EVERY WEDNESDAY AT 6:30 pm ~ FREE!

AGES 18+ ADULTS ONLY ~ NO KIDS ALLOWED

ON OUR HUGE SCREEN IN THEATER 2!

ENJOY DINNER & DRINKS (FULL BAR) WHILE PLAYING

There are 3 rounds with new winners each round so you can show up late, miss a round and still be a winner. Plus, we have mid-round prizes to create as many winners as possible.

The questions are presented by a hilarious host on our giant movie screen and includes fun videos in each round.  You haven’t played a trivia night like this one!

This is a casual meetup for developers, tech-minded pros, and geeks at any experience level. All are welcome and newcomers are welcome. Hope to see you there.

Mills River Brewing has a permanent food truck onsite.

Beat the mid week grind with some fun trivia! Win a $25 gift card for our taproom along with a $25 gift card from our resident kitchen, Bears Smokehouse BBQ!

Every Wednesday Trivia Night

Alexis Castor, associate professor of Classics at Franklin & Marshall College, will present a lecture, “More Than Glitter: Ancient Jewelry in Greece and Italy” at 7:30 p.m. on Wednesday, March 22, in Highsmith Student Union, rooms 225-226.

Castor will address the multiple uses of jewelry and personal ornament in the ancient world. While such prestige goods have often attracted attention due to their material or craftsmanship, portable objects of gold, silver, amber and other materials often had a multiplicity of meanings for ancient people. Such objects could be used to express status but also frequently age, gender, and ethnicity. She will also discuss how people of all ages wore personal ornaments as protective amulets against harm, to show badges of office, to enchant, and as wearable wealth that could be melted down in times of crisis.

For more information, contact Laurel Taylor, assistant professor of art and art history, and president of the Western North Carolina Archaeological Institute of America Chapter, at [email protected].

– ALL AGES
– STANDING ROOM ONLY

SWEET PILL
Philadelphia’s Sweet Pill write eruptive emo songs that embrace the edges of pop and hardcore. The kind of band whose members are fully immersed in their local scene—through a handful of notable side projects and the show-promoting Philly staple 4333 Collective—the quintet’s sound takes wide-spectrum influence from its environment. The result is an amalgam of complex song structures and flourishes of technical acumen, wholly unconcerned with genre, yet evoking the specific styles of touchstones such as Paramore and Circa Survive.

On their debut longplayer Where the Heart Is, Sweet Pill’s unbound, raucous energy presents through ten autobiographical tracks that hinge on singer Zayna Youssef’s elastic, enrapturing voice—at times belting and controlled, at others textural and guttural. Supporting Youssef are guitarists Jayce Williams and Sean McCall, bassist Ryan Cullen, and drummer Chris Kearney. Their blistering lead single “Blood” sees Youssef exploring a deteriorated friendship over Williams and McCall’s trudging riffs and tactful counterpoint, with Cullen and Kearney rumbling nimbly in the song’s foundations.

Second single “High Hopes” counters with introspective, melodic punk that reshapes anxiety rather than succumb to it. But third single “Diamond Eyes” momentarily slows the pace, with McCall joining Youssef on vocals for a breakup lament laden with acoustic sentimentalism and an emotive flurry from guest flutist Jill Ryan. Such range is the central facet of Where the Heart Is, where Sweet Pill’s penchant for combining punkish tropes enlivened with the vibrance of math-rock and the aggression of post-hardcore sweetened with pop sensibility compound into something stylistically new yet still familiar.

Sweet Pill is Zayna, Jayce, Chris, Sean & Ryan

KEROSENE HEIGHTS
Kerosene heights is an emo band from Asheville North Carolina and make loud exciting emo punk that carries the torch of earlier emo bands. The energy of a sweaty basement show comes through even in their recordings with distorted twinkly riffs, yelled vocals, and raw production. Their debut LP comes out this summer on No Sleep Records.

Accessible gardens such as raised beds offer a chance for wheelchair bound and individuals with physical limitations grow vegetables and enjoy gardening. Join Extension Master Gardener Volunteer Alan Wagner and other members of the EMGV team in The Learning Garden for this program covering all the significant points on how to build an ADA compliant raised bed, including height, dimensions, and the materials to use.
Portions of this program may be held outside; please dress appropriately for the weather.
The presentation is free, but attendance is limited and registration is required.

We are seeking volunteers to assist us in our small after school program for children in West Asheville in low-income housing.  We provide a safe and nourishing environment, healthy snacks, and creative activities.  Our program currently meets during the school year on most Tuesday and Thursday afternoons from 3:00-5:00pm. You may volunteer for one or two days a week. 

Volunteer Responsibilities:

• Assist with serving snacks
• Interact with children during activity time
• Supervise games and outdoor free time
• For people with background in education, there is also an opportunity to assist with curriculum development and program planning and administration

Requirements:

• Background check
• Orientation booklets will be provided
• Masks are required if unvaccinated

Every Thursday Live Music with Aaron Lafalce at 131 Main Restaurant, 6:00 p.m.

Trivia, Singo, tailgate games, and more! Our games are sure to challenge you, but c’mon… it’s not rocket science!

LED BY ELLE BLACKBURN, O&G BAR MANAGER

Sure, we all want to feel like James Bond and order our martinis “shaken, not stirred,” but we aren’t teaching you how to shake your martinis in this class! Since February’s class sold out, we’re bringing Martinis back to our lesson plans. Stir your way to the perfect martini and join us on March 23rd as we explore gin, vermouth, bitters, and brine as they come together to create a beautiful, icy-cold, slow sipper. March 23rd’s Cocktail Class, “Stirred, Not Shaken” will focus on the art & science of creating this timeless stirred cocktail fit for an international secret agent.

Come find out what all goes into stirring up this first-class libation at March’s Cocktail Class: “Stirred, Not Shaken”. We’ll take a deep dive into classic stirred martinis: from the dry to the dirty (ain’t no Espresso Martinis in this class!) There are options for both paired and solo tickets, so if you’re coming with a friend, please make sure you purchase the correct ticket. One ticket per participant is required. Classes are capped at a maximum of 12 people per class.

Please direct any and all questions to [email protected] and we’ll be sure to get back to you as soon as possible!

WHAT YOU’LL NEED TO KNOW

All O&G Cocktail Classes are 21+. Photo IDs are required to participate in our Cocktail Classes so make sure you bring yours to each class. Don’t forget to arrive early to get settled in & sip on a cocktail before the class starts.

Please reach out to [email protected] about any allergies or accessibility accommodations when booking the event and we will do our best to accommodate.

Doors open at 6:30 pm before the start of the event and will start promptly at 7:00 pm. Classes are taught in pairs and make for the perfect night out for couples, besties, or families. Paired tickets are offered at a discounted price!

There are options for both paired and solo tickets, so if you’re coming with a friend, please make sure you purchase the correct ticket. One ticket per participant is required. Classes are capped at a maximum of 12 people per class.

Oak and Grist Distilling Co. reserves the right to refuse service to any guest who appears or acknowledges to be intoxicated.

All cocktail class students will receive a complimentary barware goodie, take-home recipes, a hand-crafted cocktail, & a 15% discount in our Bottle Shop so you can keep your home bar stocked!

– ALL AGES
– STANDING ROOM ONLY

AVEY TARE
You remember how it was, don’t you, back in the Spring of 2020? Knowing so little about what any of us should do, so many of us crawled inside our quarters to find new obsessions or indulge the familiar ones, unencumbered by anything else we could do. At home in the woods on the eastern edge of Asheville, N.C., Avey Tare took the latter path, sequestering himself in his small home studio to sort the songs he’d written and recorded with friends in the instantly distant before times — Animal Collective’s Time Skiffs, of course, their astonishing document of communal creativity a quarter-century into the enterprise. He often worked there for 12 hours a day, tweaking mixes alone, save the birds and bears and his girlfriend, Madelyn. By Fall, though, it was done, so what next? How else should Avey now occupy himself in his cozy little room? The answer became 7s, his fourth solo album (and first in four years), an enchanting romp through the playground of his head. He wasn’t, however, going to do it alone.

During the first week of January 2021, Avey began making regular drives to his friend Adam McDaniel’s Drop of Sun Studios to give guts and flesh and color to the skeletal demos he’d made at home. They turned first to “Hey Bog,” a tune Avey had been tinkering with since he wrote it to have new material for a rare live performance years earlier. The inquisitive electronic meditation — all tiny percussive pops and surrealist textures at first — slowly morphs into a gem about surrendering cynicism and accepting the world a bit more readily, the call buttressed by trunk-rattling bass and spectral guitar. It feels like a lifetime map for new possibilities, encapsulated in nine absorbing minutes. The plot for 7s, then, was set: trusting, intuitive, exploratory collaboration among friends, after a Winter without it. These songs are like overstuffed jelly jars, cracking so that the sweetness oozes out into unexpected shapes. Still, the sweetness — that is, Avey’s compulsory hooks — remains at the center, the joy inside these Rorschach blots.

If Animal Collective has forever been defined by its charming inscrutability, Avey surrenders to a new intimacy and candor with 7s. Take “The Musical,” a bouncing ball of rubbery synths and wah-wah guitars that contemplates what draws someone to sound and how turning that calling into a profession can alter the source. “I can hear the mountains singing,” he counters with an audible smile wiped across his face, painting a postcard of his home amid one of the United States’ folk hubs, “and I do believe they could do that forever.” Obligations aside, this is a self-renewing love, he realizes, the source as captivating as it was the first time. “Have you ever felt a thing and known that’s how you felt about it all along?” he ends this guileless love song for everything.

tickets: https://www.etix.com/ticket/p/7309877/moe-asheville-the-orange-peel?partner_id=240&_gl=1*19rwcag*_ga*NzEwNTk2MDczLjE2NTgzNDU0NDY.*_ga_YTKQGJMDFL*MTY3ODk3NzcxNi4xLjAuMTY3ODk3NzcxNi4wLjAuM