Learn Asheville’s history, discover hidden gems, and laugh at LaZoom’s quirky sense of adventure.

• Guided comedy tour bus of historical Asheville
• 90-Minutes – tours run daily
• 15-minute break at Green Man Brewing
• $39 per person (ages 13+ only)

Tyger Tyger Gallery is pleased to present Reckoning: Adornment as Narrative, a group exhibition curated by Asheville-based artist and curator Erika Diamond.

Reckoning: Adornment as Narrative is an exhibition of diverse practices, anchored at three points: methods of reckoning; the function of adornment; and the fusing of personal and cultural narrative. It features acts of glitz, embellishment, and homage by Shae Bishop, David Harper Clemons, Kashif Dennis, Annie Evelyn, Margaret Jacobs, Julia Kwon, Katrina Majkut, Heather Mackenzie, and Luis Sahagun. Through material language, each artist tells the story of their identity. Inherent to these stories are contradictions—between labor and value, feminine and masculine, natural and fabricated.

Join us in the Community Room of the Black Mountain Public Library (105 N. Dougherty Street, Black Mountain, NC 28711) from 10-1 on Saturday, December 2 for the Friends of the Black Mountain Library Holiday Book Sale. This sale features a large selection of military books (some fiction but mainly non-fiction), bookish gift baskets, jigsaw puzzles and vintage/collectible books. You’re sure to find some great books for reading and gifting from our selection of fiction, non-fiction, and children’s books. If you’re a member of the Friends of the Black Mountain Library you can enter early and start your shopping at 9:30! And after you’ve shopped till you’ve dropped at the Holiday Book Sale, spend the day in Black Mountain and enjoy the Black Mountain Christmas Parade that starts at 4. The Friends of the Library parade float is sure to put you in the holiday spirit.

Can’t make it to the Book Sale on December 2? The Friends of the Library operates an in-library permanent store open during regular library hours. You can also shop online for special finds, antique, collectible, and vintage books at our two Etsy shops:

Black Mountain Reads (https://www.etsy.com/shop/BlackMountainReads?ref=shop_sugg)

FOL Black Mountain
(https://www.etsy.com/shop/FOLBlackMountain?ref=shop_sugg)

The Peppermint Bear Scavenger Hunt will take you on a fun-filled bear hunt through downtown Hendersonville looking for Peppermint Bear’s lost bear cubs, who are hiding out in the shops, Get your map at the Visitor Center, then head out to find all of the cubs and get a stamp at each location after you’ve found the bear, return completed entry forms to the Visitor Center to be eligible for great prizes!

Bargain Hendo Thrift Store will be permanently closing its doors on December 13th.
• WNCSource operates the small thrift store which is located on the corner of King Street
and 2nd Avenue in Hendersonville.
• Bargain Hendo first opened in December of 2020 and was meant to support the programs
and services WNCSource provides in 4 western North Carolina Counties. Unfortunately,
low sales and competition from other local thrift stores has made the store less than
profitable.
• But don’t worry, starting Thursday, November 2nd, Bargain Hendo will be open
Wednesdays through Fridays 10AM to 4PM and Saturdays from 10AM to 2PM with some
incredible bargains and sales to clear the shelves.
• Bargain Hendo’s last day is December 13th

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community. The first weekly Coffee is Saturday, August 20 at 9 am. No RSVP needed, just drop by! Free parking available on Melrose Avenue, behind and alongside TFAC.

Images: Left: Minna Wright Citron, Squid Under Pier, 1948, color etching, soft-ground, and engraving on paper, edition 42/50, 15 x 17 7/8 inches, 2010 Collections Circle purchase, Asheville Art Museum. © Estate of Minna Citron/Licensed by VAGA at ARS, New York. Right: Dorothy Dehner, Woman #2, 1954, watercolor and ink on paper, 22 3/4 x 18”, courtesy of Dolan Maxwell.

The Asheville Art Museum is pleased to announce the upcoming exhibition American Art in the Atomic Age: 1940–1960, which explores the groundbreaking contributions of artists who worked at the experimental printmaking studio Atelier 17 in the wake of World War II. Co-curated by Marilyn Laufer and Tom Butler, American Art in the Atomic Age which draws from the holdings of Dolan/Maxwell, the Asheville Art Museum Collection, and private collections will be on view from November 10, 2023–April 29, 2024.

Atelier 17 operated in New York for fifteen years, between 1940 and 1955. The studio’s founder, Stanley William Hayter (1901–1988) established the workshop in Paris but relocated to New York just as the Nazi occupation of Paris began in 1940. Hayter’s new studio attracted European emigrants like André Masson, Yves Tanguy, and Joan Miró, as well as American artists like Dorothy Dehner, Judith Rothschild, and Karl Schrag, allowing for an exchange of artistic ideas and processes between European and American artists.

The Asheville Art Museum will present over 100 works that exemplify the cross-cultural exchange and profound social and political impact of Atelier 17 on American art. Prints made at Atelier 17—including those by Stanley William Hayter, Louise Nevelson, and Perle Fine—will be in conversation with works by European Surrealists who were working at the studio in the 1940s and 1950s. The exhibition will also feature a selection of domestic mid-century objects that exemplify how the ideas and aesthetics of post-war abstraction became a part of everyday life.

Throughout the history of painting from the mid-19th century forward, artists have used an endless variety of approaches to record their world. Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting continues this thread, offering an opportunity to explore a singular and still forceful aspect of American art. Photorealism shares many of the approaches of historical and modernist realism, with a twist. The use of the camera as a basic tool for organizing visual information in advance of painterly expression is now quite common, but Photorealists embraced the camera as the focal point in their creative process. Beyond the Lens presents key works from the collection of Louis K. and Susan Pear Meisel, bringing together paintings and works on paper dating from the 1970s to the present to focus on this profoundly influential art movement. The exhibition includes work by highly acclaimed formative artists of the movement such as Charles Bell, Robert Bechtle, Tom Blackwell, Richard Estes, Audrey Flack, and Ralph Goings as well as paintings by the successive generations of Photorealist artists Anthony Brunelli, Davis Cone, Bertrand Meniel, Rod Penner, and Raphaella Spence. Featured artworks in the exhibition include diverse subject matters, but the primary focus is on the common and every day: urban scenes, “portraits” of cars, trucks, and motorcycles, still life compositions using toys, food, candy wrappers, and salt and pepper shakers. All provide opportunities for virtuoso studies in how light, reflection, and the camera as intermediary shapes our perception of the material world. This multigenerational survey demonstrates how the 35-mm camera, and later technological advances in digital image-making, informed and impacted the painterly gesture. Taken together, the paintings and works on paper in Beyond the Lens show how simply spellbinding these virtuosic works of art can be. “Beyond the Lens offers a fascinating look into the Photorealism movement and delves into the profound connection between the artists’ observation and creative process,” says Pamela L. Myers, Executive Director of Asheville Art Museum. “We are delighted to present this curated collection of artworks encapsulating the creative vision and technical precision that defines this artistic genre.” Photorealism found its roots in the late 1960s in California and New York, coexisting with an explosion of new ideas in art-making that included Conceptual, Pop, Minimalism, Land and Performance Art. At first, representational realism coexisted with the thematic and conceptual explosion but was eventually relegated to the margins regarding critical and curatorial attention. Often misunderstood and sometimes negatively criticized or lampooned as a betrayal of modernism’s commitment to abstraction, the artists involved in Photorealism remained committed explorers of the trail they had blazed. In the decades of the late twentieth century and early twenty-first century, realistic and symbolic painting experienced a renaissance, as contemporary artists are increasingly drawn to narrative and storytelling. Concurrently, using a camera as a preparatory tool equally legitimate and valuable as pencils and pens has made the rubric of Photorealism increasingly relevant. This exhibition is organized by the Asheville Art Museum and guest curated by Terrie Sultan. This exhibition is sponsored in part by Jim and Julia Calkins Peterson.

Opening Reception for the Artist Nov. 3, 6-8PM.

Tracey Morgan Gallery is pleased to present A Mirror, Not a Window, an exhibition of new and recent work by artist Hannah Cole. This is Cole’s second solo exhibition with the gallery. A reception for the artist will be held Friday, November 3 from 6-8PM.

This collection of paintings and sculptures continues Cole’s interest in creating, completely by hand, reproductions of small details and objects culled from her everyday life, turning the viewer’s attention to often overlooked aspects of our surrounding environment and reframing the very definition of representational art. With nods to pop art, trompe l’oeil, and modern American painters, Cole poses big questions about the nature of the artist’s hand, and the drive to (re)create.

A grouping of wall sculptures of nearly exact replicas of books which are hand-painted on wood blocks are included in the exhibition. These books are all non-fiction, mostly art related, though now un-readable. Instead of looking to books for answers, these objects force the viewer to provide the substance. The most self-referential of the group is Jean Baudrillard’s Simulacra and Simulation in which the French philosopher talks in dense prose about our culture of signs and signals eventually becoming copies without any originals. In Cole’s tongue-in-cheek nod, her faithful replica of Baudriallard’s philosophical work becomes an art object whose meaning has shifted completely from the original. Cole’s painted wood block cannot be read and has no actual utility at all, except as an object to contemplate.

A recurring element in Cole’s paintings is a hand-rendered tape measure running along the edge of her canvases. By including this common, easily recognizable object, Cole calls to question the “truth” of representation. Can we trust these measurements simply because they have identifiable markings? Other paintings on Styrofoam show painted wood grain edges, subverting the viewer’s expectation of where the painting itself is, and what it’s made of. We expect a painting to be on the outward-facing surface, but what if the faithful representation is painted on the sides?

In this contemporary age of Artificial Intelligence flooding us with copies, reproductions, fakes, and deliberate decep-tions, anxieties regarding authenticity and authorship run high. Cole’s work invites contemplation of these deeply philosophical issues with a playful tone, presenting serious questions by way of common objects.

Hannah Cole studied at Yale University and Boston University. Her work has been exhibited at The Turchin Center for Visual Arts, NC; the Drawing Center, NY; the University of Maine Museum of Art; the Sherman Gallery at Boston University, MA; Tiger Strikes Asteroid, Greenville, NC; and the North Carolina Museum of Art, Raleigh, among other national and international institutions. She currently lives and works in Asheville, NC.

Kids’ Comedy Tour: Wildly funny, this educational and entertaining tour features the perfect blend of Asheville’s history and kid-centric comedy. Geared specifically toward the 5–12 year old crowd, you’ll explore the town with our famously outlandish tour guides leading the way.

• Perfect for birthday parties
• Makes for memorable school field trips
• Tickets are $27 per person
• Beverages available for purchase at the LaZoom Room
• Departs from 76 Biltmore Avenue

A truck from Iron Mountain will SHRED YOUR IMPORTANT DOCUMENTS in front of you. Destroy old tax records, bills, receipts, receipts, etc. NO X-RAYS! $10 for each box or bag.

We will set our goals for getting out the 2024 vote, hearing from candidates, and getting outside to canvass in Precinct 9.1.

Who should attend: Precinct 9.1 members and anyone who wants to volunteer in 9.1

Romare Bearden (Charlotte, NC 1911–1988 New York, NY), African American writer and artist, is renowned for his collages. He constantly experimented with various techniques to achieve his artistic goals throughout his career. This exhibition highlights works on paper and explores his most frequently used mediums, including screen-printing, lithography, hand-colored etching, collagraph, monotype, relief print, photomontage, and collage.

Bearden’s work reflects his improvisational approach to his practice. He considered his process akin to that of jazz and blues composers. Starting with an open mind, he would let an idea evolve spontaneously.

“Romare Bearden: Ways of Working highlights Bearden’s unique artistic practice and masterful storytelling through art,” says Pamela L. Myers, Executive Director of the Asheville Art Museum. “We are thrilled to collaborate with Jerald Melberg Gallery to present these extraordinary works on paper in conversation with Bearden’s collage Sunset Express, 1984 in the Museum Collection (on view in the Museum’s SECU Collection Hall). This exhibition will also provide a glimpse into the cultural histories and personal interests that influenced his art-making practice, and we hope it encourages introspection and dialogue with our visitors.”

Jerald Melberg states, “Romare Bearden’s groundbreaking artistic practice continues to captivate audiences worldwide. With an unparalleled legacy of creativity and innovation, Bearden’s contributions to art remain deeply influential years beyond his life.” We have enjoyed organizing this exhibition with the Asheville Art Museum to showcase his artistic genius and inspire visitors from the Western North Carolina region and beyond.”

This exhibition is made possible in part by the Judy Appleton Fund. Many thanks to the Jerald Melberg Gallery for the loan of these important artworks and to Mary and Jerald Melberg for their long-standing support of the arts, artists, and the Asheville Art Museum.

Tracey Morgan Gallery is pleased to present an exhibition of paintings by artist Stella Alesi in our project space. This is Alesi’s first exhibition with the gallery and is presented in conjunction with Hannah Cole: A Mirror, Not a Window in our main gallery space. A reception for both artists will be held Friday, November 3 from 6-8PM.

The works on view are from the SQUISHY series, a group of geometric, abstract oil on oil paper paintings. With the use of simple shapes and a limited color palette, these works explore the visceral experience of living at this current moment. Alesi’s colorful, “squishy” shapes bend to the demands placed on them by their seemingly heavy, unforgiving counterparts. With this work, Alesi confronts contemporary issues such as climate change and political turmoil, as well as personal trials, using basic shapes, both hard and malleable to express a state of being. The shapes are gestural, fluid, and animated – sometimes resembling body parts even in their minimalism. The effect is a playful interpretation of heavy topics – a visual play on the deep and multi-layer well of human emotions.

Stella Alesi works across several styles and mediums, including drawing, painting, photography, collage, and large wall works. Their practice is characterized by a willingness to try new approaches in the ongoing investigation into new materials and visual languages, always exploring new ways to represent the visceral nature of the human experience. Born on Long Island, New York in 1963, Alesi was raised in New Jersey. They studied at Parsons School of Design, New York City; University Hampshire, Durham; and University of Massachusetts, Amherst. Their work has been purchased by many private and commercial collections. Career highlights include a recent solo exhibit (spring of 2023) at the Northern-Southern gallery, Austin, TX and a large-scale permanent installation in the lobby of The Foundry, Austin TX. Alesi currently lives and works in both Austin, TX and Asheville, NC.

It’s beginning to look a lot like…you got it! Keep the family tradition going. Same great quality, all new show! Come celebrate the season here on ‘The Rock’ with the always popular A Flat Rock Playhouse Christmas! Join in and sing along to some of your favorite holiday tunes like, “The Most Wonderful Time of the Year,” “Jingle Bells,” “O Holy Night,” and many more. With an incredible cast

featuring dancers from Pat’s School of Dance and the Flat Rock Playhouse Chorus, there is truly no better way to kick off your holiday season!

Kick-off your holiday festivities by celebrating the lighting of our Biltmore Park Christmas tree. Come make memories in our Winter Wonderland, featuring complementary entertainment including, aerial performers, face painting, a fun photobooth, interactive arts & crafts, hot chocolate and cider, and our favorite special guests, Santa Claus and Mrs. Claus, who will be on hand to take pictures with your family from 3-6pm.

A GREAT WAY TO KICK OFF THE HOLIDAY SEASON!

Expect the brilliantly unexpected from Asheville Contemporary Dance Theatre’s twelfth annual performance of The Nutcracker and the Mouse King. ACDT has surprised audiences over the years with their original version of The Nutcracker. Though The Nutcracker is one of the world’s most famous ballets, if it is performed by ACDT you can guarantee it is something you haven’t seen before. Their version couldn’t be farther from Tchaikovsky’s famous ballet. It is based on the original story written in 1816 by German author E.T.A. Hoffmann.

“I always want to go back to the original story,” artistic co-director Collard says. “The characters and the story are always so much more interesting.” Take, for example, the King and Queen of Sausages, who have surprised and delighted audiences with delightful humor, and the party guests wrapped in gorgeous costumes dancing a wild and wonderful polka. And then there is the famous Mouse King and his lovely wife and their numerous children creating havoc all over the ballet, with magical aerialists flying over head creating a surrealism to visually delight all ages.

Asheville Contemporary Dance Theatre (ACDT) is a non-profit professional dance company created in 1979. As western North Carolina’s first professional modern dance company, they believe that everything everywhere is dance and everyone is a dancer. ACDT is devoted to local and international work, forging collaborations and partnerships between Asheville artists and dance artists from around the world.

It is Christmas Eve and Clara and her brother, Fritz, are excited for the evening’s festivities to begin.  Family and friends arrive in Greenville by train and admire the sights and sounds of beautiful Main Street.  Clara’s magician Godfather, Herr Drosselmeyer, arrives and brings gifts for everyone.  For Clara, he has a very special nutcracker.  The celebration continues as all enjoy an evening of laughter and dancing.  As one of the maids joins in on the dancing, she bonks Herr Drosselmeyer on the head in her excitement and he is knocked unconscious.

A magical star enters to guide Herr Drosselmeyer on a beautiful journey of Clara’s future.  After all the guests have left, a lonely maid tidies up the room.  She screams in fright as mice invade from every direction.  The nutcracker doll, now life-sized, comes to save the day with an army of soldiers.  A fierce battle between the mice and soldiers ensues.  The Mouse King has The Nutcracker cornered, but Clara strikes the rodent and saves her Nutcracker who is transformed into a handsome prince. Herr Drosselmeyer’s journey continues with visions of beautiful angels and the well known Mice on Main in downtown Greenville.  The city’s rich culture appears through Spanish, Arabian, Chinese, and Candy dancers as well.

Herr Dosselmeyer’s glimpse into Clara’s future happens upon her Debutante Ball complete with elegant waltzing dancers. The loving Godfather has watched his precious Clara’s coming of age and finds himself on her wedding day.  The grown-up Clara is a beautiful bride and marries her dashing Nutcracker Cavalier.  The magical wedding is one only dreams are made of.  Or is it just a dream?

Music by Pyotr Ilyich Tchaikovsky(1840-1893)

The libretto is adapted from E.T.A Hoffmann’s story The Nutcracker and the Mouse King. Choreography by Hernan Justo is based on the original Marius Petipa and Lev Ivanov. Additional choreography by Anita Pacylowski Justo

Get ready to embrace the spirit of Christmas with Elf: The Musical, a heartwarming and hilarious adaptation of the beloved 2003 holiday film. This enchanting musical follows the journey of Buddy, a human raised by elves at the North Pole who embarks on a journey to New York City to find his real father. Through catchy, uplifting songs and zany comedic antics, Elf: The Musical serves a healthy dose of holiday cheer, laughter, and life lessons about identity, family, and the true meaning of Christmas. It’s a magical, festive spectacle guaranteed to light up the holiday season for all ages!

A talkback with the cast & crew of Elf: The Musical will be held following the performances on December 3rd and 10th.

INDIE Award-winning guitarist and longtime Asheville favorite Robin Bullock celebrates the season with carols and dances spanning over 600 years, drawing from his popular holiday recordings A Guitar for Christmas and Christmas Eve is Here. Internationally recognized as a master Celtic instrumentalist, Robin’s virtuosity on guitar, cittern and mandolin creates an unforgettable Christmas event.
St. Mary’s Episcopal Church
337 Charlotte Street, Asheville 28801
Limited seating! Thank you for reserving in advance.

Pan Harmonia offers donation-based, pay-as-you-can community concerts. All are welcome.

A battle for your soul is being waged from an office in hell! Recommended for ages 13+. Children under age 4 are not admitted.

Don’t miss The Screwtape Letters, the provocative, faithful, and wickedly funny theatrical adaptation of C.S. Lewis’ classic novel about spiritual warfare from a demon’s point of view.

The Screwtape Letters creates a topsy-turvy, morally inverted universe, set in an eerily stylish office in hell, where God is called the “Enemy,” and the devil is referred to as “Our Father Below.” The play follows His Abysmal Sublimity, Screwtape, as he strives to ruin the life and damn the soul of an unsuspecting human on earth.

Based on the book by the creator of The Chronicles of Narnia, The Wall Street Journal called it, “One hell of a good show!” Newsweek ranked it among the best productions of the year in New York City. The New York Times found it, “Clever and satirical,” and Christianity Today said it is a “Profound experience.”

The Screwtape Letters has played to capacity audiences in major cities across the U.S., including New York, Los Angeles, San Francisco, Atlanta, Boston, Salt Lake City, Orlando, Seattle, Dallas, and in London. Over 500,000 people have seen the production, which continues to attract a national following.

Starring Brent Harris as Screwtape (Scar in The Lion King national tour), it is directed by Fellowship for Performing Arts Founder and Artistic Director Max McLean.

The sisters of Johnson Family Farm invite you to their first
annual Village Nights, Saturday, December 2 and Saturday, December 9 from 5pm-9pm.
The holiday festivities will highlight the store located at 1202 Kanuga Road in
Hendersonville.
Fresh Fraser Fir trees, wreaths, garland and a bow and ribbon bar will be featured along
with tasty treats, hot cocoa and reindeer games for the kids.
The destination will also be a fun stop to take in while visiting various decorated homes
and businesses such as Johnson Family Farm in this year’s Henderson County Holiday
Light Trail.
“We’re going to decorate this place up to get everyone in the holiday spirit,” said Heather
Johnson Price, one of the sisters and owners. “We want to put this event on to connect
with the community and have an ole timey Christmas, go back to the basics.”
Get creative at the ribbon bar as you can buy various colored ribbon by the yard and
make your own bow. Local artisan crafts and gift baskets are available for purchase.
Fresh local vegetables are still available.
Normal store hours remain in effect from Tuesday- Friday 10am-5pm and Saturday 9am-
1pm.
For more information visit www.johnsonfamilyfarmnc.com or call 828-484-2522.