Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
This exhibition explores how the land, the people, and the built environment of Asheville and its surrounding environs were interpreted through early 20th century vintage postcards. Some images show the sophisticated architecture of the region, including views of downtown Asheville, the Biltmore Estate, and Grove Park Inn. Other images show views of the scenic mountains and landscapes that first drew tourists and outdoor enthusiasts to the region.
You will walk away with more clarity on the highest value of your business or idea, and how to communicate it.
This is an event for people in idea stages:
You have some business or startup ideas to work through, or you are in the early stages of your existing business, or maybe you are adding a new aspect or direction to your business.
It’s also great for people who just want to learn by helping others through those stages.
This event pairs perfectly with Hatch This, the weekend after. You’ll be able to get clear on your startup idea, and build confidence before Hatch This!
This is a collaborative learning event. You will work with just a few other people, presenting your ideas for feedback, and providing feedback for others. You will be guided by one of the mentors (listed below), who will provide a unique approach to dig deep and really define the how, what, and why behind your business or idea.
Forest Bathing Retreat: Spring Awakening & Renewal with Asheville Wellness Tours
ON-SITE | Saturday, March 22 | 1 – 4 pm
The changing seasons are rich with wisdom and guidance. Winter is a time for rest and dreaming, followed by spring, ripe with opportunities for renewal and growth. Cultivate those winter dreams and invite them to birth into reality during this enlivening afternoon retreat. Let your most authentic Self emerge from within and flourish amidst the beauty of the early spring!
Your guide, Kelly Bruce, will lead you on a gentle journey through the awakening forest, weaving mindfulness, breathwork, forest bathing (Shinrin Yoku) and nature therapy together for a restorative afternoon at the North Carolina Arboretum. We’ll celebrate the Spring Equinox in community, enjoying a wild-foraged tea ceremony and snacks. Bring an open mind and an open heart. All are welcome. Presented through Adult & Continuing Education Programs in collaboration with Asheville Wellness Tours.
This program takes place outdoors. Please come prepared to walk on gentle, yet uneven terrain, and dress appropriately for the weather.
Soil Health for Gardeners with Laura Lengnick
ON-SITE | Saturday, March 22 | 1 – 4 pm
Blue Ridge EcoGardener – Core
Learn why healthy soils are critical to the well being of our communities and how to cultivate landscapes that promote soil health. This practical, hands-on course will teach you how to conduct simple soil tests using tools you can find in your kitchen to monitor the health of your soil. Participants can bring a soil sample from their garden to test in this class.
Gunter Theatre
Saturday, March 22 at 3:00 pm
Sunday, March 23 at 3:00 pm
PROGRAM
Julie Davila: Dimensions for Tambourine
Thierry De Mey: Musique de tables for Percussion Trio
Ivan Trevino: Watercolor Sun
Nebojsa Zivkovic: Trio per Uno
The percussion section of the orchestra is arguably the most fun to watch, with its moving parts, tight traffic patterns, and its cornucopia of instruments! We never cease to be amazed by the excitement they add to the orchestra, so why not feature them? Get everyone in the family together to enjoy this fun and interactive program that will have you on the edge of your seat.
GUESTS
Furman Percussion Ensemble
Omar Carmenates, Director
*perfect for ages 7 to infinity!
The Grey Eagle and Worthwhile Sounds Present: Melissa McKinney & Datrian Johnson: Campfire Sessions (An Acoustic Song Share)
Winner of the 2018 Tony Award for Best Play
Weaving together nearly two centuries of family history, this epic theatrical event charts the humble beginnings, outrageous successes and devastating failure of the financial institution that would ultimately bring the global economy to its knees.
Performances of The Lehman Trilogy will be held on the days and times listed below. The lobby and concessions area will open one hour prior to showtime. Concessions may be taken into the theatre during the performance.
March 13 – April 6, 2025
Wednesdays, Thursdays and Saturdays at 7:00pm (please note, the 7pm start time is earlier than for other shows)
Sundays at 2pm
Friday 3/14 and 3/21 at 7:00pm
Friday 3/18 and 4/4 at 2pm
In this bold reworking of Chekhov’s Uncle Vanya, a group of old friends, ex-lovers, estranged in-laws, and lifelong enemies gather to grapple with life’s thorniest questions—and each other. What could go wrong? Incurably lustful and lonely, hapless and hopeful, these seven souls collide and stumble their way towards a new understanding that LIFE SUCKS! Or does it?
Thursday, 3/20 at 7:30 pm (pay what you can available on 3/6)
Fridays at 7:30 pm
Saturdays at 3 pm
Sundays at 3 pm
Cosmic Charlie
Ages 18+
Immerse yourself in the space where reality and fiction intertwine in “Masquerade,” an intra-active, contemporary, operatic dance performance set to electronic symphonic music, sung live by soprano Sage DeAgro-Ruopp. A fan-favorite of seasons past, this internationally acclaimed, Philadelphia-based troupe artfully finds the line between beauty and innovation — then boldly dances on it — and this truly unique theatrical work is no exception, creating a world where truth belongs to the imagination of the beholder.
Connect with the art and artists in a dance master class and pre-show discussions.
International Comedian & Weird-Lil’-Gremlin, Amica Hunter, GETS UNDER YOUR SKIN and CRUSHES YOUR FUNNY BONE in this hilarious, captivating, and sometimes-unsettling-comedy about skeletons, and the horrors of living in a body. ANATOMICA is an intimate, unpredictable exploration of pain, zoology, & collective imagination. Every animal has a skeleton – But which biological structural system is the BEST? With candidness and a comfortably casual tone, Amica reviews the three skeletal systems found in earthly organisms and discusses the limitations of each one. What would it be like to inhabit a body completely alien from our classic human form? A gloriously deranged Ted-Talk by a wanna be scientist clown school graduate.
Part stand-up, part storytelling, and part clown, ANATOMICA is an investigation of the inadequacies of different animal body models, and a celebration of the absurdity of being trapped in a body that is limited by pain, fatigue, and ultimately decay. But, you know, make it fun!
The Asheville Fringe Arts Festival is back, returning for its 23rd year to present experimental, unusual, and out-of-the-box art. More than 50 performances, including dance, theater, puppetry, music, and things that defy definition, will take place March 16 – 23, 2025.
Learn more at https://www.wavesdancecompetition.com/ashevillenc
8 silk brocades qi gong workshop is open to all levels. Each movement in this set of 8 represents our ancestry, epigenetics, and destiny. Learn all 8 exercises or drop in for just a few. Stance training, posture and meditative movements for your health. It’s a super sophisticated qi gong form but simple to learn. I would love to invite anyone who’s new to internal martial arts or is simply searching for more comfortable safe and inclusive space for LGBTQ plus. The class will be offered in person at Shaolin kung fu in West Asheville starting on Feb 16 on Sundays at 10am for six weeks. Suggested donation for each class but no one will be turned away for lack of funds.
The WNC Build and Remodel Expo is the one-stop destination for inspiration, advice, and practical tools to rebuild, remodel, or refresh your home. The Expo is set for Saturday, March 22 and Sunday, March 23 at the WNC Agricultural Center. Learn practical tips and innovative ideas from building & remodeling professionals, discover the latest offerings from vendors and visit the Makers Market featuring local artisans. There’s fun for the whole family with interactive kids’ activities. To learn more about the Expo and purchase a ticket, please visit https://www.buildandremodelasheville.com/.
Saturday, March 22 – 10:00 am to 6:00 pm
Sunday, March 23 – 11:00 am to 4:00 pm
WNC Ag Center – Davis Arena
Gate 5
765 Boylston Hwy
Fletcher, NC 28732
General admission $10. Free for kids 12 & under. Seniors 65+, Military, First Responders, Educators Ticket $5.
Purchasing a ticket gives you access to both days of the Expo. Tickets are non-refundable. Single day tickets will also be available at the event: https://checkout.map-dynamics.com/tickets/?Show_ID=8703
The Asheville Art Museum is proud to present Asheville Strong: Celebrating Art and Community After Hurricane Helene, a poignant and inspiring exhibition on view February 13–May 5, 2025, in the Appleby Foundation Exhibition Hall. This non-juried exhibition
showcases the works of artists from the Helene-affected Appalachia region, celebrating their
resilience, creativity, and strength while highlighting the power of art to inspire and bring communities
together.
This exhibition explores how the land, the people, and the built environment of Asheville and its surrounding environs were interpreted through early 20th century vintage postcards. Some images show the sophisticated architecture of the region, including views of downtown Asheville, the Biltmore Estate, and Grove Park Inn. Other images show views of the scenic mountains and landscapes that first drew tourists and outdoor enthusiasts to the region.
Lunch + Learn: Wildfire Mitigation in Southern Appalachia with Troy Harrison
Sunday, March 23 | 12pm – 1pm
The Southern Appalachian ecosystem is home to a diverse landscape filled with a unique combination of wildlife and vegetation. It is hardly surprising that Western North Carolina is a popular destination for those seeking a pace to settle down or build a second home. However, living in close proximity to nature can carry a risk of damage or loss from wildfire. This program will explore a brief history of wildfire suppression in our area, along with specific measures anyone can take to reduce risk of property damage.
The Rock and Roll Playhouse Plays Music of Taylor Swift for Kids + More
- ALL AGES
- STANDING ROOM ONLY
- KIDS UNDER 1 FREE
The Rock and Roll Playhouse, a family concert series hosted at historic music venues across the country, allows kids to “move, play and sing while listening to works from the classic-rock canon” (NY Times). Performing songs created by the most iconic musicians in rock history, The Rock and Roll Playhouse band offers its core audience of families with children age ten and under games, movement, stories and an opportunity to rock out in an effort to educate children and explore their creativity. The Rock and Roll Playhouse is an early and often first introduction to a child’s lifelong journey with live music and rock and roll. See you at the show!
Winner of the 2018 Tony Award for Best Play
Weaving together nearly two centuries of family history, this epic theatrical event charts the humble beginnings, outrageous successes and devastating failure of the financial institution that would ultimately bring the global economy to its knees.
Performances of The Lehman Trilogy will be held on the days and times listed below. The lobby and concessions area will open one hour prior to showtime. Concessions may be taken into the theatre during the performance.
March 13 – April 6, 2025
Wednesdays, Thursdays and Saturdays at 7:00pm (please note, the 7pm start time is earlier than for other shows)
Sundays at 2pm
Friday 3/14 and 3/21 at 7:00pm
Friday 3/18 and 4/4 at 2pm
Gunter Theatre
Saturday, March 22 at 3:00 pm
Sunday, March 23 at 3:00 pm
PROGRAM
Julie Davila: Dimensions for Tambourine
Thierry De Mey: Musique de tables for Percussion Trio
Ivan Trevino: Watercolor Sun
Nebojsa Zivkovic: Trio per Uno
The percussion section of the orchestra is arguably the most fun to watch, with its moving parts, tight traffic patterns, and its cornucopia of instruments! We never cease to be amazed by the excitement they add to the orchestra, so why not feature them? Get everyone in the family together to enjoy this fun and interactive program that will have you on the edge of your seat.
GUESTS
Furman Percussion Ensemble
Omar Carmenates, Director
*perfect for ages 7 to infinity!
International Comedian & Weird-Lil’-Gremlin, Amica Hunter, GETS UNDER YOUR SKIN and CRUSHES YOUR FUNNY BONE in this hilarious, captivating, and sometimes-unsettling-comedy about skeletons, and the horrors of living in a body. ANATOMICA is an intimate, unpredictable exploration of pain, zoology, & collective imagination. Every animal has a skeleton – But which biological structural system is the BEST? With candidness and a comfortably casual tone, Amica reviews the three skeletal systems found in earthly organisms and discusses the limitations of each one. What would it be like to inhabit a body completely alien from our classic human form? A gloriously deranged Ted-Talk by a wanna be scientist clown school graduate.
Part stand-up, part storytelling, and part clown, ANATOMICA is an investigation of the inadequacies of different animal body models, and a celebration of the absurdity of being trapped in a body that is limited by pain, fatigue, and ultimately decay. But, you know, make it fun!
Have you ever wanted to be a relationship coach? Too bad, Taylor and Jordan need you. They just broke up – but still want to be friends. At least, Taylor does. Using their old date coupons and your participation, maybe they can navigate the hardest relationship of all – ✨friendship✨.
Returning to the Asheville Fringe Arts Festival for the third time, You Should Feel bad is an Atlanta-based theatrical trio that is excited to present a feel-bad comedy about relationships, and the harm that we are all capable of causing.
In this bold reworking of Chekhov’s Uncle Vanya, a group of old friends, ex-lovers, estranged in-laws, and lifelong enemies gather to grapple with life’s thorniest questions—and each other. What could go wrong? Incurably lustful and lonely, hapless and hopeful, these seven souls collide and stumble their way towards a new understanding that LIFE SUCKS! Or does it?
Thursday, 3/20 at 7:30 pm (pay what you can available on 3/6)
Fridays at 7:30 pm
Saturdays at 3 pm
Sundays at 3 pm
Pieces made from nylon fabric ripstop, which keeps tears from spreading, invite viewers into created, fantastical worlds, only to highlight the complex—even impossible—architectures of their construction. Before the pandemic, Adrian primarily focused on personal experiences and interrogations of queerness, identity, and sexuality. Since then, the work has zoomed out in its scope, still centering identity but placed in larger infrastructure and surveillance systems that mediate, manipulate, and control desire.
Adrian counts queer fiber art, BDSM and kink culture, theatre, camp horror, puppetry, and drag among his many influences. Works in RIPSTOP, like the modernist bounce house sculpture A Fallible Complex (2021), evoke spaces for play, beckoning visitors in through their alluring aesthetic and then blocking their entrance or revealing structural instabilities, like missing floors. Others, like The Sensational Inflatable Furry Divines (2017-19), use sensual materials, like faux fur, spandex, and pleather, which connect to theatrical performance and counterculture. The materials “play on people’s initial associations and serve as a gateway into greater conversations about identity construction, performance, desire, and technology,” he shares.Pieces also nod to the history of quilting, including the AIDS Memorial Quilt, another influence on Adrian’s work. “Even when pieces aren’t explicitly making quilt references, I want the history of quilting and sewing-based craft to be part of the conversation of the work,” he says. “Craft is so much about the processes and histories behind materials. It’s about connecting with communities of people who practice those techniques. It’s about material and technique being a doorway into a greater relationship with an object.”
Themes of transformation—of structures, identities, and bodies—run throughout the show. “What I love about drag and puppetry is the sense of transformation and play, specifically with bodies,” Adrian says. “Within these art forms, a body can become mutable and capable of performing and becoming in unexpected states.” The sculptures also transform throughout viewers’ experiences, going through stages of inflation and deflation and existing in many different states.
RIPSTOP’s constant interplay between surface and depth, assumption and reality, are all a part of what Adrian describes as “looking behind the curtain,” which they trace back to the theatre. “When I’m thinking about systems, and the systems desire fits into, I’m thinking of stage construction, the backstage, the things that go on behind the show, and performance of our desires,” they explain.
As a craft artist, Adrian’s philosophy “comes down to having an intentional relationship with material, process, and technique,” he says. “Those aspects of art making are just as – if not more – important than an intellectualized concept being illustrated by an artwork.”
“Broadened definitions of craft that highlight communities of practice are foundational for the Center for Craft’s new strategic direction,” explains Executive Director Stephanie Moore. “Max Adrian’s work in RIPSTOP exemplifies the expansive and meaningful forms craft can take.” The Center for Craft is an institution Adrian credits for their professional growth. “The Center for Craft has felt like such a supporting institution for me specifically and for so many other craft artists I know,” they note. “To be able to bring this amount of work to Asheville is pretty cool.”
See Max Adrian: RIPSTOP at the Center for Craft Beginning July 26. A reception will be held on August 15. RIPSTOP is organized by Houston Center for Contemporary Craft and curated by Sarah Darro.
Join us for breakfast and table discussions about Greer Relief. Each year we invite neighbors to come together in a common goal to eliminate poverty and equip our neighbors to overcome barriers to success.
You will learn: who we are, what we do, and how YOU can get involved.
You must RSVP.
Pieces made from nylon fabric ripstop, which keeps tears from spreading, invite viewers into created, fantastical worlds, only to highlight the complex—even impossible—architectures of their construction. Before the pandemic, Adrian primarily focused on personal experiences and interrogations of queerness, identity, and sexuality. Since then, the work has zoomed out in its scope, still centering identity but placed in larger infrastructure and surveillance systems that mediate, manipulate, and control desire.
Adrian counts queer fiber art, BDSM and kink culture, theatre, camp horror, puppetry, and drag among his many influences. Works in RIPSTOP, like the modernist bounce house sculpture A Fallible Complex (2021), evoke spaces for play, beckoning visitors in through their alluring aesthetic and then blocking their entrance or revealing structural instabilities, like missing floors. Others, like The Sensational Inflatable Furry Divines (2017-19), use sensual materials, like faux fur, spandex, and pleather, which connect to theatrical performance and counterculture. The materials “play on people’s initial associations and serve as a gateway into greater conversations about identity construction, performance, desire, and technology,” he shares.Pieces also nod to the history of quilting, including the AIDS Memorial Quilt, another influence on Adrian’s work. “Even when pieces aren’t explicitly making quilt references, I want the history of quilting and sewing-based craft to be part of the conversation of the work,” he says. “Craft is so much about the processes and histories behind materials. It’s about connecting with communities of people who practice those techniques. It’s about material and technique being a doorway into a greater relationship with an object.”
Themes of transformation—of structures, identities, and bodies—run throughout the show. “What I love about drag and puppetry is the sense of transformation and play, specifically with bodies,” Adrian says. “Within these art forms, a body can become mutable and capable of performing and becoming in unexpected states.” The sculptures also transform throughout viewers’ experiences, going through stages of inflation and deflation and existing in many different states.
RIPSTOP’s constant interplay between surface and depth, assumption and reality, are all a part of what Adrian describes as “looking behind the curtain,” which they trace back to the theatre. “When I’m thinking about systems, and the systems desire fits into, I’m thinking of stage construction, the backstage, the things that go on behind the show, and performance of our desires,” they explain.
As a craft artist, Adrian’s philosophy “comes down to having an intentional relationship with material, process, and technique,” he says. “Those aspects of art making are just as – if not more – important than an intellectualized concept being illustrated by an artwork.”
“Broadened definitions of craft that highlight communities of practice are foundational for the Center for Craft’s new strategic direction,” explains Executive Director Stephanie Moore. “Max Adrian’s work in RIPSTOP exemplifies the expansive and meaningful forms craft can take.” The Center for Craft is an institution Adrian credits for their professional growth. “The Center for Craft has felt like such a supporting institution for me specifically and for so many other craft artists I know,” they note. “To be able to bring this amount of work to Asheville is pretty cool.”
See Max Adrian: RIPSTOP at the Center for Craft Beginning July 26. A reception will be held on August 15. RIPSTOP is organized by Houston Center for Contemporary Craft and curated by Sarah Darro.
Natural History Interpretation (3 sessions) with Brad Daniel
Tuesdays, March 25, April 1 + 8 | 12 – 4 pm
Natural history interpreters provoke interest and curiosity in our natural and cultural heritage. This course will introduce the basic principles of environmental interpretation and is designed for Blue Ridge Naturalists who will be leading nature walks, teaching natural history to adults or children, and delivering talks to community groups. Participants will learn how to create nature education talks or walks that are purposeful, enjoyable, informative and organized. Students will be given an opportunity to develop their own programs and practice their presentation and communication skills. This class fulfills a Capstone Core requirement for the Blue Ridge Naturalist Certificate and should be completed near the end of a student’s studies in the program.
Come check out the Charlotte Hornets at the Spectrum Center.