Calendar of Events

“ANDREW LLOYD WEBBER’S MEGAHIT. THIS IS THE CATS YOU KNOW AND LOVE!” – The New York Times

CATS, the record-breaking musical spectacular by Andrew Lloyd Webber that has captivated audiences in over 30 countries and 15 languages, is now on tour across North America! Audiences and critics alike are rediscovering this beloved musical with breathtaking music, including one of the most treasured songs in musical theater—”Memory.” Winner of seven Tony Awards®, including BEST MUSICAL, CATS tells the story of one magical night when an extraordinary tribe of cats gathers for its annual ball to rejoice and decide which cat will be reborn.

The original score by Andrew Lloyd Webber (The Phantom of the Opera, School of Rock, Sunset Boulevard), original scenic and costume design by John Napier (Les Misérables), all-new lighting design by Natasha Katz (Aladdin), all-new sound design by Mick Potter, new choreography by Andy Blankenbuehler (Hamilton) based on the original choreography by Gillian Lynne (Phantom) and direction by Trevor Nunn (Les Misérables) make this production a new CATS for a new generation!

– ALL AGES
– STANDING ROOM ONLY

DAN DEACON

How do you make something solid, beautiful, and built to last in a time of cultural chaos and personal doubt? With Mystic Familiar, Dan Deacon gives us the stunning result of years of obsessive work, play, and self-discovery. It’s at once his most emotionally open record and his most transcendent, 11 kaleidoscopic tracks of majestic synth-pop that exponentially expand his sound with unfettered imagination and newfound vulnerability.

Since 2015’s Gliss Riffer, Deacon has branched out from his core body of work as a popular recording artist into a dizzying array of collaborative projects: scoring eight films, including the feature documentaries Rat Film and Time Trial (both released as LPs on Domino Soundtracks) and HBO’s Well Groomed; collaborating with the New York City Ballet’s resident choreographer Justin Peck on the dance piece The Times Are Racing; performing expanded arrangements of his music with the Baltimore Symphony Orchestra; and for the first time producing and co-writing an album by another artist, Ed Schrader’s Music Beat’s alt-rock dynamo Riddles.

But as varied and fulfilling as these projects were, they all lacked one thing: Deacon’s voice. And in the midst of that whirlwind of activity, he returned whenever he could to a personal oasis — the songs that would become Mystic Familiar, informed by all these collaborations but built from within. Propelled by the unprecedented response to Gliss Riffer highlight “When I Was Done Dying” and the exquisite-corpse animated video that vividly amplified that song’s narrative odyssey of multiverse-traveling post-life energy, Deacon’s writing took an exploratory new direction. He further developed this new material with daily prompts from Brian Eno’s deck of Oblique Strategies and the use of meditation to access that inner well of creativity David Lynch describes in Catching the Big Fish. These techniques, in tandem with his newly adopted therapeutic practices of self-compassion and mindfulness, produced Dan Deacon songs that go places far beyond those his music has traveled before — songs that wield the profundity of a philosopher and the absurdity of a court jester as they paint life as a psychedelic journey brimming with bliss and disruption, darkness and light.

Mystic Familiar’s opening track “Become a Mountain” immediately announces itself as something new, for the first time ever on record presenting Dan’s natural singing voice, unprocessed and with only minimal accompaniment. When Deacon proclaims “I rose up” here, it is Dan Deacon singing in the first person as Dan Deacon — a startlingly vulnerable shift in a songbook abundant with characters, metaphors, and distorted vocals. As other ornate voices answer this unadorned I, we’re introduced to the album’s central concept and titular character: the Mystic Familiar, that supernatural other being that we carry with us everywhere in our head, which only we can hear and with whom we live our lives in eternal conversation. “Hypnagogic” takes us deeper into Deacon’s mind, a synth swirl similar to those which have begun his recent performances, absorbing the pulse of the room and extending that abstract moment in which a journey begins.

“ANDREW LLOYD WEBBER’S MEGAHIT. THIS IS THE CATS YOU KNOW AND LOVE!” – The New York Times

CATS, the record-breaking musical spectacular by Andrew Lloyd Webber that has captivated audiences in over 30 countries and 15 languages, is now on tour across North America! Audiences and critics alike are rediscovering this beloved musical with breathtaking music, including one of the most treasured songs in musical theater—”Memory.” Winner of seven Tony Awards®, including BEST MUSICAL, CATS tells the story of one magical night when an extraordinary tribe of cats gathers for its annual ball to rejoice and decide which cat will be reborn.

The original score by Andrew Lloyd Webber (The Phantom of the Opera, School of Rock, Sunset Boulevard), original scenic and costume design by John Napier (Les Misérables), all-new lighting design by Natasha Katz (Aladdin), all-new sound design by Mick Potter, new choreography by Andy Blankenbuehler (Hamilton) based on the original choreography by Gillian Lynne (Phantom) and direction by Trevor Nunn (Les Misérables) make this production a new CATS for a new generation!

Steve Lapointe’s nine years of classical piano as a youth grounded him in music theory. Jazz studies while in Ithaca, NY, opened his ears to extemporaneous improvisation and the music of Keith Jarrett, Chick Corea, Bill Evans, Michel Petrucciani and the American songbook. Steve served as musical director of the Unitarian Universalist Fellowship of Vero Beach, Florida, and occasionally performed at the UU Asheville congregation.

Come hang with our favorite mother daughter Duo is back to perform all your favorites. Enjoy great music, great wine and food, with great friends!

Jack of the Wood : Sunday-Irish Session 

Sundays

1 till who knows when?

Traditional Irish music is kept alive at Jack of the Wood with our unplugged Sunday session.

Jack of the Wood

95 Patton ave

Asheville, NC 28801

(828) 252.5445

http://www.jackofthewood.com/

Phuncle Sam is Asheville’s own Dead-Centric “jam band”. Since their formation in 2004, Phuncle Sam has been firmly rooted in musical exploration. The band serves up inventive interpretations of Jerry Garcia, Grateful Dead, and many others. They have built up a faithful following by using an approach that respects the improvisational traditions of The Grateful Dead, while exploring what can happen when individual band members bring their unique influences and interpretations into the mix.

“ANDREW LLOYD WEBBER’S MEGAHIT. THIS IS THE CATS YOU KNOW AND LOVE!” – The New York Times

CATS, the record-breaking musical spectacular by Andrew Lloyd Webber that has captivated audiences in over 30 countries and 15 languages, is now on tour across North America! Audiences and critics alike are rediscovering this beloved musical with breathtaking music, including one of the most treasured songs in musical theater—”Memory.” Winner of seven Tony Awards®, including BEST MUSICAL, CATS tells the story of one magical night when an extraordinary tribe of cats gathers for its annual ball to rejoice and decide which cat will be reborn.

The original score by Andrew Lloyd Webber (The Phantom of the Opera, School of Rock, Sunset Boulevard), original scenic and costume design by John Napier (Les Misérables), all-new lighting design by Natasha Katz (Aladdin), all-new sound design by Mick Potter, new choreography by Andy Blankenbuehler (Hamilton) based on the original choreography by Gillian Lynne (Phantom) and direction by Trevor Nunn (Les Misérables) make this production a new CATS for a new generation!

Times change and trends come and go, but – like a 1961 Jaguar XK-E – the classic sounds of the past only appreciate with age.

Postmodern Jukebox’s Life In The Past Lane Concert Tour is a celebration of the greatest 20th century musical genres, fused with the recognizable hits of our own modern era, for the perfect patina of “vintage” and “modern.” As always, we’ll be bringing the PMJ Universe to life with a cast full of today’s most exciting vocalists, instrumentalists, and tap dancers, to bring you the top-shelf entertainment experience for which PMJ is known.

Whether you’re a vinyl aficionado or a TikTok fashionista, catch a ride with us for an unforgettable trip through 100 years of timeless music.

Free + open to all

UNC Asheville Cultural Events/Equity & Arts Series

April 11-14, 2023 

About the Festival

During the weeklong residency, hip-hop Indigenous artists, graffiti artists and DJs will meet on the campus of UNC Asheville (Antokiasdiyi, Cherokee territory) to share and exchange their music and language with our community. This is a unique opportunity for the university and community to engage with contemporary Native American and Indigenous musicians. The three main rappers and artists will visit from Chile, Mexico and the US. In decolonizing academia, this week will provide an alternative space to learn about Indigenous land-based ways of being both in North America and Latin America. We are partnering with the Museum of the Cherokee Indian and local hip hop artists and community leaders.

What is sound? How does a person hear and listen to music? Why is it one of the most powerful expressions of humanity? All that exists creates sound. The tiniest elements of everything on this planet move, vibrate, and therefore create resonance or sound. This powerful force has the ability to heal and create or confuse and destroy. Once we understand what sound truly is, we have the ability to influence our consciousness, as well as our environment. Imagine a space where people of all ages can explore sound, view and play with instruments from around the world, and experience through music the commonalties of cultures. Music influences our social, emotional, cognitive, physical, spiritual, and creative selves. People will be able to understand the science behind how they listen and enjoy discovering about brainwave states and how sound effects the mechanics and of the body. That’s exactly what you can do in the LEAF Instrument Petting Zoo!

Free + open to all

UNC Asheville Cultural Events/Equity & Arts Series

April 11-14, 2023 

About the Festival

During the weeklong residency, hip-hop Indigenous artists, graffiti artists and DJs will meet on the campus of UNC Asheville (Antokiasdiyi, Cherokee territory) to share and exchange their music and language with our community. This is a unique opportunity for the university and community to engage with contemporary Native American and Indigenous musicians. The three main rappers and artists will visit from Chile, Mexico and the US. In decolonizing academia, this week will provide an alternative space to learn about Indigenous land-based ways of being both in North America and Latin America. We are partnering with the Museum of the Cherokee Indian and local hip hop artists and community leaders.

The name Hot Tuna invokes as many different moods and reactions as there are Hot Tuna fans — millions of them. To some, Hot Tuna is a reminder of some wild and happy times. To others, that name will forever be linked to their own discovery of the power and depth of American blues and roots music. To newer fans, Hot Tuna is a tight, masterful duo that is on the cutting edge of great music.

All of those things are correct, and more. For more than four decades, Hot Tuna has played, toured, and recorded some of the best and most memorable acoustic and electric music ever. And Hot Tuna is still going strong — some would say stronger than ever.

Orville Peck is country music’s newest outlaw. His handmade, fringed masks, which obscure his features except for a pair of ice blue eyes, belie his deeply personal lyrics, while his ornate Nudie suits recall the golden age of country. Peck’s masks and theatric stage presence immediately grab audience attention, similar to the way Dolly Parton and Johnny Cash’s larger-than-life images captured him as a young man. However, it’s his voice and his songwriting, influenced by Parton, Loretta Lynn, Townes Van Zandt, and Gram Parsons, that have captivated a fan base as extensive and diverse as his musical tastes. Citing artists from Ernest Tubb (the first country artist to use an electric guitar at the Grand Ole Opry) to Kacey Musgraves, Peck says, ”Every decade or so, there comes a new batch of artists that shake up the question of ‘what is country?’ “I’m in the middle of that more often than not these days. I kind of like it, because I think I’m in good company.” Orville Peck is taking his “Bronco Tour” to cities across the U.S. in 2023.

The traditional music of the mountains of North Carolina traces its roots back to the Celtic music of Ireland and Scotland. Traditional Celtic music is still played on the porches and in the pubs of the Celtic lands… and also throughout the southern Appalachian mountains.

In true pub fashion, White Horse Black Mountain hosts a traditional Irish style session twice a month, on the second and fourth Wednesdays, starting at 7pm….

……..and there is NO COVER CHARGE.

Sessions are in many ways the heart and soul of Irish traditional music, a place for players to share tunes and socialize. It’s not a performance, but rather an informal situation in which listeners are welcome to participate, whether offering encouragement, singing along on a chorus, or asking questions about the music and instruments. White Horse sessions regularly draws players from as far away as Waynesville, Cullowhee, Rutherfordton and even Clayton, Georgia.

The sessions are hosted by Richard and Melinda Halford.

Drop by for a beer or a cup of tea and get uplifted by some great traditional tunes and a few new songs.

Come join us in a long musical tradition spanning hundreds of years.

– ALL AGES
– STANDING ROOM ONLY

VANCOUVER SLEEP CLINIC

Vancouver Sleep Clinic is the lustful, ambient guise of 26-year-old singer-songwriter and producer Tim Bettinson. Across his catalogue, elements of anthemic indie rock, intimate R&B, and sophisticated folk provide a sweeping film soundtrack for Bettinson’s gentle vocal and expansive storytelling. Emerging from his native Brisbane, Australia on the strength of a series of singles including “Someone To Stay,” “Middle of Nowhere,” “The Wire,” and the bedroom-produced viral cover of “As It Was,” Vancouver Sleep Clinic is poised to shift from under the radar success story to 2023 global headline mainstay.

GHOSTLY KISSES
Music has always been around Margaux Sauvé, born in Quebec to a family of musicians; she picked up the violin at the tender age of five. Moving on to the Conservatoire in Quebec, she quit due to“missing the fun part of it” but still loved music so started to play violin in local bands. Singing came a bit later as she thought that “to be a singer you had to have a powerful voice and be loud”, something that doesn’t come naturally to her as a quiet, thoughtful person. Alongside this, the pop music on the radio whilst growing up in Quebec wasn’t connecting with her, so it wasn’t until she started to write music whilst studying psychology at University that the creativity and desire to express revealed itself: “it just opened a completely new path for me”.

Writing music as Ghostly Kisses arrived at a moment where Margaux was in “a living situation I was not able to get out of. A toxic relationship where I had a hard time understanding what was happening.” With this knowledge, it is understandable that most of her early music has a sorrowful but exploratory mood; knowing there were things she needed to express, but not understanding quite how instinctively she was writing until years later it became apparent what she was singing about.

And now, with ‘Heaven, Wait’, her mesmeric debut album ready for release, her songwriting has developed to the point that this is the first time she has written and felt like she was part of the conversation. Able to view herself with an external eye, the album reflects transitions and rebirth – still talking about difficult situations, but with the ability to cast someone else in the lead role, giving the music a deeply personal yet starkly universal appeal. One which Margaux feels has come from “a more mature, adult way of looking at it.”

Identifying key themes of the album, Margaux frames the album artwork within the context of the songs as being “from water towards the air, there’s a lot of dark around me and I’m just going through to the light.” And that feels like the crux of the album, that nothing is perfect – there are always difficult situations, but it is about trusting the process and working hard towards something positive.

What is sound? How does a person hear and listen to music? Why is it one of the most powerful expressions of humanity? All that exists creates sound. The tiniest elements of everything on this planet move, vibrate, and therefore create resonance or sound. This powerful force has the ability to heal and create or confuse and destroy. Once we understand what sound truly is, we have the ability to influence our consciousness, as well as our environment. Imagine a space where people of all ages can explore sound, view and play with instruments from around the world, and experience through music the commonalties of cultures. Music influences our social, emotional, cognitive, physical, spiritual, and creative selves. People will be able to understand the science behind how they listen and enjoy discovering about brainwave states and how sound effects the mechanics and of the body. That’s exactly what you can do in the LEAF Instrument Petting Zoo!

– ALL AGES
– LIMITED PATIO SEATING IN FIRST COME FIRST SERVE

GRIEFCAT
Griefcat is an all-women musical comedy duo hailed as “local favorites” by Washington City Paper in their hometown of DC. Often referred to as “Tenacious Double D’s” due to their musicality and hilarious lyrics, their sequin studded shows have been referred to by attendees as “the most fun [we’ve] had since Lizzo.” They recently finished recording their 2nd studio album, “late stage capitalism,” with singles expected in Spring of 2023. A live clip of one of their upcoming singles, “Revolution (Poop at Work), ” recently garnered over 1M views on Instagram and counting.

BRITTANY ANN TRANBAUGH
Brittany Ann Tranbaugh is a singer songwriter hailing from Philadelphia. Her queer country song “Kiss You” won Song of the Year in the 2021 John Lennon Songwriting Contest, and she regularly tours with Carsie Blanton. In October, she recorded a 5 song EP in LA with Grammy-nominated producer Tyler Chester, and will be releasing a single every 6 weeks beginning in March.

Every Thursday Live Music with Aaron Lafalce at 131 Main Restaurant, 6:00 p.m.

There’s no doubt that when it comes to rock & roll, the Rolling Stones define the genre and a generation. Jumping Jack Flash is considered by many to be the best Rolling Stones tribute band and has been wowing audiences for years performing on stages all over the world. Lead singer Joey Infante perfectly captures what it is about Jagger that makes him one of rock’s all-time icons.  Join us on the Rock and witness what made the original bad boys of Rock among the greatest showmen of their time. “…Jumping Jack Flash makes you feel that you are truly at a Stones concert.” –Music Arts Monthly

– ALL AGES
– STANDING ROOM ONLY

DEXTER AND THE MOONROCKS
Hailing from Abilene, Texas, Dexter & The Moonrocks deliver a unique Southern Alternative fusion lovingly dubbed “Western Space Grunge” by their fans. The band released their first single “Couch” in August of 2021, taking the internet by storm. After massive success with the hit single, the band released their self-titled EP featuring a number of hits like “Where I Steer” or “Behave” and receiving overwhelmingly positive responses. Lead vocalist/rhythm guitarist James Tuffs, lead guitarist/vocal harmonizer Ryan Anderson, bassist Ty Anderson, and drummer/vocal harmonizer Fox, draw on their favorite elements of bands like Nirvana, Austin Meade, Rainbow Kitten Surprise, and Whiskey Myers in order to create the unique sound that can only be described as “Western Space Grunge.”

Flatland Cavalry Tickets | Asheville, NC | The Orange Peel (etix.com)