Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.

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Monday, February 28, 2022
A Hand in Studio Craft: Harvey K. Littleton as Peer and Pioneer Exhibition
Feb 28 @ 11:00 am – 6:00 pm
Asheville Art Museum

Harvey K. Littleton, Amber Maze, 1968, blown glass, 8 3/4 × 10 1/2 × 6 inches. Asheville Art Museum. © Estate of Harvey K. Littleton.
Asheville, N.C.A Hand in Studio Craft: Harvey K. Littleton as Peer and Pioneer highlights recent gifts to the Asheville Art Museum’s Collection and loans from the family of glass artist Harvey K. Littleton. This exhibition places Harvey and Bess Littleton’s collection into the context of their lives, as they moved around the United States, connected with other artists, and developed their own work. This exhibition—organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator—will be on view in the Judith S. Moore Gallery at the Museum from January 19 through June 27, 2022.

Harvey K. Littleton (Corning, NY 1922–2013 Spruce Pine, NC) founded the Studio Glass Movement in the United States in 1962 when, as a teacher, he instituted a glass art program at the University of Wisconsin in Madison, the first of its kind in the United States. He taught the next generation of glass artists—who taught the next—and his influence can still be seen today. But before he dedicated himself to the medium of glass, Littleton studied industrial design, ceramics, and metalwork at the University of Michigan and the Cranbrook Academy of Art in the late 1930s and early 1940s. He met his wife Bess Tamura Littleton, a painting student, at the University of Michigan. Over the course of their careers, Harvey and Bess collected artwork by their fellow artists and amassed an impressive collection from the early days of the Studio Glass Movement and the height of the American mid-century Studio Pottery Movement.

“This exhibition offers the viewer an exciting opportunity to see some of Harvey K. Littleton’s early work in ceramic and metal—directly from his family’s collection—before he began making art in glass,” says Whitney Richardson, associate curator. “Best known for his glassworks, those will be on display alongside the work of his students and his peers making clear the influence he had on them and the Studio Glass Movement.” 

A Living Language: Cherokee Syllabary and Contemporary Art
Feb 28 @ 11:00 am – 6:00 pm
Asheville Art Museum

Rhiannon Skye Tafoya (Eastern Band of Cherokee Indians), Ul’nigid’, 2020, letterpress (photopolymer and Bembo & Cherokee Syllabary metal type) printed on handmade & color plan paper with paperweaving, closed: 11 × 11 ¼ inches, assembled: 23 ½ × 11 ¼ × 5 ⁵⁄₈ inches. Courtesy the Artist. © Rhiannon Skye Tafoya, image Rhiannon Skye Tafoya.
 Living Language: Cherokee Syllabary and Contemporary Art features over 50 works of art in a variety of media by 30+ Eastern Band of Cherokee Indians (EBCI) and Cherokee Nation artists. The exhibition highlights the use of the written Cherokee language, a syllabary developed by Cherokee innovator Sequoyah (circa 1776–1843). Cherokee syllabary is frequently found in the work of Cherokee artists as a compositional element or the subject matter of the work itself. The exhibition will be on view at the Museum of the Cherokee Indian in Cherokee, NC from June 12, 2021 to October 31, 2021, and in the Asheville Art Museum’s Appleby Foundation Exhibition Hall from November 19, 2021 to March 14, 2022.

The Cherokee Syllabary is a system of writing developed by Sequoyah in the early 1800s prior to the Removal period. Through Sequoyah’s innovative work, Cherokee people embraced the writing system as an expedient form of communication and documentation. During the Removal period, the syllabary was used as a tactic to combat land dispossession. Cherokee people continue to use the syllabary as a form of cultural expression and pride, which is showcased in the contemporary artwork of the Cherokee Citizens in this exhibition.

“We’re pleased to host this gathering of works from contemporary Cherokee artists, who perfectly illustrate how our language is a living and evolving part of who we are. It’s moving to see how each artist finds inspiration in their own way from this language that connects us as Cherokee people,” said Shana Bushyhead Condill, executive director of the Museum of the Cherokee Indian.

“The Asheville Art Museum and the Museum of the Cherokee Indian have been long-term collaborators, and we are delighted to further our partnership by working together to manage an open call to Cherokee artists and subsequently curate this exciting exhibition of contemporary works that take inspiration from, celebrate, preserve and interpret the syllabary,” said Pamela L. Myers, executive director of the Asheville Art Museum. “On view at both museums, we hope the exhibition engages a wide and diverse audience in dialogue with these extraordinary works.”

A Living Language: Cherokee Syllabary and Contemporary Art is organized by the Asheville Art Museum and Museum of the Cherokee Indian, and curated by Hilary Schroeder, assistant curator at the Asheville Art Museum, with assistance from curatorial consultant Joshua Adams (Eastern Band of Cherokee Indians). Special thanks to S. Dakota Brown, education director at the Museum of the Cherokee Indian, and Alexis Meldrum, curatorial assistant at the Asheville Art Museum, for their support in the planning of this exhibition. This project is made possible in part by a grant from the Blue Ridge National Heritage Area Partnership, and sponsored in part by the Cherokee Preservation Foundation and Kevin Click & April Liou in memory of Myron E. Click.

Eastern Band of Cherokee Indians artists include Joshua Adams, Jody Lipscomb Bradley, Nathan Bush, Kane Crowe, John Henry Gloyne, Shan Goshorn, Luzene Hill, Christy Long, Louise Bigmeat Maney, Christopher McCoy, Tara McCoy, Joel Queen, Sean Ross, Jakeli Swimmer, Rhiannon Skye Tafoya, Mary Thompson, Stan Tooni Jr.,  Alica Wildcatt, and Fred Wilnoty.

Cherokee Nation artists include Roy Boney Jr., Jeff Edwards, Joseph Erb, Raychel Foster, Kenny Glass, Camilla McGinty, Jessica Mehta, America Meredith, Jane Osti, Lisa Rutherford, Janet L. Smith, Jennifer Thiessen, and Jennie Wilson.

About the Museum of the Cherokee Indian

Established in 1948, the Museum of the Cherokee Indian is one of the longest operating tribal museums. Recognized for its innovative storytelling, the Museum features exhibits, artwork, and hands-on technology that brings over 15,000 years of Cherokee history to life. Located in Cherokee, NC, the Museum is open daily except Thanksgiving, Christmas, and New Year’s Day. Learn more by visiting mci.org.

Ruminations on Memory Exhibition
Feb 28 @ 11:00 am – 6:00 pm
Asheville Art Museum
Robert Rauschenberg, John from the Ruminations series, 1999, photogravure on paper, edition 3/46, publisher: Universal Limited Art Editions, Bay Shore, NY, 29 ½ × 38 7/8 inches. Asheville Art Museum. © Robert Rauschenberg Foundation / VAGA at Artists Rights Society (ARS), New York.

Ruminations on Memory contends with the act of remembrance and reflection, featuring a rare presentation of all nine prints from Robert Rauschenberg’s Ruminations portfolio, Judy Chicago’s Retrospective in a Box portfolio, and selections from the Museum’s Collection. Organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator, this exhibition will be on view in Appleby Foundation Exhibition Hall at the Museum from November 19, 2021 through March 14, 2022 in conjunction with A Living Language: Cherokee Syllabary and Contemporary Art

Artworks are vessels for processing, recalling, and reflecting on the past. Artists often draw upon materials from their own pasts and grasp at fleeting moments in time in the creation of an object. For the viewer, observation of an artwork can draw out personal memories.

Artworks in a variety of media explore various ways of remembering, including individual memories that focus on the moments from an artist’s past; generational memory that looks back to one’s ancestors, whether recent or long past; and collective memory, wherein in an image might evoke bygone times that balance between constructed and real. Through these artworks that ruminate upon the past, viewers may discover the stirrings of their own thoughts and recollections prompted by the works before them.

Ruminations on Memory offers a unique opportunity to experience the entirety of a major print portfolio by American painter Robert Rauschenberg (Port Arthur, TX 1925–2008 Captiva, FL). Rauschenberg was a student at Black Mountain College in NC for the 1948–1949 and 1951–1952 academic sessions and for the 1951 and 1952 summers. His Ruminations series consists of nine color photogravures which were printed in 1999 and reflect on Rauschenberg’s early life, his friends and family, and the memories he held dear. The series represents especially significant mature work by Rauschenberg that looks back to his most formative moments as an artist including his time at Black Mountain College and the friendships and ideas formed there.

Also presented in the exhibition is an important series of prints by Judy Chicago (born Chicago, IL 1939). Five decades into her career, Chicago stands as one of the foremost artists of the 20th and 21st centuries, having committed to socially minded work, uplifting in particular experiences salient to her feminine and Jewish identities. Retrospective in a Box consists of seven prints and a portfolio created in collaboration with the master printers at Landfall Press, and provides an overview of her major motifs and ideas, including the print Spring the Dinner, a nod to her seminal 1979 work The Dinner Party.

In addition to the artworks from the Museum’s Collection, visitors will be able to experience Felix Gonzales-Torres’s “Untitled” (L.A.), on loan from the Art Bridges collection. “Untitled” (L.A.) is one of the artist’s iconic interactive candy installations where memories are engaged not only through sight but through sound, touch, taste, and smell as well.

Learn more about Ruminations on Memory and A Living Language: Cherokee Syllabary and Contemporary Art at ashevilleart.org.

Stained with Glass: Vitreograph Prints from the Studio of Harvey K. Littleton Exhibition
Feb 28 @ 11:00 am – 6:00 pm
Asheville Art Museum
 
Left: Thermon Statom, Frankincense, 1999, siligraphy from glass plate with digital transfer on BFK Rives paper, edition 50/50, 36 1/4 × 29 3/8 inches. Asheville Art Museum. © Thermon Statom. | Right: Dale Chihuly, Suite of Ten Prints: Chandelier, 1994, 4-color intaglio from glass plate on BRK Rives paper, edition 34/50, image: 29 ½ × 23 ½ inches, sheet: 36 × 29 ½ inches. Asheville Art Museum. © Dale Chihuly / Artists Rights Society (ARS), New York.
Asheville, N.C.—The selection of works from the Asheville Art Museum’s Collection presented in Stained with Glass: Vitreograph Prints from the Studio of Harvey K. Littleton features imagery that recreates the sensation and colors of stained glass. The exhibition showcases Littleton and the range of makers who worked with him, including Dale Chihuly, Cynthia Bringle, Thermon Statom, and more. This exhibition—organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator—will be on view in The Van Winkle Law Firm Gallery at the Museum from January 12 through May 23, 2022.

In 1974 Harvey K. Littleton (Corning, NY 1922–2013 Spruce Pine, NC) developed a process for using glass to create prints on paper. Littleton, who began as a ceramicist and became a leading figure in the American Studio Glass Movement, expanded his curiosity around the experimental potential of glass into innovations in the world of printmaking. A wide circle of artists in a variety of media—including glass, ceramics, and painting—were invited to Littleton’s studio in Spruce Pine, NC, to create prints using the vitreograph process developed by Littleton. Upending notions of both traditional glassmaking and printmaking, vitreographs innovatively combine the two into something new. The resulting prints created through a process of etched glass, ink, and paper create rich, colorful scenes reminiscent of luminous stained glass.

“Printmaking is a medium that many artists explore at some point in their career,” says Hilary Schroeder, assistant curator. “The process is often collaborative, as they may find themselves working with a print studio and highly skilled printmaker. The medium can also be quite experimental. Harvey Littleton’s contribution to the field is very much so in this spirit, as seen in his incorporation of glass and his invitation to artists who might otherwise not have explored works on paper. Through this exhibition, we are able to appreciate how the artists bring their work in clay, glass, or paint to ink and paper.” 

The Wyeths: Three Generations | Works from the Bank of America Collection
Feb 28 @ 11:00 am – 6:00 pm
Asheville Art Museum
N. C. Wyeth, Eight Bells (Clyde Stanley and Andrew Wyeth aboard Eight Bells), 1937, oil on hardboard, 20 × 30 inches. Bank of America Collection

The Wyeths: Three Generations | Works from the Bank of America Collection provides a comprehensive survey of works by N. C. Wyeth, one of America’s finest illustrators; his son, Andrew, an important realist painter; his eldest daughter, Henriette, a realist painter; and Andrew’s son Jamie, a popular portraitist. Through the works of these artists from three generations of the Wyeth family, themes of American history, artistic techniques, and creative achievements can be explored. This exhibition will be on view in the Asheville Art Museum’s Explore Asheville Exhibition Hall February 12 through May 30, 2022.

N. C. Wyeth (1882–1945) has long been considered one of the nation’s leading illustrators. In the early 1900s, he studied with illustrator Howard Pyle in Delaware. In 1911, he built a house and studio in nearby Chadds Ford, PA. Later, he bought a sea captain’s house in Maine and in 1931 built a small studio, which he shared with his son, Andrew, and his daughters, Henriette and Carolyn. The exhibition includes illustrations for books by Robert Louis Stevenson and Washington Irving as well as historical scenes, seascapes, and landscapes.

Andrew Wyeth (1917–2009) is one of the United States’ most popular artists, and his paintings follow the American Realist tradition. He was influenced by the works of Winslow Homer, whose watercolor technique he admired, as well as by the art of Howard Pyle and his father, N. C. While Andrew painted recognizable images, his use of line and space often imbue his works with an underlying abstract quality. The exhibition includes important works from the 1970s and 1980s as well as recent paintings.

Henriette Wyeth (1907–1997) was the eldest daughter of N.C. Wyeth and an older sister to Andrew Wyeth. Like other members of her family, her painting style was realist in a time when Impressionism and Abstraction were popular in the early 20th century. She studied painting at the Pennsylvania Academy of the Fine Arts and was an acclaimed portraitist, though perhaps not as widely known as her father and brother. Most notably she painted the portrait of First Lady, Pat Nixon, which is in the collection of The White House.

Jamie Wyeth (born 1946), like his father and grandfather, paints subjects of everyday life, in particular the landscapes, animals, and people of Pennsylvania and Maine. In contrast to his father—who painted with watercolor, drybrush, and tempera—Jamie works in oil and mixed media, creating lush painterly surfaces. The 18 paintings in the exhibition represent all periods of his career.

This exhibition has been loaned through the Bank of America Art in our Communities® program.

Useful and Beautiful: Silvercraft by William Waldo Dodge
Feb 28 @ 11:00 am – 6:00 pm
Asheville Art Museum
Left to right: William Waldo Dodge Jr., Teapot, 1928, hammered silver and ebony, 8 × 5 3/4 × 9 1/2 inches. Asheville Art Museum. © Estate of William Waldo Dodge Jr. | William Waldo Dodge Jr., Lidded vegetable bowl, 1932, hammered silver, 6 × 6 5/8 × 6 5/8 inches. Asheville Art Museum. © Estate of William Waldo Dodge Jr.

Useful and Beautiful: Silvercraft by William Waldo Dodge features a selection of functional silver works by Dodge drawn from the Museum’s Collection. Organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator, this exhibition will be on view in the Debra McClinton Gallery at the Museum from February 23 through October 17, 2022.

William Waldo Dodge Jr. (Washington, DC 1895–1971 Asheville, NC) moved to Asheville in 1924 as a trained architect and a newly skilled silversmith. When he opened for business promoting his handwrought silver tableware, including plates, candlesticks, flatware (spoons, forks, and knives), and serving dishes, he did so in a true Arts and Crafts tradition. The aesthetics of the style were dictated by its philosophy: an artist’s handmade creation should reflect their hard work and skill, and the resulting artwork should highlight the material from which it was made. Dodge’s silver often displayed his hammer marks and inventive techniques, revealing the beauty of these useful household goods.

The Arts and Crafts style of England became popular in the United States in the early 1900s. Asheville was an early adopter of the movement because of the popularity and abundance of Arts and Crafts architecture in neighborhoods like Biltmore Forest, Biltmore Village, and the area around The Grove Park Inn. The title of this exhibition was taken from the famous quotation by one of the founding members of the English Arts and Crafts Movement, William Morris, who said, “have nothing in your house that you do not know to be useful or believe to be beautiful.” Not only did Dodge follow this suggestion; he contributed to American Arts and Crafts silver’s relevancy persisting almost halfway into the 20th century.

“It has been over 15 years since the Museum exhibited its collection of William Waldo Dodge silver and I am looking forward to displaying it in the new space with some new acquisitions added,” said Whitney Richardson, associate curator. Learn more at ashevilleart.org.

TL Lange: “Twenty Years Gone” Retrospective Exhibition
Feb 28 @ 12:00 pm – 6:00 pm
Phil Mechanic Studios

Arguably the most talented of the three Lange brother artists, TL Lange was an actual rockstar in Atlanta before he was an art rockstar in Asheville. “He was going to participate in the Fall Studio Stroll (2001) but something came up. He dropped a couple of cardboard jericho cases with random unstretched canvases & paper pieces for me to sell. This work is from that batch. It has never been viewed by the public before; some are for sale & others are only being shown.” –Stephen Lange. Twenty of these TL Lange paintings will be included in this exhibition as well as prints of Anonymous Bathers, one of his most noteworthy creations.TL Lange was born and raised in Charleston before studying drawing and painting at Winthrop University in Rock Hill, SC. After spending about five years in Atlanta, where he first made a name for himself in the art world, he moved to North Carolina where he maintained his home and atelier until his untimely death at the age of 36. Lange started his work with “concrete visions”, and actually began several paintings at one time. He tried to allow some form of synchronicity to determine his next decision. As the artist said, “I make marks for the sake of themselves. I create error that I find attractive in all of our everyday lives. However, I leave it hanging three marks shy of discernment. What I mean by that is that I choose that it not be understood or to be scrutinized by its detail or its adherence to reality—only to be seen for its sense and its nostalgic response without my personal sentiment.” A figurative and abstract artist, TL Lange had exhibited in numerous, prominent galleries in his young career. A condensed list includes Artworks Gallery (Salt Lake City, UT), Art Works (Atlanta, GA), Human Arts Gallery (Atlanta, GA), Landsdell Gallery (Atlanta, GA) and Art Dallas (Dallas, TX), Mary Bell Galleries (Chicago, IL) and Foster White Galleries (Seattle, WA). TL Lange’s remarkable artwork can be found in many private, corporate, and public collections including Wentworth Galleries, Larson Juhl Frames, and Saks Fifth Avenue Corporation and Microsoft Corporation.

Winter Photo Contest – “Winter Trees”
Feb 28 @ 12:00 pm – 11:45 pm
Chimney Rock State Park

Image result for Chimney Rock Park

It’s the Year of the Tree in North Carolina State Parks, and we are encouraging guests to celebrate trees all year long! Start off in the winter months while branches are bare and capture some unique tree shapes or the beauty of frosty evergreens. You may win a prize for your efforts!

GREAT PRIZES WILL BE AWARDED TO 3 WINNING ENTRIES

1st Prize: The winning photo will be our Facebook cover photo for two weeks, and the photographer will receive two annual passes to Chimney Rock State Park, two boat tour tickets from Lake Lure Tours, and dinner for two at the Old Rock Café.

2nd Prize: After the first place photo, the second place photo will be our Facebook cover photo for one week. The photographer will receive two annual passes to Chimney Rock State Park and dinner for two at the Old Rock Café.

3rd Prize: The third place photographer will receive two adult day passes (or one family pack of day passes) to Chimney Rock State Park and dinner for two at the Old Rock Café.

CONTEST RULES:

  1. There is no fee to enter the contest. All photographs must be taken of Chimney Rock at Chimney Rock State Park only in areas accessible to guests between January 1, 2022 – February 28, 2022.
    The contest is open to amateur and professional photographers.
  2. Up to three photos per person can be submitted via any of the following ways to be eligible to win:
    • Facebook: First, like the Chimney Rock at Chimney Rock State Park page. Next, send us a private message including your contact information specified in rule #3.
    • E-mail: If you don’t have access to social media, you may email your digital photo with your contact information specified in rule #3 to [email protected].
  3. Every entry should be clearly labeled with the photographer’s name, city & state, a brief photo caption, an email address and the best phone number to reach you.
  4. Photos should be available at a minimum resolution of 1200 x 1600 pixels (1 MB minimum) to be eligible to win. Photos taken via smart phones, tablets and other mobile devices are welcome if they meet minimum requirements.
  5. For entries showing human faces, you must list their name(s) and have written permission from any photographed person(s) to use their image.
  6. Entries should reflect the photographer’s interpretation of the theme. Emphasis will be placed on quality, composition and creativity. All entries may be used in promotions of Chimney Rock and park-related activities.
  7. Digital images can be optimized but not dramatically altered with photo editing software. Black and white photographs are welcome.
  8. Finalists will be chosen by Chimney Rock staff and the winner will be voted on by the public. Decisions regarding winners are final.

Winners will be notified personally and announced on Chimney Rock’s social media. For more information, call 1-828-625-9611, ext. 1812 or email us at [email protected].

Music Bingo Mondays
Feb 28 @ 7:00 pm – 8:15 pm
Down Dog Yoga Studio and Dog Bar

Music Bingo Mondays

Join us every Monday night for Singo (Musical Bingo)!

Singo will run from 7-8:15 pm.

No reservations needed, just get ready for a good time and a chance to win some Down Dog prizes!

Tuesday, March 1, 2022
GIVE + GROW LEAF Membership
Mar 1 all-day
online
Student Poetry Contest – “Ambition”
Mar 1 all-day
online

January through April

Actors performing Sandburg's works on stageActors portray characters from Carl Sandburg’s Rootabaga Story “Three Boys with Jugs of Molasses and Secret Ambitions.”

NPS Photo

Educators in grades 3-12 are invited to submit original poems written by their students in February. The poems will be judged and winners announced in April. Find the 2022 Poetry Contest Information and submission guidelines here. The theme “Ambition” is from one of Carl Sandburg’s Rootabaga Stories, to celebrate it’s 100th year of being published. “An ambition…creeps in your heart night and day, singing a little song, ‘Come and find me, come and find me.”

Students are invited to submit a poem to Carl Sandburg Home National Historic Site’s annual Student Poetry Contest. The contest encourages youth to explore writing their own poetry, and is open to students nationwide!

Submissions are accepted from grades 3-12 and must be postmarked by March 1, 2022. See below for submission rules.

Winners will be notified by April 8, 2022, and will be invited to participate in a special virtual program on April 22.


2022 Contest Rules

Theme – “Ambition”
Carl Sandburg wrote millions of words reflecting on the American experience of the 20th century. Though his words often focused on war, labor, and social injustice, as a father of three, he also wrote imaginative, zany, and fantastical children’s stories, called “Rootabaga Stories.” Carl Sandburg’s “Rootabaga Stories” were first published in 1922 and celebrate 100 years of entertaining readers of all ages this year. The theme “Ambition” is from one of these stories. “An ambition…creeps in your heart night and day, singing a little song, ‘Come and find me, come and find me.” Read the story here.

Poems submitted for the 2022 contest should reflect the theme of “Ambition.” By definition, a strong desire to do or to achieve something, typically requiring determination and hard work. Or setting goals to achieve success.

Submission Rules

  • Poetry accepted from 3-12th grades only. Poems will be grouped for judging by 3-5th, 6-8th, and 9-12th.
  • Poems must be submitted by a teacher (traditional classroom or homeschool teacher).
  • No more than three poems per class. Teachers with multiple classes, can submit up to three poems per class period.
  • Poem will be judged on its ability to communicate the theme.
  • Poem can be written in any style, but must not exceed one-page in length. No illustrations.
  • Poems must be typed, no handwritten entries, using standard computer fonts, like Times, Arial, etc…
  • Do not place any identifying information (name, school, grade, etc…) on poem sheet, that will go on the accompanying submission form.
  • Submission form must be complete to be accepted:
    • Paperclipped to poem, no staples
    • Must be signed by parent, student and teacher
    • Submissions must be postmarked, faxed, or e-mailed to [email protected], by March 1, 2022. Emailed submissions must be docs, .pdfs or scans. Low resolution pictures of the submission will not be accepted.

Judging
Judges from the literary community will make the decision for 1st, 2nd, and 3rd place within each grade category (3-5th, 6-8th, 9-12th).

Poetry Partners
The 2022 Poetry Contest is a result of tremendous community support including the Friends of Carl Sandburg at Connemara, and literary volunteers who serve as judges. Thank you.

Poetry Resources
You may also find curriculum resources to use in the classroom at the park’s website: www.nps.gov/carl/learn/education/index.htm.

Send Submissions to:
Carl Sandburg Home NHS
Attn: Poetry Contest
81 Carl Sandburg Lane
Flat Rock, North Carolina 28731
Fax 828-693-4179
Email: [email protected]

Van Gogh Alive at Biltmore Estate
Mar 1 all-day
Biltmore Estate

See the source image

Various times

His masterworks have been displayed around the world for over a century… but never like this. Described as “an unforgettable multi-sensory experience,” Van Gogh Alive is a powerful and vibrant symphony of light, color, sound, and scent that compels you to leave the world behind and immerse yourself in Van Gogh’s paintings. Simultaneously enchanting, entertaining, and educational, Van Gogh Alive stimulates all the senses and opens the mind.

Spread a Little Love with the Dog Therapy Program – A-B Tech
Mar 1 @ 9:00 am – 8:00 pm
A-B Tech Community College

Before you even begin thinking about volunteering, ask yourself – Am I well enough to volunteer?

Your safety and limiting the spread of COVID-19 is everyone’s main priority. We encourage you to review and adhere to the recommendations on the Buncombe County readiness site on how best to avoid COVID-19 and what to do if you think you might have it.


 Asheville-Buncombe Technical Community College (A-B Tech) is a comprehensive two-year college and one of 58 colleges in the North Carolina Community College System, serving students in five locations in Buncombe and Madison Counties.  A-B Tech, through its dedication to student success, strives toward its mission to deliver quality education to enhance academic, workforce, and personal development. A-B Tech envisions changing lives and strengthening communities. 

We are currently seeking registered Therapy Dog Teams to have regular routes on campus, visiting public areas, classrooms and staff offices. Our A-B Tech Therapy Dog program aims to spread compassion, empathy, and, most importantly, “pawsitivity” across our campus.  A-B Tech Community College recognizes the positive influence that therapy dogs can have on student and staff.

Volunteer Responsibilities:

  • Therapy dog teams (owner and dog) will visit public areas on campus, classrooms, and staff offices
  • Therapy dog teams will also assist with special requests such as visiting classrooms before exams, counseling sessions or special events on campus.

Time Commitment:

  • 1 hour once a week
  • Therapy Dog teams are scheduled to ensure they are not in the same building or area at the same time as other teams.

Requirements:

  • Must be 21 years old
  • Complete volunteer application with A-B Tech
  • Complete FERPA & HIPAA forms
  • Submit to a criminal background screening
  • Attend an in-person interview and orientation with A-B Tech Campus Volunteer Coordinator
  • Provide copies of Therapy Dog Certification (Dog Teams must be certified by an accredited Therapy Dog Agency before starting).

*As of 2021, the Volunteer Program accepts Therapy Dog certification from the following agencies, Alliance of Therapy Dogs, Therapy Dogs International, Pet Partners (previously Delta Society).

Health & Safety:

  • A-B Tech is following all CDC guidelines for higher educational institutions
“Weaving Across Time”
Mar 1 @ 10:00 am – 6:00 pm
Center for Craft

Bringing thousands of years of tradition into conversation with contemporary practice, the Center for Craft’s exhibition ᎢᏛᏍᎦ ᏫᏥᏤᎢ ᎠᎵᏰᎵᏒ Weaving Across Time showcases the works of nine Eastern Band Cherokee basket makers. Touching on the dynamic evolution of lineage, sustainability, and cultural expression, the exhibition opens on December 13. This exhibition is supported in part by the Cherokee Preservation Foundation, the National Endowment for the Arts, and AARP, Mountain Region North Carolina.

The artists’ work with two of the oldest materials in Cherokee basket making tradition, mountain rivercane and white oak, both of which have been used for thousands of years by Southeastern tribes. The end results are both beautiful and functional – entries in an evolving craft tradition that began tens of thousands of years ago and is experiencing a resurgence. The labor-intensive process of basket making, which includes harvesting materials, gathering plants for dyes, and deciding on intricate patterns, itself becomes a key component of the final object, which interweaves ecology, culture, land, and identity.

These plants, particularly rivercane, are at the heart of Cherokee tradition and culture. The subject of serious conservation efforts, rivercane is also a vital plant for water quality and erosion mitigation, as well as a habitat for riparian species. Despite its importance, the effects of climate change and continually encroaching development in rivercane habitats has contributed to its depletion, both as a material for artists and a plant essential for environmental health. Basket makers harvesting rivercane for splints approach the plant with deep reverence and knowledge of its centrality to the ecosystem, sometimes traveling hundreds of miles to harvest it sustainably.

Other materials, selected with just as much care, reveal elements of process and the natural environment, including the plants available to harvest in particular seasons. White oak can be gathered year-round, but is easiest to process in spring and summer when sap runs up the tree. Dyes used for the baskets, sourced from plants including bloodroot, butternut, and walnut, add rich color to final pieces while also revealing information about harvest time and supply. The laborious, intensive process links generations of basket makers across centuries.

As Cherokee lands have been stolen or transformed beyond recognition, materials are harder to come by, but the rewards are rich. As basket maker ᏚᏍᏓᏯᎫᎾᏱ Gabriel Crow, explains, “When you’re taking that extra step, going out and doing this completely by hand, you’re a basket maker, not just a weaver. My hands are rough and calloused over because I make the splints myself.” Crow makes an average of just 20 baskets a year and, like other basket makers, wastes no scraps, instead making mats, miniature pieces, or, as a last resort, using them for kindling.

The baskets in the exhibition, all of which were created in the last two decades, connect lineages across time and space in a vibrant, living tradition. Patterns based on rhythmic numerical sequences are passed down from teacher to student. Basket makers also borrow from contemporaries and innovate to create pieces in their own recognizable styles. Basket maker ᎺᎵ ᏔᎻᏏᏂ Mary W. Thompson, who is also the consulting artist for The Basket public art parklet, finds inspiration in designs she sees on her travels to visit other tribes in North and South America. For her, baskets are symbolic of Cherokee resilience. “The Cherokee have always been able to change and adapt with time,” she says, “so our artwork and art forms have changed and evolved along with us.”

The exhibition will be on view until April 22. Visitors can reserve 30-minute time slots for unguided visits to explore the current exhibitions, learn more about the Center’s national impact, and enjoy interactive activities. The Center is open to the public Monday – Friday, 10 am – 6 pm. Hours of operation may be subject to change.

Center for Craft is monitoring the effects of COVID-19 on the community and following the instruction of federal, state, and local health departments. Our top priority is always the health and safety of our staff, coworkers, and visitors. At this time, the Center requires the use of masks or face coverings by all visitors, including children. The Center reserves the right to refuse entry to any visitor that will not comply.

Of Body + Mind Art Exhibit
Mar 1 @ 10:00 am – 5:00 pm
North Carolina Glass Center

Our first exhibition of the year, Of Body & Mind, explores the connection between form and soul. Both functional and sculptural glass work is displayed. Artists are encouraged to expand the concept beyond static objects. The show exhibits work of glass artists living in Western North Carolina or who have a connection to the area. The exhibit is open during our regular gallery hours in D Space. Closed Tuesdays. Masks required. A reception will be announced at a later date. Featured artwork: ‘Be Here Now’ by Ben Greene-Colonnese.

SHOWCASE OF EXCELLENCE
Mar 1 @ 10:00 am – 4:00 pm
Tryon Fine Arts Center

Showcase of Excellence features the exceptional artistic talent of high school students in our area. This premier event is a juried fine arts competition that offers young artists their first taste of a professional gallery environment. Cash prizes are awarded for the top student artists and teachers.

High school teachers in North and South Carolina are invited to submit their students’ best work in painting, drawing, sculpture, mixed media, printmaking, and photography.

First Prize and Best in Show students are awarded a cash prize to encourage their artist pursuits. Winning teachers are awarded a Be Inspired Grant that they may use for classroom projects. These prizes are made possible by our generous donors.

The 2022 Showcase of Excellence will held from February 19 – March 12 in the Parker Gallery at TFAC.

Information about registration and Showcase rules can be found below.

 

Walking in This World: The Practical Art of Creativity
Mar 1 @ 10:30 am – 12:00 pm
zoom

Walking in this world

Walking in This World is a sequel to Julia Cameron’s* ground breaking book The Artist’s Way.  Filled with insights, motivations, and revelations this 12-week program brings clarity and understanding to creatives and those who would like a more artful life.

Meeting once a week on Zoom, this book club will study and share the readings and tasks in each chapter.  Discussions and the use of break-out rooms for small group interactions will help us get to know each other and lend the support that we all need to keep going and learning about ourselves and our creative gifts.

There are no-prerequisites. The program is for people who are embarking on or continuing a creative path; it is an individual journey.

Supplies:

  • a copy of Walking in This World.  Available on Amazon and Kindle, but if possible, please order from your local bookstore.
  • An 8 1/2 x 11” notebook for morning pages
  • paper and pen when you come to class.

Author Julia Cameron is an international teacher of the creative process and an author of more than 40 books.  She has inspired millions to overcome their challenges and reach their creative goals.  juliacameronlive.com

 

About the Facilitator Pamela Atkinson, Artist and Art Educator:
Besides painting, Pam has developed learning projects for school districts, participated in a variety of grant programs, and was the administrator of a successful, youth art program.  To see her artwork go to pamelaatkinson.net.

“Creativity has enriched my life since I was a small child.  Making a painting, teaching art, or appreciating the gifts of others, have all given meaning and substance to my world. Julia’s teachings have been a guiding light on my journey.”

 

March Art Exhibit, New Members Show “Color Dance”
Mar 1 @ 11:00 am – 6:00 pm
Asheville Gallery of Art

Asheville Gallery of Art March 2022 Exhibit, New Members Show“Color Dance” will feature works by four new gallery members: Anne Marie Brown, Raquel Egosi, JoAnn Pippin, and Cindy Shaw. The show will run March 1-31 during gallery hours, 11am-6pm. An event to meet the artists will be held at the gallery on First Friday, March 4, from 5-8pm at 82 Patton Avenue. These four exciting artists have selected “Color Dance” as the theme for their show. Paintings are generally static and are confined within a frame. The combined creative energy of these artists has seemingly moved beyond these limits, to create beautiful expressions of dynamic, moving shapes, captured within a spatial environment. They wish their works to evoke thoughts, emotions, and awareness to celebrate the sentient meaning of life. Please join us for “Color Dance” to revel in the paintings presented by these new gallery artists. They will deliver dynamic color, vibrancy, and hue into scenes that will dance their way into your heart. Anne Marie Brown began painting when, as a florist, she would paint small watercolors of her floral designs. She has exhibited in outdoor shows for over ten years and has had exhibitions in numerous galleries. Now settled in the mountains, she is inspired to paint the sweeping vistas and flora and fauna within. Anne Marie works in watercolor, gouache, oil, and acrylic, and hopes the images that touch her heart and canvas will touch yours as well. Color is music to my eyes. The song that is created on the canvas makes my heart dance. Raquel EgosiRaquel’s art career began in 1996 in Brazil. Studying with acclaimed artists and attending a variety of painting classes, she was active in her local art community, collaborating and setting up art shows. She currently participates regularly in gallery shows and museum exhibitions. Her art sells internationally, and she leads workshops for mixed media techniques in both the United States and overseas. Constructed using a variety of mixed media, my compositions are exceedingly rich in color and texture, with partial or fully figurative and abstract elements. JoAnn Pippin, her passion is to explore different watercolor techniques, with her subjects. Her paintings have been exhibited in juried art shows throughout the US, and her focus is on color, composition, and texture, to create light and mood through technique. The theme “Color Dance” is especially meaningful to watercolorists, because we literally watch color dance and blend when we add wet paint to wet paper. It is not simply mixing colors on the palette and placing them in our work, but the excitement of observing the action as they blend and mingle to create wonderful new hues. Cindy Shaw originally trained as an Architect and worked for many years on projects as well as teaching. However, when her husband’s career took her to rural Italy, she purchased art supplies and began to paint. While there, she enjoyed exploring the Italian countryside and capturing “le viste belle!”. Returning home to the USA, she has continued to grow and develop as an impressionist artist over the past decade. “Color adds depth and meaning, not only to our paintings, but also to our outlook on life. Color can be joyful, dramatic, and exciting.”

TL Lange: “Twenty Years Gone” Retrospective Exhibition
Mar 1 @ 12:00 pm – 6:00 pm
Phil Mechanic Studios

Arguably the most talented of the three Lange brother artists, TL Lange was an actual rockstar in Atlanta before he was an art rockstar in Asheville. “He was going to participate in the Fall Studio Stroll (2001) but something came up. He dropped a couple of cardboard jericho cases with random unstretched canvases & paper pieces for me to sell. This work is from that batch. It has never been viewed by the public before; some are for sale & others are only being shown.” –Stephen Lange. Twenty of these TL Lange paintings will be included in this exhibition as well as prints of Anonymous Bathers, one of his most noteworthy creations.TL Lange was born and raised in Charleston before studying drawing and painting at Winthrop University in Rock Hill, SC. After spending about five years in Atlanta, where he first made a name for himself in the art world, he moved to North Carolina where he maintained his home and atelier until his untimely death at the age of 36. Lange started his work with “concrete visions”, and actually began several paintings at one time. He tried to allow some form of synchronicity to determine his next decision. As the artist said, “I make marks for the sake of themselves. I create error that I find attractive in all of our everyday lives. However, I leave it hanging three marks shy of discernment. What I mean by that is that I choose that it not be understood or to be scrutinized by its detail or its adherence to reality—only to be seen for its sense and its nostalgic response without my personal sentiment.” A figurative and abstract artist, TL Lange had exhibited in numerous, prominent galleries in his young career. A condensed list includes Artworks Gallery (Salt Lake City, UT), Art Works (Atlanta, GA), Human Arts Gallery (Atlanta, GA), Landsdell Gallery (Atlanta, GA) and Art Dallas (Dallas, TX), Mary Bell Galleries (Chicago, IL) and Foster White Galleries (Seattle, WA). TL Lange’s remarkable artwork can be found in many private, corporate, and public collections including Wentworth Galleries, Larson Juhl Frames, and Saks Fifth Avenue Corporation and Microsoft Corporation.

Elementary After School Mentor and Artist Volunteer- Creative Peacemakers
Mar 1 @ 3:00 pm – 5:00 pm
Deaverview Apartment Community Center

Before you even begin thinking about volunteering, ask yourself – Am I well enough to volunteer?

Your safety and limiting the spread of COVID-19 is everyone’s main priority. We encourage you to review and adhere to the recommendations on the Buncombe County readiness site on how best to avoid COVID-19 and what to do if you think you might have it.


Creative Peacemakers is an after-school program sponsored by St.George’s Episcopal Church serving children from the Deaverview Apartment Community. The mission of Creative Peacemakers is to bring peace to communities by helping children practice peacemaking through cooperative play, loving relationships, and creative expression. We provide opportunities for nurture, healing, empowerment, and building resilience.

We are seeking volunteers to assist us in our small after school program for children in West Asheville in low-income housing.  We provide a safe and nourishing environment, healthy snacks, and creative activities.  Our program currently meets during the school year on most Tuesday and Thursday afternoons from 3:00-5:00pm.   You may volunteer for one or two days a week. 

Volunteer Responsibilities:

  • Assist with serving snacks
  • Interact with children during activity time
  • Supervise games and outdoor free time
  • For people with background in education, there is also an opportunity to assist with curriculum development and program planning and administration

Requirements:

  • Background check
  • Orientation booklets will be provided
  • Masks are required if unvaccinated

Location:

Deaverview Apartment Community Center
275 Deaverview Rd.
Asheville, NC 28806

Health & Safety:

  • Hand washing stations are available
  • Hand sanitizer is available
Skyland Library Knitting + Crochet Club
Mar 1 @ 6:00 pm – 7:30 pm
Skyland/South Buncombe Library

Skyland Library Knitting & Crochet Club

Bring your needles or your hooks and join us for some friendly company as you work on your current project.  No registration necessary; just come by the Skyland Library community room with a love of yarn!

Please note this is not a class — we welcome knitters and crocheters of all skill levels, but there might not be anyone on hand to teach the basics if you’ve never tried before.  Feel free to come and chat or observe, though!

Trivia Tuesday
Mar 1 @ 7:00 pm – 8:15 pm
Down Dog Yoga Studio and Dog Bar

Trivia Tuesday

No reservations needed, just get ready for a good time and a chance to win some Down Dog prizes!

Trivia Tuesday
Mar 1 @ 7:00 pm – 8:15 pm
Down Dog Yoga Studio and Dog Bar

Trivia Tuesday

Join us every Tuesday night for Trivia!

Trivia will run from 7-8:15 pm. We will be capping the teams at 20 and teams will not be able to join after 7 so make sure to arrive early to secure your spot!

No reservations needed, just grab your thinking caps and get ready for a good time and a chance to win a $10, $20, or $30 gift certificate to Down Dog!

Wednesday, March 2, 2022
GIVE + GROW LEAF Membership
Mar 2 all-day
online
Van Gogh Alive at Biltmore Estate
Mar 2 all-day
Biltmore Estate

See the source image

Various times

His masterworks have been displayed around the world for over a century… but never like this. Described as “an unforgettable multi-sensory experience,” Van Gogh Alive is a powerful and vibrant symphony of light, color, sound, and scent that compels you to leave the world behind and immerse yourself in Van Gogh’s paintings. Simultaneously enchanting, entertaining, and educational, Van Gogh Alive stimulates all the senses and opens the mind.

Spread a Little Love with the Dog Therapy Program – A-B Tech
Mar 2 @ 9:00 am – 8:00 pm
A-B Tech Community College

Before you even begin thinking about volunteering, ask yourself – Am I well enough to volunteer?

Your safety and limiting the spread of COVID-19 is everyone’s main priority. We encourage you to review and adhere to the recommendations on the Buncombe County readiness site on how best to avoid COVID-19 and what to do if you think you might have it.


 Asheville-Buncombe Technical Community College (A-B Tech) is a comprehensive two-year college and one of 58 colleges in the North Carolina Community College System, serving students in five locations in Buncombe and Madison Counties.  A-B Tech, through its dedication to student success, strives toward its mission to deliver quality education to enhance academic, workforce, and personal development. A-B Tech envisions changing lives and strengthening communities. 

We are currently seeking registered Therapy Dog Teams to have regular routes on campus, visiting public areas, classrooms and staff offices. Our A-B Tech Therapy Dog program aims to spread compassion, empathy, and, most importantly, “pawsitivity” across our campus.  A-B Tech Community College recognizes the positive influence that therapy dogs can have on student and staff.

Volunteer Responsibilities:

  • Therapy dog teams (owner and dog) will visit public areas on campus, classrooms, and staff offices
  • Therapy dog teams will also assist with special requests such as visiting classrooms before exams, counseling sessions or special events on campus.

Time Commitment:

  • 1 hour once a week
  • Therapy Dog teams are scheduled to ensure they are not in the same building or area at the same time as other teams.

Requirements:

  • Must be 21 years old
  • Complete volunteer application with A-B Tech
  • Complete FERPA & HIPAA forms
  • Submit to a criminal background screening
  • Attend an in-person interview and orientation with A-B Tech Campus Volunteer Coordinator
  • Provide copies of Therapy Dog Certification (Dog Teams must be certified by an accredited Therapy Dog Agency before starting).

*As of 2021, the Volunteer Program accepts Therapy Dog certification from the following agencies, Alliance of Therapy Dogs, Therapy Dogs International, Pet Partners (previously Delta Society).

Health & Safety:

  • A-B Tech is following all CDC guidelines for higher educational institutions
“Weaving Across Time”
Mar 2 @ 10:00 am – 6:00 pm
Center for Craft

Bringing thousands of years of tradition into conversation with contemporary practice, the Center for Craft’s exhibition ᎢᏛᏍᎦ ᏫᏥᏤᎢ ᎠᎵᏰᎵᏒ Weaving Across Time showcases the works of nine Eastern Band Cherokee basket makers. Touching on the dynamic evolution of lineage, sustainability, and cultural expression, the exhibition opens on December 13. This exhibition is supported in part by the Cherokee Preservation Foundation, the National Endowment for the Arts, and AARP, Mountain Region North Carolina.

The artists’ work with two of the oldest materials in Cherokee basket making tradition, mountain rivercane and white oak, both of which have been used for thousands of years by Southeastern tribes. The end results are both beautiful and functional – entries in an evolving craft tradition that began tens of thousands of years ago and is experiencing a resurgence. The labor-intensive process of basket making, which includes harvesting materials, gathering plants for dyes, and deciding on intricate patterns, itself becomes a key component of the final object, which interweaves ecology, culture, land, and identity.

These plants, particularly rivercane, are at the heart of Cherokee tradition and culture. The subject of serious conservation efforts, rivercane is also a vital plant for water quality and erosion mitigation, as well as a habitat for riparian species. Despite its importance, the effects of climate change and continually encroaching development in rivercane habitats has contributed to its depletion, both as a material for artists and a plant essential for environmental health. Basket makers harvesting rivercane for splints approach the plant with deep reverence and knowledge of its centrality to the ecosystem, sometimes traveling hundreds of miles to harvest it sustainably.

Other materials, selected with just as much care, reveal elements of process and the natural environment, including the plants available to harvest in particular seasons. White oak can be gathered year-round, but is easiest to process in spring and summer when sap runs up the tree. Dyes used for the baskets, sourced from plants including bloodroot, butternut, and walnut, add rich color to final pieces while also revealing information about harvest time and supply. The laborious, intensive process links generations of basket makers across centuries.

As Cherokee lands have been stolen or transformed beyond recognition, materials are harder to come by, but the rewards are rich. As basket maker ᏚᏍᏓᏯᎫᎾᏱ Gabriel Crow, explains, “When you’re taking that extra step, going out and doing this completely by hand, you’re a basket maker, not just a weaver. My hands are rough and calloused over because I make the splints myself.” Crow makes an average of just 20 baskets a year and, like other basket makers, wastes no scraps, instead making mats, miniature pieces, or, as a last resort, using them for kindling.

The baskets in the exhibition, all of which were created in the last two decades, connect lineages across time and space in a vibrant, living tradition. Patterns based on rhythmic numerical sequences are passed down from teacher to student. Basket makers also borrow from contemporaries and innovate to create pieces in their own recognizable styles. Basket maker ᎺᎵ ᏔᎻᏏᏂ Mary W. Thompson, who is also the consulting artist for The Basket public art parklet, finds inspiration in designs she sees on her travels to visit other tribes in North and South America. For her, baskets are symbolic of Cherokee resilience. “The Cherokee have always been able to change and adapt with time,” she says, “so our artwork and art forms have changed and evolved along with us.”

The exhibition will be on view until April 22. Visitors can reserve 30-minute time slots for unguided visits to explore the current exhibitions, learn more about the Center’s national impact, and enjoy interactive activities. The Center is open to the public Monday – Friday, 10 am – 6 pm. Hours of operation may be subject to change.

Center for Craft is monitoring the effects of COVID-19 on the community and following the instruction of federal, state, and local health departments. Our top priority is always the health and safety of our staff, coworkers, and visitors. At this time, the Center requires the use of masks or face coverings by all visitors, including children. The Center reserves the right to refuse entry to any visitor that will not comply.

Of Body + Mind Art Exhibit
Mar 2 @ 10:00 am – 5:00 pm
North Carolina Glass Center

Our first exhibition of the year, Of Body & Mind, explores the connection between form and soul. Both functional and sculptural glass work is displayed. Artists are encouraged to expand the concept beyond static objects. The show exhibits work of glass artists living in Western North Carolina or who have a connection to the area. The exhibit is open during our regular gallery hours in D Space. Closed Tuesdays. Masks required. A reception will be announced at a later date. Featured artwork: ‘Be Here Now’ by Ben Greene-Colonnese.

Place and Presence: exhibition featuring new works by Asheville artists Linda Gritta and Moni Hill
Mar 2 @ 10:00 am – 6:00 pm
Bender Gallery

Interesting Finds
Linda Gritta
mixed media on canvas
36 x 36 inches

Sweeten Creek on Busbee Mountain
Moni Hill
acrylic on panel
60 x 60 inches
Gritta and Hill are abstract painters with different yet complementary styles reflecting the chaotic nature of the modern world and finding respite in nature and art. The exhibition celebrates the artists’ vibrant abstract work and their interconnection with Western North Carolina and its longstanding arts culture. Place and Presence runs from April 2nd through 30th during Bender Gallery’s regular business hours. There will be an opening reception for Gritta and Hill at the gallery on Saturday April 2nd from 6 to 9 PM at 29 Biltmore Avenue in downtown Asheville. Both artists will be in attendance to discuss their work. We hope to see you there!
SHOWCASE OF EXCELLENCE
Mar 2 @ 10:00 am – 4:00 pm
Tryon Fine Arts Center

Showcase of Excellence features the exceptional artistic talent of high school students in our area. This premier event is a juried fine arts competition that offers young artists their first taste of a professional gallery environment. Cash prizes are awarded for the top student artists and teachers.

High school teachers in North and South Carolina are invited to submit their students’ best work in painting, drawing, sculpture, mixed media, printmaking, and photography.

First Prize and Best in Show students are awarded a cash prize to encourage their artist pursuits. Winning teachers are awarded a Be Inspired Grant that they may use for classroom projects. These prizes are made possible by our generous donors.

The 2022 Showcase of Excellence will held from February 19 – March 12 in the Parker Gallery at TFAC.

Information about registration and Showcase rules can be found below.