STATIONARY FUN – Creekside play area has a treehouse and wee slide ➤ The Big Barn has our Sound Silo full of instruments to play on and make noise, trikes on the trike track around a REAL tractor and cornhole boards(ask the staff for bags) ➤ On the grassy slope behind the Big Barn we’ve got our famous and fast culvert tunnel slides for all ages, hammocks on the hill and tetherball!

Availability: All stationary fun is available every day during business hours of 10-5, starting September 2nd, through the rest of the season- tetherball will be back in action starting September 6th!

ANIMALS TO SEE – We will have a brooder house full of chicks in various ages and stages all season, there will typically be mama pigs and piglets in agritourism pens on the hill, more rarely there will be grazing cattle in a nearby field.

FOOD TRUCK SCHEDULE

9/2 Sat  11-4 Fern Leaf CCS Food Truck

9/16 Sat 11-4 Milk & Honey Food Truck – they will be serving HNG beef for their all-American burger!

9/24 Sun 11-4 *Big Barn Market* Root Down Farm Food Truck

9/30 Sat 11-4 Milk & Honey Food Truck

10/7 Sat 11-4 Fern Leaf CCS Food Truck

10/14 Sat 11-4 Milk & Honey Food Truck

10/15 Sun 11-4 El Bodegon Food Truck

10/22 Sun 11-4 El Bodegon Food Truck

10/29 Sun 11-4 *Big Barn Market* Grush’s Cajun Dino Grill Food Truck

11/4 Sat 11-4 Fern Leaf CCS Food Truck

FALL SEASONAL OFFERINGS

APPLES – Our partners in Edneyville, NC, Lyda Farms, bring some of the best in the region. Local and low spray, folks come every year to get the best of fall in NC by the bag to bake, stew, butter, sauce and of course, crunch into while sitting on the farm.

Availability: Apples will be available to buy starting September 9th, they will typically run out Mid to late October.

FRESH PRESSED CIDER – We press fresh apple cider every year, comprised of our historical orchard apples on the Old Sherrill’s Inn property and apples from our partner Lyda Farms. This is a raw, unpasteurized product – delicious and changeable as the season, no added sugar or seasonings.

Availability: 1st pressing September 13th, bottled cider will be in the store for purchase September 14th!

JACKOLANTERN PUMPKINS – We work with several WNC veggie farmers in the area, including Hawkins Farms. We’ll have pumpkins arranged all around the Farm Store to display their beauty AND make sure you get *just the right one*. The seeds are dynamite when roasted, too…

Availability: Coming Mid-September, they will typically run out by end of October so make sure you get yours! 

EDIBLE SQUASH & DECORATIVE GOURDS – From Mr. Anthony Cole’s farms, we have some long-lasting festive gourds to decoarate for the season, and a broad variety of edible squashes and pumpkins perfect for pies, soups and pasta.

Availability: Coming Mid-September.

Food Scraps Drop Off

The City of Asheville, in partnership with Buncombe County and the Natural Resources Defense Council, is offering a FREE Food Scrap Drop-Off program in

two locations for all Buncombe County residents.  This organic matter will be collected and turned into good clean compost, keeping it OUT of our landfill and reducing greenhouse gas emissions.

Register for Food Scraps Drop Off

Need a handy kitchen countertop food scrap bin?  Let us know on the registration form! We’ll be having bin giveaways at city and county facilities and would love to give you one.

Locations

West Asheville Library – “Food Scrap Bin Shelters” on the south side of the building

942 Haywood Road, Asheville

Library open hours

Stephens-Lee Recreation Center “Food Scrap Shed” next to the Community Garden on the North side of the parking lot

30 Washington Carver Avenue, Asheville

• • Monday – Friday, 7 a.m. – 6 p.m.
  • Saturday, 8 a.m. – 2 p.m.
  • Sunday, 12 – 4 p.m.

Murphy Oakley Community Center and Library – “Food Scrap Bin Shelters” on the east side of the parking lot

749 Fairview Road, Asheville

• • Dawn – Dusk

Buncombe County Landfill – Convenience Center85 Panther Branch Road, Alexander

• • • • Monday-Friday, 8 a.m. – 4:30 p.m.
      • Saturday, 8 a.m. – 12:30 pm

Learn Asheville’s history, discover hidden gems, and laugh at LaZoom’s quirky sense of adventure.

• Guided comedy tour bus of historical Asheville
• 90-Minutes – tours run daily
• 15-minute break at Green Man Brewing
• $39 per person (ages 13+ only)

Bargain Hendo Thrift Store will be permanently closing its doors on December 13th.
• WNCSource operates the small thrift store which is located on the corner of King Street
and 2nd Avenue in Hendersonville.
• Bargain Hendo first opened in December of 2020 and was meant to support the programs
and services WNCSource provides in 4 western North Carolina Counties. Unfortunately,
low sales and competition from other local thrift stores has made the store less than
profitable.
• But don’t worry, starting Thursday, November 2nd, Bargain Hendo will be open
Wednesdays through Fridays 10AM to 4PM and Saturdays from 10AM to 2PM with some
incredible bargains and sales to clear the shelves.
• Bargain Hendo’s last day is December 13th

Throughout the history of painting from the mid-19th century forward, artists have used an endless variety of approaches to record their world. Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting continues this thread, offering an opportunity to explore a singular and still forceful aspect of American art. Photorealism shares many of the approaches of historical and modernist realism, with a twist. The use of the camera as a basic tool for organizing visual information in advance of painterly expression is now quite common, but Photorealists embraced the camera as the focal point in their creative process. Beyond the Lens presents key works from the collection of Louis K. and Susan Pear Meisel, bringing together paintings and works on paper dating from the 1970s to the present to focus on this profoundly influential art movement. The exhibition includes work by highly acclaimed formative artists of the movement such as Charles Bell, Robert Bechtle, Tom Blackwell, Richard Estes, Audrey Flack, and Ralph Goings as well as paintings by the successive generations of Photorealist artists Anthony Brunelli, Davis Cone, Bertrand Meniel, Rod Penner, and Raphaella Spence. Featured artworks in the exhibition include diverse subject matters, but the primary focus is on the common and every day: urban scenes, “portraits” of cars, trucks, and motorcycles, still life compositions using toys, food, candy wrappers, and salt and pepper shakers. All provide opportunities for virtuoso studies in how light, reflection, and the camera as intermediary shapes our perception of the material world. This multigenerational survey demonstrates how the 35-mm camera, and later technological advances in digital image-making, informed and impacted the painterly gesture. Taken together, the paintings and works on paper in Beyond the Lens show how simply spellbinding these virtuosic works of art can be. “Beyond the Lens offers a fascinating look into the Photorealism movement and delves into the profound connection between the artists’ observation and creative process,” says Pamela L. Myers, Executive Director of Asheville Art Museum. “We are delighted to present this curated collection of artworks encapsulating the creative vision and technical precision that defines this artistic genre.” Photorealism found its roots in the late 1960s in California and New York, coexisting with an explosion of new ideas in art-making that included Conceptual, Pop, Minimalism, Land and Performance Art. At first, representational realism coexisted with the thematic and conceptual explosion but was eventually relegated to the margins regarding critical and curatorial attention. Often misunderstood and sometimes negatively criticized or lampooned as a betrayal of modernism’s commitment to abstraction, the artists involved in Photorealism remained committed explorers of the trail they had blazed. In the decades of the late twentieth century and early twenty-first century, realistic and symbolic painting experienced a renaissance, as contemporary artists are increasingly drawn to narrative and storytelling. Concurrently, using a camera as a preparatory tool equally legitimate and valuable as pencils and pens has made the rubric of Photorealism increasingly relevant. This exhibition is organized by the Asheville Art Museum and guest curated by Terrie Sultan. This exhibition is sponsored in part by Jim and Julia Calkins Peterson.

Opening Reception for the Artist Nov. 3, 6-8PM.

Tracey Morgan Gallery is pleased to present A Mirror, Not a Window, an exhibition of new and recent work by artist Hannah Cole. This is Cole’s second solo exhibition with the gallery. A reception for the artist will be held Friday, November 3 from 6-8PM.

This collection of paintings and sculptures continues Cole’s interest in creating, completely by hand, reproductions of small details and objects culled from her everyday life, turning the viewer’s attention to often overlooked aspects of our surrounding environment and reframing the very definition of representational art. With nods to pop art, trompe l’oeil, and modern American painters, Cole poses big questions about the nature of the artist’s hand, and the drive to (re)create.

A grouping of wall sculptures of nearly exact replicas of books which are hand-painted on wood blocks are included in the exhibition. These books are all non-fiction, mostly art related, though now un-readable. Instead of looking to books for answers, these objects force the viewer to provide the substance. The most self-referential of the group is Jean Baudrillard’s Simulacra and Simulation in which the French philosopher talks in dense prose about our culture of signs and signals eventually becoming copies without any originals. In Cole’s tongue-in-cheek nod, her faithful replica of Baudriallard’s philosophical work becomes an art object whose meaning has shifted completely from the original. Cole’s painted wood block cannot be read and has no actual utility at all, except as an object to contemplate.

A recurring element in Cole’s paintings is a hand-rendered tape measure running along the edge of her canvases. By including this common, easily recognizable object, Cole calls to question the “truth” of representation. Can we trust these measurements simply because they have identifiable markings? Other paintings on Styrofoam show painted wood grain edges, subverting the viewer’s expectation of where the painting itself is, and what it’s made of. We expect a painting to be on the outward-facing surface, but what if the faithful representation is painted on the sides?

In this contemporary age of Artificial Intelligence flooding us with copies, reproductions, fakes, and deliberate decep-tions, anxieties regarding authenticity and authorship run high. Cole’s work invites contemplation of these deeply philosophical issues with a playful tone, presenting serious questions by way of common objects.

Hannah Cole studied at Yale University and Boston University. Her work has been exhibited at The Turchin Center for Visual Arts, NC; the Drawing Center, NY; the University of Maine Museum of Art; the Sherman Gallery at Boston University, MA; Tiger Strikes Asteroid, Greenville, NC; and the North Carolina Museum of Art, Raleigh, among other national and international institutions. She currently lives and works in Asheville, NC.

Romare Bearden (Charlotte, NC 1911–1988 New York, NY), African American writer and artist, is renowned for his collages. He constantly experimented with various techniques to achieve his artistic goals throughout his career. This exhibition highlights works on paper and explores his most frequently used mediums, including screen-printing, lithography, hand-colored etching, collagraph, monotype, relief print, photomontage, and collage.

Bearden’s work reflects his improvisational approach to his practice. He considered his process akin to that of jazz and blues composers. Starting with an open mind, he would let an idea evolve spontaneously.

“Romare Bearden: Ways of Working highlights Bearden’s unique artistic practice and masterful storytelling through art,” says Pamela L. Myers, Executive Director of the Asheville Art Museum. “We are thrilled to collaborate with Jerald Melberg Gallery to present these extraordinary works on paper in conversation with Bearden’s collage Sunset Express, 1984 in the Museum Collection (on view in the Museum’s SECU Collection Hall). This exhibition will also provide a glimpse into the cultural histories and personal interests that influenced his art-making practice, and we hope it encourages introspection and dialogue with our visitors.”

Jerald Melberg states, “Romare Bearden’s groundbreaking artistic practice continues to captivate audiences worldwide. With an unparalleled legacy of creativity and innovation, Bearden’s contributions to art remain deeply influential years beyond his life.” We have enjoyed organizing this exhibition with the Asheville Art Museum to showcase his artistic genius and inspire visitors from the Western North Carolina region and beyond.”

This exhibition is made possible in part by the Judy Appleton Fund. Many thanks to the Jerald Melberg Gallery for the loan of these important artworks and to Mary and Jerald Melberg for their long-standing support of the arts, artists, and the Asheville Art Museum.

Tracey Morgan Gallery is pleased to present an exhibition of paintings by artist Stella Alesi in our project space. This is Alesi’s first exhibition with the gallery and is presented in conjunction with Hannah Cole: A Mirror, Not a Window in our main gallery space. A reception for both artists will be held Friday, November 3 from 6-8PM.

The works on view are from the SQUISHY series, a group of geometric, abstract oil on oil paper paintings. With the use of simple shapes and a limited color palette, these works explore the visceral experience of living at this current moment. Alesi’s colorful, “squishy” shapes bend to the demands placed on them by their seemingly heavy, unforgiving counterparts. With this work, Alesi confronts contemporary issues such as climate change and political turmoil, as well as personal trials, using basic shapes, both hard and malleable to express a state of being. The shapes are gestural, fluid, and animated – sometimes resembling body parts even in their minimalism. The effect is a playful interpretation of heavy topics – a visual play on the deep and multi-layer well of human emotions.

Stella Alesi works across several styles and mediums, including drawing, painting, photography, collage, and large wall works. Their practice is characterized by a willingness to try new approaches in the ongoing investigation into new materials and visual languages, always exploring new ways to represent the visceral nature of the human experience. Born on Long Island, New York in 1963, Alesi was raised in New Jersey. They studied at Parsons School of Design, New York City; University Hampshire, Durham; and University of Massachusetts, Amherst. Their work has been purchased by many private and commercial collections. Career highlights include a recent solo exhibit (spring of 2023) at the Northern-Southern gallery, Austin, TX and a large-scale permanent installation in the lobby of The Foundry, Austin TX. Alesi currently lives and works in both Austin, TX and Asheville, NC.

Written by Samuel D. Hunter

Keith, a mortgage broker and Ryan, a yogurt plant worker, are two men who, at first glance, have nothing in common. Their meeting, in Keith’s cubicle, evolves from a business discussion to a thoughtful exploration of parenthood, financial insecurity, and empathy. Both intimate and expansive, Samuel D. Hunter’s heartbreaking new play argues for hope even in the face of extreme disappointment as two men with seemingly very different lives grow to care for one another.

Content advisory: strong language

While death is often a taboo topic of conversation, it is inevitable for all of us. A series of award-winning films dealing with end-of-life issues will be shown at Pack Memorial Library on Fridays from October 20 through December 8 from 2:00-5:00 PM. The program is designed to help people better understand and become more comfortable talking about — and perhaps shifting their perspective on — end-of-life experiences.

Each film will be followed by in-depth, thought-provoking, and death-positive discussions moderated by Gail Harris, National Emmy Award-winning journalist for PBS and NPR and former correspondent for ABC News Nightline and World News Tonight. These six exceptional films by new and established filmmakers, animators, and actors about death and dying are entertaining and inspiring. Potential discussion topics will include legacy, the spiritual side of death, alternative ways to die, preparedness, facing fear, and finding courage.

Films:
Oct 20: In the Realm of Death & Dreaming: Does Consciousness Continue After Death?: Documentary. Chapter 1: When You Die Trilogy. Director: Johanna Lunn

Oct 27: Saying Goodbye: Preparing for Death: Documentary. Chapter 2: When You Die Trilogy. Director: Johanna Lunn

Nov 3: Coco, Pixar Animation about Day of the Dead and keeping ancestral memories alive. Disney

Nov 17: Last Ecstatic Days: Documentary about a young man who faces death with courage and even joy. Director: Scott Kirschenbaum

Dec 1: Alternative Endings: Six New Ways To Die In America, Documentary about creative ways to prepare for death and honor our dead. Directors: Matthew O’Neill, Perri Peltz

Dec 8: The Bucket List, Comedy. Director: Rob Reiner; Cast: Jack Nicholson and Morgan Freeman

FRIDAY
2:00 PM Show Open
5:30 PM Reggie Bügmüncher
6:30 PM Heavy Metal Magician Nigel Blackstorm
7:30 PM The Daredevil from Down Under Alakazam
8:30 PM Verona Fink Burlesque Sideshow
9:00 PM Suspension
10:00 PM Tattoo of the Day
11:00 PM Show Close

2022 Market Season: Every Friday April – October

Even though it’s getting colder, you can still find fresh, local food at area farmers markets. Nine markets in Buncombe County will offer extended seasons or special holiday dates in November and December. In addition to seasonal produce, meats, cheeses, eggs, and bread, these markets will feature local artists and handmade goods, such as wreaths, pottery, jewelry, and more.

ASAP’s Double SNAP for Fruits and Vegetables and Farm Fresh Produce Prescription. Both programs offer participants free market tokens that can be spent on fresh fruits and vegetables. That includes in-season fall produce such as root veggies (including carrots, beets, radishes, and turnips), tubers (potatoes and sweet potatoes), brassicas (broccoli, cauliflower, and cabbage), winter squash, greens, and fruits like apples and persimmons.

To coincide with the City’s Fall Composting Event, Wicked Weed West will have a pumpkin composting dumpster set up outside the taproom entrance Nov 2nd- 5th.   All you have to do is load up your old pumpkins, throw them into the dumpster, and reward yourself with a beer!   Pumpkins should be free of paint, glitter, or stickers.

OPENING RECEPTION: FRIDAY, NOVEMBER 3, 2023 | 5-8 pm
LOCATION: 60 BILTMORE AVE, #002 LOWER LEVEL, ASHEVILLE, NC 28801

FEATURED ARTISTS
Allison B. Cooke | Anna Carll | Dorothy Ganek | Eric Abrecht | Kento Saisho | Kieta Jackson | Lauren Betty | Rand Kramer | Ruth Hunter | Victoria Pinney

ADDITIONAL WORKS
Elliott Schuessler | Joshua Meyer | Kim Goldstein | Steven Seinberg

Citron Gallery is pleased to present the opening of Evolving Visions: A Contemporary Collective, a group show that celebrates the dynamic and ever-evolving nature of contemporary art. This captivating exhibition brings together a diverse group of talented artists, each with their unique perspectives and artistic voices.

Showcasing the evolution of artistic expression over time, the featured artists draw inspiration from various sources, including cultural and urban influences, personal experiences, and memories. This show serves as a snapshot of the current artist’s expression and vision of where they are now and a clue as to where to where they move creatively from here.

The collective will be exhibiting a captivating blend of abstract and figurative works, with traditional and experimental techniques. This eclectic mix invites viewers to engage in a visual and intellectual journey, fostering a deeper appreciation for the power of art.

Local Artist, Natalie Ray, along with the Asheville Gallery of Art, will be celebrating the music scene of Asheville with her, Opening Reception Exhibition titled, The Music of Asheville. Come one, come all for drinks, snacks, and live music, Friday, Nov. 3 from 5-8 pm, at the Asheville Gallery of Art, Downtown Asheville, 82 Patton Ave.

Tyger Tyger Gallery is pleased to present Reckoning: Adornment as Narrative, a group exhibition curated by Asheville-based artist and curator Erika Diamond.

Reckoning: Adornment as Narrative is an exhibition of diverse practices, anchored at three points: methods of reckoning; the function of adornment; and the fusing of personal and cultural narrative. It features acts of glitz, embellishment, and homage by Shae Bishop, David Harper Clemons, Kashif Dennis, Annie Evelyn, Margaret Jacobs, Julia Kwon, Katrina Majkut, Heather Mackenzie, and Luis Sahagun. Through material language, each artist tells the story of their identity. Inherent to these stories are contradictions—between labor and value, feminine and masculine, natural and fabricated.

Wanna hear the best local music ​and​ drink the best local beers? Hop aboard LaZoom’s Purple Bus and rock out with a local band while we take you on a journey to Asheville’s premiere local breweries.

Tracey Morgan Gallery is pleased to present A Mirror, Not a Window, an exhibition of new and recent work by artist Hannah Cole. This is Cole’s second solo exhibition with the gallery. A reception for the artist will be held Friday, November 3 from 6-8PM.

This collection of paintings and sculptures continues Cole’s interest in creating, completely by hand, reproductions of small details and objects culled from her everyday life, turning the viewer’s attention to often overlooked aspects of our surrounding environment and reframing the very definition of representational art. With nods to pop art, trompe l’oeil, and modern American painters, Cole poses big questions about the nature of the artist’s hand, and the drive to (re)create.

A grouping of wall sculptures of nearly exact replicas of books which are hand-painted on wood blocks are included in the exhibition. These books are all non-fiction, mostly art related, though now un-readable. Instead of looking to books for answers, these objects force the viewer to provide the substance. The most self-referential of the group is Jean Baudrillard’s Simulacra and Simulation in which the French philosopher talks in dense prose about our culture of signs and signals eventually becoming copies without any originals. In Cole’s tongue-in-cheek nod, her faithful replica of Baudriallard’s philosophical work becomes an art object whose meaning has shifted completely from the original. Cole’s painted wood block cannot be read and has no actual utility at all, except as an object to contemplate.

A recurring element in Cole’s paintings is a hand-rendered tape measure running along the edge of her canvases. By including this common, easily recognizable object, Cole calls to question the “truth” of representation. Can we trust these measurements simply because they have identifiable markings? Other paintings on Styrofoam show painted wood grain edges, subverting the viewer’s expectation of where the painting itself is, and what it’s made of. We expect a painting to be on the outward-facing surface, but what if the faithful representation is painted on the sides?

In this contemporary age of Artificial Intelligence flooding us with copies, reproductions, fakes, and deliberate decep-tions, anxieties regarding authenticity and authorship run high. Cole’s work invites contemplation of these deeply philosophical issues with a playful tone, presenting serious questions by way of common objects.

Hannah Cole studied at Yale University and Boston University. Her work has been exhibited at The Turchin Center for Visual Arts, NC; the Drawing Center, NY; the University of Maine Museum of Art; the Sherman Gallery at Boston University, MA; Tiger Strikes Asteroid, Greenville, NC; and the North Carolina Museum of Art, Raleigh, among other national and international institutions. She currently lives and works in Asheville, NC.

November 3-11, 2023

Directed by Jenny Martin
Music Direction by Roberta Whiteside
Choreography by Melanie Veazey

PLAY HOCKEY!

Join Tori the Tortoise, in this Appalachian retelling of Aesop’s “Tortoise & the Hare” as she stands up for her beloved town, Fable Farms, and races a big city hare with even bigger plans. In this musical for all ages, Tori and her friends, Ruben the Rooster and Bea the Bee, must learn to embrace what makes them unique and the importance of community.

Written and Performed by Paula O’Brien
Accompanied by Steve Sensenig

Singing has always been one of Paula’s first loves. After attending a cabaret show at the Irish Arts Center in NYC, she thought, “I could do that” and went about putting together what would become Who Does She Think She Is?: one woman’s journey from Ireland to WNC, with many stops along the way. The show includes original songs (from the songwriting part of the journey) as well as many favorites that tie in with Paula’s stories. It’ll be an evening of caint, ceoil, agus craic (stories, music and fun)! There may or may not be guitar playing. There will most definitely be a keyboard!

BACK BY POPULAR DEMAND!
After a sold-out show in October, we’re putting on the show again.
It’s 70 minutes of mind blowing entertainment by Asheville native Jonathan Pritchard who will leave you questioning what’s real & what’s possible with this highly interactive mentalism show.
This is the act that has taken him around the world and it is finally here in his home town.
Come see it for yourself!

WELCOME TO MUSICAL COMEDY HEAVEN!

Featuring one of the most iconic scores of all time by Jule Styne and Bob Merrill, an updated book from Harvey Fierstein based on the original classic by Isobel Lennart, tap choreography by Ayodele Casel, choreography by Ellenore Scott, and direction from Michael Mayer, this love letter to the theatre has the whole shebang!

The sensational Broadway revival dazzles with celebrated classic songs, including “Don’t Rain On My Parade,” “I’m the Greatest Star,” and “People.” This bittersweet comedy is the story of the indomitable Fanny Brice, a girl from the Lower East Side who dreamed of a life on the stage. Everyone told her she’d never be a star, but then something funny happened—she became one of the most beloved performers in history, shining brighter than the brightest lights of Broadway.