriculture, and popular candy stores. These 90-plus minute walks occur rain or shine. Please make a reservation, 828-545-3179.
All tours: $10 per person age 10 and over. Children under 10 yrs. free with paying adult.
Meeting Place: Hendersonville City Hall, front steps (at corner of 5th Ave. E. and King St.)
Schedule a private tour anytime for your group.
Reservations/information: 828-545-3179
The Haywood County Studio Tour is a two-day self-guided tour where hundreds of visitors are invited into artists’ studios to meet the artist, view demonstrations, and buy art. Studios are sprinkled throughout all of Haywood County bringing visitors to diverse locales both urban and rural. Studios will be open Saturday, September 23 from 10 am to 4 pm and Sunday, September 25 from noon to 4 pm and feature thirty-eight artists in twenty studios
Learn Asheville’s history, discover hidden gems, and laugh at LaZoom’s quirky sense of adventure.
- Guided comedy tour bus of historical Asheville
- 90-Minutes – tours run daily
- 15-minute break at Green Man Brewing
- $39 per person (ages 13+ only)

TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community.
The first weekly Coffee is Saturday, August 20 at 9 am.
No RSVP needed, just drop by!
Free parking available on Melrose Avenue, behind and alongside TFAC.
Throughout the history of painting from the mid-19th century forward, artists have used an
endless variety of approaches to record their world. Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting continues this thread, offering an opportunity to explore a singular and still forceful aspect of American art. Photorealism shares many of the approaches of historical and modernist realism, with a twist. The use of the camera as a basic tool for organizing visual information in advance of painterly expression is now quite common, but Photorealists embraced the camera as the focal point in their creative process.
Beyond the Lens presents key works from the collection of Louis K. and Susan Pear Meisel,
bringing together paintings and works on paper dating from the 1970s to the present to focus on this profoundly influential art movement. The exhibition includes work by highly acclaimed formative artists of the movement such as Charles Bell, Robert Bechtle, Tom Blackwell, Richard Estes, Audrey Flack, and Ralph Goings as well as paintings by the successive generations of Photorealist artists Anthony Brunelli, Davis Cone, Bertrand Meniel, Rod Penner, and Raphaella Spence. Featured artworks in the exhibition include diverse subject matters, but the primary focus is on the common and every day: urban scenes, “portraits” of cars, trucks, and motorcycles, still life compositions using toys, food, candy wrappers, and salt and pepper shakers. All provide opportunities for virtuoso studies in how light, reflection, and the camera as intermediary shapes our perception of the material world.
This multigenerational survey demonstrates how the 35-mm camera, and later technological
advances in digital image-making, informed and impacted the painterly gesture. Taken together, the paintings and works on paper in Beyond the Lens show how simply spellbinding these virtuosic works of art can be.
“Beyond the Lens offers a fascinating look into the Photorealism movement and delves into the profound connection between the artists’ observation and creative process,” says Pamela L. Myers, Executive Director of Asheville Art Museum. “We are delighted to present this curated collection of artworks encapsulating the creative vision and technical precision that defines this artistic genre.”
Photorealism found its roots in the late 1960s in California and New York, coexisting with an explosion of new ideas in art-making that included Conceptual, Pop, Minimalism, Land and Performance Art. At first, representational realism coexisted with the thematic and conceptual explosion but was eventually relegated to the margins regarding critical and curatorial attention. Often misunderstood and sometimes negatively criticized or lampooned as a betrayal of modernism’s commitment to abstraction, the artists involved in Photorealism remained committed explorers of the trail they had blazed. In the decades of the late twentieth century and early twenty-first century, realistic and symbolic painting experienced a renaissance, as contemporary artists are increasingly drawn to narrative and storytelling. Concurrently, using a camera as a preparatory tool equally legitimate and valuable as pencils and pens has made the rubric of Photorealism increasingly relevant.
This exhibition is organized by the Asheville Art Museum and guest curated by Terrie Sultan.
This exhibition is sponsored in part by Jim and Julia Calkins Peterson.
Every Friday from April through November (weather permitting),
check out the Hike and Sip Tour at Souther Williams Vineyard, a unique opportunity to hike our scenic rolling vineyards and enjoy
five different wines along the way, led by a private tour guide who will share the history of the farm and while you hike through the
vines, This educational experience will delight as you live the life of grape throughout its annual pilgrimage to the glass, This 1
hour tour requires moderate walking through hillside vineyards and appropriate farm/field attire, and can accommodate up to 12
people and reservations are required 2 days in advance, $50 per person, Souther Williams Vineyard, Hendersonville,
Kids’ Comedy Tour: Wildly funny, this educational and entertaining tour features the perfect blend of Asheville’s history and kid-centric comedy. Geared specifically toward the 5–12 year old crowd, you’ll explore the town with our famously outlandish tour guides leading the way.
- Perfect for birthday parties
- Makes for memorable school field trips
- Tickets are $27 per person
- Beverages available for purchase at the LaZoom Room
- Departs from 76 Biltmore Avenue
Romare Bearden (Charlotte, NC 1911–1988 New York, NY), African American writer and artist, is renowned for his collages. He constantly experimented with various techniques to achieve his artistic goals throughout his career. This exhibition highlights works on paper and explores his most frequently used mediums, including screen-printing, lithography, hand-colored etching, collagraph, monotype, relief print, photomontage, and collage.
Bearden’s work reflects his improvisational approach to his practice. He considered his process akin to that of jazz and blues composers. Starting with an open mind, he would let an idea evolve spontaneously.
“Romare Bearden: Ways of Working highlights Bearden’s unique artistic practice and masterful storytelling through art,” says Pamela L. Myers, Executive Director of the Asheville Art Museum. “We are thrilled to collaborate with Jerald Melberg Gallery to present these extraordinary works on paper in conversation with Bearden’s collage Sunset Express, 1984 in the Museum Collection (on view in the Museum’s SECU Collection Hall). This exhibition will also provide a glimpse into the cultural histories and personal interests that influenced his art-making practice, and we hope it encourages introspection and dialogue with our visitors.”
Jerald Melberg states, “Romare Bearden’s groundbreaking artistic practice continues to captivate audiences worldwide. With an unparalleled legacy of creativity and innovation, Bearden’s contributions to art remain deeply influential years beyond his life.” We have enjoyed organizing this exhibition with the Asheville Art Museum to showcase his artistic genius and inspire visitors from the Western North Carolina region and beyond.”
This exhibition is made possible in part by the Judy Appleton Fund. Many thanks to the Jerald Melberg Gallery for the loan of these important artworks and to Mary and Jerald Melberg for their long-standing support of the arts, artists, and the Asheville Art Museum.
Sandburg Home Tours – Thursday to Sunday at 11am, 1pm, 2pm.
*As of April 2022, tours are free until further notice. See rates below if they change before your visit. Online reservations are available at recreation.gov.
The Sandburg Home is a great place to start your visit! The ground floor of the home contains visitor information, exhibits, tour ticket sales, the park store, and you can watch the park video. The main and top level of the home are furnished with the Sandburg family belongings. Visitors may only access the furnished ares of the home on a guided tour.
- Tour Reservations: Reserving in advance lets you pick your preferred house tour time. Tours fill up quickly. Last-minute, in-person tickets may not be available on the day you visit. Plan ahead and reserve house tour tickets at recreation.gov.
- Passes: The park does not currently sell the America the Beautiful– National Parks and Federal Recreational Lands Passes.
*These passes do not waive the house tour fee, but do provide a discount.
*You can purchase a pass online at America the Beautiful – National Parks & Federal Recreational Lands Annual Pass | USGS Store. - 30-minute house tours are offered year-round, schedule varies by season. Visit recreation.gov for the current schedule.
- Visitors may only tour the Sandburg Home on a guided tour.
- Tours are limited to 6 persons.
- Strollers are not permitted on the house tour, but there is a place to leave them for storage. Infants and small children should be carried through the house while on tour.
Sandburg Home Guided Tour Fee
*Tours are free until further notice, this chart is the rate when fees resume.
(credit card only)
$10.00 for Adults 16 and older
$6.00 for Adults age 62 and older and all interagency pass holders
Free for Children age 15 and under
The Art of Food features works from important postwar artists, like Robert Rauschenberg, Roy Lichtenstein, John Baldessari, Wayne Thiebaud, Ed Ruscha, Andy Warhol, David Hockney, and Jasper Johns, alongside the work of contemporary artists, like Alison Saar, Lorna Simpson, Enrique Chagoya, Rachel Whiteread, and Jenny Holzer, among others.
The Art of Food features more than 100 works in mediums that include drawings, paintings, photographs, prints, sculptures, and ceramics by 37 artists.
Each artist has a unique means of depicting food in their work that, when seen alongside others, creates a nuanced representation of the complex place food holds in everyday life. Cross-historical resonances between artists in the exhibition spark novel meditations on food and its discontents, while speaking to a broad range of audiences.
Included with admission
Back by popular demand, The Vanderbilts at Home and Abroad exhibition offers guests:
- An opportunity to view rarely-seen treasures from the Biltmore collection
- A first-hand look at the Vanderbilts’ lifestyle
- Deeper insights into George, Edith, and Cornelia’s personalities, both at home and on their extensive travels
Access to exhibitions at The Biltmore Legacy is included with Biltmore daytime admission.
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Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home. Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection. |
ASAP (Appalachian Sustainable Agriculture Project) announced 22 farms participating in the 2023 Farm Tour on Sept. 23–24, noon to 5 p.m. These farms showcase the diversity of agriculture in the region, from vegetables to livestock, orchards to homesteads, and are all located within an hour of Asheville. Tourgoers can experience working farms through guided and self-guided tours, demonstrations, interacting with farm animals, u-pick fruit and flowers, local food tastings, and more. The tour is appropriate for attendees of all ages and abilities.
The Farm Tour features four geographic clusters to help visitors maximize their time at farms. Tourgoers should select two to four farms to visit each day, spending around an hour at each. Descriptions of each farm’s offerings, plus a map, driving directions, and tour tips, are available at asapconnections.org/farmtour. A free printed guide will be available at community locations in mid-August. Nine farms, noted with an asterisk, are new to the tour in 2023.
Leicester Cluster
Franny’s Farm and The Utopian Seed Project
*Montgomery Sky Farm
Good Wheel Farm
*Alta Vista Farm and CrossCreek Farm
Two Trees Farm (Sustainabillies)
Barnardsville Cluster
Big Ivy Little Farm
Burley Stick Farm
Good Fibrations Angora Goats & Fine Yarns
Fairview Cluster
*Root Cause Farm
Flying Cloud Farm
Hickory Nut Gap Farm
McDowell Cluster
*TendWell Farm
*Wild East Farm
Crow Fly Farms
*Tomas C. Farms
Lee’s One Fortune Farm
Henderson Cluster
Bee-utiful Farm and Garden
*Stump Farms
*Marked Tree Vineyard
*Pilot Mountain Pears
Justus Orchard
Advance passes are on sale now for $35 at asapconnections.org/farmtour. One pass admits a carload of visitors to all farms both days. Pending availability, passes purchased the weekend of the tour will be $45. ASAP is also seeking volunteers to help staff the tour. In exchange for working one day of the tour, volunteers may attend for free on the other day. Sign up at asapconnections.org/farmtour.

Learn the history of Black Mountain and the Swannanoa Valley on this walking tour! Museum staff will lead attendees through historic State Street, Cherry Street and Black Mountain Avenue, relaying the history of several buildings and discussing topics including the building of the Swannanoa Tunnel and the disastrous downtown fire of 1912.
Location: Attendees will meet at the Swannanoa Valley Museum (223 West State Street, Black Mountain, NC 28711)
Timing: Tours take place once a month on Saturdays, with a break in October, beginning at 1:00pm. Tours last approximately 1.5 hours.
Cost: FREE to museum members with promo code, $10 for general admission (some fees apply). Museum members can email [email protected] to receive their promo code.
Wanna hear the best local music and drink the best local beers? Hop aboard LaZoom’s Purple Bus and rock out with a local band while we take you on a journey to Asheville’s premiere local breweries.
Looking for tickets to the Krafthouse 2023 opening Benefit Preview reception?
Krafthouse 2023 will kick off on Saturday, September 23, 6-9 pm, with an opening Benefit Preview. Guests will have first access to the installations and be treated to drinks, hors d’oeuvres, a photo booth, DJ vibes, and more.
Join us as we kick off this addition to the Center for Craft’s calendar and celebrate the future of making!
To purchase tickets to the Benefit Preview, please visit our Krafthouse 2023 Benefit Preview page.
Benefit Preview tickets are $80/ticket or $150/pair.
Each Benefit Preview ticket includes entry to the September 23 reception and a sneak peak/first access to the Krafthouse installations.
Kick off the season with an immersive, one-of-a-kind arts experience that combines all modes of artistic expression on one stage. Described as “Picasso meets Blue Man Group” by The Chicago Tribune, Artrageous brings multi-talented visual artists together with world-class musicians and highly trained dancers to create stunning works of art in real time, leaving audiences singing, dancing and clapping along to this fascinating frenzy of movement and color.
Glow before the show!
Arrive early for a black light dance party and photo booth for all ages.

GHOST COMEDY BUS TOUR
Grab a local beer, crucifix and a rubber chicken* —You might survive this hour long hilarious haunted ghost tour of Asheville.
- Guided comedy bus tour of Haunted Asheville
- 60 minutes; tours run nightly after dark
- $33 per person (Ages 17+ only)
- Departs from 76 Biltmore Avenue
*Legal Note: Crucifix not required to board the bus; we do not condone exorcisms, chickens, rubber, or any combination of the three.

