In February, we honor and recognize Black Legacy Month at Buncombe County Public Libraries. We will be celebrating throughout February through several online events, staff-curated booklists, and a collection of online resources and exhibits.

Virtual book clubs will discuss On Girlhood by Glory Edim and The Hate U Give by Angie Thomas. You can register for either book club on the library calendar.

When you visit your library, look for special Black Legacy Month displays and book selections.

Below, you will find our Librarians’ reading list highlighting Black authors that include selections for all ages.

We look forward to seeing you at the library!

Black Legacy Month Reading List

Books for Families to Share

My Heart Flies Open by Omileye Achikeobi-Lewis

The Undefeated by Kwame Alexander

The Electric Slide and Kai by Kelly J. Baptist

Soul Food Sunday by Winsome Bingham

This Is Your Time by Ruby Bridges

Legacy: Women Poets of the Harlem Renaissance by Nikki Grimes

Born on the Water by Nikole Hannah-Jones and Renee Watson

The Oldest Student: How Mary Walker Learned to Read by Rita Hubbard

Recognize! An Anthology Honoring and Amplifying Black Life Edited by Wade Hudson and Cheryl Willis Hudson

Going Down Home with Daddy by Kelly Starling Lyons

My Hair Is Magic by M.L. Marroquin

M is for Melanin by Tiffany Rose

Exquisite: the Life of Gwendolyn Brooks by Suzanne Buckingham Slade

Nina: a Story of Nina Simone by Traci N. Todd

Dream Street by Tricia Elam Walker

Chapter Books For Older Kids

Isaiah Dunn is My Hero by Kelly J. Baptist

Blended by Sharon Draper

The Parker Inheritance by Varian Johnson

Stamped: Racism, Antiracism, and You by Jason Reynolds and Ibram X. Kendi

New Kid by Jerry Craft

From the Desk of Zoe Washington by Janae Marks

Black Boy Joy: 17 Stories Celebrating Black Boyhood edited by Kwame Mbalia

Betty Before X by Ilyasah Shabazz

Brown Girl Dreaming by Jacqueline Woodson

Books for Teens

The Skin I’m In by Sharon G. Flake

Dread Nation by Justina Ireland

All Boys Aren’t Blue by George M. Johnson

You Should See Me in a Crown by Leah Johnson

March by John Lewis and Andrew Ayden

Revolution in Our Time: the Black Panther’s Promise to the People by Kekla Magoon

Loving vs. Virginia by Patricia Powell

Dear Martin by Nic Stone

On the Come Up by Angie Thomas

Punching the Air by Ibi Zoboi

Books for Adults

The Vanishing Half by Brit Bennet

The Yellow House by Sarah Broom

I’m Still Here: Black Dignity in a World Made for Whiteness by Austin Channing Brown

You Are Your Best Thing edited by Tarana Burke

Call Us What We Carry by Amanda Gorman

Homegoing by Yaa Gyasi

Soul City: Race, Equality, and the Lost Dream of an American Utopia by Thomas Healy

All About Love by bell hooks

Hood Feminism: Notes from the Women that Movement Forgot by Mikki Kendall

400 Souls: A Community History of African America, 1619-2019 edited by Ibram X. Kendi and Keisha N. Blain

The Secret Lives of Church Ladies by Disha Philyaw

How the Word is Passed: A Reckoning with the History of Slavery Across America by Clint Smith

The Nickel Boys by Colson Whitehead

This year will feature an exhilarating blend of beloved productions, including Million Dollar Quartet, West Side Story, and Mamma Mia! The popular Music on the Rock® series, Studio 52 Family Programming, and a brand new Black Box series round out the 2022 season and mark a renewed beginning for FRP after a long pandemic shutdown.

Season subscriptions are on sale now. Music on the Rock® single tickets go on sale on January 24, 2022, and single tickets for all remaining shows go on sale on February 14, 2022.

The Music of Tom Petty

Feb. 24-March 5

Two Jews, Talking

A Hilarious Staged Reading

March 17-19

A side-splitting piece written by Ed. Weinberger, our characters take us on a rollicking romp through time! The two-act story brings Lou and Bud together in the Biblical past, and Phil and Marty together in contemporary Long Island. They philosophize about women, sex, food, the divine, and destiny in this tale of companionship and friendship.

The Music of Elton John

March 31-April 2

The Music of Neil Diamond

April 7-10

Catch Me If You Can

April 28-May 14

This comedy thriller is a classic gem with exciting twists and turns from beginning to end. “The final 15 minutes will reward you like a murder mystery should.” The New York Times

Million Dollar Quartet

May 20-June 19

Back by popular demand, the musical celebrates the historic Sam Phillips studio recording sessions of Johnny Cash, Jerry Lee Lewis, Carl Perkins, and Elvis Presley.

The Music of the Eagles

An Outdoor Stadium Concert

June 18

Join Flat Rock Playhouse for another rockin’ evening of outdoor summer fun at West Henderson’s Athletic Stadium, Johnson Field.

West Side Story

July 1-30

The Romeo and Juliet inspired love story of Tony and Maria amid the Jets and Sharks gang rivalry. Ranked #1 in the most recent survey of theatre patrons.

Mozart to Pop Chart

The Musical Story Continues

August 5-13

Nat Zegree (Jerry Lee Lewis/Amadeus) is back to whisk you away on an all-new musical journey through the history and triumphs of music from Mozart to today’s current hits. Featuring many of the local region’s best rock and symphonic musicians!

Guess Who’s Coming to Dinner

August 19-Sept. 4

Don’t miss this fresh and relevant stage adaptation of the iconic film that starred the inimitable and great Sidney Poitier.

Introducing The Black Box Series.

September 15-October 9

 You’ve never experienced a play on The Rock like before. The audience and artists share the MainStage for an intimate and immersive theatre experience.  The Black Box Series will feature contemporary works, classics, and stories and playwrights from around the globe. Be among the first to join us on this new and exciting theatrical journey!

God of Carnage

Sept. 15-Oct. 8

A triple-Tony Award-winning Broadway sensation the New Yorker called “laugh-out-loud hilarity,” and “ninety minutes of sustained mayhem.”

Blood Knot

Sept. 16-Oct. 9

A play that asks us to dig beneath the surface of what makes us kin and what happens when we don’t like what we find there. By renowned South African playwright Athol Fugard.

Mamma Mia!

Encore Performance

Oct. 21-Nov. 13

The hugely popular mega-Broadway hit featuring the music of ABBA is back for an encore performance. Featuring songs like “Dancing Queen,” “Gimme! Gimme! Gimme!,” “Honey Honey” and so many more.

A Flat Rock Playhouse Christmas

November 25-December 22

The WNC tradition continues. Same great show, all new material. A Playhouse favorite that will leave you feeling merry and bright!

A Charlie Brown Christmas (Studio 52)

December 1-4

Everyone’s favorite holiday classic comes to life in a spectacular new production of A Charlie Brown Christmas. Adapted from Charles M. Schulz’s timeless story the whole family can enjoy. Join Charlie Brown, Snoopy, Lucy, Linus, and the whole Peanuts gang as they sing, dance, and learn the true meaning of Christmas!

To learn more about the 2022 lineup and how to purchase your tickets, please visit the website at www.flatrockplayhouse.org.

FLAT ROCK PLAYHOUSE

In 1937, a group of struggling performers, led by Robroy Farquhar, organized themselves as the Vagabond Players. The Vagabonds worked in a variety of places over the course of three years, and in 1940 found themselves in the Blue Ridge region of Western North Carolina. The local and tourist community welcomed them with open arms when they presented their first summer season of plays in a 150-year-old grist mill they converted into The Old Mill Playhouse at Highland Lake. So successful was that summer, they returned in 1941. After WWII, the Vagabond Players reorganized came back to the region and opened a playhouse in nearby Lake Summit. The Lake Summit Playhouse thrived during the post-war years and soon the Vagabond Players were looking for a larger and permanent home. In 1952, the troupe of performers, and a newly formed board of directors made an offer to buy an 8-acre lot in the Village of Flat Rock. This new home made the Vagabonds “locals” and a rented big top gave birth to Flat Rock Playhouse. As the beautiful Western Carolina region continued to grow, so did the Playhouse and in 1961, by Act of the North Carolina General Assembly, Flat Rock Playhouse was officially designated The State Theatre of North Carolina. What began as a few weeks of summer performances in 1940 is now a nine-month season of plays including Broadway musicals, comedy, drama, and theatre for young audiences. The Playhouse’s dual mission of producing the performing arts and providing education in the performing arts includes a professional series; a summer and fall college apprentice and intern program; and Studio 52, year-round classes and workshops in theatre and film for students from kindergarten through adults. Flat Rock Playhouse now hosts over 98,000 patrons annually and is a significant contributor to the local economy and the Arts in North Carolina.

# # #

In February, we honor and recognize Black Legacy Month at Buncombe County Public Libraries. We will be celebrating throughout February through several online events, staff-curated booklists, and a collection of online resources and exhibits.

Virtual book clubs will discuss On Girlhood by Glory Edim and The Hate U Give by Angie Thomas. You can register for either book club on the library calendar.

When you visit your library, look for special Black Legacy Month displays and book selections.

Below, you will find our Librarians’ reading list highlighting Black authors that include selections for all ages.

We look forward to seeing you at the library!

Black Legacy Month Reading List

Books for Families to Share

My Heart Flies Open by Omileye Achikeobi-Lewis

The Undefeated by Kwame Alexander

The Electric Slide and Kai by Kelly J. Baptist

Soul Food Sunday by Winsome Bingham

This Is Your Time by Ruby Bridges

Legacy: Women Poets of the Harlem Renaissance by Nikki Grimes

Born on the Water by Nikole Hannah-Jones and Renee Watson

The Oldest Student: How Mary Walker Learned to Read by Rita Hubbard

Recognize! An Anthology Honoring and Amplifying Black Life Edited by Wade Hudson and Cheryl Willis Hudson

Going Down Home with Daddy by Kelly Starling Lyons

My Hair Is Magic by M.L. Marroquin

M is for Melanin by Tiffany Rose

Exquisite: the Life of Gwendolyn Brooks by Suzanne Buckingham Slade

Nina: a Story of Nina Simone by Traci N. Todd

Dream Street by Tricia Elam Walker

Chapter Books For Older Kids

Isaiah Dunn is My Hero by Kelly J. Baptist

Blended by Sharon Draper

The Parker Inheritance by Varian Johnson

Stamped: Racism, Antiracism, and You by Jason Reynolds and Ibram X. Kendi

New Kid by Jerry Craft

From the Desk of Zoe Washington by Janae Marks

Black Boy Joy: 17 Stories Celebrating Black Boyhood edited by Kwame Mbalia

Betty Before X by Ilyasah Shabazz

Brown Girl Dreaming by Jacqueline Woodson

Books for Teens

The Skin I’m In by Sharon G. Flake

Dread Nation by Justina Ireland

All Boys Aren’t Blue by George M. Johnson

You Should See Me in a Crown by Leah Johnson

March by John Lewis and Andrew Ayden

Revolution in Our Time: the Black Panther’s Promise to the People by Kekla Magoon

Loving vs. Virginia by Patricia Powell

Dear Martin by Nic Stone

On the Come Up by Angie Thomas

Punching the Air by Ibi Zoboi

Books for Adults

The Vanishing Half by Brit Bennet

The Yellow House by Sarah Broom

I’m Still Here: Black Dignity in a World Made for Whiteness by Austin Channing Brown

You Are Your Best Thing edited by Tarana Burke

Call Us What We Carry by Amanda Gorman

Homegoing by Yaa Gyasi

Soul City: Race, Equality, and the Lost Dream of an American Utopia by Thomas Healy

All About Love by bell hooks

Hood Feminism: Notes from the Women that Movement Forgot by Mikki Kendall

400 Souls: A Community History of African America, 1619-2019 edited by Ibram X. Kendi and Keisha N. Blain

The Secret Lives of Church Ladies by Disha Philyaw

How the Word is Passed: A Reckoning with the History of Slavery Across America by Clint Smith

The Nickel Boys by Colson Whitehead

Program Dates: June 23 – August 7, 2022 (full session only)
Deadline: February 15, 2022
Ages: 14-18
Tuition: $7850, includes all instruction, housing, and meals.
Scholarships: BMC offers both merit scholarship and financial aid support as part of the application process
Application fee: $65, apply now through MyBMC
Violinists – apply now to be considered for early acceptance on a rolling basis!

Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.

The Program

Orchestral performance forms the heart of the Brevard Music Center. Students who play orchestral instruments may enroll in the Orchestral Studies program for an intensive summer training experience.

All students in the High School Orchestral Studies program:

• rehearse daily and perform extensively in various ensembles
• receive weekly private lessons
• participate in formal chamber music study coached by BMC’s artist faculty
• may perform in solo and chamber concerts
• may participate in masterclasses
• may attend open rehearsals with world-renowned concert soloists
• may compete in the Jan and Beattie Wood Concerto Competition
• may attend other orchestra, chamber, solo, and opera performances

The High School Division is open to students who are at least 14 by the start date of their program and have not yet completed one year as a full-time college student. The program is a six-and-a-half week session, with numerous concerts presented by the High School participants during that time. Shorter sessions are not available in this program. Information about our on-campus safety procedures will be updated regularly on our FAQ page.

High School Strings

BMC High School Division string students perform in the Brevard Concert Orchestra, under BMC’s Artistic Director Keith Lockhart, and BMC’s Resident Conductor Ken Lam. The BCO maintains a regular schedule of sectional rehearsals in addition to the daily rehearsal of the full ensemble.

Additional features of BMC’s High School string program include technique and orchestral repertoire classes, string quartet seminars and coachings, and mock auditions / audition preparation classes.

Concertmaster Studio

BMC’s Concertmaster Studio provides a select group of violin students with the opportunity to study with some of the world’s greatest concertmasters. Students in the Concertmaster Studio will receive weekly private lessons, orchestral leadership training, and will participate in studio classes and masterclasses. Acceptance into the Concertmaster Studio is by audition. Additional audition excerpts are required – see the “Audition Requirements” section below for a list. (Selection into the Concertmaster Studio does not guarantee a principal seat in orchestra.)

In 2022, guest concertmasters include Nikki Chooi (Buffalo Philharmonic Orchestra), Dennis Kim (Pacific Symphony), Charles Mutter (BBC Concert Orchestra), and Yuan-Qing Yu (Chicago Symphony Orchestra).

High School Woodwinds / Brass / Percussion

Students in the High School Division perform in the Brevard Concert Orchestra, under BMC’s Artistic Director Keith Lockhart, and BMC’s Resident Conductor Ken Lam. The BCO maintains a regular schedule of sectional rehearsals in addition to the daily rehearsal of the full ensemble.

Woodwind, brass, and percussion students also participate in the Brevard Symphonic Winds under the baton of Kraig Alan Williams. The BSW commences its season with the traditional Patriotic Pops concert on July 4, always one of the Music Center’s most popular events. The Symphonic Winds feature performances of advanced repertoire not typically available to high school ensembles.

Additional features of BMC’s High School program include technique and orchestral repertoire classes, auxiliary instrument classes, and mock auditions / audition preparation classes. Woodwind students may also participate in reed-making seminars. Additional features of BMC’s High School Brass / Percussion program include participation in “Just Brass,” a concert that brings together all BMC brass players on campus, and participation in “Supersonic,” the annual percussion concert that includes all BMC percussion faculty and students.

Note: Saxophonists apply directly to the Saxophone Institute.

Tuition and Payment Schedule

The tuition for the six-and-a-half week High School Orchestral Institute is $7850. This includes all instruction, housing, meals, and the opportunity to attend on-campus concerts and other events. Each participant is responsible for travel to and from Brevard.

A non-refundable enrollment fee of $800 is due within 2 weeks of acceptance and applies toward the cost of tuition. The remaining tuition balance is due by May 15.

Refunds

All payments, except the $65 application fee and $800 enrollment fee, will be fully refunded if the Center receives notice of cancellation due to serious illness before May 15. Written verification from an M.D. is required before a refund can be made. No reduction in fees can be made for late arrival or early departure. No refunds will be made after May 15.

Scholarships

Brevard Music Center offers scholarship support according to a student’s audition and demonstrated financial need, and program need. In recent years, Brevard has provided scholarship support to more than 70% of its students. Scholarship support includes merit, need-based, and the BMC Opportunity Scholarship open to students of African-American and Latinx descent.

Please visit the Scholarship section of our FAQ page for more information.

Audition Requirements

Admission to the Brevard Music Center is determined by audition.

Accompaniment is optional. Total audition length should not exceed 12 minutes.

Audio or video recordings are accepted for all instruments except percussion (must submit a video audition). Upload audio recordings or link(s) to YouTube video auditions directly into your application. Submissions do not have to be one continuous take; once you add one selection, the option to add another will appear.

Choose your instrument or program to view specific audition requirements.

In February, we honor and recognize Black Legacy Month at Buncombe County Public Libraries. We will be celebrating throughout February through several online events, staff-curated booklists, and a collection of online resources and exhibits.

Virtual book clubs will discuss On Girlhood by Glory Edim and The Hate U Give by Angie Thomas. You can register for either book club on the library calendar.

When you visit your library, look for special Black Legacy Month displays and book selections.

Below, you will find our Librarians’ reading list highlighting Black authors that include selections for all ages.

We look forward to seeing you at the library!

Black Legacy Month Reading List

Books for Families to Share

My Heart Flies Open by Omileye Achikeobi-Lewis

The Undefeated by Kwame Alexander

The Electric Slide and Kai by Kelly J. Baptist

Soul Food Sunday by Winsome Bingham

This Is Your Time by Ruby Bridges

Legacy: Women Poets of the Harlem Renaissance by Nikki Grimes

Born on the Water by Nikole Hannah-Jones and Renee Watson

The Oldest Student: How Mary Walker Learned to Read by Rita Hubbard

Recognize! An Anthology Honoring and Amplifying Black Life Edited by Wade Hudson and Cheryl Willis Hudson

Going Down Home with Daddy by Kelly Starling Lyons

My Hair Is Magic by M.L. Marroquin

M is for Melanin by Tiffany Rose

Exquisite: the Life of Gwendolyn Brooks by Suzanne Buckingham Slade

Nina: a Story of Nina Simone by Traci N. Todd

Dream Street by Tricia Elam Walker

Chapter Books For Older Kids

Isaiah Dunn is My Hero by Kelly J. Baptist

Blended by Sharon Draper

The Parker Inheritance by Varian Johnson

Stamped: Racism, Antiracism, and You by Jason Reynolds and Ibram X. Kendi

New Kid by Jerry Craft

From the Desk of Zoe Washington by Janae Marks

Black Boy Joy: 17 Stories Celebrating Black Boyhood edited by Kwame Mbalia

Betty Before X by Ilyasah Shabazz

Brown Girl Dreaming by Jacqueline Woodson

Books for Teens

The Skin I’m In by Sharon G. Flake

Dread Nation by Justina Ireland

All Boys Aren’t Blue by George M. Johnson

You Should See Me in a Crown by Leah Johnson

March by John Lewis and Andrew Ayden

Revolution in Our Time: the Black Panther’s Promise to the People by Kekla Magoon

Loving vs. Virginia by Patricia Powell

Dear Martin by Nic Stone

On the Come Up by Angie Thomas

Punching the Air by Ibi Zoboi

Books for Adults

The Vanishing Half by Brit Bennet

The Yellow House by Sarah Broom

I’m Still Here: Black Dignity in a World Made for Whiteness by Austin Channing Brown

You Are Your Best Thing edited by Tarana Burke

Call Us What We Carry by Amanda Gorman

Homegoing by Yaa Gyasi

Soul City: Race, Equality, and the Lost Dream of an American Utopia by Thomas Healy

All About Love by bell hooks

Hood Feminism: Notes from the Women that Movement Forgot by Mikki Kendall

400 Souls: A Community History of African America, 1619-2019 edited by Ibram X. Kendi and Keisha N. Blain

The Secret Lives of Church Ladies by Disha Philyaw

How the Word is Passed: A Reckoning with the History of Slavery Across America by Clint Smith

The Nickel Boys by Colson Whitehead

Program Dates: June 23 – August 7, 2022 (full session only)
Deadline: February 15, 2022
Ages: 14-18
Tuition: $7850, includes all instruction, housing, and meals.
Scholarships: BMC offers both merit scholarship and financial aid support as part of the application process
Application fee: $65, apply now through MyBMC
Violinists – apply now to be considered for early acceptance on a rolling basis!

Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.

The Program

Orchestral performance forms the heart of the Brevard Music Center. Students who play orchestral instruments may enroll in the Orchestral Studies program for an intensive summer training experience.

All students in the High School Orchestral Studies program:

• rehearse daily and perform extensively in various ensembles
• receive weekly private lessons
• participate in formal chamber music study coached by BMC’s artist faculty
• may perform in solo and chamber concerts
• may participate in masterclasses
• may attend open rehearsals with world-renowned concert soloists
• may compete in the Jan and Beattie Wood Concerto Competition
• may attend other orchestra, chamber, solo, and opera performances

The High School Division is open to students who are at least 14 by the start date of their program and have not yet completed one year as a full-time college student. The program is a six-and-a-half week session, with numerous concerts presented by the High School participants during that time. Shorter sessions are not available in this program. Information about our on-campus safety procedures will be updated regularly on our FAQ page.

High School Strings

BMC High School Division string students perform in the Brevard Concert Orchestra, under BMC’s Artistic Director Keith Lockhart, and BMC’s Resident Conductor Ken Lam. The BCO maintains a regular schedule of sectional rehearsals in addition to the daily rehearsal of the full ensemble.

Additional features of BMC’s High School string program include technique and orchestral repertoire classes, string quartet seminars and coachings, and mock auditions / audition preparation classes.

Concertmaster Studio

BMC’s Concertmaster Studio provides a select group of violin students with the opportunity to study with some of the world’s greatest concertmasters. Students in the Concertmaster Studio will receive weekly private lessons, orchestral leadership training, and will participate in studio classes and masterclasses. Acceptance into the Concertmaster Studio is by audition. Additional audition excerpts are required – see the “Audition Requirements” section below for a list. (Selection into the Concertmaster Studio does not guarantee a principal seat in orchestra.)

In 2022, guest concertmasters include Nikki Chooi (Buffalo Philharmonic Orchestra), Dennis Kim (Pacific Symphony), Charles Mutter (BBC Concert Orchestra), and Yuan-Qing Yu (Chicago Symphony Orchestra).

High School Woodwinds / Brass / Percussion

Students in the High School Division perform in the Brevard Concert Orchestra, under BMC’s Artistic Director Keith Lockhart, and BMC’s Resident Conductor Ken Lam. The BCO maintains a regular schedule of sectional rehearsals in addition to the daily rehearsal of the full ensemble.

Woodwind, brass, and percussion students also participate in the Brevard Symphonic Winds under the baton of Kraig Alan Williams. The BSW commences its season with the traditional Patriotic Pops concert on July 4, always one of the Music Center’s most popular events. The Symphonic Winds feature performances of advanced repertoire not typically available to high school ensembles.

Additional features of BMC’s High School program include technique and orchestral repertoire classes, auxiliary instrument classes, and mock auditions / audition preparation classes. Woodwind students may also participate in reed-making seminars. Additional features of BMC’s High School Brass / Percussion program include participation in “Just Brass,” a concert that brings together all BMC brass players on campus, and participation in “Supersonic,” the annual percussion concert that includes all BMC percussion faculty and students.

Note: Saxophonists apply directly to the Saxophone Institute.

Tuition and Payment Schedule

The tuition for the six-and-a-half week High School Orchestral Institute is $7850. This includes all instruction, housing, meals, and the opportunity to attend on-campus concerts and other events. Each participant is responsible for travel to and from Brevard.

A non-refundable enrollment fee of $800 is due within 2 weeks of acceptance and applies toward the cost of tuition. The remaining tuition balance is due by May 15.

Refunds

All payments, except the $65 application fee and $800 enrollment fee, will be fully refunded if the Center receives notice of cancellation due to serious illness before May 15. Written verification from an M.D. is required before a refund can be made. No reduction in fees can be made for late arrival or early departure. No refunds will be made after May 15.

Scholarships

Brevard Music Center offers scholarship support according to a student’s audition and demonstrated financial need, and program need. In recent years, Brevard has provided scholarship support to more than 70% of its students. Scholarship support includes merit, need-based, and the BMC Opportunity Scholarship open to students of African-American and Latinx descent.

Please visit the Scholarship section of our FAQ page for more information.

Audition Requirements

Admission to the Brevard Music Center is determined by audition.

Accompaniment is optional. Total audition length should not exceed 12 minutes.

Audio or video recordings are accepted for all instruments except percussion (must submit a video audition). Upload audio recordings or link(s) to YouTube video auditions directly into your application. Submissions do not have to be one continuous take; once you add one selection, the option to add another will appear.

Choose your instrument or program to view specific audition requirements.