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Do you have a love for art and creativity? Do you have some time on your hands? Are you interested in getting to know a terrific group of talented artists?
Volunteering at the Artists Collective | Spartanburg may be the right move for you. Come see what all the buzz is about and expand your circle of influence! We are actively seeking people to volunteer at the Collective in the retail role.
Now is the time to make a change and get out there! We will be happy to have you aboard.
Center for Craft: Cowork Office Available
Mar 22 @ 10:00 am – 6:00 pm
Center for Craft
Located on the second floor of our building downtown Asheville, North Carolina, Cowork at Center for Craft provides space for creative entrepreneurs and small businesses to work alongside each other while building community.
We have one private office available as well as our more flexible desk spaces! If you are local to Asheville or planning to relocate here soon, visit our page to learn about our plans and schedule a tour.
Some perks of being a Coworker in our space include strong and reliable internet, mail service, monthly conference room credits, complimentary color printing, a full kitchen, and access to a wide network of creative professionals.
Ways to Cowork
Private Office
$500–$1200
Unlimited access during extended hours
Direct fiber internet
14 hrs/month of conference room usage
Anchor Desk
$300
Unlimited access during extended hours
Dedicated desk space & storage
10 hrs/month of conference room usage
F/T Flex Plan
$200
Unlimited access during standard hours
Shared desk space
6 hrs/month of conference room usage
P/T Flex Plan
$150
Access 10 days/month during standard hours
Shared desk space
3 hrs/month of conference room usage
Exhibition: NEO MINERALIA
Mar 22 @ 10:00 am – 6:00 pm
Center for Craft
Photo credit:
Sae Honda. Courtesy of the Artist.
NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.
NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.
The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.
Exhibition: Something earned, Something left behind
Mar 22 @ 10:00 am – 6:00 pm
Center for Craft
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.
Exhibition: Crafting Denim
Mar 22 @ 10:00 am – 6:00 pm
Center for Craft
Photo credit:
Photograph by Bowery Blue Makers
Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.
A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.
Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.
Food Scraps Drop Off: West Asheville Library
Mar 22 @ 10:00 am – 5:00 pm
West Asheville Library
Food Scraps Drop Off
The City of Asheville, in partnership with Buncombe County and the Natural Resources Defense Council, is offering a FREE Food Scrap Drop-Off program in
two locations for all Buncombe County residents. This organic matter will be collected and turned into good clean compost, keeping it OUT of our landfill and reducing greenhouse gas emissions.
Need a handy kitchen countertop food scrap bin? Let us know on the registration form! We’ll be having bin giveaways at city and county facilities and would love to give you one.
Locations
West Asheville Library – “Food Scrap Bin Shelters” on the south side of the building
Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.
PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences
PLUS: FREE next-day access to Biltmore’s Gardens and Grounds
This visit includes access to:
Italian Renaissance Alive at Amherst at Deerpark®
8,000 Acres of Gardens and Grounds for two consecutive days
Antler Hill Village & Winery
Complimentary Wine Tastings at the Winery
Tastings require a Day-of-Visit Reservation, which can be made by:
Scanning the QR Code found in your Estate Guide
Visiting any Guest Services location
Complimentary parking
Art Exhibition: Italian Renaissance Alive
This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history
Art Exhibit: RAUSCHENBERG: A Gift in Your Pocket
Mar 22 @ 11:00 am – 5:00 pm
Black Mountain College Museum + Arts Center
Robert Rauschenberg, Autobiography, 1968
In the late 70s, Bradley Jeffries had a chance meeting with Robert Rauschenberg outside his home on Captiva Island, and they bonded immediately. Bradley was hired to be the artist’s business and life manager. Her employment with him for over 30 years, until his death in 2008, involved many roles on the Board of Directors of Change, Inc and The Rauschenberg Foundation. Bradley’s travels with Rauschenberg took her on incredible adventures all over the world and exposed her to extraordinary opportunities. Throughout their friendship and work together, Rauschenberg gifted Bradley with many of his original artworks.
The family and friends of Bradley Jeffries will use her expansive and never previously exhibited Rauschenberg collection as a means of memorializing Bradley through this traveling exhibition. “Rauschenberg: A Gift in Your Pocket” opens on April 25, 2022 at the Bob Rauschenberg Gallery at Florida Southwestern State College in Ft. Myers for display throughout the summer. After which her collection will travel to The University of Kentucky Art Museum followed by its culminating exhibition at BMCM+AC.
Once her collection of Rauschenberg’s artwork completes its planned memorial exhibitions, pieces will be donated to each of the involved institutions in an ongoing memorial to Bradley and her legacy of promoting the arts and artists.
Curated by Jade Dellinger, Director of the Bob Rauschenberg Gallery at Florida Southwestern State College.
Asheville Gallery of Art “Awakenings” Group Show
Mar 22 @ 11:00 am – 6:00 pm
Asheville Gallery of Art
Asheville Gallery of Art’s March show, “Awakenings” features work by three new Gallery members: Jon Sebastian, Sara Bell, Andrea Stutesman. The show runs daily March 1 through March 31st, 2023 during gallery hours, 11am-6pm. An opening reception will be held March 3, 5-8pm; everyone is welcome.
The three artists will showcase their passion through three mediums, respectively. Not unlike the delicate and elusive trillium of the North Carolina mountain beds, these artists spring forward in the presentation of “Awakenings.” As featured artists of the month, Andrea Stutesman, Sara Bell, and Jon Sebastian join forces in presenting this amazing show by rendering their art using pastels, watercolors, and oil paints. Mesmerizing spring colors will grace the windows and walls of the gallery, rendering imagery of flowers, exotic and endangered animals, and vibrant landscapes. “Awakenings” is the second of three group shows featuring new artists to the gallery.
Andrea Stutesman
Andrea’s early art explorations began with pastels under the guidance of her mother, an accomplished painter. Her work is from the heart, inspired by her interactions with people and places or by the stories brought to her with requests for commissions. She strives to transform a sense of calm and connection that she experiences when painting that will invite viewers to slow down and enjoy the beauty of life.
Jon Sebastian
Art and painting in particular is, for artist Jon Sebastian, the selective recreation of reality according to his own principles and what he deems interesting and just in this world we share. Jon cannot remember a time when he did not paint. At Asheville Gallery of Art, Jon is now moving forward with confidence that others will find his works a compelling addition to their own collections. Jon paints immersive works filled with color, light and shadow. His subjects are of nature and of the peace and spirituality in which they envelope us.
Sara Bell
Sara Bell has always loved drawing. It’s a form of meditation for her and has now become a way for her to find peace and sanity when her world gets too overwhelming, which, as a single mom with a neuro-divergent teen, happens quite often. When it does, Sara follows John Muir’s quote, “Off into the woods I go to lose my mind and find my soul.” The results of these adventures are delightful sketches and photography of the forests. Sara then works from her photos to create her watercolors and intaglio prints.
Come visit this engaging and thoughtful exhibition at 82 Patton Avenue in downtown Asheville. For further information about this show, contact the Asheville Gallery of Art at (828) 251-5796, visit the Gallery’s website at ashevillegallery-of-art.com, or go to the Gallery’s Facebook page.
Emergency Tech Repair is full service tech repair shop for phones, laptops, computers and more! They offer gaming commuter support and building as well as tech accessorys. The shop is located in the center of the Asheville Mall (near Victorias Secret)
Join us for some small bites and a free screen protector!
An enrolled member of the Eastern Band of Cherokee Indians, Luzene Hill advocates for Indigenous sovereignty—linguistically, culturally, and individually. Revelate builds upon Hill’s investigation of pre-contact cultures. This has led Hill to incorporate the idea of Ollin, the Nahuatl word for the natural rhythms of the universe, in Aztec cosmology in her work. Before Europeans arrived in North America, Indigenous societies were predominantly matrilineal. Women were considered sacred, involved in the decision-making process, and thrived within communities holding a worldview based on equilibrium.
Ollin emphasizes that we are in constant state of motion and discovery. Adopted as an educational framework, particularly in social justice and ethnic studies, Ollin guides individuals through a process of reflection, action, reconciliation, and transformation. This exhibition combines Hill’s use of mylar safety blankets alongside recent drawings. Capes constructed of mylar burst with energy and rustle with subtle sound, the shining material a signifier of care, awareness, displacement, and presence. Though Hill works primarily in sculpture, drawing has increasingly become an essential part of her practice as she seeks to communicate themes of feminine and Indigenous power across her entire body of work. The energy within her drawings extends to the bursts of light reflecting from her capes or the accumulation of materials in other installation works.
Luzene Hill was born in Atlanta, GA, in 1946. She received her bachelor of fine art and master of fine art from Western Carolina University. She lives and works on the Qualla Boundary, Cherokee, NC.
Natural Collector | Gifts of Fleur S. Bresler
Mar 22 @ 11:00 am – 6:00 pm
Asheville Art Museum
Natural Collector is organized by the Asheville Art Museum. IMAGE: Christian Burchard, Untitled (nesting bowls), 1998, madrone burl, various from 6 × 6 × 6 to ⅜ × ⅜ × ⅜ inches. Gift of Fleur S. Bresler, 2021.76.01.
Natural Collector | Gifts of Fleur S. Bresler features around 15 artworks from the collection of Fleur S. Bresler, which include important examples of modern and contemporary American craft including wood and fiber art, as well as glass and ceramics. These works that were generously donated by contemporary craft collector Bresler to the Asheville Art Museum over the years reflect her strong interest in wood-based art and themes of nature.
According to Associate Curator Whitney Richardson, “This exhibition highlights artworks that consider the natural element from which they were created or replicate known flora and fauna in unexpected materials. The selection of objects displayed illustrates how Bresler’s eye for collecting craft not only draws attention to nature and artists’ interest in it, but also accentuates her role as a natural collector with an intuitive ability to identify themes and ideas that speak to one another.”
This exhibition presents work from the Collection representing the first generation of American wood turners like Rude Osolnik and Ed Moulthrop, as well as those that came after and learned from them, such as Philip Moulthrop, John Jordan, and local Western North Carolina (WNC) artist Stoney Lamar. Other WNC-based artists in Natural Collector include Anne Lemanski, whose paper sculpture of a snake captures the viewer’s imagination, and Michael Sherrill’s multimedia work that tricks the eye with its similarity to true-to-life berries. Also represented are beadwork and sculpture by Joyce J. Scott and Jack and Linda Fifield.
On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1
Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.
What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.
Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.
RACIAL JUSTICE WORKSHOP
Mar 22 @ 11:00 am – 12:30 pm
online w/ YWCA
Join us for our Winter 2023 Racial Justice Community Workshops. Our virtual 3-Part or in-person 2-part Racial Justice Training explores anti-Black racism, overlapping systems of oppression, and racial equity in Asheville and Buncombe County. Register here or contact us by email to schedule a Racial Justice Workshop specifically for your organization.
Stained with Glass: Vitreograph Prints from the Studio of Harvey K. Littleton Exhibition
Asheville, N.C.—The selection of works from the Asheville Art Museum’s Collection presented in Stained with Glass: Vitreograph Prints from the Studio of Harvey K. Littleton features imagery that recreates the sensation and colors of stained glass. The exhibition showcases Littleton and the range of makers who worked with him, including Dale Chihuly, Cynthia Bringle, Thermon Statom, and more. This exhibition—organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator—will be on view in The Van Winkle Law Firm Gallery at the Museum from January 12 through May 23, 2022.
In 1974 Harvey K. Littleton (Corning, NY 1922–2013 Spruce Pine, NC) developed a process for using glass to create prints on paper. Littleton, who began as a ceramicist and became a leading figure in the American Studio Glass Movement, expanded his curiosity around the experimental potential of glass into innovations in the world of printmaking. A wide circle of artists in a variety of media—including glass, ceramics, and painting—were invited to Littleton’s studio in Spruce Pine, NC, to create prints using the vitreograph process developed by Littleton. Upending notions of both traditional glassmaking and printmaking, vitreographs innovatively combine the two into something new. The resulting prints created through a process of etched glass, ink, and paper create rich, colorful scenes reminiscent of luminous stained glass.
“Printmaking is a medium that many artists explore at some point in their career,” says Hilary Schroeder, assistant curator. “The process is often collaborative, as they may find themselves working with a print studio and highly skilled printmaker. The medium can also be quite experimental. Harvey Littleton’s contribution to the field is very much so in this spirit, as seen in his incorporation of glass and his invitation to artists who might otherwise not have explored works on paper. Through this exhibition, we are able to appreciate how the artists bring their work in clay, glass, or paint to ink and paper.”
The Vanderbilts at Home and Abroad
Mar 22 @ 11:00 am – 7:00 pm
Biltmore Estate
Included with admission
Back by popular demand, The Vanderbilts at Home and Abroad exhibition offers guests:
An opportunity to view rarely-seen treasures from the Biltmore collection
A first-hand look at the Vanderbilts’ lifestyle
Deeper insights into George, Edith, and Cornelia’s personalities, both at home and on their extensive travels
Access to exhibitions at The Biltmore Legacy is included with Biltmore daytime admission.
Too Much Is Just Right: The Legacy of Pattern and Decoration
Mar 22 @ 11:00 am – 6:00 pm
Asheville Art Museum
In the past 50 years in the United States and beyond, artists have sought to break down social and political hierarchies that include issues of identity, gender, power, race, authority, and authenticity. Unsurprisingly, these decades generated a reconsideration of the idea of pattern and decoration as a third option to figuration and abstraction in art. From 1972 to 1985, artists in the Pattern and Decoration movement worked to expand the visual vocabulary of contemporary art to include ethnically and culturally diverse options that eradicated the barriers between fine art and craft and questioned the dominant minimalist aesthetic. These artists did so by incorporating opulence and bold intricacies garnered from such wide-ranging inspirations as United States quilt-making and Islamic architecture.
Too Much Is Just Right: The Legacy of Pattern and Decoration features more than 70 artworks in an array of media from both the original time frame of the Pattern and Decoration movement, as well as contemporary artworks created between 1985 and the present. The artworks in this exhibition demonstrate the vibrant and varied approaches to pattern and decoration in art. Artworks from the 21st century elucidate contemporary perspectives on the employment of pattern to inform visual vocabularies and investigations of diverse themes in the present day.
Artworks drawn from the Asheville Art Museum’s Collection join select major loans and feature Pattern and Decoration artists Valerie Jaudon, Joyce Kozloff, Robert Kushner, and Miriam Schapiro, as well as Anni Albers, Elizabeth Alexander, Sanford Biggers, Tawny Chatmon, Margaret Curtis, Mary Engel, Cathy Fussell, Samantha Hennekke, John Himmelfarb, Anne Lemanski, Rashaad Newsome, Peter Olson, Don Reitz, Sarah Sense, Billie Ruth Sudduth, Mickalene Thomas, Shoku Teruyama, Anna Valdez, Kehinde Wiley, and more.
This exhibition is organized by the Asheville Art Museum and guest curated by Marilyn Laufer & Tom Butler.
PacJAM Registration Open for Winter Session
Mar 22 @ 4:00 pm – 6:00 pm
Tryon Fine Arts Center
Building Community One Tune at a Time
Pacolet Junior Appalachian Musicians (PacJAM) provides an opportunity for area youth and adults to experience community through the joy of participating in traditional music.
PacJAM offers sessions each fall and winter/spring semester, as well as an intensive day camp one week each summer for youth.
Students of all skill levels ages 6-late teens and adults are invited to join us for instruction in traditional music. Click here to learn more.
Our winter program will run every Wednesday from January 18 – March 22 from 4:30 PM to 6:00 PM for Beginner & Intermediate students, & 4:00 PM to 6:00 PM for advanced students.
Proud recipients of the South Arts 2022
In These Mountains Projects Grant
Bountiful Cities FREE Workshop and Potluck
Mar 22 @ 4:30 pm – 6:00 pm
Stephens Lee (Multi-Purpose Room)
Stephens Lee (Multi-Purpose Room) Address: 30 George Washington Carver Ave.
Please join us for another Community Garden Network potluck/meetup and a 50 min workshop on Seed Starting presented by Laura Collins. Laura is the Vegetable Program Lead at Gaia Herbs and she will share a demonstration about some of the best ways to start seeds this time of year. Everyone is invited to this free workshop and potluck. Register today!
Craft Research Fund Talks: The Life and Legacy of Free Black Potter – Thomas W. Commeraw
Mar 22 @ 5:00 pm – 6:30 pm
Center for Craft
Join us for a Craft Research Talks program, featuring an intriguing discussion with potter, researcher, and Craft Research Fund recipient, Mark Shapiro, about his research on the complex history of potter Thomas W. Commeraw. Commeraw, who was born enslaved, rose to prominence as a free Black craftsman in the early decades of the nineteenth century. Shapiro recently presented his research in the first-ever exhibition on Commeraw at the New-York Historical Society, on view January 27 – May 28, 2023. He will be in conversation with his co-curators from the New-York Historical Society, Vice President and Museum Director Margi Hofer, and 2020 Craft Research Fund recipient and Mellon Foundation Postdoctoral Fellow in Women’s History and Public History, Allison Robinson. The panel will be joined by Center for Craft Grant Program Manager and craft practitioner Mellanee Goodman as the program moderator. Their conversation will be followed by an audience Q&A. Follow the link to learn more about the exhibition Crafting Freedom: The Life and Legacy of Free Black Potter Thomas W. Commeraw. https://www.nyhistory.org/exhibitions/crafting-freedom-thomas-commeraw1
Featured Participants:
Mark Shapiro, Researcher and Potter
Margi Hofer, Vice President and Museum Director, New-York Historical Society Museum & Library
Allison Robinson, Ph.D., Mellon Foundation Postdoctoral Fellow in Women’s History and Public History, New-York Historical Society Museum & Library
Craft Research Fund Talks: The Life and Legacy of Thomas W. Commeraw
Mar 22 @ 5:00 pm – 6:30 pm
online
The Craft Research Talk will feature an intriguing discussion with potter, researcher, and Craft Research Fund recipient, Mark Shapiro, about the complex history of potter Thomas W. Commeraw. Shapiro recently presented his research in the first-ever exhibition on Commeraw at the New-York Historical Society, on view January 27 – May 28, 2023. He will be in conversation with his co-curators from the New-York Historical Society, Vice President and Museum Director Margi Hofer, and 2020 Craft Research Fund recipient and Mellon Foundation Postdoctoral Fellow in Women’s History and Public History, Allison Robinson
The panel will be moderated by the Center for Craft Grant Program Manager Mellanee Goodman. Their conversation will be followed by a Q&A.
Craft Research Talks are virtual and free to the public. Please register through the link in our bio.
Craft Research Talks are supported by the Windgate Foundation.
Asheville Fringe Fest: ARTIST PARTY FT. POPUP PERFORMANCE PREVIEWS
Mar 22 @ 6:00 pm – 9:00 pm
Tyger Tyger Gallery
Join us as a hand-selected group of Asheville Fringe artists preview their shows. Food and drinks will be available.
Enjoy a night out with the WNC Nature Center! Start off with a champagne toast, followed by a step-by-step creative painting of one of our river otters!
Adults Only Trivia Night Asheville Pizza and Brewing Company
Mar 22 @ 6:30 pm – 8:15 pm
Asheville Pizza and Brewing Company
EVERY WEDNESDAY AT 6:30 pm ~ FREE!
AGES 18+ ADULTS ONLY ~ NO KIDS ALLOWED
ON OUR HUGE SCREEN IN THEATER 2!
ENJOY DINNER & DRINKS (FULL BAR) WHILE PLAYING
There are 3 rounds with new winners each round so you can show up late, miss a round and still be a winner. Plus, we have mid-round prizes to create as many winners as possible.
The questions are presented by a hilarious host on our giant movie screen and includes fun videos in each round. You haven’t played a trivia night like this one!
No Pressure, Tech Social Meetup
Mar 22 @ 6:30 pm – 8:30 pm
Mills River Brewing Co.
This is a casual meetup for developers, tech-minded pros, and geeks at any experience level. All are welcome and newcomers are welcome. Hope to see you there.
Mills River Brewing has a permanent food truck onsite.
Witty Wednesday Trivia
Mar 22 @ 6:30 pm
Sweeten Creek Brewing
Beat the mid week grind with some fun trivia! Win a $25 gift card for our taproom along with a $25 gift card from our resident kitchen, Bears Smokehouse BBQ!
Rita Felski, the John Stewart Bryan Professor of English at the University of Virginia, will present a lecture, “On Resonance,” at 7:00 p.m. on Wednesday, March 22, via Zoom.
Could the idea of resonance offer another slant on what’s defended, though also derided, as a “love of literature,” while also clarifying how critical theory can animate and captivate? Felski’s talk draws out affinities between the ideas of sociologist Hartmut Rosa and two novels—Stoner, by John Williams, and Theory, by Dionne Brand—that capture moments when words reverberate and come alive, portraying the transformative aspects of intellectual life as well as the alienating aspects of academic institutions.
IRISH MUSIC CIRCLE
Mar 22 @ 7:00 pm
White Horse Black Mountain
The traditional music of the mountains of North Carolina traces its roots back to the Celtic music of Ireland and Scotland. Traditional Celtic music is still played on the porches and in the pubs of the Celtic lands… and also throughout the southern Appalachian mountains.
In true pub fashion, White Horse Black Mountain hosts a traditional Irish style session twice a month, on the second and fourth Wednesdays, starting at 7pm….
……..and there is NO COVER CHARGE.
Sessions are in many ways the heart and soul of Irish traditional music, a place for players to share tunes and socialize. It’s not a performance, but rather an informal situation in which listeners are welcome to participate, whether offering encouragement, singing along on a chorus, or asking questions about the music and instruments. White Horse sessions regularly draws players from as far away as Waynesville, Cullowhee, Rutherfordton and even Clayton, Georgia.
The sessions are hosted by Richard and Melinda Halford.
Drop by for a beer or a cup of tea and get uplifted by some great traditional tunes and a few new songs.
Come join us in a long musical tradition spanning hundreds of years.
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Exhibition: Something earned, Something left behind
Exhibition: Crafting Denim
Food Scraps Drop Off: West Asheville Library
Healing Dolls Exhibition
Italian Renaissance Alive
Art Exhibit: RAUSCHENBERG: A Gift in Your Pocket
Asheville Gallery of Art “Awakenings” Group Show
Grand Opening of Emergency Tech Repair
Kids Storytime at Barnes and Noble
Luzene Hill: Revelate
Natural Collector | Gifts of Fleur S. Bresler
Pulp Potential: Works in Handmade Paper
Building Community One Tune at a Time
Bountiful Cities FREE Workshop and Potluck
