Calendar of Events

Tired of Thanksgiving left overs? Head over to Moe’s on airport Rd and enjoy a meal with friends and family. No need to tell them you are there for the fundraiser. They donate a % of sales from the designated time!

https://www.facebook.com/events/274321716762843/

Open 5:00 – 10:00 p.m. Advance Tickets Required. Enjoy the wonder of the park dazzlingly lit for the holidays, with a nighttime train and more.

Candlelight Christmas Evenings*
Saturday, November 3, 2018 – Saturday, January 5, 2019 (Select Dates)

*Check website for availability/dates
*By reservation only.
*Pricing varies by date.

Candlelight, firelight, and live music bring holiday warmth to the extravagant holiday décor of Biltmore House, creating an evening to remember. Evening guests can also take advantage of Antler Hill Village & Winery to enjoy free wine tastings. Advance reservations are required for evening visits.

Learn more about #ChristmasAtBiltmore or plan your visit: biltmore.com/Christmas

https://www.facebook.com/events/2014125145534975/?event_time_id=2167409596873195

Please join us for a fundraiser benefitting Karen “Skippy” Shuart.

Assistant Fire Marshal Karen Shuart was diagnosed with Stage 4 Ovarian Cancer in May of this year. Please join us in supporting her on her journey of healing and recovery.

~A percentage of sales during the event will go directly to help Karen offset expenses related to her treatment.

~RAFFLE: $5 per ticket, $20 for 5, Great Prizes!!!

~DATE AUCTION: Bid on an eligible human and receive a gift certificate to a local restaurant for an evening of fun and conversation.

~GAMES: Giant Jenga and Cornhole

https://www.facebook.com/events/529790900829169/

Baile at The Bywater is back with another Tuesday night of FREE vending, flow art, fire spinning and musical celebration open to the community! Fully equipped with an all-star cast of DJs on Tuesdays, we invite you to join us by the river for the Asheville Baile?

◊ Vendors & Traders Welcome (no fee)
◊ Host hangouts, seminars, yoga sessions, outreach events, meet ups, fundraisers, music performances, gatherings & celebrations, etc!
◊ Art / Flow space
◊ Paint, draw, craft, poi, hoop, fire, etc

9pm – 2am
PRODUCER/DJ SHOWCASE
This week’s featured musical guests:
KirbyBright
+ Special Guest

https://www.facebook.com/events/2229510147318448/

Christmas at Biltmore Daytime Celebration*
Saturday, November 3, 2018 – Sunday, January 6, 2019 (daily)

*Included with estate admission.
*Does not include “Candlelight Christmas Evenings”

Experience the holidays wreathed with the wonder of Biltmore. Our celebration presents Christmas on a grand scale with more than 55 trees decorated by our talented staff, accented with miles of ribbon, garlands, and lights. Festive menus in our restaurants and holiday wine tastings make for a memorable visit.

Learn more about #ChristmasAtBiltmore or plan your visit: biltmore.com/Christmas

https://www.facebook.com/events/148458802536575/?event_time_id=247333682649086

When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.

In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.

The South has always been home to a blend of cultures — from Native Americans here by 14,000 years ago to Europeans 500 years ago, followed by Africans forced to migrate. By 1500, cultures in the South included Creek, Cherokee, Catawba, Choctaw, Chitimacha, and Coushatta, from Europe English, Scottish, Irish, and German, and Africans from Senegal to Congo. Baskets were integral in daily life, as agricultural equipment for gathering, sifting, storing, and serving the finished product or as receptacles for tools, clothes, sacred objects, and even infants.

Initially each culture had its own preferred basket material and method of manufacture — twilled rivercane for Native Americans, plaited oak for Europeans, and coiled grasses for Africans. Interaction between groups spurred adaptations to changing circumstances, such as the use of white oak by the Cherokee in the 1800s, as rivercane stands were decimated by European settlements. Native Americans also adopted the European picnic, flower, egg, and market baskets to sell in the 20th-century art market. Native and European Americans wove honeysuckle into baskets after 1854, when introduced from Japan. By the 17th century African Americans discovered bulrush along the coasts, coiling it into large, round “fanners” to winnow rice. Later bulrush was one medium among sweetgrass, pine needles, and palmetto, giving rise to the name “sweetgrass baskets” along the coast.

Baskets were woven not only for use in the fields and homes or for sale in art galleries but also as a connection to ancestors and spirits, as designs were said to come from inside one’s head, from memories of one’s mother’s motifs, or from the Creator. Indeed, working with one’s hands in nature to gather materials and to form them into a basket was considered spiritually and physically healthy, becoming a part of the practice of occupational therapy around World War I.

Today, basketweavers in the South from all three traditions are teaching the next generation to continue this art. Artists from across the region work with old and new materials in old and new forms, innovating for their legacy, for art’s sake, and for political causes, as embodied in the varied vessels in this gallery and epitomized in the virtuosic miniature examples in the case at right.

As Virginia Woolf said, “one cannot think well, love well, sleep well, if one has not dined well.” Food and water are essential for survival, but mankind’s relationship to food has transformed over time from one of sustenance to one laden with personal and cultural significance.

A Matter of Taste explores depictions of food and drink in art and reveals how images of fruits and vegetables can function as complex metaphors for excess, status, memory, and politics. Drawn from southern museums and private collections, this exhibition showcases over 35 paintings, decorative arts, and works on paper by artists such as Andy Warhol, Wayne Thiebaud, Henri Cartier-Bresson and Claes Oldenburg.

This show spans 400 years and multiple continents, revealing the evolving role of food and drink in various media and cultural contexts. While depictions of fruit and vegetables appeared in ancient times, still life painting as an independent genre dates to 16th-century Holland.

In 19th-century America, still life paintings remained popular but evolved in terms of subject matter, media, and message. Painters such as Thomas Wightman, George Forster, and De Scott Evans embraced Dutch still lifes and used food as commentary on the current political climate and the transient state of the human condition.

Illustrated newspapers led to an increase of cartoons by artists such as Winslow Homer and William Hogarth, who utilized food and drink as social satire. The 20th-century modern art movement further changed the perception of food. The culture of mass production enabled Pop artists to elevate seemingly mundane foodstuffs to high art. Yet, other contemporary artists explored the symbolic and nostalgic role of food seen in works by Tim Tate, Linda Armstrong, and Laquita Thomson.

Visitors will also experience an elaborately set dining table fit for a sumptuous feast. Dining became its own art form over time and communicated one’s social standing and wealth. Each of the table’s six place settings represent a different culture and offer a glimpse into global dining customs. Selective drinkware will accompany this section revealing how tea sets and even punch bowls reflected an owner’s prestige.

Open 5:00 – 10:00 p.m. Advance Tickets Required. Enjoy the wonder of the park dazzlingly lit for the holidays, with a nighttime train and more.

Candlelight Christmas Evenings*
Saturday, November 3, 2018 – Saturday, January 5, 2019 (Select Dates)

*Check website for availability/dates
*By reservation only.
*Pricing varies by date.

Candlelight, firelight, and live music bring holiday warmth to the extravagant holiday décor of Biltmore House, creating an evening to remember. Evening guests can also take advantage of Antler Hill Village & Winery to enjoy free wine tastings. Advance reservations are required for evening visits.

Learn more about #ChristmasAtBiltmore or plan your visit: biltmore.com/Christmas

https://www.facebook.com/events/2014125145534975/?event_time_id=2167409593539862

The Retrocade is hosting a benefit for Our VOICE, Buncombe County’s sexual assault prevention and crisis intervention center.
Come play classic arcade games, drink a beer, and support an amazing cause! Half of your entry wristband will be donated to Our VOICE. There will also be a raffle for two super cool paintings by local artists. We look forward to seeing you there!
*21 And up after 9*

Christmas at Biltmore Daytime Celebration*
Saturday, November 3, 2018 – Sunday, January 6, 2019 (daily)

*Included with estate admission.
*Does not include “Candlelight Christmas Evenings”

Experience the holidays wreathed with the wonder of Biltmore. Our celebration presents Christmas on a grand scale with more than 55 trees decorated by our talented staff, accented with miles of ribbon, garlands, and lights. Festive menus in our restaurants and holiday wine tastings make for a memorable visit.

Learn more about #ChristmasAtBiltmore or plan your visit: biltmore.com/Christmas

https://www.facebook.com/events/148458802536575/?event_time_id=247333685982419

When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.

In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.

The South has always been home to a blend of cultures — from Native Americans here by 14,000 years ago to Europeans 500 years ago, followed by Africans forced to migrate. By 1500, cultures in the South included Creek, Cherokee, Catawba, Choctaw, Chitimacha, and Coushatta, from Europe English, Scottish, Irish, and German, and Africans from Senegal to Congo. Baskets were integral in daily life, as agricultural equipment for gathering, sifting, storing, and serving the finished product or as receptacles for tools, clothes, sacred objects, and even infants.

Initially each culture had its own preferred basket material and method of manufacture — twilled rivercane for Native Americans, plaited oak for Europeans, and coiled grasses for Africans. Interaction between groups spurred adaptations to changing circumstances, such as the use of white oak by the Cherokee in the 1800s, as rivercane stands were decimated by European settlements. Native Americans also adopted the European picnic, flower, egg, and market baskets to sell in the 20th-century art market. Native and European Americans wove honeysuckle into baskets after 1854, when introduced from Japan. By the 17th century African Americans discovered bulrush along the coasts, coiling it into large, round “fanners” to winnow rice. Later bulrush was one medium among sweetgrass, pine needles, and palmetto, giving rise to the name “sweetgrass baskets” along the coast.

Baskets were woven not only for use in the fields and homes or for sale in art galleries but also as a connection to ancestors and spirits, as designs were said to come from inside one’s head, from memories of one’s mother’s motifs, or from the Creator. Indeed, working with one’s hands in nature to gather materials and to form them into a basket was considered spiritually and physically healthy, becoming a part of the practice of occupational therapy around World War I.

Today, basketweavers in the South from all three traditions are teaching the next generation to continue this art. Artists from across the region work with old and new materials in old and new forms, innovating for their legacy, for art’s sake, and for political causes, as embodied in the varied vessels in this gallery and epitomized in the virtuosic miniature examples in the case at right.

Join FSI at Juicy Lucys for lunch or dinner or take out on November 29 and they will donate 15% of the sales to our school. PLEASE MENTION FSI when you order. If we raise between $500 and $1,000 for our school, they will donate more!

They not only have the best burgers in town but they have awesome apps, the best milkshakes in town, pork, chicken, salads and seafood!

https://www.facebook.com/events/280070505955266/

As Virginia Woolf said, “one cannot think well, love well, sleep well, if one has not dined well.” Food and water are essential for survival, but mankind’s relationship to food has transformed over time from one of sustenance to one laden with personal and cultural significance.

A Matter of Taste explores depictions of food and drink in art and reveals how images of fruits and vegetables can function as complex metaphors for excess, status, memory, and politics. Drawn from southern museums and private collections, this exhibition showcases over 35 paintings, decorative arts, and works on paper by artists such as Andy Warhol, Wayne Thiebaud, Henri Cartier-Bresson and Claes Oldenburg.

This show spans 400 years and multiple continents, revealing the evolving role of food and drink in various media and cultural contexts. While depictions of fruit and vegetables appeared in ancient times, still life painting as an independent genre dates to 16th-century Holland.

In 19th-century America, still life paintings remained popular but evolved in terms of subject matter, media, and message. Painters such as Thomas Wightman, George Forster, and De Scott Evans embraced Dutch still lifes and used food as commentary on the current political climate and the transient state of the human condition.

Illustrated newspapers led to an increase of cartoons by artists such as Winslow Homer and William Hogarth, who utilized food and drink as social satire. The 20th-century modern art movement further changed the perception of food. The culture of mass production enabled Pop artists to elevate seemingly mundane foodstuffs to high art. Yet, other contemporary artists explored the symbolic and nostalgic role of food seen in works by Tim Tate, Linda Armstrong, and Laquita Thomson.

Visitors will also experience an elaborately set dining table fit for a sumptuous feast. Dining became its own art form over time and communicated one’s social standing and wealth. Each of the table’s six place settings represent a different culture and offer a glimpse into global dining customs. Selective drinkware will accompany this section revealing how tea sets and even punch bowls reflected an owner’s prestige.

Come jump with your kids, invite your friends, neighbors, and family! Jumping is for all ages. Help HSA raise money that will go towards upgrading security measures at school (i.e. access to campus, changing locks on doors, etc). Launch has agreed to give us 25% of proceeds from paying customers.

*When purchasing your tickets, please mention “Captain Gilmer Christian School”.

https://www.facebook.com/events/251470478857222/

Open 5:00 – 10:00 p.m. Advance Tickets Required. Enjoy the wonder of the park dazzlingly lit for the holidays, with a nighttime train and more.

Candlelight Christmas Evenings*
Saturday, November 3, 2018 – Saturday, January 5, 2019 (Select Dates)

*Check website for availability/dates
*By reservation only.
*Pricing varies by date.

Candlelight, firelight, and live music bring holiday warmth to the extravagant holiday décor of Biltmore House, creating an evening to remember. Evening guests can also take advantage of Antler Hill Village & Winery to enjoy free wine tastings. Advance reservations are required for evening visits.

Learn more about #ChristmasAtBiltmore or plan your visit: biltmore.com/Christmas

https://www.facebook.com/events/2014125145534975/?event_time_id=2167409576873197

On November 29th 8pm-10pm there will be a scheduled Artist Meet and Greet/ Fundraiser for LEAF ONEmic Studio. Suggested donation starts at five dollars and the funds collected will be used to repair ONEmic instruments, purchase software updates, mend equipment that had been damage or lost during this past LEAF Festival.

Nex Millen will be in attendance to share inspiration on the creation of the exhibit along with performances by multi talented Hip Hop Artist Damon Snowden, vegan catering will be provided by Wadadli Dessert Oasis and an international dance party with DJ Red Iyah

If you can not attend the event on Nov 29th please feel free to visit The Block Off Biltmore any day during the month of November to experience the story of “Modern Ancestors”

Modern Ancestors is an Art Collection created by Hip Hop Scholor and Cultural Curator Nex Millen. It is “A celebration of Modern African American Hero’s through Canvas Art”

Combining Photography, Graphic Design and Graffiti Art. Nex creates colorful expression on 16×20 canvas that delivers a unique visual story.

Nex Millen is also a lead Teaching Artist for “LEAF ONEmic Studio U.S.” and their Electronic Music Experience program “EMErgence”

https://www.facebook.com/events/444448939421610/

**EVENT FILLED. FOLLOW LINK TO SIGN UP FOR NEXT YEAR!**
Experience the beauty of the Christmas season with the Annie Moses Band as the acclaimed classical crossover ensemble performs stunning arrangements of holiday favorites. Strings, harp, and soaring vocals take the stage to re-imagine classic melodies and to debut originals that are sure to become classic. From the electrifying rhythm of “Carol of the Bells” to the breath-taking beauty of “O Holy Night,” “Christmas with the Annie Moses Band” is a cinematic journey audiences are sure to love.

https://www.facebook.com/events/254777585289805/

The Barefoot Movement invites you to join them for their holiday celebration performance. Complete with all of your classic seasonal favorites, you’ll hear acoustic renditions of everything from Chuck Berry’s “Run Run Rudolph” to Perry Como’s “It’s Beginning to Look A Lot Like Christmas” and emotional takes on the more tender songs of the season like “Oh Holy Night” and “Hark The Herald Angels Sing.”

Main Stage Seated

Limited Tables Available with a Dinner Reservation :: All Other Seating is First Come First Serve General Admission :: Please Call Venue for Dinner (Table) Reservations

$15 Advance / $20 Day of Show

https://www.facebook.com/events/1791849544264845/