Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
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Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home. Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection. |
Learn the basics of plant ink-making in this 2.5 hour workshop using methods that can be replicated in the home kitchen with a variety of plants. We will brew a smooth and earthy pink ink together using avocado peels and pits, a sustainable pigment source, and explore painting and drawing with our new plant ink. We will discuss ways to adjust the color, viscosity, stability, and other qualities of the ink. Additional artist-made inks will be available for experimentation, including marigold, goldenrod, black walnut, rose, and more. We will explore a variety of mark making and ink painting with drawing tools such as fountain pens, glass pens, calligraphy and watercolor brushes, and more. Tips and techniques specific to plant ink work will be shared, as well as a general exploration of ink drawing and painting techniques.
Sign up to greet voters at the Friendship Community Center during Early Voting!
Poll greeting is an important way you can help make sure voters fill out their entire ballot, even our important local races.
The shifts are 2 hours long, but please consider 1) signing up for two shifts at a time on as many days as possible; and 2) signing up for an empty shift first until they’re all filled with at least one volunteer. Early Voting begins on February 15th and will continue through March 2nd.
All Poll Greeters are encouraged to attend a Poll Greeter Training. Here is the link to sign up for the training: https://mobilize.us/s/oazSHJ
Thanks so much for agreeing to welcome and inform voters, and to encourage them to join our efforts.
Join the Hurricanes as we let the kids take over! The Canes are committed to recognizing excellence in local youth hockey and making the game FUN. Presented by Invisalign.
Join us for a scenic tour of SAHC’s Community Farm on a guided hike led by Engagement and Education AmeriCorps member, Katie Greer. Participants will hike along the The Discovery Trail, a 2.5-mile loop that traverses through the forests and fields of the farm. Along the way, we may encounter the resident Scottish Highland cow herd, Texas longhorn cattle, white-tailed deer, red-tailed hawks, and more as we make our way across the farm grounds. Our 140-acre Community Farm, located just outside of Asheville, is a dynamic hub for conservation projects and agricultural initiatives. An ideal place for photographers, nature-lovers, and individuals interested in regenerative agriculture, our stream restoration project, shortleaf pine reforestation project, farm incubator program, and education center, are a few of the highlights.
Please be aware that the Community Farm is an active facility not open to the public without the accompaniment of SAHC staff. To ensure the safety of all participants, maintain staff capacity, and create a positive experience, pre-registration for the hike is mandatory. Upon registration, you will receive an email containing specific information about where to meet on the farm and other essential details. It’s crucial to note that a significant portion of the hike may not be disability accessible.
If you have any questions or require further details, feel free to reach out to Katie Greer at [email protected].
Calling adventurous tweens/teens! Join us for Dungeons & Dragons at the Weaverville Library! This program is open to tweens and teens ages 12+.
All skill levels are welcome.
Space for this program is limited. Registration is required. Please stop by the Weaverville Library or call 828-250-6482 to reserve your space!
Sign up to greet voters at the Friendship Community Center during Early Voting!
Poll greeting is an important way you can help make sure voters fill out their entire ballot, even our important local races.
The shifts are 2 hours long, but please consider 1) signing up for two shifts at a time on as many days as possible; and 2) signing up for an empty shift first until they’re all filled with at least one volunteer. Early Voting begins on February 15th and will continue through March 2nd.
All Poll Greeters are encouraged to attend a Poll Greeter Training. Here is the link to sign up for the training: https://mobilize.us/s/oazSHJ
Thanks so much for agreeing to welcome and inform voters, and to encourage them to join our efforts.
A show brought to you by our Hendersonville Theatre’s Next Level Improv Class! Come check out this student show and see what our educational program is about! This is a free event open to the public! Donations will be accepted to benefit educational programs at Hendersonville Theatre.
Teacher: Heather Fender
Featuring:
Lk Kauffman Bissell
Leah Cosoi
Sam Craig
Michelle Detwiler
Elizabeth Frias
Craig Gregoire
Cynthia Gunter
Kelly Hart
Beth Vachon
Beginning in January 2024, ASAP (Appalachian
Sustainable Agriculture Project) will partner with Blue Ridge Women in Agriculture and MountainWise
to expand Double SNAP for Fruits and Vegetables programs to more farmers markets, farmstands,
and groceries in Western North Carolina. This group has established the WNC Double SNAP Network
in order to bring together existing programs and expand to new sites, making SNAP incentives more
accessible throughout the region.
SNAP programs that center local food and farms can significantly improve individual and community
health. They make fresh fruits and vegetables more accessible, keep food dollars in the local
economy, and connect participants with positive food and social environments in their communities.
“ASAP, Mountainwise, and Blue Ridge Women in Agriculture currently operate successful SNAP
incentive programs at 26 sites, which connect participants with fresh food and farms in their
communities,” said Mike McCreary, ASAP’s Farmers Market Program Manager. “By combining efforts
and resources, we’ll not only be able to deepen the impact of our existing programs, but also create
adaptive programs that meet the needs of communities that don’t currently have access.”
The first phase of the project focuses on strengthening existing programs across sites operating
January through March, including:
● Asheville City Winter Market, 52 N. Market St., Saturdays, 10 a.m.–1 p.m.
● Winter King Street Market, 252 Poplar Grove Rd., Saturdays, 10 a.m.–1 p.m.
● Columbus Winter Market, 35 Locust St., 1st and 3rd Saturdays, 10 a.m.–1 p.m.
● High Country Food Hub, 252 Poplar Grove Rd., Boone, online ordering with Wednesday pick-up,
12–6:30 p.m.
● Jackson County Winter Farmers Market, 110 Railroad Ave., Sylva, 10 a.m.–1 p.m.
● Jarrett Brothers IGA, 191 Main St., Rosman, daily, 7 a.m.–9 p.m.
● North Asheville Tailgate Market, 275 Edgewood Rd., Saturdays, 10 a.m.–1 p.m.
● River Arts District Farmers Market, 350 Riverside Dr., Asheville, 3–5:30 p.m.
● Rutherford County Winter Farmers Market, 146 North Main St., Rutherfordton, 1st and 3rd
Saturdays, 10 a.m.–1 p.m.
● Saluda Winter Market, 64 Greenville St., 2nd and 4th Saturdays, 10 a.m.–1 p.m.
● Transylvania Farmers Market, 200 E. Main St., Brevard, Saturdays, 10 a.m.–12 p.m.
● Weaverville Tailgate Market, 60 Lakeshore Dr., Saturdays, 3–6 p.m
Explore the Nature Center after dark!
Carolina Resource Center for Eating Disorders Collaborates with Representative Deb Butler in Recognition of Eating Disorders Awareness Week
FOR IMMEDIATE RELEASE – 2.20.24 – North Carolina — Carolina Resource Center for Eating Disorders (CRC for ED), the only nonprofit in NC providing education, resources, and support to individuals, families, and professionals concerned with disordered eating and recovery from eating disorders, is excited to announce Eating Disorders Awareness Week 2024, Feb. 26 – March 3, 2024!
Eating Disorders Awareness Week (EDAW) is an annual campaign to educate the public about the realities of eating disorders and to provide hope, support, and visibility to individuals and families affected by eating disorders. This year’s theme is “Healing in Community.” A supportive environment plays a powerful part in the healing process.
“This is a time when all those concerned with eating disorders have an opportunity to come together for greater reach,” says Simone Seitz, executive director, CRC for ED. “The awareness allows us to bring information to the public; point individuals, families, and professionals to where they may obtain and/or provide support; and bring this life-threatening illness and the systemic barriers to care to light.”
This year, CRC for ED is partnering with Representative Deb Butler of District 18. On May 7, Eating Disorder Awareness Week will be formally recognized on the chamber floor of the North Carolina House of Representatives via a representative statement. Rep. Butler shares, “We cannot change things we are unaware of, so please join us as we continue to raise awareness about eating disorders because that is the first step in saving lives.”
- ● Read the Representative Statement HERE
- ● Hear from Representative Deb Butler HERE
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For more information
CRC for ED https://crcfored.com/
Representative Butler https://www.ncleg.gov/Members/Biography/H/730
WinterWorks : An exciting evening of dance featuring Neo Classical and Contemporary
works performed by the Ballet Conservatory of Asheville’s celebrated Professional and
Pre-professional dancers.
We had a wonderful 2023 year at BCA celebrating our 15th year. Productions included
‘Winter Works’,’Giselle’, and sold out performances of ‘The Nutcracker’ at both
Western Carolina University’s Bardo Arts Center and the Wortham Theater.
We were also very proud to announce that five of our graduated BCA students started
their professional ballet careers in top ranked ballet companies in the US, American
Ballet Theater’s Studio Company, Miami City Ballet, Ballet Tucson and Carolina Ballet.
We are excited for 2024! This season we will present ‘WinterWorks’ 2024, the
beautiful ballet ‘Paquita’ in the Spring and we will return to WCU’s Bardo Arts Center
and the Wortham Theater for ‘The Nutcracker’ in December.
The Ballet Conservatory is proud to provide their students with the best daily
training and guidance. We’re committed to connect our students with world-class
professionals to help prepare them for the challenging demands of a professional
career.
Eyes Up Here Comedy is a night featuring all femme comedians and this month we have a special show featuring comedians from the South East
Explore the dark side of Beer City on LaZoom’s Ghosted Tour!
Duration
1 hour
About
Come enjoy our most popular Asheville tour!
About
Bachelorette/Bachelor Parties are not permitted on this tour. The Fender Bender Bus is bachelorette/bachelor friendly!
Learn about Asheville’s strange, sometimes sordid past from our ghoulish guides. You’ll laugh! You’ll scream! You’ll discover mysteries and chilling tales of scandal and murder on the blood-stained streets of this picturesque town!
Ghosted runs approximately 60 minutes. Beer and wine are welcome onboard, but no open containers, and absolutely no liquor, please! All beer and wine must be purchased from the LaZoom Room. (Passengers must be at least 21 years old to drink on the bus, and must have valid ID.)
Age Restrictions
17 and up. No exceptions.
What’s Included
A bunch of bus seats
History of murders, ghosts and tragedies in the Land of the Sky
Tongue-in-cheek comedy
A live (not dead) tour guide
What’s Not Included
Bathroom breaks (It’s 60 minutes long – plan accordingly!)
Beer or Wine (Purchase at our bar, the LaZoom Room, and take on the bus)
Laughing (we’ll give you the funny, but it’s up to you to laugh)
Gratuity (guides only accept dead president currency)
Waitlist
If your desired time and availability is full, then please give us a call to be added to the waitlist.
Brevard College Theatre presents…
The Glass Menagerie by Tennessee Williams
In keeping with our Mission Statement, BC Theatre Dept. seeks to encourage student and community growth and purposeful interaction with a range of ideas. We mindfully tell this story with the deliberate aim of ensuring both open-mindedness and personal safety.
Cast Roles:
Amanda Wingfield: Naomi Firebaugh
Laura Wingfield: Ava Bonner
Tom Wingfield: Elijah Virgil Hughes
Jim O’Connor: Sierethene Chepes
CREATIVE TEAM
Production Roles:
Director: Abbey Toot
AD/ Care Team/ Community Engagement/ ASM 2/ Light Board Op: Grace Dempsey
Lighting Design: Andrea Boccanfuso
Scenic Design: Jodi Wyse
Costume Design: Sarah Haga-Lennon
Dramaturg: Sarah Hajkowski (remote; research focused)
Hair & Makeup Design: Evy Higdon
Sound Design: Dan Toot
Technical Director: Emily Mercedes Rich
PSM: Roxxanne Petryshak
ASM: Olly Morgan
Intimacy Director: Abbey Toot
Costumes/Hair and Makeup Applicator/Dresser: Graycie Barnett
Props Supervisor: Abby Reeves
Scenic Charge: Camile Bonnin
Scenic Painter: Anna Ervin
Costume Shop Manager: Gwyn Jennings
Sound Assistant/ Sound Board Operator: Nell O’Brian
Head Electrician/ Box Office Manager: Taylor Sparrow
Video Manager: Scott Douglas
Usher/Camera Op: Owen Clark
Usher/Camera Op: Jaylen Dickerson
Usher/Camera Op: Mickey Lasco
House Manager: Lyric Contarino
Head of Publicity: Sarah Cribbs
Positions in Bold: Indicate capstone role.
An Iliad
Written by Lisa Peterson and Denis O’Hare
Starring Scott Keel
Music Composed and Performed by Franklin Keel
Lighting Design by Abby Auman
Stage Management, Hair & Make-up, Set Design by Devyn Ray
An adaptation of Homer’s epic masterpiece into an evening of theater at its best: intimate, incisive, and urgent. The war in Troy is over – and the Poet saw it all. Back from the frontlines, he spins a tale of unquenchable rage, disputatious gods, and grieving widows. Telling the story of the war, like the war itself, both seduces and ravages the Poet; it emboldens, burdens, and threatens to overwhelm him. An Iliad weaves humanity’s unshakable attraction to warfare with the music of the muses, capturing the contradictory conditions of glory and violence with spellbinding modernity.
Gary Robinson, conductor
Caroline Robinson, harpsichord
Christoph Wilibald Gluck: Overtura from Orfeo ed Euridice
Philip Glass: Concerto for Harpsichord and Orchestra
Ottorino Respighi: Ancient Airs and Dances Suite No. 3
Johann Sebastian Bach: Orchestral Suite No. 3
If for you, the sound of the harpsichord conjures the luxury and excess enjoyed at the court of Marie-Antoinette, this concert starts there and takes you to places you couldn’t imagine. The experience is a romp through eras starting with Gluck’s response to the excesses of the Enlightenment, his Orfeo ed Euridice Overture. Then it takes a hard left with composer Philip Glass who was sick and tired of being called a minimalist and decided to explore the flowery Baroque period with his Concerto for Harpsichord and Orchestra, premiered in Seattle in 2002. The last movement will make you want to dance. The grace of Respighi’s Ancient Airs and Dances is all the bright-toned elegance you could wish for, followed by the original master of the Baroque, the one and only Johann Sebastian Bach. The instantly-recognizable majesty and beautiful melody of his third orchestral suite brings everything that’s just happened into sharp focus, and ties it in a profoundly Baroque bow.
Conductor Gary Robinson collaborates here with his daughter and celebrated keyboardist Caroline Robinson. This is an unforgettable program for them and for all who will be in the room to share it.
Gary Robinson, Conductor
Gary Robinson has been a part of the Greenville Symphony Orchestra family since joining GSO’s percussion section in 1985. He has performed as an orchestral percussionist since 1977 in Connecticut, Mississippi, Florida, Georgia, and North and South Carolina, as well as with the American Wind Symphony Orchestra of Pittsburgh, PA
In the 1990s, Robinson teamed up with then-GSO conductor David Pollitt to found the Side-By-Side project (at the time, the Apprentice Project) which paired GSO and student musicians for rehearsal and performance. Following the1997 completion of his Doctor of Music in Orchestral Conducting at the University of South Carolina, Robinson took on other GSO assignments that included conducting chamber concerts, GSO/Greenville Ballet productions of the Nutcracker ballet, and Symphonic Expeditions concerts for school-aged children. Robinson’s work in joint student/professional concerts continued through 2021 in the Side-By-Side pairing of GSO musicians and the orchestra he nurtured starting in 1985, Greenville County Young Artist Orchestra.
Guest Artist: Caroline Robinson, Harpsichord
Organist and church musician Dr. Caroline Robinson has been featured as a solo recitalist across the United States, in venues including New York City churches St. Thomas Fifth Avenue, St. John the Divine, Trinity Church Wall Street, and St. Patrick’s Cathedral; in Boston: Church of the Advent, Harvard Memorial Church, Cambridge, Methuen Memorial Music Hall; St. James in the City, Los Angeles; and Kansas City’s the Kauffman Center. She has also performed in England, France, and Germany. Her playing has been broadcast multiple times on American Public Media’s “Pipedreams,” “Pipedreams LIVE!,” and Philadelphia-based public radio station 90.1 WRTI’s Wanamaker Organ Hour. She has been a featured performer at conventions of the Organ Historical Society, the East Texas Pipe Organ Festival, and the American Guild of Organists, most recently performing in the closing concert of the 2022 AGO Convention in Seattle in collaboration with Seattle Pro Musica.
A prize winner at several distinguished organ competitions, Dr. Robinson is a laureate of the 2018 National Young Artists Competition in Organ Performance (NYACOP) and holds First Prize from the 11th annual Albert Schweitzer Organ Festival (2008) and from the 10th annual West Chester University Organ Competition (2010). She was a semifinalist in the 2014 Dublin International Organ Competition. In 2016, she was chosen as one of the Diapason’s “20 Under 30” promising young organists in the United States.
Caroline holds the post of Organist and Associate Choirmaster at the Cathedral of St. Philip in Atlanta. There, under the direction of Canon Dale Adelmann, she shares organ playing and accompanying responsibilities with Artist-in-Residence Jack Mitchener, and she leads the RSCM-based Chorister program. She is an active continuo player with early music ensembles, having performed at the Rochester Early Music Festival, San Francisco’s American Bach Soloists Academy, and now regularly with the Atlanta Baroque Orchestra.
Dr. Robinson completed her undergraduate work at the Curtis Institute of Music, where she studied with Alan Morrison. Aided by a grant from the J. William Fulbright fellowship fund, Caroline studied at the Conservatoire à Rayonnement Régional de Toulouse with Michel Bouvard and Jan Willem Jansen (organ) and Yasuko Bouvard (harpsichord). Caroline holds the Doctor of Musical Arts and the Master of Music in Organ Performance and Literature from the Eastman School of Music, where she studied with David Higgs. Dr. Robinson also received from Eastman the Performer’s Certificate and the Advanced Teaching Certificate in Theory Pedagogy.
Dr. Robinson is represented in North America by Karen McFarlane Artists, Inc.
by Lauren Gunderson
Directed by Jason Williams
Fangmeyer Theatre
This gripping tale unfolds the true story of Henrietta Leavitt, an ambitious astronomer working at Harvard University as a human computer. Eager to make astronomical discoveries, Henrietta faces adversity as she strives to contribute to the field while navigating strained relationships with her sister, love interest, and colleagues. Witness the profound impact of Henrietta’s groundbreaking work on Cepheid stars, unveiling a cosmic mystery that will leave you enthralled and inspired by the wonders of the universe and one woman’s inspiring determination.
Suitable for all audiences.
The Best Little Whorehouse in Texas
⭐ Candlelight concerts bring the magic of a live, multi-sensory musical experience to awe-inspiring locations like never seen before in Asheville. Get your tickets now to discover the music of Coldplay at Asheville Masonic Temple under the gentle glow of candlelight.
General Info📍 Venue: Asheville Masonic Temple📅 Dates and times: select your dates/times directly in the ticket selector⏳ Duration: 60 minutes (doors open 45 mins prior to the start time and late entry is not permitted)👤 Age requirement: 8 years old or older. Anyone under the age of 16 must be accompanied by an adult♿ Accessibility: this venue is ADA compliant❓ View the FAQs for this event here🪑 Seating is assigned on a first come first served basis in each zone🕯️ If you would like to book a private concert (min 15+ people), please click here🎻 Check out all the Candlelight concerts in Asheville🎁 To treat your friends and family to a Candlelight gift card, click here
Tentative Program
“Clocks”“My Universe”“Speed of Sound”“Trouble”“Fix You”“Paradise”“Shiver”“Yellow”“Something Just Like This”“The Scientist”“A Sky Full of Stars”
Performers
Listeso String Quartet
Reviews of Candlelight Concerts💬 Awilda R. ⭐⭐⭐⭐⭐: “Wonderful venue… incredible musicians.”💬 Dixie L. ⭐⭐⭐⭐⭐: “Incredible talented and entertaining. The venue was beautiful:) so thankful for a beautiful experience.”💬 Holly H. ⭐⭐⭐⭐⭐: “Very well run and the very talented musicians were great!”
Carl Sandburg wrote countless words in an array of different genres, including poetry, children’s stories, journal articles, as well as a biography and autobiography! He wrote of love and nature, dreams and struggles. This year’s theme of “Memory” is echoed in much of his works. ““Under the summer roses, when the flagrant crimson, lurks in the dusk, Of the wild red leaves, Love, with little hands, comes and touches you with a thousand memories, and asks you beautiful, unanswerable questions.” Carl Sandburg
Poems submitted for the 2024 contest should reflect the theme of “Memory.” By definition, “the process or power of recallling something learned or experienced from the past” Note: Poems do NOT need to be titled Memory, as long as the poem itself relates to the theme.
Students are invited to submit a poem to Carl Sandburg Home National Historic Site’s annual Student Poetry Contest. The contest encourages youth to explore writing their own poetry and is open to students nationwide!
- Submissions are accepted from grades 3-12 and must be submitted by email by Monday March 4, 2024. See below for submission rules.
- Winners will be notified by April 7, 2024, and will be invited to participate in a virtual celebration program on Sunday, April 28.
We want to hear from you
By 2030, we want UNC Asheville to have a sustainable enrollment of 3,800 to 4,000 students drawn to and supported by our commitment to the vision of an innovative public liberal arts and sciences university of the future known for its student-centered focus, hands-on learning, technology-driven solutions, and career-ready emphasis.
Help us imagine what this vibrant and innovative campus looks like by sharing your creative ideas for our future by participating in the Asheville 2030 survey.
UNC Asheville Cost-related Suggestions
Please share your suggestions for cost cutting, cost savings, budget relief, and revenue generation.
Are you interested in doing business with Buncombe County or learning about outreach opportunities for your business? If so, Buncombe County’s new vendor portal has upgraded features so vendors can now self-register with a variety of new options. The new portal will also make it easier for all vendors to access information to bid on contracts, get updates, manage contract information, view existing contracts, and more. Additionally, updated commodity codes will allow vendors to identify what goods and services they provide, allowing the County to better determine who to solicit and increase participation in the bidding process.
In an effort to continually increase the County’s commitment to equity, one of its 2025 Strategic Plan priorities, vendors can self-identify as a Woman/Minority Business Enterprise (WMBE) or Historically Under Utilized Business (HUB).
You can visit Buncombe County’s new and improved vendor portal here. If you have any questions, please contact [email protected].
There is no better way to DISCOVER and EXPLORE Asheville! Hop-on board one of Gray Line’s nostalgic trolleys for a fully narrated day tour, highlighting the history, homes, hang-outs and hot spots of this “city of surprises.”
Tour Highlights include . . . Downtown Asheville | Montford Historic District | The Grove Park Inn and Grove Park Historic District | Thomas Wolfe District | Pack Square and Asheville Art Museum | Grove Arcade | River Arts District | Biltmore Village
Hop-On and hear the story of a city rich in architecture, history and the arts . . .
Hop-Off and experience its eclectic shops and galleries; its world class culinary and craft brew scenes.
Tour Duration: The complete tour (one loop) lasts approximately 90 to 100 minutes. There is an additional 15 minute stop at the Asheville Visitor Center. The Hop-On/Hop-Off Tour ticket is valid for TWO consecutive days.
Departure Points: Join the Hop-On/Hop-Off Tour at any of the 10 stops. If you’re driving in to join the tour, Stop 1, the Asheville Visitor Center may be your best option. The Visitor Center, located at 36 Montford Ave. just off I-240 at Exit 4C, offers free parking (on a first come-first served basis) and restrooms. The Asheville Visitor Center is the ONLY place to join the Overview Tour.
Dads, Moms, Grandparents, Cousins, Aunts, Uncles, Siblings of all ages are invited to participate in this family theatre camp style production! There are roles for kids, teenagers and adults of all ages. Current, past, and new Playground Stage Families are invited to join!
Show Title: To be revealed at the 5 Year Birthday Celebration!
Dates and Times
Info Sessions & Auditions:
(Participants must choose one date to attend an info session) (Speaking role auditions are optional)
June 12, 2024 – Summer Family Musical Info Session & Speaking Role Auditions
or
June 19, 2024 – Summer Family Musical Info Session & Speaking Role Auditions
Rehearsals:
Evenings July 22nd – August 2nd
Located at Avery’s Creek Community Center
899 Glenn Bridge Rd SE, Arden, NC
Evenings August 5th-8th
Located at Asheville High School Theatre
Performances: August 9th & 10th
Asheville High School Theatre
Optional music learning rehearsals will take place every Wednesday from 6:00-7:30pm throughout the summer starting June 26th 2024
Liberation Tools is a cooperative subset of the 501c3 nonprofit Soul & Soil Project based in the unceded Tsalagi (Cherokee) territory of Western North Carolina.
Our mission is to build a collective that sustainably and skillfully crafts quality tools used for growing food, and freely distributes them to Black, Indigenous, and People of Color. To support these efforts, we sell these tools for twice the cost of producing one, thereby allowing people with accumulated wealth to access high quality tools by also paying for an identical tool to be sent to a BIPOC land steward.