Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
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Do you have a love for art and creativity? Do you have some time on your hands? Are you interested in getting to know a terrific group of talented artists? Volunteering at the Artists Collective | Spartanburg may be the right move for you. Come see what all the buzz is about and expand your circle of influence! We are actively seeking people to volunteer at the Collective in the retail role.
Now is the time to make a change and get out there! We will be happy to have you aboard. |
The beginning of the year is a great time for Ashevillians of all ages to explore, connect, and discover. Asheville Parks & Recreation (APR)’s new winter-spring program guide is filled with registration dates, information, and listings for hundreds of fitness and active living offerings, sports and clubs, arts and culture programs, out-of-school time activities, outdoor recreation, special events, parks and facilities’ hours of operation, and more.
The free guide is available at all APR community centers and online as a PDF or enhanced digital flipbook. Community members may also download the APR app for iPhone or search programs on avlREC.com.
Winter-Spring 2023 Guide Highlights
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Exercise at fitness centers with a free membership (through June 30, 2023).
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Walk, roll, or run your way to 50 miles in February and March during the Fit 50 Challenge for a free T-shirt.
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Celebrate Black Legacy Month with food, art, and festivals throughout the city in February.
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Meet neighbors over cards, board games, bingo, trivia contests, and community meals.
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Get an up-close look at big trucks, small trucks, transit buses, construction rigs, rescue vehicles, and public works equipment during Truck City AVL on April 15.
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Experience the fun, fellowship, fitness, arts, and competition of Asheville-Buncombe Senior Games and Silver Arts Classic for local adults over 50..
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Flex creativity at art, painting, writing, scrapbooking, and crafting classes.
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Connect with neighbors over sports such as basketball, flag football, volleyball, pickleball, tennis, and archery for kids, teens, and adults.
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Enjoy the honor of dirty hands with community garden workdays and Green Thumbs Garden Club at Grove Street Community Center’s greenhouse.
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Witness the power of gravity at the Montford Pinewood Derby in May.
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Refine square, tap, line, and West African dance skills at multiple locations.
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And so much more!
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Photo credit:
Sae Honda. Courtesy of the Artist.
NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.
NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.
The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.
Photo credit:
Photograph by Bowery Blue Makers
Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.
A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.
Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.
Food Scraps Drop Off
The City of Asheville, in partnership with Buncombe County and the Natural Resources Defense Council, is offering a FREE Food Scrap Drop-Off program in
two locations for all Buncombe County residents. This organic matter will be collected and turned into good clean compost, keeping it OUT of our landfill and reducing greenhouse gas emissions.
Register for Food Scraps Drop Off
Need a handy kitchen countertop food scrap bin? Let us know on the registration form! We’ll be having bin giveaways at city and county facilities and would love to give you one.
Locations
West Asheville Library – “Food Scrap Bin Shelters” on the south side of the building
942 Haywood Road, Asheville
Library open hours
Stephens-Lee Recreation Center “Food Scrap Shed” next to the Community Garden on the North side of the parking lot
30 Washington Carver Avenue, Asheville
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- Monday – Friday, 7 a.m. – 6 p.m.
- Saturday, 8 a.m. – 2 p.m.
- Sunday, 12 – 4 p.m.
Murphy Oakley Community Center and Library – “Food Scrap Bin Shelters” on the east side of the parking lot
749 Fairview Road, Asheville
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- Dawn – Dusk
Buncombe County Landfill – Convenience Center85 Panther Branch Road, Alexander
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- Monday-Friday, 8 a.m. – 4:30 p.m.
- Saturday, 8 a.m. – 12:30 pm
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Healing Dolls Exhibition
Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.
PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences
PLUS: FREE next-day access to Biltmore’s Gardens and Grounds
This visit includes access to:
- Italian Renaissance Alive at Amherst at Deerpark®
- 8,000 Acres of Gardens and Grounds for two consecutive days
- Antler Hill Village & Winery
- Complimentary Wine Tastings at the Winery
- Tastings require a Day-of-Visit Reservation, which can be made by:
- Scanning the QR Code found in your Estate Guide
- Visiting any Guest Services location
- Complimentary parking
Art Exhibition: Italian Renaissance Alive
This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history
Accessible gardens such as raised beds offer a chance for wheelchair bound and individuals with physical limitations grow vegetables and enjoy gardening. Join Extension Master Gardener Volunteer Alan Wagner and other members of the EMGV team in The Learning Garden for this program covering all the significant points on how to build an ADA compliant raised bed, including height, dimensions, and the materials to use.
Portions of this program may be held outside; please dress appropriately for the weather.
The presentation is free, but attendance is limited and registration is required.
In the late 70s, Bradley Jeffries had a chance meeting with Robert Rauschenberg outside his home on Captiva Island, and they bonded immediately. Bradley was hired to be the artist’s business and life manager. Her employment with him for over 30 years, until his death in 2008, involved many roles on the Board of Directors of Change, Inc and The Rauschenberg Foundation. Bradley’s travels with Rauschenberg took her on incredible adventures all over the world and exposed her to extraordinary opportunities. Throughout their friendship and work together, Rauschenberg gifted Bradley with many of his original artworks.
The family and friends of Bradley Jeffries will use her expansive and never previously exhibited Rauschenberg collection as a means of memorializing Bradley through this traveling exhibition. “Rauschenberg: A Gift in Your Pocket” opens on April 25, 2022 at the Bob Rauschenberg Gallery at Florida Southwestern State College in Ft. Myers for display throughout the summer. After which her collection will travel to The University of Kentucky Art Museum followed by its culminating exhibition at BMCM+AC.
Once her collection of Rauschenberg’s artwork completes its planned memorial exhibitions, pieces will be donated to each of the involved institutions in an ongoing memorial to Bradley and her legacy of promoting the arts and artists.
Curated by Jade Dellinger, Director of the Bob Rauschenberg Gallery at Florida Southwestern State College.
Asheville Gallery of Art’s March show, “Awakenings” features work by three new Gallery members: Jon Sebastian, Sara Bell, Andrea Stutesman. The show runs daily March 1 through March 31st, 2023 during gallery hours, 11am-6pm. An opening reception will be held March 3, 5-8pm; everyone is welcome.
The three artists will showcase their passion through three mediums, respectively. Not unlike the delicate and elusive trillium of the North Carolina mountain beds, these artists spring forward in the presentation of “Awakenings.” As featured artists of the month, Andrea Stutesman, Sara Bell, and Jon Sebastian join forces in presenting this amazing show by rendering their art using pastels, watercolors, and oil paints. Mesmerizing spring colors will grace the windows and walls of the gallery, rendering imagery of flowers, exotic and endangered animals, and vibrant landscapes. “Awakenings” is the second of three group shows featuring new artists to the gallery.
Andrea Stutesman
Andrea’s early art explorations began with pastels under the guidance of her mother, an accomplished painter. Her work is from the heart, inspired by her interactions with people and places or by the stories brought to her with requests for commissions. She strives to transform a sense of calm and connection that she experiences when painting that will invite viewers to slow down and enjoy the beauty of life.
Jon Sebastian
Art and painting in particular is, for artist Jon Sebastian, the selective recreation of reality according to his own principles and what he deems interesting and just in this world we share. Jon cannot remember a time when he did not paint. At Asheville Gallery of Art, Jon is now moving forward with confidence that others will find his works a compelling addition to their own collections. Jon paints immersive works filled with color, light and shadow. His subjects are of nature and of the peace and spirituality in which they envelope us.
Sara Bell
Sara Bell has always loved drawing. It’s a form of meditation for her and has now become a way for her to find peace and sanity when her world gets too overwhelming, which, as a single mom with a neuro-divergent teen, happens quite often. When it does, Sara follows John Muir’s quote, “Off into the woods I go to lose my mind and find my soul.” The results of these adventures are delightful sketches and photography of the forests. Sara then works from her photos to create her watercolors and intaglio prints.
Come visit this engaging and thoughtful exhibition at 82 Patton Avenue in downtown Asheville. For further information about this show, contact the Asheville Gallery of Art at (828) 251-5796, visit the Gallery’s website at ashevillegallery-of-art.com, or go to the Gallery’s Facebook page.
An enrolled member of the Eastern Band of Cherokee Indians, Luzene Hill advocates for Indigenous sovereignty—linguistically, culturally, and individually. Revelate builds upon Hill’s investigation of pre-contact cultures. This has led Hill to incorporate the idea of Ollin, the Nahuatl word for the natural rhythms of the universe, in Aztec cosmology in her work. Before Europeans arrived in North America, Indigenous societies were predominantly matrilineal. Women were considered sacred, involved in the decision-making process, and thrived within communities holding a worldview based on equilibrium.
Ollin emphasizes that we are in constant state of motion and discovery. Adopted as an educational framework, particularly in social justice and ethnic studies, Ollin guides individuals through a process of reflection, action, reconciliation, and transformation. This exhibition combines Hill’s use of mylar safety blankets alongside recent drawings. Capes constructed of mylar burst with energy and rustle with subtle sound, the shining material a signifier of care, awareness, displacement, and presence. Though Hill works primarily in sculpture, drawing has increasingly become an essential part of her practice as she seeks to communicate themes of feminine and Indigenous power across her entire body of work. The energy within her drawings extends to the bursts of light reflecting from her capes or the accumulation of materials in other installation works.
Luzene Hill was born in Atlanta, GA, in 1946. She received her bachelor of fine art and master of fine art from Western Carolina University. She lives and works on the Qualla Boundary, Cherokee, NC.

Natural Collector is organized by the Asheville Art Museum. IMAGE: Christian Burchard, Untitled (nesting bowls), 1998, madrone burl, various from 6 × 6 × 6 to ⅜ × ⅜ × ⅜ inches. Gift of Fleur S. Bresler, 2021.76.01.
Natural Collector | Gifts of Fleur S. Bresler features around 15 artworks from the collection of Fleur S. Bresler, which include important examples of modern and contemporary American craft including wood and fiber art, as well as glass and ceramics. These works that were generously donated by contemporary craft collector Bresler to the Asheville Art Museum over the years reflect her strong interest in wood-based art and themes of nature. According to Associate Curator Whitney Richardson, “This exhibition highlights artworks that consider the natural element from which they were created or replicate known flora and fauna in unexpected materials. The selection of objects displayed illustrates how Bresler’s eye for collecting craft not only draws attention to nature and artists’ interest in it, but also accentuates her role as a natural collector with an intuitive ability to identify themes and ideas that speak to one another.”
This exhibition presents work from the Collection representing the first generation of American wood turners like Rude Osolnik and Ed Moulthrop, as well as those that came after and learned from them, such as Philip Moulthrop, John Jordan, and local Western North Carolina (WNC) artist Stoney Lamar. Other WNC-based artists in Natural Collector include Anne Lemanski, whose paper sculpture of a snake captures the viewer’s imagination, and Michael Sherrill’s multimedia work that tricks the eye with its similarity to true-to-life berries. Also represented are beadwork and sculpture by Joyce J. Scott and Jack and Linda Fifield.
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Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong. |
On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1
Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.
What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.
Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.
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Included with admission
Back by popular demand, The Vanderbilts at Home and Abroad exhibition offers guests:
- An opportunity to view rarely-seen treasures from the Biltmore collection
- A first-hand look at the Vanderbilts’ lifestyle
- Deeper insights into George, Edith, and Cornelia’s personalities, both at home and on their extensive travels
Access to exhibitions at The Biltmore Legacy is included with Biltmore daytime admission.
In the past 50 years in the United States and beyond, artists have sought to break down social and political hierarchies that include issues of identity, gender, power, race, authority, and authenticity. Unsurprisingly, these decades generated a reconsideration of the idea of pattern and decoration as a third option to figuration and abstraction in art. From 1972 to 1985, artists in the Pattern and Decoration movement worked to expand the visual vocabulary of contemporary art to include ethnically and culturally diverse options that eradicated the barriers between fine art and craft and questioned the dominant minimalist aesthetic. These artists did so by incorporating opulence and bold intricacies garnered from such wide-ranging inspirations as United States quilt-making and Islamic architecture.
Too Much Is Just Right: The Legacy of Pattern and Decoration features more than 70 artworks in an array of media from both the original time frame of the Pattern and Decoration movement, as well as contemporary artworks created between 1985 and the present. The artworks in this exhibition demonstrate the vibrant and varied approaches to pattern and decoration in art. Artworks from the 21st century elucidate contemporary perspectives on the employment of pattern to inform visual vocabularies and investigations of diverse themes in the present day.
Artworks drawn from the Asheville Art Museum’s Collection join select major loans and feature Pattern and Decoration artists Valerie Jaudon, Joyce Kozloff, Robert Kushner, and Miriam Schapiro, as well as Anni Albers, Elizabeth Alexander, Sanford Biggers, Tawny Chatmon, Margaret Curtis, Mary Engel, Cathy Fussell, Samantha Hennekke, John Himmelfarb, Anne Lemanski, Rashaad Newsome, Peter Olson, Don Reitz, Sarah Sense, Billie Ruth Sudduth, Mickalene Thomas, Shoku Teruyama, Anna Valdez, Kehinde Wiley, and more.
This exhibition is organized by the Asheville Art Museum and guest curated by Marilyn Laufer & Tom Butler.
Great companies start with great people. The WNC Career Expo helps you make the right connections with qualified candidates to meet your company’s workforce needs. Booth details: Each booth includes: pipe/drape, one six-foot table, two chairs, two box lunches and access to the employers lounge with drinks and snacks.
$300 per booth; $50 for optional electricity; $10 for additional box lunches
Find the Next Step in Your Career
Great companies start with great people, and you’ll find both at the WNC Career Expo.
Plan to join us Thursday, March 23rd from 11 AM – 5 PM at the Davis Event Center at the WNC Agricultural Center, located at 761 Boylston Highway in Fletcher.
Presented by the Mountain Area Workforce Board and the Asheville Area Chamber of Commerce.
Western North Carolina businesses and organizations are ready to promote career opportunities for job seekers in advanced manufacturing, technology, health care, tourism, professional services, and other high-growth industries. All job seekers are encouraged to attend this one-stop opportunity to meet directly with representatives from companies hiring now.
We are seeking volunteers to assist us in our small after school program for children in West Asheville in low-income housing. We provide a safe and nourishing environment, healthy snacks, and creative activities. Our program currently meets during the school year on most Tuesday and Thursday afternoons from 3:00-5:00pm. You may volunteer for one or two days a week.
Volunteer Responsibilities:
- Assist with serving snacks
- Interact with children during activity time
- Supervise games and outdoor free time
- For people with background in education, there is also an opportunity to assist with curriculum development and program planning and administration
Requirements:
- Background check
- Orientation booklets will be provided
- Masks are required if unvaccinated
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Join us for free-form LEGO building every other Thursday afternoon, at 3:30pm! All ages 5 and up are welcome, but anyone under 10 years old will need to be accompanied by a caregiver. LEGO is provided. Please leave your personal bricks at home. |
Come join us for Business After Hours hosted by T-Mobile!
It’s a Magenta networking opportunity! T-Mobile is more than a wireless provider, so come out, have a drink, grab some grub, AND meet the local faces of the Un-carrier! Plus, we’ll be bringing the Un-carrier experience to Asheville with the T-Mobile Community Truck onsite at the venue! Door prizes include a chance to win one of three T-Mobile limited edition smart suitcases!
Feel free to bring a gift to be raffled off as door prizes towards the end of the evening. Bring your business cards for networking and a chance to win!
This event is offered as a benefit for Chamber membership. We welcome you to come and check us out! Please contact Jessica Kanupp, our Member Development Specialist, at [email protected] if you’re considering a Chamber membership.
Your Chance to Build Great Connections – You Don’t Want to Miss This Event!Business After Hours is the Chamber’s premier networking event and the best chance for your to make valuable connections to build your business – all while having a great time!With fantastic food and beverages compliments of our host sponsor, and the chance to win great door prizes – this event is the best combination of business and fun!There is no cost to attend but registration is required.March’s Business After Hours will be hosted by First Bank, catered by The Grafted Olive.
Every Thursday
- Live Music with Aaron Lafalce at 131 Main Restaurant, 6:00 p.m.
Trivia, Singo, tailgate games, and more! Our games are sure to challenge you, but c’mon… it’s not rocket science!
Join docents for tours of the Museum’s Collection and special exhibitions. No reservations are required.

Mickalene Thomas, Interior: Zebra with Two Chairs and Funky Fur, 2014, relief, intaglio, lithography, digital, collage, enamel paint, water soluble artist crayon, and gold leaf on 4-ply Crescent mat board, 43 × 53 inches. Asheville Art Museum Collection. © Mickalene Thomas / Artists Rights Society (ARS), New York.
Have you considered growing herbs in your forestland or in your fields? Join WNC Medicinal Herb Growers for this beginner-level workshop appropriate for anyone wanting to get started cultivating herbs for market. We will delve into site considerations, growing requirements, harvesting, storing methods, and market options for selling your herbs.
This event will conducted through Zoom, and the event link will be shared through a separate email to those registered.
LED BY ELLE BLACKBURN, O&G BAR MANAGER
Sure, we all want to feel like James Bond and order our martinis “shaken, not stirred,” but we aren’t teaching you how to shake your martinis in this class! Since February’s class sold out, we’re bringing Martinis back to our lesson plans. Stir your way to the perfect martini and join us on March 23rd as we explore gin, vermouth, bitters, and brine as they come together to create a beautiful, icy-cold, slow sipper. March 23rd’s Cocktail Class, “Stirred, Not Shaken” will focus on the art & science of creating this timeless stirred cocktail fit for an international secret agent.
Come find out what all goes into stirring up this first-class libation at March’s Cocktail Class: “Stirred, Not Shaken”. We’ll take a deep dive into classic stirred martinis: from the dry to the dirty (ain’t no Espresso Martinis in this class!) There are options for both paired and solo tickets, so if you’re coming with a friend, please make sure you purchase the correct ticket. One ticket per participant is required. Classes are capped at a maximum of 12 people per class.
Please direct any and all questions to [email protected] and we’ll be sure to get back to you as soon as possible!
WHAT YOU’LL NEED TO KNOW
All O&G Cocktail Classes are 21+. Photo IDs are required to participate in our Cocktail Classes so make sure you bring yours to each class. Don’t forget to arrive early to get settled in & sip on a cocktail before the class starts.
Please reach out to [email protected] about any allergies or accessibility accommodations when booking the event and we will do our best to accommodate.
Doors open at 6:30 pm before the start of the event and will start promptly at 7:00 pm. Classes are taught in pairs and make for the perfect night out for couples, besties, or families. Paired tickets are offered at a discounted price!
There are options for both paired and solo tickets, so if you’re coming with a friend, please make sure you purchase the correct ticket. One ticket per participant is required. Classes are capped at a maximum of 12 people per class.
Oak and Grist Distilling Co. reserves the right to refuse service to any guest who appears or acknowledges to be intoxicated.
All cocktail class students will receive a complimentary barware goodie, take-home recipes, a hand-crafted cocktail, & a 15% discount in our Bottle Shop so you can keep your home bar stocked!
BIRDBRAIN
BY LILLIAN WHITE
Can a chicken’s story help us understand our own?
A small-town farm girl uncovers the story of humankind’s oldest companions, and reflects on her travels between South America and South Carolina. Dreamt up on her parents’ chicken farm and developed in Peru, this unique performance is rooted in bilingual, multicultural collaboration.
LILLIAN WHITE
Drawing on her experience growing up on a rural chicken farm, an actress reflects on the parallels between this animal and the human societies it has accompanied for thousands of years. Asking, “What is a birdbrain?”, she discovers a series of personal and historial stories that illuminate her own journey from the country to the city. Through physical theatre, visual theatre, storytelling and object work, the play examines themes of migration, memory, cultural encounter, and social relations with the earth.
TRIPLE FEATURE

The Visitors
by Leslie Dworkin & Kent De Spain
The Visitors is a new poignant and playful dance theater piece, co-choreographed by Leslie Dworkin and Kent De Spain. Two strangers appear uninvited in an empty home to explore a world filled with mystery and nostalgia. Are these figures refugees? Are they haunted by their past? Are they explorers on the cusp of a new world? At times humorous, impactful, and inspired by the plight of the refugee, this duet explores the ramifications of embracing one’s outsider status.

Bipolar Badass
by Mari Crawford
Bipolar Badass is a one woman show about the humor behind struggling with the illness. In between car crashes and apathetic psychiatrists lies an absurd perspective of “this thing called life.” From an initial diagnosis to family history to manic escapades to somewhat figuring it all out, we see the layers and ridiculousness of an illness that is misunderstood.

Inside Amanda
by Amanda Levesque and Idelle Packer
This interactive dance piece with audience participation features Amanda Levesque and other NC dancers exploring the theme of inwardness expressed outwardly. Choreographic and improvisational elements thread through the performance piece, accompanied by live music.







